Name: Phantom by Resocode in Electrosion
Duration: 3 min 56 s
Description: https://resocode.bandcamp.com/album/electrosion

https://resocode.bandcamp.com/album/electrosion

Electrosion

Amorphous Pleasure Kin

Wrote and mixed down in SunVox, with mid/side EQ and a smidge of limiting courtesy of Audio Evolution Mobile.

Rollin - The Lovers (145mix)

TRACKLIST:

1.	Chevi - Festival
2.	Sonic D - Math & Science Intro
3.	Theory - To The Foundation (@marktheory)
4.	Just Jungle - Respect Da Soundboy (@genotype-justjungle-1)
5.	Tactical Aspect - Something Something (@tactical-aspect)
6.	Rough Territory - Heartburst (@rough-territory)
7.	Random Movement - Last Nights Dream (@randommovement)
8.	Ryme Tyme & Trace - Frogger
9.	Meth, Manifest & 2Shy - Rockforte
10.	Perpetuum - A Number Less Than Six
11.	The Untouchables - Time Travellers (@the-untouchables)
12.	Silence Groove - Biter (@silencegroove)
13.	DJ Zinc - On Fire Tonight (remix) (@zinc)
14.	Adred & Ant TC1 - 1238 (@adambakeradred/@anttc1)
15.	Chris Inperspective - Wall Town (@chrisinperspective)
16.	Loxy, Ink, Resound & Gremlinz - Think
17.	Dub One - The Great Ship (@dub-one)
18.	Sekl - Control Signal (@sekldnb)
19.	Roho - Ikuti (@rohosounds)
20.	Paluca - H.P. Lov (@paluca)
21.	Msymiakos - Untitled (@msymiakos)
22.	The Last Ronin - Know You Better
23.	Specialist X - Mind Signs (@specialistx)
24.	Phineus II - Peggy
25.	Special Request - Elysian Fields (@paulwoolford)
26.	Ricky Force - All I Need (Tim Reaper Remix) (@rickyforce/@tim-reaper)
27.	Dillinja - Deep (@dillinja)
28.	FFF - Krisp Biscuit (@f-f-f)
29.	Opius - The Wild Birds [Blood and Water] - [Dub] (@opiusdnb)
30.	DJ Fox - Something Dark (@darren-deejay-fox)
31.	Threshold - Blizzard
32.	Dub One - What Goes Around
33.	Dokta Venom - Dreadnox
34.	Manix - Hardcore Junglism (Total Science Remix)
35.	Digital - Dreamer
36.	Skitty - Hornsman (X Nation remix)
37.	Theory - Originate (Hard Step Mix)
38.	Headgear - Dem Deh 
39.	Nebula - Last Stand (Dub-One Remix) (@nebulasciwax)
40.	Equinox - Ital Lion Tuff Head
41.	Gil Scott-Heron - Lady Day and John Coltrane

Math & Science

Math & Science Ep. 070

Recorded live, this album presents Lonberg-Holm in an intimate relationship with his cello, beautifully recorded by Joaquim Montes at Studio Namouche in Lisbon. Using a variety of extended techniques, he conjures a barrage of multiphonics, interwoven timbral excursions, and minuscule textural knots lined along the peripheral architecture of these pieces. Lonberg-Holm alludes to his music having a non-denominational devotional presence in his life, and this relationship is evident in these deeply personal improvisations. This is visceral playing: heavy, dry, honest, and unpretentious. Lonberg-Holm has performed in an exceptional number of free jazz and free improvised ensembles, not to mention with a variety of indie rock bands; one can hear this experience permeating the seasoned playing in these recordings.

----

Artist's statement:

"Over the years, I have made a number of solo recordings, some in studios such as the now demolished Airwaves in Chicago and the first ESS location (now gone as well), some in concert halls (e.g., Mills College), some outdoors (my father’s farm in central NY as well as the Florida Everglades), and a few at various homes I have lived in. Location has an obvious impact and my long and affectionate relationship with Lisbon inspired me to want to make a solo document there. I have recorded with a variety of projects at Studio Namouche in the Benfica neighborhood of Lisbon and love it. That was where I wanted to make this solo recording.

Anyone who has been to Namouche knows it is a magical place. A faded version of its once probably grand self, Namouche is a sort of small RCA studio A that somehow survived the tumults of the recording industry; it still has the right proportions and materials on the walls, floor and ceiling. Add in good mics, a mixing desk, and the very capable ears of head engineer Joaquim Montes and it’s about perfect.

