RA Mix

EN VOYAGE

RA Podcast

We warmly welcome our next guest to the series... 

Laima Adelaide @amlia is a Latvian-Australian producer based in Stuttgart. She is currently pursuing classical music composition in Riga after completing her sound engineering degree. She drives her inspiration from nature and very passionate in contemporary classical music. She brings this to life in all its glory in her music production experimenting with textures and atmospheres, searching for borderline between monotony and hypnotic rhythms and melodies. She has released music with renowned labels such as Phonotropismi, DNC Limited and Annulled Music.

In her music we are truly witnessing an artist rising to greater heights. We are really glad to have her curation on our series bringing a fresh perspective driven by very unique inspirations.

Love & Techno,
Team Savage

Savage Sessions | 23 | Laima Adelaide (Stuttgart, GER)

RA.385 Daniel Avery for Resident Advisor

Recorded by @jinsynth for The Memoir, 2022.
All tracks were written, produced, and mixed by Jin [靜].
Artwork by Gabriella Holmström.
Curated by @Hypnus Records.

00:00 Jin [靜] - Fractal
01:21 Jin [靜] - Astringent
07:02 Jin [靜] & Lim Giong - Reflection From The Lake 湖光 (Remix)
12:52 Jin [靜] - Cipher
18:40 Jin [靜] - Floating Sands
25:21 Jin [靜] - Self Navigation
29.54 Jin [靜] - Drift
39.32 Jin [靜] - Immaterial Spirit [HYPNAUGHTIC]
40:47 Jin [靜] - Division
49:49 Jin [靜] - Signal
55:18 Jin [靜] - Undersurface
63:25 Jin [靜] & Michel Iseneld - Dhyana 靜心

Love and light

Page 79: Jin [靜]

Bok Bok - Resident Advisor Podcast 391

nightslugs.net/bokbok
www.facebook.com/djbokbokofficial
twitter.com/bok_bok

Paul Hardcastle - King Tut [Profile] 
Xosar - Ghosthaus [Rush Hour] 
Bok Bok & Tom Trago - Need This (12" Dub) [Night Voyage] 
Lamar - Guilty Pleasures [Aesthetic Audio] 
Karizma - 2wice [R2 Records] 
Jam City - Worst Illusions X DJ Richard - Shade of 77 [Night Slugs / White Material] 
It's Not Over We Hustle Harder - Brotherhood (Roland Street Mix) [itsnotover] 
Deamonds - Through [East London Club Trax] 
Hysterics - Club Life [Night Slugs] 
Jam City - 500 Years (Georgia Girls bootleg) [Night Slugs] 
Kay Drizz - Bang 
Imaabs - Pumps (MikeQ Remix) [Diamante Records] 
Georgia Girls - Baddest White 
SNH Foundation - Find A Way (Bok's tool) 
Bok & Trago - Pussy Trak [Night Voyage] 
Neana - Jawbreaker 
Helix - Untitled E-Mix 
Kay Drizz - Dip It Low 
Bok Bok & Tom Trago - Get Me What You Want [Night Voyage] 
Dreams - Gridbugs [Private Selection] 
Neana - Dizzee Edit 2 
Deamonds - Chic [Night Slugs] 
Bok Bok & Sweyn Jupiter - Papaya Lip Gloss (Club Mix) [Night Slugs]


Bok Bok - RA.391

Art Bei Ton Podcast 069: Adelia
( @adelia_adelia )

For the 69th episode of our podcast serie we're happy to invite Czech born and Barcelona based DJ, Adelia.

This mix was originally recorded for Art Bei Ton podcast serie, and it builds up between balanced atmospheres, flawless basslines, and hypnotic patterns. 

Enjoy!

More info about Adelia:

Adelia is originally from Prague, and currently based in Barcelona. Over the years she has had a lot of experience with her own events as well as gigs across the Czech Republic and surrounding countries, including Italy and Spain. Also she has delivered her mixes for a podcast series such as Oslated, radio Ozora, Bahn Barcelona and many more. She always delivers hypnotic and deep Techno sound while taking the listener to another galaxy. 

