Time 4 aN EducaTioNaL BeaTdowN‼️

Traxx aka The Kid Jak, an influential descendant decknician made his 1st official appearance 
anywhere since the start of the pandemic playing 
all rare chicago tracks with Dirty Blends Material,
NEW tracks unheard,a tribute to Derrick May 
and K•Hand along with original NYC garage,disco, 
funk and edits all over and in between like the 
days of old that still lives and breathes in us today 
that honors and treasures enriched essential dance 
music history for 3 hours at Artist Village Detroit.

For those who are serious to learn 
and appreciate real passion/dedication..
lisTen 2 this trUe dedicated soLdier 
meNtaLLy Loozn IT from start 2 end at
WHERE ARE MY KEYS 🔑✨🔊 🎶 For Labor Day Weekend.

Traxx on Dek from Detroit Labor Day Weekend(Where R My Keys 2021)

Amelia Holt at The Swirl, Horst Arts & Music 2025

OK Williams @ The Lot Radio 07-30-2025

Utrecht-native CARISTA returns to The Lot Radio for an hour of new/forthcoming music from her label United Identities and rediscoverd gems!

https://www.instagram.com/__carista 
https://www.soundcloud.com/iamcarista



CARISTA @ The Lot Radio 08-01-2025

Roman Flügel - 16 August 2025

Haruka x Craig Gonzalez opened the Dance Room at I.T. presents The Bunker, May 26, 2025, Day 3 of Return to the Source, at Tangent, Detroit.

Craig Gonzalez – @craig-gonzalez:

It's one thing to hop on the decks with someone during peak time at a party in a packed room like the first time Haruka and I played together in NYC but it's another to open a party during the last leg of RTTS weekend. So we started talking about the set a couple of months beforehand, but nothing really prepares you until you're in the middle of RTTS weekend itself. We were texting and chatting about the setup and direction throughout the weekend and eventually landed on keeping things a little funky and fun.  Playing with someone with a similar approach to DJing and also range really made the set feel so effortless for me and I feel that cohesion and the fun we had translated quite well to those that were in attendance.


Haruka – @haruka_ptc:

2023, Good Room (Brooklyn)
We were both booked to play a Bunker party that night and with an hour left before our room was about to shut down, I asked Craig to jump on for an unplanned B2B.  Craig had already set the room up with a deep, super-diverse selection and then vibe in our room was so good, I will never forgot it. So when IT asked us to do it again we got hyped.

RTTS, Detroit
Our slot opened the last day of the three-day marathon, and other parties were running in the daytime too, so it felt like one long 72-hour session. Craig also played Movement. It was my first time in Detroit, so I wandered around, popped into a bunch of events, but spent every night back at Tangent Gallery with Craig—talking, listening to other artists, and getting a real feel for the room. That helped us lock in the vibe and refine the ideas we’d been tossing around for months.

The set
Two words kept coming up: funky and fun (maybe sexy too). I played only a few recent tracks but most were older finds with some electro slipped in naturally. In hindsight the whole thing was a back-and-forth between electro and deep, psychedelic techno, with extra flavours layered on top.




IT Podcast

IT.podcast.s14e06: Haruka x Craig Gonzalez

Our fifth Resident Advisor podcast comes from Finnish talent Kiki.

RA.005 Kiki

Four Tet turns in a rough ‘n ready mix of electronic music.

RA.102 Four Tet

RA goes beatless: The Orb provide a chillout podcast to start off 2009.

RA.136 The Orb

RA.303 A Guy Called Gerald

fabric 92: Call Super
Release date: 17 February 2017 
Label: fabric
Format: CD / Digital
Cat No: fabric182
Release page/order: http://www.fabriclondon.com/store/fabric-92.html

At some point in the early morning the collective pulse in the room shifted. Gone the rollercoaster of the peak hours. Sweat gave way to the fog of the hazy hours, and the crowd has evolved to those in need of undulating epiphanies. This is the stage on which fabric92 unfolds.

"I love playing every hour of the night. However the late hours seemed strangely under represented within this series, and I thought it would be good to start there instead of using this opportunity to add another peak time chapter to the collection."

In a few years this versatility has marked the London born Call Super as one of the brightest new lights on the DJ landscape. His rise has been steady and remarkable, reinforced at every stage with music that draws on a panoply of influences. The son of a New Orleans jazz clarinetist, his curiosity for music was driven by a childhood playing Spanish guitar and the piano before being burnished through teenage revelations in the London club scene.

"The fabric mix series has played an influential role in my learning of my craft. As influential to me as the club itself. The discs recorded by Ellen Allien, Craig Richards, Robert Hood, James Murphy and Pat Mahoney all taught me quite distinct things about track selection and pacing that I think about to this day. The John Peel one became an elegy that I still remember him by as much as his radio shows that I used to listen to. Because of this I wanted my mix to do a few things. Primarily I wanted it to be highly personal, a Polaroid of my way of mixing records. Because my own technique has been influenced by other discs in the series, I had to capture the way I sometimes play in a club."

And that is what this mix is, the sound of a DJ who has drawn in so much in finding their own voice. Records layered and sliced with a deft array of techniques and a singular vision for the room and the time they are operating in. fabric92 eschews the common computer based approach and gives the listener a snapshot of a misty reality. Music should give you a better context for the everyday, it should elate, it should make you angry, sad, it heightens life. This understanding is at the root of Call Super's work, though with this recording he puts it differently:

"For the listener, I simply wanted the music to take you out to sea so we could watch the weather together. This isn’t about getting beat upside the head, this is us dreaming in the dawn."

~ as featured in Resident Advisor's top 20 mixes of the decade ~