parhelic shell - Spath

MODERN COLLAPSE - USUAL CASE SCENARIO
(DAWN014)
100 limited copies
CD
@modern-collapse
Produced by Gabriel De Sercey & Hugo Fabry
Mastered by @lastrackqlf
Photos by Melchior Tersen
Design by Hajj
Dawn 2022

Modern Collapse - Rush

++ PRESENTATION ++

Scores +°-  glyphs to sounds !

+°°+--+
Scores is a compilation exploring musical notations and how they can be interpreted as sounds. People have always tried to translate sonic expressions into visual cues that could be archived, passed down, and transformed back into music. 

From symbols to numbers, grids, staffs, figures or abstract shapes, several languages have been developed and continuously questioned to improve the ability to retain the emotion and meaning sounds can convey - what lies behind the veil.
 
What if this time, the notation would come beforehand?

+°°+--+
The project unfolded in two phases. In the first one, visual artists from the Global URL Nation could propose one sheet of music score, free of interpretation. They were invited to play with musical notations and explore what it would even mean.
–
It welcomed chaggrin, Eurrope, M4X1US, MYEN, s1m0nc3ll0 & Ziyiz for 6 sheets


+°°+--+
In the second phase, artists from GUN could pick one sheet and create a track trying to follow it as much as possible. It invited them to question music as a physical object, with its shapes, colors, textures and layers with the following :

__How is the overall composition? Are there any axis or lines that could be interpreted as a timeline or a melodic scale?
__How many discrete elements are in the image? How are they laid out?
__What are the shapes involved?  What is their scale? Do they have sharp or blurry outlines?
__What are the colors/textures used? How do they relate with each other in terms of tones, contrasts…?
__How are the different elements layered on top of each other? Are they superimposed or do they merge in some way?
__How would they translate them in musical terms, such as textures, notes, structures, timbres, rhythms, dynamics? 

It welcomed Bademjan, Baje Nunca, C+Vis, Capiuz, Clair X, C.T.A.A.M.  Ecovoron, Epiphagi, HeedLess, Mambo Kahn, migu, POL100, Yau Hei ASJ & Ziyiz for 14 tracks ranging from ethereal scorescapes to hyperstimulating scratches. Sounds and shapes weave together, blurring the boundaries between the two media to create one whole entity

+°°+--+
With Scores, we invite you to seek the music that can be hidden in our surroundings, to decrypt and hear the phantom scores one can find in every shape, every color and every little visual detail __ open your ears and see the sounds, sometimes music lies in a simple fold of clothing


++ TRACKLIST ++

__((Sheet A by chaggrin))
A1. Clair X - Unravel
A2. migu - Red for Funeral
A3. Epiphagi - Everything We've Come To Be

__((Sheet B by Eurrope))
B1. Bademjan - Wrinklenest
B2. Yau Hei ASJ - Jigsaw Puzzle

__((Sheet C by s1m0nc3ll0))
C1. Ecovoron - Burning Shide
C2. C.T.A.A.M. - A-L

__((Sheet D by MYEN))
D1. Capiuz - Dreamer of Nightmares
D2. POL100 - Butterfly Wall

__((Sheet E by Ziyiz))
E1. Baje Nunca - En Blue Gray et DVD
E2. HeedLess - Incomprensibile

__((Sheet F by M4X1US))
F1. Mambo Kahn - Celestial Arson
F2. C+Vis - Untitled
F3. Ziyiz - Skies Inside (Ring The Bell)


++ CREDITS ++ 

Music sheets created by chaggrin, Eurrope, M4X1US, MYEN, s1m0nc3ll0 & Ziyiz. 

Tracks produced by Bademjan, Baje Nunca, C+Vis, Capiuz, Clair X, C.T.A.A.M.  Ecovoron, Epiphagi, HeedLess, Mambo Kahn, migu, POL100, Yau Hei ASJ & Ziyiz. 