SC: @@adelia_adelia
FB: https://www.facebook.com/adeliatechno
IG: https://www.instagram.com/adelia.______/
RA: https://ra.co/dj/adelia

Art Bei Ton Podcast 069: Adelia

SC
https://soundcloud.com/amlia
FB
https://www.facebook.com/laimaadelaide0/
IG
https://www.instagram.com/laimaadelaide/
BC
https://predawnrecords.bandcamp.com
RA
https://ra.co/di/laimaadelaide

Laima Adelaide is an electronic music composer and producer who has her own label, Predawn Records, which specializes on deep and ambient techno. 
She studied classical composition in Stuttgart, however she is inspired by avant-garde music as well.
She has released music on labels such as Oslated, Phonotropsimi, Annulled Music, and others.
Her music and live performances feature noisy textures, deep hypnotic grooves, and airy melody but are also deeply influenced by nature and its components, such as water and air.

immersione sessantaquattro_ Laima Adelaide

Enter podcast no. 57.

@Cobahn is a Korean-born DJ now based in Amsterdam. She began her musical journey as part of Seoul's deep spiritual techno scene, regularly performing at Vurt and various parties in the city.

Since moving to Amsterdam, Cobahn has continued to explore and expand her musical horizons, drawing inspiration from both Eastern philosophy and the awe-inspiring beauty of nature. Her music is a fusion of deep and experimental styles, which she blends together to create an authentic and immersive soundscape.

With a focus on all kinds of deep music filled with organic, hypnotic, and avant-garde touches, Cobahn seeks to guide listeners into a meditative and ritualistic state of mind. Her unique sound has been described as a journey through the depths of the soul, where each track is a carefully crafted exploration of sound and emotion.

Check our other podcasts: bit.ly/Black-Wave-podcasts
follow Black Wave: www.facebook.com/blackwave.lt/
follow @blackwavelt
follow @cobahn

Design by Daivaras Kažukauskas aka @adeph

Black Wave 057: Cobahn

Name: Alicia Greco
Alias: Leesh (@dj_leesh)
Pronouns: they/them
Location: Chicago

Influences: Flowers, prisms, the sun and moon and stars and planets, addiction and recovery, kung fu, interconnection, acceptance, love.
 
Affiliations/Residencies/Projects: Daisychain

Favorite Quote: “Grant me the serenity to accept the things I cannot change, the courage to change the things I can, and the wisdom to know the difference.” 

Advice for the DJs, producers and artists of our community:
You are good enough. Your voice is important. Do not let anyone put you beneath them, and if they try to - use your FORWARD ENERGY. When the punches get more intense, relax harder. Breathe. Keep going. You’ll get stuck sometimes, and then you’ll keep going. Things will change, and you will keep going. 

There is not something deeply broken inside of you. We all have parts of us that are hurt and need healing, but the core of you is not broken. The core of you is beautiful and whole. And that beauty can be found. Listen to your inner voice, speak kindly to yourself. Healing is not linear. When you feel the urge to isolate, reach out. It is OKAY to ask for help. Learn what form of self-care works for you at any given moment. You deserve to love and be loved.

Imposter syndrome happens to all of us. But all of those minutes you spend questioning your sound, your message, your decisions, your selection, your transitions - all of those minutes you spend questioning and judging YOU - enough time will pass and you’ll look back or listen back and you’ll be proud of who you are and what you made. The mistakes that felt blinding will fade. You’re still going to sweat about it, just try not to sweat too much because it will keep you from enjoying the moment. You are not a machine! You are a human! 

Fuck the system. Use that DIY energy to create the space you long for but don’t go it alone. Find others, build something, do it together. Play the game if you wish, but remember you also don’t have to. You can forge your own path, one that’s less trodden. It will be hard and you will have doubts but if you keep going, you will find authenticity. It’s never too late.

Know yourself. Learn to love yourself. 

