Name: Aquanaut by Resocode in Electrosion
Duration: 6 min 48 s
Description: https://resocode.bandcamp.com/album/electrosion

https://resocode.bandcamp.com/album/electrosion

Electrosion

BLOOD ON THE WIRE

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our freezing tides meet for the last time
contort until we're blind
within me the mystery dies
breathe in new life
your light is running out

grey eyelids

This is Nathan McLaughlin’s latest installment of his Echolocation series. Following releases on Digitalis and Gift Tapes, #5 also continues the organic and thoughtful work of his duo Loud & Sad. Focused on tape loops, layers of delay, and some chordal forms, each piece is meticulously and methodically built, with each sonic element given its due. This sense of pacing and care given to every moment is a crucial element of McLaughlin’s work, and it’s deeply attuned here. The pieces reflect the environment in which they were composed, tight-knit and rural; they mass like storm clouds, and then are barely there, leaving just the fluttering of a distant echo. Stretches of silence, and windblown expanses. Rich chords swell into deeply contemplative passages that are gradually stripped away. A gorgeous, hushed set of tape music.

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"Echolocation #5 extends McLaughlin's exploration of the elegiac and the dirge, adding some crunchy, roiling passages as well. Often McLaughlin's loops gather, in small enough increments to avoid overt, ham-fisted drama, a strong sense of the ominous. These tensions, as well as the fine structural drift McLaughlin is patient enough to permit, make the Echolocation series a fluid one, without a start or an end. Echolocation #5 should be heard as an installation in a big-hearted work, issuing from a musician with an immense gift for subtle music. They are sent from a recondite artist who may well disappear before you receive them, so there's no time to waste." - Jesse Goin / Crow With No Mouth

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Mastered by Eric Steiger
Artwork by E. Lindorff-Ellery and N. McLaughlin

NTR017 - Nathan McLaughlin - Echolocation 5 "A1 5.1"

Notice Recordings is pleased to present the release of Portland, Oregon-based percussionist Matt Hannafin’s “John Cage: Four Realizations for Solo Percussion”, which offers attentive, probing interpretations of pieces that bookend the final thirty years of the composer’s work. Simultaneously restless and nuanced, Hannafin’s performance demonstrates Cage’s continued relevance and enduring ability to push performers beyond their performative biases and toward the unexpected.

Written with no instrumentation, “Variations II” (1961) and “Variations III” (1963) both provide toolkit-like sets of marked-up transparencies which are allowed to fall into random overlapping patterns. “c Ȼomposed Improvisation for One-Sided Drums with or without Jangles” and “One4” (both 1990) are two of only five pieces Cage wrote specifically for solo percussion, and explore Cage’s late-career interest in directed improvisation. “c Ȼomposed Improvisation” was written for percussionist Glen Velez, with whom Matt Hannafin studied just three years after the piece was created.

Commissioned by Notice Recordings, these four performances are in dialogue not only with each other but with Notice itself, which has its roots in the underground/DIY realm while also exploring contemporary/academic composition. The accessibility, inventiveness, and challenge of compositions like these make Cage a unique pivot point between these two worlds.

NTR049 - John Cage & Matt Hannafin - Sided Drums With Or Without Jangles

b flip

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Golden Arch Remixes

Hell Melody (Kinn Version)

Nokuit - Hell Melody (Kinn Version)

● Buy Link: www.beatport.com/es/label/sprout/2153

● Artist: D-Nox, André Moret
● Track: Heaven (Original Mix)
● Album: Sessions, Pt. 3
● Label: Sprout
● Catalog: SPT161
● Genre: Progressive House
● Release Date: 19th December 2025
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● Follow the artists here:
Soundcloud: @d-nox_official @andremoret
Instagram: www.instagram.com/djdnox/ www.instagram.com/andremoretmusic/

● Label's Links:
Soundcloud: @sprout-music
Beatport: www.beatport.com/es/label/sprout/2153
_________________________________

André Monet and D-Nox return for part three of their scintillating collaboration series.

You’ll be well-versed on André and D-Nox, leaders in their field and growing naturally as a production pairing. Part 3 of their Sessions series sees them continue to solidify, drawing every ounce of creativity from each other.

We open with ‘Vale du Sol’, a deep melodic groover for the early morning sets. Glorious icy pads and delicate keys create the sonic playground on which sparse drums and piano tell a melancholy tale. Next, ‘Six’ keeps up the tempo with a deep, bass-led vibe. Coming to life with wonky sonics and melodic percs, ‘Six’ is an audio melodrama played out in your mind. Finally, ‘Heaven’ opens with crisp percussion and a broken beat before a huge reese bass drops and arms raise. Drenched in old skool rave personality, the pianos and keys speak to simpler times of joyous dancefloors and naive hope realised through music. Heaven indeed.
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● Tracklist:
1) Vale do Sol
2) Six
3) Heaven

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HOST is to support labels, upcoming/emerging artists from the wide variety of the electronic scene. Please, don't rip the tunes, with respect to the artists and labels.

Follow on Soundcloud: @host_rec
Follow on Youtube: www.youtube.com/channel/UCdgIA24igyFgQ0c6y_rb4WA

Contact email for premieres: hostmusicofc@gmail.com

Support

Premiere | D-Nox & André Moret - Heaven [Sprout]

Out Of The System

For his last release of 2025, Always Friends delivers a darker, moodier 2-tracker to complement your holiday malaise. "Duloxetine" is reminiscent of late 90's atmospheric drum'n'bass with swirling pads, arpeggiated plucks, and plenty of haze in the mix. Unlike those old tunes, the bassline has a modern, punchy growl and the overall production is super clean and breakbeat-free.

"Quetiapine" is steady and balancing like the drug it's named after. Lush vox pads and shimmering synth runs are anchored by a simple bassline and punctuated with copious snare rolls. Take your meds and have a Merry Christmas!

Aquanaut

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