I just want Loidis to know the sheer joy this is bringing...

Electronica, House, Minimal, micro.House, etc.

drizle.010 _ PLO man

GIOGIA — #10 w/ GRåZON

The third offering in our mix series is a live recording of Priori and Cousin's dj set at Sustain Release 2024. Recorded on the last morning between 6am and 1pm on what was meant to be an ambient stage, it featured everything a 3 day festival closing set should. Eclectic picks, strange and emotional sounds, dubious transitions and a few feigned endings. Massive thanks to all the dancers, the Sustain staff (Aurora, Ash and everybody else who put their blood, sweat and tears into this), the music makers, the birds, the stars. 

Much love,

P & C

@secondcousins x @priori-ties

.'⁠ '.' ⁠'.
.''.⁠ .  :  . ⁠.''.
'.    '. .'    .'
.⁠   .' '.   ⁠.
'..',`  :  `,'..'
     ⁠ -' ⁠'-`))
            ((    
             \|

naffcast003 ⦾ Cousin & Priori ༻ Sustain Release 2024 Bossa Nova Stage closing set ༺ ❁

The producer best known as Huerco S. accompanies One Day, our record of the year, with two hours of minimal and dub introspections.

This summer, Kansas-raised DJ and producer Brian Leeds released One Day under his revived Loidis alias. Enamoured with the restrained, loopy sounds of early '00s dance music, the album’s eight tracks linger in the air, luxuriating in dubbed-out chords, swung beats and sub vibrations. It's our favourite record of 2024 for a reason. 

It's a sound he's coined, in his typically teasing fashion, "dub mnml emo tech." All winks aside, it’s no wonder One Day became the soothing balm we all needed. In a scene overwhelmed by hard and fast trends, the softer—and Leeds might argue, more sincere—stylings of minimal and dub techno enjoyed a welcome second wind. 

Not only was One Day one of our favourites of the year (more on that this week), but it also inspired us to break our usual no-repeats rule, inviting Leeds back to the RA Podcast under a different alias after his 2019 turn as Huerco S. 

"The prevailing trends in dance music are more and more maximalist," Leeds noted. "I missed restraint, subtlety, and sensuality." Clocking in at just under two hours, RA.965 embodies that ethos in spades.

@huerco_s

Read more at ra.co/podcast/965

RA.965 Loidis

Lamusa II - 02 Décembre 2024

The second part to say goodbye to the 2024, but this time leaning towards fresh and classic Dub and Deep Techno. A session full of depth and atmospheric sounds that progressively becomes more overwhelming and trippy.

Tracklist:

01 Sub Basics - Calibration [Temple of Sound-2024]
02 Davor Tosovic - Lfos [ECOUL SND-2024]
03 Dublicator - Hydrostatic [Tamás Olejnik-2024]
04 Anton Kubikov - After The Rain [Anton Kubikov-2024]
05 Unknown Artist - Untitled [Stard Dub-2015]
06 Jack Russell - B1.2 [White Wolf Records-2023]
07 Parallel 9 - Quantico [Prime-1996]
08 Silver Ash - Calantas (Shed's Wax'ed Dub Mix) [Kontakt Records-2024]
09 Thor & Sanasol - All Sides Will Be Lost [Sushitech Records-2016]
10 Alex Smoke - Polka (Sons of Tiki Remix) [Vakant-2012]
11 Convextion - Stiletto Caress (For Yvette) [Down Low Music-2002]
12 Kooscha - Hypotrochoid [spclnch-2023]
13 Conforce - Octave Echoes [Syncrophone France-2024]
14 TM Shuffle - Under Strobe [Vuo Records-2023]
15 Chaton - +91 Ahead Session 2.5 (Agnes Kingston-Geneva Rework) [Plak Records-2008]
16 Rod - 3yr [Balans-2016]
17 Raam - 8 (Dold Rmx) [Raam Records-2019]

Enjoy it!!

For listen or download the previous sets of the Au Revoir series:

https://www.mixcloud.com/NEZ_Mixes/au-revoir-2012/
https://www.mixcloud.com/NEZ_Mixes/au-revoir-2013/
https://www.mixcloud.com/NEZ_Mixes/au-revoir-2015/
https://www.mixcloud.com/NEZ_Mixes/au-revoir-2016/
https://www.mixcloud.com/daydreamersproject/au-revoir-2017/

From 2018 to 2023:
https://shorturl.at/ZvEXh

Au Revoir 2024 [MIX 2]

mixed by Katharine
https://soundcloud.com/katharine-motiontheory

for accepted.

follow us
www.youtube.com/@accepted_label
www.instagram.com/accepted.label

accepted. 024 | Katharine

Recording of PLO Man's set at Dekmantel Selectors 2024.

