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A free pack containing 20 classic trailer "boom" sounds for use in personal and commercial projects.

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Free Boom Sound Effects Pack | Boom SFX

It seems that with every new Japanese game released here in the States, there's another controversy about the translation. Most recently, we saw this with Metaphor: Refantasio, but the same thing happened with Unicorn Overlord and many others. This is true not only for games but also for anime and Manga. So today, we brought in Alexander O. Smith, a professional Japanese-to-English translator and game writer who worked on games like Vagrant Story, Phoenix Wright: Ace Attorney, Final Fantasy X, and Final Fantasy XII, to set the record straight about the process of game translation and localization. Is the game industry plagued with "rogue translators" who are pushing their own agenda? Is censorship the issue? In this episode, you'll learn how and why these decisions are made and learn some REALLY cool behind-the-scenes info on how Final Fantasy X was translated!

Timecodes:
1. Intro (0:00)
2. Establishing Our Intentions With This Conversation (1:46)
3. What Got Alex Interested In Learning Japanese? (6:36)
4. How Different Are Japanese And English Fundamentally? (15:51)
5. How Much Oversight Do Japanese Devs Have Over English Translation? (28:48)
6. How Much Of The Changes Between Japanese And English Are Marketing Decisions? (35:57)
7. How Often Are The Japanese Teams Requesting Changes For Other Markets? (44:24)
8. Should Translators Also Be Good Writers Themselves? (58:24)
9. Why Did Alex Change "Arigato" to "I love you" in Final Fantasy X? (1:19:00)
10. Alex's Biggest Translation Mistake On FFX (1:30:09)
11. Alex's Feelings On Working With Yasumi Matsuno (1:39:36)
12. How Do You Approach Translating Song Lyrics Like Melodies of Life? (1:57:56)
13. How Did You Master Older Forms Of English? (2:03:43)

Localization Controversy | A Discussion With Alexander O. Smith | State Of The Arc Podcast

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