Common cover by Griigg
https://www.instagram.com/griigg

Mastering by Ioannis Nafpliotis
https://www.instagram.com/iamxato/

DOWNLOAD

F3. Ziyiz - Skies Inside (Ring The Bell)

After a five-year hiatus, Isaka returns with ‘Elytra’, a work exploring the increasingly blurred lines between organic and artificial realities. In her self-defined 'hyperbass', 'Elytra' blends low-end grit with a melodic pop sheen, morphing erratic rhythms, intricate sound design and hyperpop vocals that balance formal sensibilities and visceral club energy. 
Isaka underwent the transformative experience of medical transition during her move to Berlin and this radical change emerges in the thematic exploration of Elytra. 
Isaka uses insect moulting as a metaphor for the cyclical, often traumatic process of metamorphosis and the EP’s exploration of adaptation and articulation where skin is not only a boundary of the self, but also the interface for our surroundings. 
Themes of evolving identity are woven not only into the music but also into the visual art, zine & custom website accompanying the release. A different character represents each of the tracks, brought to life through a deep iterative process involving collages, sketches, and an array of AI-assisted 3D imagery. Limited-edition electronic sculptures will also be produced for ‘Elytra’.

Tracks in focus

Bubbly textures and frenzied drum cuts move side-by-side with NPC inspired vocal chops in opening track Slang Overload. Made in collaboration with TRYCE over an intense three-day session in 2023, it’s a nod towards glitch-hop revival with elements of UK Bass, packed with meticulously sculpted and destroyed sounds.

In Circuit Shaker we enter metallic low-end stepper territory: celestial tripped-out highs and a driving low end. We are cohabiting with lesbian androids at a picnic. With its off-kilter grooves and tender strangeness, Circuit Shaker embodies the inherent weirdness of intimacy—the paradoxical freedom of losing yourself when the boundaries blur between who's wearing who. The track, which first began in 2018, is a footwork, house, and electro-inspired tune which transitions between two sections at 120 and 160 BPM through polyrhythmic syncopation.

Isaka and Enayet combine for the third track, NYC 2016, a wigged-out hard hitter where drums are the main character. NYC 2016 is the ultimate DJ tool—a sonic exoskeleton whose essence straddles alienation and empowerment. Forged through countless late-night sessions with Enayet between 2016 and 2017, this track embodies the raw energy of a city’s underground dance scene where jackhammer kicks and clattering snares assault the senses. 

7Qubit explores dehumanization through platform capitalism and is alive with bugs and the quirks of  the obsessive virtualisation of the self. Imagined through a 15/4 time signature grime beat and echoes of malfunctioning code, Isaka hints at our endangered humanity. Isaka’s vocals about missing her chatbot girlfriend are processed through AI models and auto-tune, blurring the line between the organic and the synthetic. 

The final track on ‘Elytra’ takes you to the edge where all the layers fall away and what remains is the raw and unadorned self. Glittering ethereal textures are underpinned by an engulfing bass section that reverberates against the edges of the song. With its poignant melodies and delicate yet impactful percussion, Precipice is a meditation on a moment of self-realization. The track builds towards an overwhelming wall of sound before dropping into a stark sample: “Being trans… is spiritual.” Featuring quotes from Hunter Schafer’s character Jules in Euphoria, processed through an AI model trained on Isaka’s voice, this track explores the complexities of identity and self-discovery.

