Read more: http://ra.co/podcast/831

@madam_x

RA podcast

RA.831 Madam X

We're not in the habit of quoting press materials all the time, but in Kajetan Łukomski's case, it feels appropriate. The first sentence of his bio is "Avtomat is a person with way too many interests." If you know any artists from Poland's wide-ranging, always-growing electronic music scene, chances are he's one of them. He's a DJ, producer, organizer and activist, once a member of the queer feminist collective Oramics, and is endlessly passionate about supporting, spreading and playing music from the Central European and Eastern European regions.

With roots in metal, goth and electroclash, there's a certain spikiness to Łukomski's style, but also a polyglot knowledge and a hunger for new sounds. Lately he's been trying to mix club music with Polish folk traditions, which is the mission of Łukomski's RA Podcast, but it's also just the jumping off point. In these almost four hours of expert blending, genre-jumping and incredible pacing, Łukomski touches on almost every style of dance music you could think of, with aplomb and occasionally surprise (like that irresistible Bloc Party edit). If you can, it's worth digesting all in one sitting, so you can truly appreciate the ground he covers.

@avtomatmusic

Read more at https://ra.co/podcast/869

RA.869 Avtomat

Australian Kia very quickly rose up through the grimy after-hours rave scene of Melbourne to make her mark on the international stage. Now Berlin-based, her unique grasp of rhythm is rooted in a love of bass, IDM and deeper techno though she is adept at exploring a wide range of moods within those worlds. She has done so at places like ADE and our own festival and extends her good taste to the curation of her Animalia imprint and its ambient sub-label Cirrus as well as her own original tracks on Nous'klaer Audio.

In this week's mix, Kia showcases a colourful and kaleidoscopic take on techno which she says was awakened by an early trip to Japan's famously head Labyrinth festival. It's a hi-fidelity feast of supple rhythms, icy synths and deep space ambiance that unfolds in late-night fashion. The melodies are as delicate as silk, the drums rubbery yet punchy. It's high-paced future music that manages to be as delicate and beautiful as it is dynamic.

Dekmantel Podcast 440 - Kia

Rinse FM Podcast

Pariah presents Voam - 13 June 2024

Tripped-out excursions through percussive club music with the Nowadays resident.

Ayesha Chugh, AKA Ayesha, makes club music that activates the body. The Brooklyn-based artist has spent the last few years carving out a distinct lane in modern club music. Her fusion of dubstep, techno and essential '90s rave elements into dynamite club tools that test and support dancers in equal measure. This time though, for her RA Podcast, Chugh purposefully tilts in a "more colorful wonky direction."

Since first turning heads with releases on labels like Fever AM and Kindergarten Records, she’s continued to refine a sound that feels both playful and punishing, marked by writhing basslines, rumbling drums and an innate ability to make bodies move. Her productions capture a kind of kinetic precision—tracks that are slippery yet forceful, balancing psychedelic textures with dubstep-like physicality and club-focused power. As Andrew Ryce wrote of her debut, Rhythm is Memory, her skill is "full of textures that wrap around the otherwise thudding, sub-heavy kick drums." After a serious accident in 2024 stopped her in her tracks, this year marks a full return to global touring with a new vantage point on life and the sound she seeks to push.

RA.983, clocking in at nearly two and a half hours, finds Chugh flexing that club muscle once again. Offering a tour through global club music both old and new, it's based around a set at her home base Nowadays this February. It's a patient but relentless ride: from deep, tunneling psytrance, progressive techno and slippery electro before really turning on the gas at the half mark, moving into slanted UK techno territory.

As she explains in the Q&A, it's a carefully curated selection of tracks that probes "what we perceive as tasteful." It's a mix that speaks to her deep knowledge of dance music’s lineage—and her intuitive ability to push it forward.

@aye5ha
Find the interview and tracklist at ra.co/podcast/983

RA.983 Ayesha

VIDEO > https://inverted-audio.store/blogs/news/inverted-audio-record-store-day-open-decks

On Saturday 12th April 2025, we celebrated Record Store Day with an Open Deck Party at our shop in Peckham. Big love to everyone who came down and for the diggers who jumped on the decks to play their records. Special thanks to Brixton Brewery for providing the drinks! 

Inverted Audio Record Store Day 2025

https://www.nts.live/shows/courtesy/episodes/courtesy-25th-april-2025

NTS 25.04.25 With COURTESY

NIKS (@niksbad) is as dedicated as anyone to furthering dance music culture. Hailing from south-east London via Bath, NIKS has long proven her curatorial skills with radio shows on BBC Radio 1, Rinse, and NTS. Her idiosyncratic blends of ‘90s groovy, rhythmic sounds and forward-thinking, underground-leaning soundscapes have brought her to some of the world’s most revered clubs. After contributing music to various compilations, last year she explored bass-heavy sounds with her first solo EP on Or:la’s Céad label. Beyond her work as a musician, NIKS also co-founded the Black Artist Database, a crowd-sourced list of Black-owned labels, artists, and producers designed to amplify and uplift talent.

Ahead of her debut at the Dekmantel Festival this year, NIKS serves up a 90-minute window into her current musical world, including her own forthcoming productions in a deep, dub-infused journey into hypnotic techno and house rhythms that intertwine to create a warm, supple soundscape. Its seamless flow takes in sounds from the past, present, and future, and they all encourage you to move and meditate in equal measure."

Dekmantel Mix 490 - NIKS

DJ Stingray 313 presents Micron Audio - 23 June 2025

Olgica grew up in Serbia and is now living in Austria. She throws events in both countries and beyond. Left field bass, dub, broken techno, experimental downtempo and dizziyng halftime tunes are attributes of Olgicas sets. Enjoy!

ITPS118 OLGICA

Nightwalker marks the first collaboration between UK underground favourites @kippo and @pholouk, merging their signature sounds to create a dark yet melodic two step track.

https://duckland.bandcamp.com/album/nightwalker

RA.869 Avtomat

Resident Advisor