Dekmantel Selectors 2024

PLO Man at Dekmantel Selectors 2024

Another Barker masterclass.

Sam Barker asks more from techno. The artist known simply as Barker is one of electronic music's most consistently conscientious and curious producers, challenging listeners to question the norms we accept about our shared culture—whether it's the music that fills the room, the process behind it, or the purpose of the space itself.

British-born yet based in Berlin since 2007, Barker forged a connection to many of the city's leading institutions, including Ostgut Ton, and over the course of a long and fruitful relationship, he carved out one of the more singular paths on the club and label's roster.

Not one for orthodoxy, Barker challenged four-to-the-floor techno framework in favor of melodic experimentation. By decentering or completely stripping away the typical trappings of kick drums and claps, his productions are both light and immersive, buoyant in low-end presence and shimmering in weightless space.

Six years after Utility, his sophomore album Stochastic Drift arrives this month. Shaped by pandemic-driven reinvention, it burrows deeper into harmonic twists and freeform drift. "At some point I became conscious of the process," he wrote of his latest album. "The only thing you can do is embrace the uncertainty and see every change as a potential positive.”

Consider his RA Podcast another sequel. Like his much-beloved 2019 mix for FACT, it's a collage of live recordings and a fitting expression of the artist's own internal spring. RA.982 radiates wide-eyed optimism: percussion cloaked in foggy, swirling pads and trance-like chords, neatly synched in synthetic glimmers. 

All in all, it's an hour of music crafted for contemplation, collective euphoria, or heads-down epiphany—or for that matter, any moment, really, its emotive depth seemingly endless.

@voltek

Find the tracklist and Q&A at ra.co/podcast/982

RA.982 Barker

Full tracklist: https://bleep.com/bleep-mix-300-barker

Fresh from Stochastic Drift, Barker’s buzzing second album named Bleep Record of the Month alongside an exclusive 12”, Barker sends a mix that really digs deep into the unique sonic methodology he has constructed across his solo career width a suitable breadth for what is also a milestone in the series, Bleep Mix #300.

From Debiasing to Utility to Stochastic Drift, Barker has been reimagining club music without its definitive thump, instead driven by melody and tactile synthesis, and this selection of tracks expands Barker’s soundworld with a host of artists walking a similar path. “For this mix, I picked out some of my favourite uptempo ambient tracks, recorded at home with two decks and a mixer. It’s music I've used in a lot of different contexts, as a DJ and listener, and I hope you enjoy it.”

Though the occasional dancefloor thump makes itself known, such as on Adriana Lopez’ ‘What Lies Behind’, it’s mostly in quaking subs rather than actual four to the floor, providing some ground for this mix’s airy freeform variety to fly over. We have the wooden plunks and seaspray of Afefe Iku’s Kenyan island sound, the wonky gamelan of Tyler Friedman’s maze of bells and chimes, the dense atmosphere of shaker-produced rain and electrical chirps forged deep in the ruins of The Future Sound Of London.

The midsection of this mix contains some magic in particular: the maestro of drumless trance Lorenzo Senni creates motion from pure jagged synth energy on ‘The Power of Failing’, dissolving into the aether of an unreleased Barker track, which further discharges into the kaleidoscopic stutters of Caribou’s ‘Never Come Back’ with jubilant piano chords and vocal clips wrought into a glitchy, swirling maelstrom of Koreless' prickly warmth. Digital Justice’s ‘Theme From It’s All Gone Pearshaped’ follows, a timeless staple for anyone wishing to dabble in melodic motion and synthsmithery, or any DJ set seeking to add some lift without losing momentum, of which this mix is in no short supply.

Bleep Mix #300 - Barker

A clinic in minimal from the elusive Acting Press boss. 

Why do certain sounds cultivate a cult following? Simply put, it's often because they resist easy consumption. PLO Man and his imprint Acting Press lean into this. 

Searching for the Berlin-based DJ and producer, you won’t find much online presence, interviews or conventional PR. What you will find, if you look hard enough, is a catalogue of records and mixes with a kind of tape hiss charm (a spiritual successor to Basic Channel and Chain Reaction, but scuzzier and lighter on its feet).