About the mix: In all of these years, I myself have never made a Daisychain mix. Now, here it is. Talk about daunting pressure! But with these ideas of time, transition and change, I did a retrospective to create this concept: my sonic journey through Daisychain. I went back and listened to all of my old mixes to select tracks that were of utmost significance to me during this span of time. I wrote down 125 tracks on 125 post-its that took over the walls of my dining room. I somehow narrowed it down. [Continued on website]

With this mix Leesh asks for you to please learn more about and consider donating to:

❁ Dogs Matter: An organization that provides temporary foster service for folks going into rehab for alcoholism and addiction. (https://www.dogsmatter2.org/)

❁ FreeFrom: This LA-based organization was created to help survivors of domestic violence achieve financial security and help to dismantle the systemic economic structures that perpetuate the violence. As a survivor myself, this organization is doing something incredible and I truly believe in it.(https://www.freefrom.org/)

❁ Beagle Freedom Project: Beagles are the most used dogs for experimental testing due to their kind and trusting nature and temperament. BFP rescues and rehomes beagles from these labs to provide for them a better, safer life. If you know me, you know Yahtzee. He's the rescued beagle baby angel of my life. Rescue the beagles! (https://bfp.org/)

Read more - https://thedaisychain.club/2025/01/16/daisychain-360-leesh/

A goodbye (for now) letter - https://thedaisychain.club/2025/01/16/a-letter-an-end-a-new-beginning/

Daisychain

Daisychain 360 - Leesh

72번째 vurt podcast는 스웨덴 스톡홀름을 중심으로 활동하고 있는 테크노 아티스트 Jessie Granqvist의 68분 세트와 함께 합니다.

스웨덴 전자음악 레이블 Northern Electronics의 소속 아티스트로서 지난 10여년간 스톡홀름 테크노 씬의 주요 인물로 활동해온 Jessie는 깊은 음악적 문화에 대한 연결성을 지닌 놀랍고 다재다능한 DJ이다. 그녀는 언제나 진보적인 비전과 사운드의 아름다움을 포용하여 깊은 최면적 여행을 선사한다. 수년 동안 최고의 테크노 및 일렉트로닉 음악 아티스트들과 함께 연주해온 그녀는 조지아의 Khidi나 베를린의 Tresor 같은 클럽의 단골손님이며, 스톡홀름 씬에서 수년간 레퍼런스 아티스트 중 한 명으로 활약하고 있다.

https://soundcloud.com/jessiegranqvist
https://www.instagram.com/jessiegranqvist/

Staple figure of the Swedish scene for more than a decade, Jessie is a remarkable and versatile DJ with a deep musical culture and a true connection to the sound, always embracing progression and beauty in sound to provide truly hypnotising journeys. Having played with many of the best techno and electronic music artists of our scene over the years, she is a regular at clubs like Khidi in Georgia or Tresor in Berlin alongside being one of the reference artists in the Stockholm scene for many years.

vurt podcast 72 - Jessie Granqvist

Our own @raleigh-harmony hadn’t done a solo closing on Harmony since 2017, we were keen on putting him to the test again after such a break.
By the time he started, @ankali has already been fully engaged after the energetic, self-confident performances from Dash, Zeynep, D. Tiffany, and Ayu’s cutting-edge live set that we posted a couple weeks ago.
Throughout the night—which maintained a steady progressive, adequately trancey vibe—Raleigh added a slight mental twist to it before everyone headed off to join their loved ones around the Christmas tree.

Enjoy the first two hours of the recording and await his forthcoming EP on Harmony Rec in the spring.