I’ve described the cello as a “four string busy box” for many years but only recently did I realize it also acts as a “safe space” for me. Although the outcome of pressing the various levers is more unpredictible on a cello than a busy box, I still feel that if I follow the material where it wants to go, nothing can go wrong. It is an act of faith.

For many years, “religious” music has been a source of entertainment and inspiration for me. In spite (or because?) of my lack of religious identity I find beauty in many types of music for worship. Over the years, at different times, I have been obsessed with Hindu, Muslim, Christian, Jewish and Buddhist musics, sermons and chants. While I sometimes fantasize about making a record of religious music, the only faith I can claim to have any real relationship with is Christianity and a recording of Christian music might be misunderstood so . . . I refrain. Instead, I like to think that my solo cello improvisations are a kind of non-denominational devotional music.

During the period when this was recorded, I was listening a lot to Alfred Reed. He seems to favor a very low A (almost A flat) and I experimented with tuning my cello down as a result. Some of the tracks are at that lower pitch and others are closer to A440.

Namouche has a very fine grand piano and a number of other excellent keyboards. They also have some derelict pianos. Most noticeable are the two in the front vestibule and the one in the live room. The short piano pieces were recorded using only the piano in the live room. Because such wrecks aren't found in most good studios, I couldn’t resist playing it. The juxtaposition of a derelict instrument and an incompetent pianist in a great room with excellent equipment was simply too good to pass up."

---

Fred Lonberg-Holm / cello, unprepared piano

---

Recorded March 21, 2019 by Joaquim Montes at Namouche Studios, Lisbon

Mastered by Branic Howard, Portland OR

NTR059 - Fred Lonberg - Holm - "Lisbon Solo"

Shock Effect

Buy from Bandcamp

Kovert - V - Effekt [from: Shock Effect, Praxis 34, 2001]

Phantom

Nexus

Astra

Proton

Aquanaut

It's like Origami or something.
It's new Drill'n Bass / Acid stuff i'm working on.

Like Origami

Ez

Welcome back to another Wednesday music Foot PrintZ special, this time with the one and only producer and DJ, Dream Thresh (https://soundcloud.com/dreamthresh), who is based in Bristol.

Dream Thresh says;

Footwork Fetish is the saga of mythical clashes of lost 2008 footworkers (the foot) against the ever present heat from the signed crew (the hand) . It's for battlegrounds and the export market, from Chi for your chi. A monthly live mix is teleported live and raw - cracking the scene from the underground upwards. All clouded, Detroit ghettotech and electro pan out the UK perspectives on Japanese drumware. Tell the mainstream it's over.

Tracklist;

DJ WOO' TRAXMAN - OHH WELL!!
Karate Chop ('22 Refix)- Krysa
D🔥J Atari - Turn em up
Murda Mommy- Like me
Petchi - Numbers
KMDDR - home (netbooks.WRLD REMX)
NecK - Juke Nikki
DJ Rashad - Dance, Work, Pump, Hit Me
Quadratic - Ringing In My Ears
MoonDoctoR x DJ Tre - Geniuses at Play
Traxman - I Wanna Be High
Dream Thresh- U Fucked me Up
april 17 2022 hotline bling
デネオカイ (denyoukai) - たのしさなし∞ (fun isnt infinite)
HOT PISS OFFICIAL - Salty Dog
1024756 - NEU CHER

Enjoy ! :)

*Foot PrintZ Sessions 021 - Dream Thresh* (Read Description)

TUNNEL014 - AA2 - No Name - Serotonin - CLIP

©2022 ༼ つ ◕_◕ ༽つ ♥♥♥♥ X4 RECORDS
Produced & Mixed by Danny Playamaqui 

Artwork by Wou-Wou & The Wormling
https://www.instagram.com/wouwouandthewormling/

479: 🕳🕳🕳🕳🕳🕳

Eusebio: Percussion 🐙
Rogelia: BrokenBeats and sab•o•tages 👩🏻‍🦰 
Valentino Arco: Synths 🦊
Matilda: Keys 👩🏻‍🦱
Hall: Noise and Sweets ⛑   
Potoo: Basses 🦉 

"watch out for your ears" they say 🕳🕳🕳🕳🕳🕳 

Thanks to you! Much love! 💖💖💖💖
ok done 
🌸🦄💥

Phantom

Resocode

Recent comments

Patrick Mainil

Regio Kei

BLOMTEK

Related tracks