electronica

Full article:
http://www.thefader.com/2009/08/14/heal-yourself-and-move-the-greatness-of-newworldaquarium/

Maxmillion Dunbar – Greatness of NWAQ Mix

1. Newworldaquarium – Introduction (from “the Twenty” EP on Delsin)
2. Newworldaquarium – Avon Sparkle (from “The Dead Bears” LP on Delsin)
3. Ross 154 – Until My Heart Stops (M>O>S> recordings)
4. Newworldaquarium – Lovin’ U (Peacefrog)
5. Newworldaquarium – Theme From (Delsin)
6. Newworldaquarium – Affenwelt (NWAQ)
7. Newworldaquarium – Trespassers (Delsin)
8. Newworldaquarium – Curse Of The Bloody Puppets ("The Twenty" EP on Delsin)
9. Newworldaquarium – The Dead Bears (from “The Dead Bears” LP on Delsin)
10. Newworldaquarium – Star Power (from “The Dead Bears” LP on Delsin)
11. Newworldaquarium – Rox (from “the Twenty” EP on Delsin)
12. Newworldaquarium – Daze (Delsin)
13. Newworldaquarium – The Force (from “The Dead Bears” LP on Delsin)

Maxmillion Dunbar – Greatness of NWAQ Mix (The Fader)

Paulius Austrevičius aka CLICKLOUNGE is best known for his involvement in the reputables Opium Club & gallery 1986 in VIlnius, Lithuania, where he is regularly found both behind the decks and in the background working at production team & helping to curate clubs' programs, bringing some of the most exciting and interesting DJs and artists over to play in the space. He is an exigent selector & a firm devotee of music as an expression form itself. His carefully researched selections go in tandem with unique house & techno cuts, oddities & always mussing amongst various musical compositions & it’s subjections, blending the sounds into one hefty unit. It's here that he also holds a residency at Opium club and runs his own club night called J CLUB, alongside friends Tadas Quazar and Tumosa.

Sound Metaphors Mix Series 26 : clicklounge

From Japan here's producer, DJ and friend of the label Kunyuki Takahashi (@kuniyuki-takahashi) with a special recording of his live set during Rainbow Disco Club this year 2024. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Kuni. What was growing up in Sapporo like, being quite remote from the other major cities in Japan? Via what channels/media/ways did you learn about music, art, etc? 

KT: Tokyo is most biggest scene about culture and music, but I was really looking for more out of Japan. Sapporo is more slow. I was just into music when I was teenager so everydays looking interesting music, because around 80's was crazy it' like big bung for music. My friends and i also really looking for PUNK, Industrial music, Ambient music, also of cause electric music as well at that time. It was just our like networks and channels for connect to other essence from each one. You know Teenager No need mainstream, no need TV show just believe to get some good one  from friends!

MFM: Your sound overall has a very 'organic' and 'spiritual' touch. Where does this come from? Who and what were/are your inspirations?  

KT: Both of feeling is definitely I need and my favorite things about when I touch instruments because it's nice to connect into music. So many instruments has lot's of colors so it's my inspirations come from. But to be honest i'm really bad to playing instruments....

MFM: That is debatable, haha. Where did you actually learn to play all those instruments, like the conga's and flute?

KT: I learnt about percussion and congas by listening to African music, and in the 90s I spent a lot of time with these. I used to listen to Peter Gabriel's Realworld record series so it's my teacher of  music! There are flute-like instruments in synthesizers and music workstations, but when I tried to use flute sounds by Synth, I couldn't feel spiritual, so I decided to try my hand at it. There is so much spiritual real instruments.

MFM: Your contribution is a recording of your live show at Rainbow Disco Club in Japan this year 2024. What can you tell us about the show? For those who had to miss it, maybe you can describe the setting a bit?