Harmony Rec.ordings | Raleigh @ Harmony Xmas "closing set" [extract]

Ahead of Amniote Editions’ 5 year anniversary night at Bassiani on the 6th of December (cancelled due to street protests) comes a very special mix from Munich’s finest, BASHKKA. Derived from the Turkish word for ‘different’ (she has roots there), the name reflects a no f*cks given approach to sound and culture that draws people toward her like moth to flame. From formative days in New York City where she started taking inspiration from its wealth of queer histories, she carved an insubordinate sound that’s crossed the Atlantic and set up shop in her native Germany, where her liberating tunes have found common cause with such venues as Blitz Club, Panorama Bar and Amsterdam’s Raum just a hop and a skip across the border. The aim is to reclaim spaces, assert the existence of marginalised groups (SWANA people like herself for one), amplify their narratives and create moments’ where ‘individual heartbeats merge into one motherbeat’. Further to those activist visions, her debut EP Maktub (2023) was a five-track banger and labour of love that synthesised Kurdish vocal samples with runaway beats. The reference to overlooked perspectives and elusive spark found at the intersection of culture and sound is the driving force, and something that’s felt in the gut when she plays. It’s a much needed energy in turbulent times, a reminder that you can save the world and have fun doing it. For Bassiani Podcast 242, BASHKKA brings her inimitable rhythms to the fore of the counter-cultural struggle: brazen and rave-ready, a two-hour trip to the future, slamming beats from a true icon.

@bashkka

Bassiani invites BASHKKA / Podcast #242

International, Dutch and Amsterdam Legend Tom Trago with this weeks IsBurning mix. 

Two decades into his winding voyage through music, culture and creativity, a producer, DJ, label owner, collaborator, remixer, radio host and DJ’s DJ who is renowned not only for his impressive productivity, but also the genuine depth and variety of his work. Tom’s last performance is still fresh in our memories it was a 4hour  b2b  with our own Carlos, both good friends, and they seamlessly shifted through techno/house and disco and keeping everyone one their toes. 


Highlighted track: Josh Wink - Used to be

“This song is quite new, but captures the essence of a sexy acid house record. In a timeless way. The vocals always make me wander through my mind, and makes me reflect on my past life. For some reason it really triggers quite some emotions with me”.

Tom Trago... IsBurning #161

Mesmerising dance floor tapestries from a singular experimental musician.

Can you reinvent the human voice? The oldest musical instrument in existence, our voices are the foundation of music as we know it, and few push its limits in electronic music today like Lyra Pramuk. On her masterful debut, Fountain the Berlin-based, US-born artist's voice was the only instrument. No drums, no synths—just her voice warped, synthesized and layered to achieve orchestral-like electronics.

Five years on from her breakout, Pramuk's practice has steadily evolved, with a continued interest in ideas of folk and futurism, and how technology can enable us to build community beyond boundaries of time and space. There’s a holistic nature to her artistry, one that extends seamlessly into her DJing.

As she explains in the Q&A accompanying this week's RA Podcast, she sees her work as "part of a continuum of sacred, folkloric, and communal music represented by many different subcultures and communities across the world."

It's an approach that, like much of Pramuk's output, feels explicitly choral in nature. The first voice we hear on the mix comes from Lonnie Holley, his woozy Southern drawl calling out, "Earth will be there to catch us when we fall." (Although, you have to wonder, if we keep flogging the Earth, will it?) 

More voices follow across an eye-catching tracklist, from the poetry of friends (Nadia Marcus) to esoteric French chantresses from the ’80s (Anne Gillis), while Pramuk wraps an extensive amount of her own forthcoming material around tracks from SD Laika, Leyland Kirby, rRoxymore and 33EMYBW, to name just a few.

By the end, voice and noise become indistinguishable—stammering, glitchy vocals colliding with an orchestra of instruments. The effect is mesmerising.

Unfolding as one continuous composition, RA.979 exists somewhere between an ambient set at Kwia and the main stage at Unsound, voices and textures blurred into a fluid tapestry of sound. It's a singular offering to the series from a singular artist.

@lyra_songs

Read the interview and find the tracklist at ra.co/podcast/980

RA.979 Lyra Pramuk

57 minutes of sharp, fast, freaky techno from the underground pop star.

