A sunny live recording of the Peckham DJ in Melbourne.

Read more: http://ra.co/podcast/816

@bradleyzero

RA podcast

RA.816 Bradley Zero

****Physical Cassette Mixtape Available Our Bandcamp****
https://octoocta.bandcamp.com/album/love-hypnosis-vol-2

I heal myself weekly with the music I play. I listen deeply to the words buried within; the intention behind the lyrics either peppered-in or chorused. So much of the house music I connect with is rooted in love. It’s rooted in desire and hope. It’s rooted in narrative, “Do you want to trip with me?”, “I’ll outstretch my hand”, “I won’t forget about you, you won’t forget about me, we won’t forget about love vibrations!”. I listen to the messages to remind myself what I need and why I continue to move forward.

Vol.2 is represented in two mixing styles; long-melded blends (Trippin’ On Love) and fast, tight radio-style cut mixes with overdubs (Slammin’ With Love). Both convey the deep need for connection to one’s body and to others. It’s this connection energy that I find so powerful about house music’s healing magic.

Xoxo Octo Octa

♥︎♥︎♥︎♥︎ 50% of the profits the mix will be donated to the Sylvia Rivera Law Project (SRLP), which works to guarantee that all people are free to self-determine their gender identity and expression, regardless of income or race, and without facing harassment, discrimination, or violence. ♥︎♥︎♥︎♥︎

Octo Octa - Love Hypnosis Vol. 2 Mixtape

This is my 4 hour opening set from the December edition of Group Therapy in Copenhagen (@grouptherapy_cph). I was really sick in the week running up to this party and very nearly pulled out but am so glad I made it. 

The party was a world AIDS day fundraiser raising money for AIDS-Fondet and “Ungegruppen”. It was also the first party in their new venue Den Anden Side. The vibes were incredibly special and I was honoured to play the first songs in their new home. This was my love letter to everyone we lost to AIDS and a chance to play some of my most cherished records. 


x

Midland @ Group Therapy - Copenhagen [03.12.22]

After first crossing paths in the Summer of 2012, Bradley, Edd & Simon finally joined forces on home soil for an unforgettable b3b to close out the annual Wax'o Paradiso Open Air bash at the  Abbotsford Convent.
Quite possibly one of the most epic 3 hours you've ever heard.... just don't fast forward!

Bradley Zero b2b Wax'o Paradiso January 13th 2024

Shubostar's RA Podcast begins and ends with video game music. (The beginning kind of sounds like Mary Poppins, actually.) Lots of DJs and producers play or make music that emulates the nostalgic sounds of old-school gaming, but the South Korean artist goes direct to the source. Before falling in love with dance music, she went to an animation-focused high school and learned how to make video games—so it's basically in her musical DNA. And while her DJing isn't as out-there as you might expect from that description, '90s and '00s Japanese video game (and anime) soundtracks offer a good idea of what her playing sounds like: lush, synthetic and a little naive, full of wonder and positive vibes.

With releases on labels like Permanent Vacation, Internasjonal and her own uju Records, Shubostar is also a student of cosmic space disco, inspired by artists like Daniele Baldelli, Lindstrøm and Prins Thomas. Lately she's been rubbing elbows with Âme and Dixon. She picks tracks from across eras and genres on her RA Podcast, with cuts from Yellow Magic Orchestra, Baldelli and Kraftwerk alongside selections from DJ City and Private Agenda. It's a mix full of mood shits, dazzling keyboard runs and, of course, melodies that seem to reach out towards the heavens—or outer space.

@shubostar

Read more at https://ra.co/podcast/925

RA.925 Shubostar

Recording of Luca Lozano & Mr Ho's set at Dekmantel Ten

Pre-register for Dekmantel Festival 2025 here: bit.ly/4fyWKXc

Luca Lozano & Mr Ho at Dekmantel Ten

Nemo & Castro Live in the Valley.

https://solsticefestival.fi

Sound Metaphors DJs at Solstice 2024

Floating Points’ 5hr Set from Boiler Room, New York, Sep 24

Floating Points (5 Hour Set) | Boiler Room New York  17th July 24

Live recording from The Aquarium at Fandango at the Lighthouse 
Plötzensee February 23rd, 2025

The latest live mix comes direct from the aqua depths, courtesy of @johnloveless & @danielavery ’s full six hour underwater wade. Floating from spooky to smoky, bass-heavy, and bouncy, sail through this truly epic aquarium experience.

Our AQUARIUM CHARITY V/A is available now on bandcamp:
https://fandangooo.bandcamp.com/album/aquarium-charity-v-a

LIVE AT FANDANGO - Daniel Avery b2b John Loveless

"It was so difficult to become someone." The house hero talks about Chicago's competitive scene, developing a sound and letting go of his ego. 

Theo Parrish is one of dance music's most influential DJs and producers. Raised in Chicago, he's become synonymous with slow-burning, immersive grooves and sets that mix classics with obscurities. He began DJing in 1986 aged 13, eventually earning a degree in sculpture and moving to Detroit, where he hit his stride as an artist and became a member of the collective Three Chairs alongside Moodymann, Rick Wilhite and Marcellus Pittman. He also started the label Sound Signature, which uses the language of soul, jazz, disco, Chicago house and Detroit techno.

A few months ago, Resident Advisor teamed up with London institution fabric to host Parrish for an eight-hour set—his first time playing the club. While he was in town, he also spoke with CDR's Tony Nwachukwu. In the Exchange, Parrish talks about the intensely competitive scene he grew up in. He DJ'd for 13 years before he was ever paid or had his name billed on a lineup. It took years of passion and hard work to break out of his local scene and build the career he's become known for. 

"At five years, you're dealing with the technical part [of DJing], at ten it's finding your sound and at 15 it's dealing with the ego of it all," he says. "It's not until much later that you actually start to play for and with people."

Parrish also reflects on the ongoing dearth of diversity in the dance music industry and posits whether some of the most popular music in the US—such as trap—reinforces counterproductive racial stereotypes. He asks: did house music ultimately survive because it left where it originally came from? Listen to the episode in full. -Chloe Lula