NYC 2016

𝙿𝚛𝚘𝚖𝚙𝚝: 𝙱𝚒𝚘𝚗𝚒𝚌𝚕𝚎 𝚃𝚊𝚖𝚊𝚐𝚘𝚝𝚌𝚑𝚒 𝚑𝚢𝚋𝚛𝚒𝚍, 𝚗𝚞𝚌𝚕𝚎𝚊𝚛-𝚙𝚘𝚠𝚎𝚛𝚎𝚍 𝚌𝚑𝚒𝚖𝚎𝚛𝚊 𝚘𝚏 𝙱𝚕𝚞𝚎-𝙴𝚢𝚎𝚜 𝚆𝚑𝚒𝚝𝚎 𝙳𝚛𝚊𝚐𝚘𝚗 𝚊𝚗𝚍 𝚂𝚕𝚊𝚢𝚚𝚞𝚊𝚣𝚊, 𝚜𝚑𝚛𝚎𝚍𝚍𝚎𝚍 𝚜𝚘𝚞𝚗𝚍 𝚍𝚎𝚜𝚒𝚐𝚗 𝙰𝚋𝚕𝚎𝚝𝚘𝚗 𝚝𝚒𝚖𝚎𝚜𝚝𝚛𝚎𝚝𝚌𝚑, (𝚐𝚕𝚒𝚝𝚌𝚑-𝚑𝚘𝚙 𝚛𝚎𝚟𝚒𝚟𝚊𝚕 𝚞𝚔 𝚋𝚊𝚜𝚜 𝚝𝚢𝚙𝚎 𝚋𝚎𝚊𝚝: 𝟷.𝟻), (𝚒𝚌𝚎 𝚌𝚛𝚎𝚊𝚖 𝚜𝚘 𝚐𝚘𝚘𝚍:𝟸), 𝚝𝚒𝚔𝚝𝚘𝚔 𝚗𝚙𝚌 𝚝𝚛𝚎𝚗𝚍, 𝚙𝚕𝚊𝚢𝚏𝚞𝚕 𝚐𝚛𝚊𝚗𝚞𝚕𝚊𝚛 𝚛𝚎𝚜𝚢𝚗𝚝𝚑𝚎𝚜𝚒𝚜, (𝚌𝚘𝚖𝚋 𝚏𝚒𝚕𝚝𝚎𝚛 𝚏𝚎𝚎𝚍𝚋𝚊𝚌𝚔 𝚐𝚊𝚕𝚊𝚡𝚢 𝚋𝚛𝚊𝚒𝚗 𝙷𝙳 𝚊𝚞𝚍𝚒𝚘 𝚜𝚢𝚗𝚝𝚑𝚎𝚜𝚒𝚜:𝟿.𝟹), 𝚖𝚞𝚕𝚝𝚒𝚋𝚊𝚗𝚍 𝚍𝚒𝚜𝚝𝚘𝚛𝚝𝚒𝚘𝚗, 𝚃𝚁𝚈𝙲𝙴 𝚡 𝙸𝚜𝚊𝚔𝚊 𝟸𝟶𝟸𝟹 𝙱𝚎𝚛𝚕𝚒𝚗

Elytra

Slang Overload

DIGITONICA, DEAD XICE - Umbra (29.11.2024)

Taking African gqom motifs, DEAD XICE and DIGITONICA have built on it with their own vision of the genre, starting with moderate rhythmic patterns, playing with broad soundscapes and sci-fi sound design, and ramping up to heavy, aggressive percussion parts that fill the cramped space of dark club rooms.

STREAM: band.link/umbradigixice

DIGITONICA, DEAD XICE - Umbra

This two-track EP creatively reimagines the same core hook across two distinct genres. The first track is a hard-hitting, trap-infused anthem, layering thumping 808s with sharp hi-hats and aggressive rhythms, delivering a raw, bass-heavy vibe. The second track flips the script, taking a more experimental approach with intricate breaks, glitchy textures, and warped basslines, pushing the boundaries of sound design. Both versions showcase the versatility of the hook, bridging the worlds of hip hop and experimental bass music in an engaging, innovative way.

It Kinda Cool (Cracked Version)



Send request : info.seeksicksound@gmail.com or join our discord : discord.com/invite/suVpRBStmu www.instagram.com/seeksicksound/

WULFFLUW XCIV - Index_0, 2025
Buy: https://wulffluwxciv.bandcamp.com/album/index-0

@wulffluw94


[Première] WULFFLUW XCIV - Shrift

THE END IS NOW. WELCOME. [Intro]

/ Vocal  LaNa del Rey inside miX  / Cover Edit  Arrangement By Dope Your Baas

NIGHTBURN (SUPER SLOWED)

RESEARCHCORE

We make and release experimental club music inspired by hard science fiction.

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@mw5rt24w0jdd
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