ooh!!!!   id track? pls plss  ... grandioso set

We probably don't need to tell you who Deadbeat is. (He even did a previous RA Podcast for us, all the way back in 2007.) But if you need a refresher, he's one of the most important and revered artists in dub techno. The Canadian artist came up in the Montreal scene alongside other trailblazers like Akufen and other Canadians (think Cobblestone Jazz, Mathew Jonson, Wagon Repair, etc). His early records for ~scape are some of the most classic and influential minimal there ever was, but dub is always at the heart of his work, and runs in the veins of BLKRTZ, the prolific label he runs himself.

Sa Pa, on the other hand, sits somewhere in the ambient zone. Originally from Adelaide, he's found a powerful creative sparring partner in Deadbeat. The two released their first album together, The Mountain, earlier this year. It's the 50th release on BLKRTZ and maybe one of the most monumental records in either artist's catalogue, a triple-LP that harks back to the hypnotic, plink-plonk days of yore with the strong cross-genre underpinning that marks Deadbeat's work these days, and plenty of lovely atmospheric wiggles.

The duo's lengthy RA Podcast, taken from two different recordings at their Absurd Dub Lustre party in Berlin, mirrors the LP's sound, weaving through tracks new and old. It's full of warm, dubby vibrations and smooth transitions.

Read more: http://ra.co/podcast/836

@sapaofficial

RA podcast

RA.836 Deadbeat & Sa Pa

my dj set from @sustain-release-nyc 2022. (@kia-sydney)
 1-3am saturday night before wata igarashi @ the grove (an absolute honour)

a very special time <3

ps. the recording came out in mono/ there was some issues with it so at times its a little rusty, but you get the gist ;) thanks to joe buchan for mastering/ helping out with it!

ani/live One: Kia @ Sustain Release Year 8

an excerpt from the middle of a four hour opening set. enjoy.

photo by willem mevis

Richard Akingbehin @ Draaimolen x Sustain Release, Tilburg - May '24

Another Barker masterclass.

Sam Barker asks more from techno. The artist known simply as Barker is one of electronic music's most consistently conscientious and curious producers, challenging listeners to question the norms we accept about our shared culture—whether it's the music that fills the room, the process behind it, or the purpose of the space itself.

British-born yet based in Berlin since 2007, Barker forged a connection to many of the city's leading institutions, including Ostgut Ton, and over the course of a long and fruitful relationship, he carved out one of the more singular paths on the club and label's roster.

Not one for orthodoxy, Barker challenged four-to-the-floor techno framework in favor of melodic experimentation. By decentering or completely stripping away the typical trappings of kick drums and claps, his productions are both light and immersive, buoyant in low-end presence and shimmering in weightless space.

Six years after Utility, his sophomore album Stochastic Drift arrives this month. Shaped by pandemic-driven reinvention, it burrows deeper into harmonic twists and freeform drift. "At some point I became conscious of the process," he wrote of his latest album. "The only thing you can do is embrace the uncertainty and see every change as a potential positive.”

Consider his RA Podcast another sequel. Like his much-beloved 2019 mix for FACT, it's a collage of live recordings and a fitting expression of the artist's own internal spring. RA.982 radiates wide-eyed optimism: percussion cloaked in foggy, swirling pads and trance-like chords, neatly synched in synthetic glimmers. 

All in all, it's an hour of music crafted for contemplation, collective euphoria, or heads-down epiphany—or for that matter, any moment, really, its emotive depth seemingly endless.

@voltek

Find the tracklist and Q&A at ra.co/podcast/982

RA.982 Barker

A clinic in minimal from the elusive Acting Press boss. 

Why do certain sounds cultivate a cult following? Simply put, it's often because they resist easy consumption. PLO Man and his imprint Acting Press lean into this. 

Searching for the Berlin-based DJ and producer, you won’t find much online presence, interviews or conventional PR. What you will find, if you look hard enough, is a catalogue of records and mixes with a kind of tape hiss charm (a spiritual successor to Basic Channel and Chain Reaction, but scuzzier and lighter on its feet).

Founded in 2015, Acting Press once seemed to belong to the short-lived "outsider house" trend, but is now synonymous with a certain strain of modern minimal, one that is analogue, spacious and pointedly opaque. PLO Man's output is equally sparse by design: this week, he joins the RA Podcast with a characteristically elusive style, accompanying the near two-hour mix is a one-answer Q&A that gives almost nothing away.

Stripped-back, ever-so-slightly sleazy and coated in dust, PLO Man's RA Podcast continues that lineage in style. Opening with the featherlight microhouse of Margaret Dygas, RA.988 unfolds into a carefully curated spectrum of minimal, dub and deep techno. Among familiar names—look out for the blinding Rhythm & Sound and Moodymann blend—are deep cuts and left turns alongside the odd outlier, like lovers' rock pioneer Gregory Isaacs.

Like the best of his forebears, PLO Man wants RA.988 to take time for you to settle in. But once you do, you won’t want to leave. 

@p_el_oh

Find the tracklist and interview at ra.co/podcast/988

RA.988 PLO Man

Under the Priori (@priori-ties) moniker, Québecois musician Francis Latreille has established himself as a crucial voice in underground techno — as a producer, DJ, and live artist. Across a sprawling discography that includes four full-length albums, several EPs, and a host of collaborative projects, he has crafted a sound that is richly textured and genre-defying.

Priori’s work spans the full spectrum of techno, from introspective and meditative passages to driving, dancefloor-oriented momentum. His productions blend elements of ambient, dub, IDM, and tech house, navigating fluidly between nature and technology with a signature sense of unresolved tension. Fractal-like rhythms, crystalline textures, and meticulous sound design define his sonic world — intricate, vibrant, and emotionally resonant.

Beyond his solo output, Priori is also an accomplished mixing engineer, having collaborated with artists such as james K, Bambii, Maara, Ex-Terrestrial, Roza Terenzi, and D.Tiffany. As a co-founder of both NAFF and Jump Source Studio, his influence continues to shape the contours of underground electronic music across Canada and Europe.

PURE Guest.087 Priori

Wave (LargO )

Buy on bandcamp

Coconoize & Del Piero - Wave (LargO )

Lahm – Solaris Drift (Original Mix)

RA.455 Anthony Naples

Recorded live @mutek_montreal 2019
Mastered by @pheek

Priori - Live @ MUTEK Montreal 2019

Over the last years Shanti Celeste has played in some of the best clubs around the world, she also has a monthly show on NTS Radio and runs the label Peach Discs, where her dope debut album "Tangerine" came out last year. Enjoy!

Interview: http://iliantape.de/ilian-tape-podcast-series-050/

RA.455 Anthony Naples

Resident Advisor

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