A collective of talented female artists, producers, song writers, singers & DJs into Drum and Bass! 

I am a nationally nominated radio DJ from New York. My passion is all about spreading my love for Drum & Bass and helping people discover the best music in the genre.

1/3 of @WeAreALLIANC3

Harnessing a distinct brand of artistry that knows no categorical bounds, the DJ, producer and record label head has cemented herself as one of the music industry’s most in-demand names at nothing short of breakneck speed. Her signature sonic approach masterfully blends genres with a visceral energy that commands attention, the ardent catalyst in her meteoric rise from Belgium’s underground to global phenomenon status.

The Online Dance Music Authority.
Dancing without prejudice since 2008.

Pittsburgh is where I grew up and taught myself how to rap, I just wanna entertain my audience and spread good vibes

Listen / Like / Share / Repost / Enjoy !

Born in the hot summer of 1979, I grew up in the center of The Netherlands. At the age of 12 I discovered the wonderful new genre of House music. Still a schoolboy, I used all my pocket money to buy cassette tapes of famous Dutch house compilations like Move The House, Turn up the Bass & House Party. In the following years several new subgenres emerged, in which the melodic ones were my favourites. That means lots of Eurodance, and instead of the popular Dutch Hardcore, I chose for German Rave and Hardtrance. That combination of powerful beats with lots of melodies was golden and formed my music taste.

Some years through genres like Dream House, Club Trance and the famous Pizzicato house followed and the first Trancemaster! CD’s were collected. And then the year 1999 came, I discovered a strange imported English mix compilation called Gatecrasher:Wet
It contained a wonderful combination of trance tracks from all over Europe. At that moment I started to save some money for buying my first turntables. When I bought my first 2 belt drive turntables and a basic mixer a new world opened. The world was far less international so it was quit a challenge to get those gems from abroad. In 2005 this trance addiction was expanded with producing my own tracks with the then brand new FruityLoops software. Exploring all ranges of trance music my production portfolio is very diverse, like all the different music styles I like to play. 

Being a bedroom producer and DJ for many years my collection grew to about 2500 records ranging from deep progressive house to hardtrance. Around 2007/2008 vinyl records stopped being the main medium for electronic music and things were getting all digital. Missing the fun part of buying and spinning part of records, together with a changing sound of trance made that spinning music was not on my highest rank anymore. But although not too active, this was the period that I discovered harmonic mixing, which still forms the base of all my mixes. By combining the harmonies of different tracks, my mixes are full of homemade mash-ups and by using the harmonic mixing wheel I try to make one continuous journey through harmonies.

In these years my turntables and record collection were gathering dust. I still followed the trance scene sideways and made an occasional mix (with Virtual DJ) or track. In 2018 something changed. I decided to go to a trance festival again after 15 years, so me and my friends made a trip to Luminosity Beach Festival 2018. I was overwhelmed by the fact that this scene was so much more alive than I expected. Especially the fact that there were so many DJ’s that still played those classic trance tracks. Inspired by those sets I decided to upload some of my older mixes on my SoundCloud page for all those classic trance lovers. 

In the past 4 years I created my own themes for my mixes, some modern ones but lots of classics. For example my yearbooks in honour to those golden years of trance. My Exhibition of Classic Trance does reflect my personal taste the best, those mixes are always more than 3 hours to ensure a complete journey through different styles of trance. My personal favourite series is Hidden Treasures, which completely consists of all those hidden gems from back in the days. Of course I love the obvious classics, just as much as all trance lovers, but mixes with only the well-known classics are sometimes a bit exchangeable. With these hidden treasures I can let people discover tracks they never heard of and be more unique. It’s my pleasure to provide you all with a broad range of trance music.

Glasgow Underground was set up in 1997 by Kevin McKay. He began the label releasing his own music and collaborations with friends and other Glasgow-based artists (Omid 16b, Studio Blue, DJ Q, Harri). Through his DJing and work for various music magazines (Muzik, Jockey Slut, Mixmag Update) he met some of his favourite producers of the time (Romanthony, Mateo & Matos, Idjut Boys...) and convinced some of them to join him releasing on GU. In the early 2000s, Kevin met Mylo and set up the Breastfed record label. The global success of "Destroy Rock & Roll" meant Glasgow Underground was put on hold. After leaving the Breastfed label in 2011, Kevin re-started Glasgow Underground and since then the label has gone on to re-invigorate Romanthony's catalogue with remixes from the likes of Dixon, MCDE, Gerd, Andres, Oliver Dollar, Ejeca, Audiojack, Claptone, Christian Nielsen, Supernova, Jimmy Edgar and Waifs & Strays. The label has also introduced producers like Daniel Trim, Brett Gould, Mia Dora and Illyus & Barrientos as well has releasing established & rising stars such as Metodi Hristov, Stefano Ritteri and Sabb.

G B is following