Long before SoundCloud made him famous, RJ Glasgow was already producing edits from his bedroom in Philadelphia. The artist now known as LSDXOXO spliced R&B classics with DMX Krew and Madonna, then graduated from bedroom producer to internet provocateur with his 2010 mix series Spit or Swallow, where La Roux met Ratatat and Rihanna collided with Crystal Castles.

A decade later, that same DIY energy has taken him far beyond the online underground. Now based in Berlin, Glasgow has opened for Beyoncé on her Renaissance tour, remixed Kelela, Lady Gaga and Björk, and taken his Floorgasm party worldwide.

His RA Mix captures that evolution in full flight. Across 57 minutes and 26 tracks, RA.1012 tears through shades of contemporary techno—from big-room precision (Adam Beyer) to looping hardgroove (Italia 90, River Moon) and razor-sharp edits (EsDeeKid & Fakemink).

“Maybe my music invokes that freaky feeling,” he told Resident Advisor in 2022. “A lot of people have that inner freak.” That spirit still drives him today—sensual, chaotic, unapologetic—and reminds us that wherever he plays, LSDXOXO will always be a club kid.

Find the tracklist and Q&A at https://ra.co/podcast/1031
@lsdxoxo

RA.1012 LSDXOXO

A lesson in "diva house and horniness" from a modern New York darling.  

Ask Kilopatrah Jones who their favourite DJ is, and they'll give you an unequivocal answer: Junior Vasquez. And the influence is telling. Both born and raised in Queens, the two share a sense of house as a life force. Not in a new-age, spiritual sense. For Jones, it means being "sweaty, panting and free." 

The NYC DJ can play anything from techno to drum & bass, but when playing house, there's a particular sense of clarity: they understand the genre in the same lineage as Vasquez, Larry Levan and his peers, as the sound of reinvention, transgression, glamour and joy. 

Across the following two hours, RA.1013 immerses you in that world. It feels like walking into the Sound Factory at peak-time, bodies in glorious motion, fog thick in the air. The Lot Radio resident runs through familiar classics, bringing it home with a gag-inducing sweep of Donna Summer, Celine Dion, CeCe Peniston—and fittingly ends with Madonna, a wink to Jones's hero and his defining moment, "If Madonna Calls." 

Jones' RA Mix also reasserts the idea that clubs should be a place of joy. Not only for our individual needs and fulfillment, but as a political act—especially for marginalised folk. Arriving at a time when systemic regression and cultural decay feels increasingly pervasive, they is a model for what DJs and dance floors can, and arguably should be. As they put it, "I'm just so happy and grateful to be alive and in this body."

Find the tracklist and Q&A at ra.co/podcast/1032

RA.1013 Kilopatrah Jones

A sun-soaked broadcast from two of Naarm's most loved selectors.

Asked once how the name for their joint project started, Simon TK and Edd Fisher responded casually: "We were asked to produce a record fair many moons ago, Wax'o Paradiso was the name of that event," they recounted in an interview. 

Happy accident or not, the name rings true more than a decade later. What started as a record fair has since evolved into an event series and now a record label, with Fisher and TK becoming true pillars of Naarm's local scene in doing so, crafting paradisiacal musical worlds wherever they go.

Wax'o Paradiso is a live act first and foremost. Rarely relying on conventional venues, their parties have become the stuff of urban lore, held everywhere from Fairfield Amphitheatre to an old convent and even a children's farm. Often outdoors, these gatherings carry a breezy, open-hearted feeling, and that flows directly into their sets. Think of it as Australian Balearic: eclectic explorations through warm and rolling shades of dance music, laced with licks of '90s prog and tech house, the spiritual foundation of any good bush doof.

Their RA Mix captures the essence of why the pair have become stalwarts of their local circuit. It isn't a recreation of those beloved open-air sessions, but at nearly three hours long, it settles around you like a summer night—and, for listeners in colder climates, perhaps a bittersweet reminder of one. Most tellingly, RA.1014 is bookended by tracks from two Australian artists across two generations.