KT: Yes it was from My good friend Masa From Rainbow disco club.
I've been joined Rainbow disco club many times and always did a Dance set but he Told me “could you play live show like your album from Music from memory For RDC2024?”, and I was say “YES I would love to and if we can do then I want to do proper Music from memory live set.” So it was so exciting. Because these music from MFM was very special. It was morning time, there is nature and birds singing, and I was joined with my like bird whistle, feel windows, relaxing people waiting before making dance time. I re-created all sound patterns so it was so fun like should do make Tape sound like bit noise sound, more retro sound. Also I really remembered about what I used different Chords before in the 80's and 90's!

MFM: Your live shows seem to be improvisation based, very playful. As if you're jamming in the studio. Does playing live differ much to you from working in the studio?

KT: Yes I love like improvisations when doing live show. I'm always thinking about each party is totally different energy from music lovers. I love to get something good happen with music lovers, and yes it's totally different with Studio works. Prepare for live set also needs time and skills, so i always try to do at my studio for what can happen at the live show.

MFM Mix 052: Kuniyuki Takahashi

30 mins of this set is missing due to a recording mishap. remember to check out the whole playlist. to relive the entire night full of amazing music 
https://on.soundcloud.com/i6Nw96DsY34oSgtK9

Pender Street Steppers - Weirdos Bush Rave Vol 3

Unknown Mobile & CFCF - A Windless March Ouest
Slow Attack Ensemble - November, 1st in Detroit
Bill Nelson - Buddha Head
Love apple, Lou ragland - I’ve Gotta Move 
Robin Trower - I’m Out to Get You
Jeffrey Silverstein - Sunny Jean
Life Without Buildings - Envoys
Rock Band - Bizzy
ML Buch - Pan Over the Hill
Sean Murray and Shawn K. Clement - Anything
Milou Moon - Circles 
Dan Lacksman - Love You Every Day
Fleetwood Mac - Hypnotized
Ryuichi Sakamoto - Risky
Pink Industry - What You Couldn’t Give
Mathematiques Modernes - Jungle Hurt
Cold End - Metropolitan Jungle
Billy Idol - Adam in Chains
Jack J - Down the Line
Don Cherry - Universal Mother
Kofi - Curious
Ali Omar - On Release (feat. Gina Mitchell)
Kyoko Koizumi - No No No (Dub Mix)
Hidemi Ishikawa - Love Comes Quickly ～霧の都の異邦人～
My Bloody Valentine - Soon


| GOOD MORNING SKYLAB | w/ Simon 23.05.25

2025年6月17日 21:00-22:00 JST 

Moopie 
https://instagram.com/moopiedaily

#leftfield #electronic #electro

ムーピーはメルボルンを拠点に活動するアーティストで、ジャンルを超えた幅広いリリースで知られるレーベル、ア・カラフル・ストームを運営している。

Moopie is a Melbourne-based artist and runs the label A Colorful Storm known for its vast remit of genre-spanning releases.

Room 303 ・三○三号室 
https://instagram.com/room303radio

@ WPÜ HOTEL SHINJUKU 
https://www.instagram.com/wpu_shinjuku

Moopie｜2025年6月17日｜#leftfield #electronic #electro

Introspective mind realignment from the deepest depths, Mike Buhl engages the senses with poise and purpose, lifting the spirit while carefully dialling up the pressure over two-plus hours of tension filled hypnotic techno and soaring interplanetary rhythms. 

@mike-buhl

Q. What sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?

A. My inspiration was driven by the urge to showcase lots of artists who have been on heavy rotation over the years. Somewhat cliche, but it was really important to blend genres and energies that represented every aspect of what I listen to, am inspired by alongside how and when they were experienced. Tracks I’ve loved listening to on my own, while entertaining friends, during lock in record nights and those tracks designed to be shared in public spaces and events. 
 
Finding a cohesive path through those different styles, genres and energies was the adventure in this mix. Distilling a sonic mountain of records into something that flowed seamlessly and translated well when listening back in all of those moments felt most authentic. A mix best consumed while moving, sharpening that assignment, at the tail end of a dinner party as the vibe shifts to next gear or while embracing the magic of a lock in with the crew. 

