A special one for #114 from a dear friend and renowned but noble talent, Montreal based @priori-ties. Head of the ever-impressive NAFF output (@naffrecordings), world class DJ & chameleon producer, he is constantly working on something new and exciting.. never missing a beat. 

One would only have to indulge in Priori's impressive back catalogue to attest to his consistent quality but evolution of style and creative flow. Seeing Francis play multiple times on his recent tour to Australia really cemented all of this for me.- one of the best in the biz! 

Thanks so much for being part of the series Francis <3

Downloads enabled

Animix One Hundred & Fourteen: Priori

Command D summons the gods of the deep to have us completely submerged in a world of interdimensional dub techno, traversing us through an hour and a half of infinitely looped reflections and subaquatic soundscapes. 

@commandd

Q. This certainly feels like one of your most immersive mixes to date, deeply contemplative and full of dreamy dub techno atmospherics. What inspiration did you draw upon, and what type of setting or situation could you imagine it being enjoyed in? 

A. I started to get into this sound when I was putting together my mix for the Moonshoe mix series. I didn’t know what to call it at the time but I found all of those tunes and tied them together with a certain feeling that was really inspiring me then, it was very organic and that is still one of my favourite mixes. You can hear dub elements scattered throughout that whole mix.

As I started incorporating more dub elements into my productions I discovered artists like Stephen Hitchell and Rhythm & Sound that had created a kind of music that was really extremely satisfying for me to listen to, especially considering my developing love for hi-fi and larger sound systems. I incorporated those artists into my FHUO mix which was a much more considered exploration of the style. Looking back on the process of making the mixes and how much I enjoyed them really assures me that the deep and contemplative sound is a big part of who I am.

For this mix I’ve taken inspiration from the MDC series itself which I’ve been listening to for years. I wanted to add little hints of deep house sounds as a nod to the mixes of the past. I personally think mixes like this are the best to listen to when you’re travelling and looking out a window, otherwise maybe sitting at a desk on a rainy day doing some work. I’d like people to listen to this in a time where they won't be distracted by something else or feel the need to skip forward, I’d want people to just throw it on and let it play, drifting in and out of the tracks and their own thoughts.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. My favourite tracks in the mix are Saftig Komposition by Rasmus Hedlund and Sedlec Ossuary by Persuasion. At a base level I love these tracks because they take a more modern approach to a dub techno track with tight production. Going deeper, the thing that really resonates with me is hard to put into words and best left unsaid. I think this kind of music (along with many other kinds) allows the listener to feel emotions that aren't able to be put into words, part of why I love it so much. I find that dub techno specifically can feel sad and happy at the same time like lots of jazz ballads. That to me is a really beautiful sound that kind of encapsulates life in general.

Q. Tell us about the development of your live set, and where things are currently at with it? Do you feel like you’re able to explore different shades of your sound when playing in a live setting?

A. Putting together my first live set was an awesome experience. I got to play it all around Australia from clubs to rainforests. I’ve put the current live set to bed for now and am starting to work on a new one with a slightly different setup. Although it was a challenging experience, I loved making a live set because often when I would dig for tunes to play out I’d think ‘I wish I had a song like this’ and writing a live set meant that I could bring those ideas to life and curate a set exactly how I wanted. I think I’m really starting to settle into ‘my sound’ in production and DJing, but there are creative limitations in both like finding new music or learning new skills. Overcoming technical barriers in production allows me to get closer to my most true form of expression when it comes to what’s coming out the speakers so I’ve been really working on that recently. Hoping the next live set will be bigger and better : )

MDC.302 Command D

Dekmantel Selectors 2024

Metz Attack at Dekmantel Selectors 2024

10-2 am (the first part of the set was not recorded)

mastered by @frdmclub
cover photo by @guarionexjr

Lychee @ Nowadays Nonstop - March 29, 2025

For our next installment, we’re honoured to welcome ABSIS back to the series with a stunning recording of his all-vinyl hybrid DJ set at this year’s Perpendicular Festival.

Equipped with an ISO420 mixer, Pulsar-23, H90 FX, three turntables, and a crate full of heavyweight rhythms, ABSIS delivered a beautifully crafted dub session that warmed the dancefloor on Saturday morning.

May these sounds ease you gently into the week ahead <3

https://soundcloud.com/absismusic
https://www.instagram.com/absis_music/

https://soundcloud.com/espacio-perpendicular
https://www.instagram.com/espacio.perpendicular/

Artwork by Clayton Ciolac
https://claytonciolac.com/
https://www.instagram.com/cccccclaytonciolac/

The Observatory - ABSIS (Hybrid Set) - Perpendicular 2025

A recording of Kangding Ray playing a live set at The Labyrinth 2022 on Sunday night, October 9.

The Labyrinth 2022 - Kangding Ray (live)

Saturday at Moon, photo by Alicia Karsonopoero

oma totem live at Draaimolen Festival 2025

“Pro DJ: Night Assault” is the manifestation of unstoppable night energy — an album that slams into dancers’ bodies with brutal EDM hits, razor-sharp vocals, and a dark, pulsating tech-house rhythm. This is a sonic strike designed for a PRO-level stage: deep bass, industrial textures, and uncompromising club-focused aggression. Every track here hits like an explosion at peak hour, where the lights flicker faster than the heartbeat and dancing becomes instinct. “Night Assault” isn’t an album — it’s a nighttime operation, ready to take over any dancefloor.

Follow DJ GKØRE: [instagram.com/djgkore] [tiktok.com/@hardtechno2025] [mixcloud.com/DJGKØRE] [link.deezer.com/s/31tU3DGynZrbXcmXWWwrr] [mixcloud.com/DJGKØRE/subscribe] [open.spotify.com/artist/5uDSznqyJ…XgSrm_4O7mgZcNng]

Night Inferno

Textured techno from one of the genre's new key players.

RA.310 Shifted

Minimal wave meets mutant techno.

Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=663

@minimalwave

Resident Advisor podcast

RA.663 Veronica Vasicka

@priori-ties
(NAFF Recordings / ANF / Jump Source / M.S.L. / New World Science)

An extended session from NAFF co-founder Priori featuring sounds from his forthcoming album for the label