Ten years in, TK and Fisher's  focus remains steady: build community, elevate local voices and share the eclectic, joyful sound that has made them a cornerstone of Naarm's scene. Their RA Mix is a clear extension of that mission: warm, generous and rooted in the place they call home. 

Find the tracklist and interview at ra.co/podcast/10333
@waxo-paradiso

RA.1014 Wax'o Paradiso

A statement mix from the Dutch artist also known as A Made Up Sound, 2562 and ex_libris. 

What makes something sound like Dave Huismans? His music carries a signature you can't quite name, a tension which has defined every chapter of his career. And unlike most producers, he really does operate in phases. 

A man of many monikers, Huismans resurfaced this year after nearly a decade away with two new aliases, ex_libris and In Transit. His latest ventures, though sonically a world away from the work under his most recognised projects, share the same slipperiness, intricacy and disregard for tidy genre borders. 

"Naiveté and a lack of prejudice… a really wide-eyed type of open-mindedness," Huismans once told RBMA, recalling his youthful forays into dance music and that ethos is alive and well on RA.1015.

Huismans's second RA Mix is as equally thrilling as his first one 15 years ago, traversing a map of influences from Madlib and Gyrofield to Prince and Autechre.  There's no shortage of atmosphere (Losoul's "Sunbeams and the Rain" is one particular highlight), but the throughline is groove: soulful, vocal deep house into driving techy depths, walls of glitchy drums and frantic percussion into guitar funk. 

"I got carried away a bit," Huismans says of RA.1015 below. And that's no bad thing. It sounds like someone enjoying himself again, and perhaps, after letting a few old skins fall away, Huismans is ready to shift shape once more. And if it's anything like the last time, a lot of good music awaits. 

Find the tracklist and interview at ra.co/podcast/1034 
@2562amadeupsound

RA.1015 Dave Huismans

One of the defining producers of the 21st century steps up for a rare, era-spanning mix.

We've been in a reflective mood lately: mulling emergent icons, modern classic and the cyclical nature of trends. All things bend around eventually, but if you lived through the mid-'00s the first time, it felt tricky to envision some specifics of those interim years making a second splash. More fool us. Amongst many other things, dubstep is well and truly back.

This resurged appetite for low-end has been a central storyline in 2025. Clear tells were there in the form of Introspekt's Moving The Center and Tracey's "Sex Life," two major highlights of the past 12 months. Alternately, cup your ear to the tremors rumbling across the world and you'd find Mala packing up crowds with gusto. Which makes closing out the year with a mix from the man himself serendipitous.

The South Norwood-born sub sensei has held an anchor role in the movement since its earliest days. A little like what Upsetter was to Black Ark, the principles Mala, Coki and Loefah's DMZ laid down have been expanded on by Deep Medi, a label that has cultivated a loyal fandom who watch over the catalogue like a hawk. (Six years of frothy debate and knowing in-jokes between MEDi 99 and MEDi 100 paints a picture of both steep expectations and an affinity for gently ribbing their leader.)

But Mala's banner 2025 hasn't relied on the heads alone. The adrenaline of his fissuring basslines and barrel-chested vocals have drawn people into his orbit, and there are rarer qualities at play, too—like pacifism, winked at by the demilitarized name and reinforced on their all-time greatest tune; or contemplation, inked on flyers beseeching the crowd to meditate on bass weight.

In that spirit arrives a mix we've asked after for years. Subtitled The Listening Session, it's rare on two counts. Despite his enduring popularity, Mala is a conspicuous absence on most DJ series. (It's not that he doesn't enjoy recording, just gets spooked by the reaction.)

A nearly-three hour studio set—spaciously paced and laced with a combination of 2025 highlights, freshly-cut dubplates and some of the biggest anthems in the genre's history—is unheard of. No tracklist for now, on Mala's request. Soon come.

RA.1016 is the kind of document that jogs the memory back to when dubstep was a discrete enterprise, something you could only fleetingly access by, say, dialling into Youngsta on Sub FM, ripping 320s of "Circling" off long-forgotten blogs or hugging the back wall of Mass. Which, in service of thinking the evolution of 21st century electronic music, is pretty perfect really. 