Founded in 2015, Acting Press once seemed to belong to the short-lived "outsider house" trend, but is now synonymous with a certain strain of modern minimal, one that is analogue, spacious and pointedly opaque. PLO Man's output is equally sparse by design: this week, he joins the RA Podcast with a characteristically elusive style, accompanying the near two-hour mix is a one-answer Q&A that gives almost nothing away.

Stripped-back, ever-so-slightly sleazy and coated in dust, PLO Man's RA Podcast continues that lineage in style. Opening with the featherlight microhouse of Margaret Dygas, RA.988 unfolds into a carefully curated spectrum of minimal, dub and deep techno. Among familiar names—look out for the blinding Rhythm & Sound and Moodymann blend—are deep cuts and left turns alongside the odd outlier, like lovers' rock pioneer Gregory Isaacs.

Like the best of his forebears, PLO Man wants RA.988 to take time for you to settle in. But once you do, you won’t want to leave. 

@p_el_oh

Find the tracklist and interview at ra.co/podcast/988

RA.988 PLO Man

Kiosk and The Lot Radio proudly team up for a three-day broadcast from the Moon Ra stage at Horst Festival, highlighting the vibrant music scenes of New York and Brussels at one of Europe’s renowned festivals.

https://www.instagram.com/secondcousin_

www.kioskradio.com
www.thelotradio.com
www.horstartsandmusic.com

Cousin | Kiosk Radio x The Lot Radio at Horst Festival 2025

A rare club mix from the ever-evolving artist, with 90 minutes of shadowy, atmospheric pressure.

Music's therapeutic value is often linked to relaxation—gongs, singing bowls and the like. Dense passages of foggy droning and eerie static aren't traditionally considered restorative, but Laurel Halo makes a pretty good case for it.

The Detroit-born, Los Angeles-based musician's abstract, often improvised productions are heavy on sound design and emotional climax. Driven by atmosphere rather than rhythm, they push listeners to grapple with their innermost insecurities, fears and dreams. "I'm lucky my music has helped people through crises," Halo once told Discwoman. It's easy to see why.

Since her 2010 debut King Felix, Halo has built a stunningly diverse catalogue of classically-informed records. A multi-instrumentalist—piano, violin, guitar, keys—her sharpest instrument is arrangement. Inspired by the surrealism of Italo Calvino and Apichatpong Weerasethakul, her releases, from Atlas to Behind The Green Door, unfold with slow-burning narrative and dense emotional weight. Her soundworlds are layered and labyrinthine—an architectonic space where self-reflection happens almost by force.

Even in the club, the sought-after composer excels in immersion. Her sets extend the expressionist palette of her records, trading traditional rhythm for tension, space and surprise. It’s no wonder she takes a genre-agnostic approach to the dance floor—her deep roots in freeform radio began at WCBN-FM in Michigan, followed by Berlin Community Radio, Rinse FM, and now a regular show on NTS.

RA.992 stitches foggy ambient loops, propulsive techno, mutant percussion and heady left turns with care. Tracks from DJ Rush, Octave One and Eddie Fowlkes nod to her Midwestern heritage, balanced out by deeper, psychedelic fare from the likes of Polygonia and Cousin. It's the mark of an artist revealing both deep curiosity and a precise hand as a selector. Rare, indeed.

@laurelhalo

Find the full interview at ra.co/podcast/992

RA.992 Laurel Halo

𝗧𝗥𝗔𝗖𝗞 𝗢𝗙 𝗧𝗛𝗘 𝗗𝗔𝗬: Eigenart - Keep Going (Club Mix)  [M-Sol DEEP]

Buy on Beatport
https://www.beatport.com/de/release/keep-going/4950116

𝗧𝗥𝗔𝗖𝗞 𝗢𝗙 𝗧𝗛𝗘 𝗗𝗔𝗬: Eigenart - Keep Going (Club Mix)  [M-Sol DEEP]

He Did - Mayo

I like smooth & metamorphic Tech, Ambient & Leftfield electronic music, new varieties of Patterns & Sequences,.. the possibility of a much wider world that corresponds to the already wide possibilities of modern music.----FREE PALESTINE  &  EQUAL HUMAN RIGHTS WORLDWIDE !!!

RA.965 Loidis

Resident Advisor

Recent comments

Campbell.V

Campbell.V

Campbell.V

Barney Project

Related tracks