This has translated into snapshots, across a timeline stitched together from records new and old, capturing a weekend drive, early floors through to closed doors, spilling onto the street, the afterhours and beyond. Almost two and a half hours of ambient ear candy, arm chair burners, peak melters and thought provokers that attempt to relive moments and feelings from our past years listening, curating and creating electronic music.

Q. I know you’ve developed a close kinship with some modern pillars of the dub techno scene, mastering and editing .VRIL’s 2025 Edit of his classic tune ‘UV’ and being tasked with closing out his recent Melbourne show. Tell us how that connection came about, and what other studio projects have you got bubbling away that you’re excited to share?

A. I first reached out to .Vril ahead of a past tour to Australia. His music resonated with me so much that I wanted to meet him for a coffee. Since then, we’ve hung out a few times, shared music, and bounced some tracks off each other. It was an absolute highlight, when he asked to be a part of reshaping ‘UV’ and he's kindly returned serve with a remix for my follow up EP, 'Modern Explorer II' on local imprint Denude. We’ve had some very early conversations around a collaboration next time he’s out here and I would really like to continue pushing creativity here.

In the background, I've been spending a good amount of time in my studio. Focusing on creating for myself and helping others. Improving my abilities as a mix engineer has been a big focus and I’ve been fortunate enough to work on a number projects with artists locally and abroad. Whether that be mixing, providing creative direction, arrangement work or mastering. I really love working with others and often find it more enjoyable than working alone. In saying that, I’m building a volume of new music that needs an outlet and will focus on that over the next few months.

MDC.313 Mike Buhl

Іскри, розкидані по роках

reminds of sea

Murmur presents the sounds of Meanwhile on this dub techno edition of the RA podcast.

RA.128 Murmur

Super happy to welcome Nadia Khan to the mix series for our 8th edition. Her 'Open Interior' tape on Where to now?, as well as her more recent release on videogamemusic! are big favorites over here, as is this mix she sent. A heartfelt hour of rhythmical ambient zones to escape inside of~

https://soundcloud.com/nadia-khan-10
https://wheretonow.bandcamp.com/album/open-interior
http://videogamemusic01.bandcamp.com/album/deep-court
print by Johann Moon

Motion Cast Vol. 8: Nadia Khan

Japanese DJ and producer Powder rightfully debuting and delivering a mix of mirth house and techno on a sunny day.

Dekmantel Festival 2018

Powder at Dekmantel Festival 2018

Ostgut Ton's Barker welds together recent live performances for this special mix of exclusive material.

For more information head here: https://www.factmag.com/2019/08/07/barker-ostgut-ton-fact-mix/

FACT Mixes

FACT mix 720 - Barker (Aug '19)

Berlin duo OCA supply a deep set of lapping ambient and sparse, throbbing dub.

See the tracklist here → https://crackm.ag/34JBOs4

Sunday Mix: OCA

Delicate textures and wistful atmospheres.

Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=710

@nadia-khan-10

Resident Advisor podcast

RA.710 Nadia Khan

C Minus TV - Episode 2
April 4th, 2020

Tracklist:
Precipitation - Untitled 
Nasor - yourplanet 
Clearing - 3.1
S.A.M. - Baby I’m Sorry 
Cass. - The Diary 
Dravier - Memory Scene 1 (At the Bottom of a Natural Pool)
Monadh - Sinking Stream 
Nasor - Compton

Self-Care Mix for C Minus TV

North Carolina's Nadia Khan first appeared to us at Phonica when we heard her excellent release on Brooklyn label Scissor & Thread back in 2018, an exercise in subtlety and restraint, which is a delicate balance in a lot of ambient music. A later cassette only release on Where to Now was another example of  'less is more' and that is definitely the ethos of Nadia's mix for Off The Record.
So sit back and enjoy almost an hour's sonic journey of melodic ambience and delicate evolving textures . The mix features tracks from D.K. , Huerta, NewWorldaquarium, Fred P, Exael and Christopher Rau, amongst others. Enjoy this immersive deep-listening experience from Nadia Khan.
Check out the full feature & trackless at: http://offtherecord.net/off-the-record-mix-series-11-nadia-khan/

RA.710 Nadia Khan

Resident Advisor

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