Find the interview at ra.co/podcast/1035

@maladmz
@deep-medi-musik

RA.1016 Mala

Podcast recorded for Resident Advisor in March 2013. 

http://www.residentadvisor.net/podcast-episode.aspx?id=361

Bandshell - Hi-Def Skull Flicker [Unreleased]
MM/KM - Lost In NPE2 [Trilogy Tapes]
Pearson Sound - ??? [Unreleased]
Pev & Hodge - The Bells (System Mix) [Unreleased]
Pearson Sound - ??? [Unreleased]
FDF - Hydra (Radio Edit) [Freund Der Familie]
Adam X - Coolin In Atlantis [Big Break]
Anthony Naples - I Don't See Them [White]
Omar S - Under Jamaica [FXHE]
Pearson Sound - Power Drumssss [Unreleased]
Oni Ayhun - OAR002 [Oni Ayhun]
Steve Poindexter - Feen For Rhythm [Housetime]
DJ Technics – Everything In Its Right Place (Beatdown Mix) [T&A]
Beneath - Still Hurts [No Symbols]
Unknown - Untitled [Unreleased]
Pearson Sound - Figment [Pearson Sound]
Untold - That Horn Track [Unreleased]
Marco Shuttle – The Vox Attitude (Pangaea Remix) [Eerie]
Ramsey & Fen - Style [Bug]
Errorsmith - Free For All [Errorsmith]
Steve Poindexter - Eight O Eight [Muzique]
Diamond K feat. The Horsemen - Make It Hot [High Rolla]
Special Request - Cold Blooded [Unreleased]
Elgato - Tonight [Hessle Audio]
Pearson Sound - Crimson (Beat Ritual Mix) [Pearson Sound]
Pearson Sound - Raindrops pt. 2 [Unreleased]

RA.361 Pearson Sound [29/04/2013]

Track List:
http://www.residentadvisor.net/podcast-episode.aspx?id=365

Funkineven - Species 
Funkineven - The Joker 
Funkineven - Dracula
Funkinevil - Igno
Greg Beato - Respect The 78
KMFH - Spoof 
Funkineven - Aviator 
Delroy Edwards - The Fast Lane
Seven Davis Jr - One
Kyle Hall - The Architect 
Kyle Hall - H Bomb
Funkineven - Ym2
Delroy Edwards - Drop Dead
MGUN - Nun
KMFH - Finnapop
Funkineven - Mars
Funkinevil - Outro


Funkineven - Resident Advisor Mix.365

Podcast James Holden did for Resident Advisor, part of the interview in which he explains the reason for this mix:

RA: How and where was the mix recorded?

James: I recorded it in my studio, live, using Traktor, my two custom-made DOWO controllers, a slightly shitty Allen & Heath mixer and a Strymon tape delay pedal, all running through my TL Audio desk and Drawmer tube compressor. DJing through tubes was a new experience—and as you can hear I quite enjoyed playing with the saturation. 


RA: Can you tell us about the idea behind the mix?

James: I wanted to make a companion piece to the album (The Inheritors)—several other sides of the same coin or a few songs that influenced it (or might help explain it).

Tracklist
Animal Collective - Pride and Fight
Sidesleeper - Monument
Peter Gordon & Factory Floor - Beachcombing
Holden - A Circle Inside A Circle Inside
Craig Leon - ? 
Ame - Erkki
Issa Bagayogo - Kouloun
Torn Hawk - A Piece Of The Story
Andy Stott - Luxury Problems
2562 - Nocturnal Drummers
Jonas Reinhardt - Semazen Salem
Nathan Fake - Fortunebrew
Atoms For Peace - Before Your Very Eyes...
Chris Carter - Interloop
Martial Canterel - Phantom
Holden - Rannoch Dawn (tool)
Pharaoh Sanders - The Gathering

http://www.residentadvisor.net/podcast-episode.aspx?id=367