My submission for the Naviar Haiku challenge #463
the fall
of memory
leaves

Haiku by Jim Young [haigo – Oyoguhito] https://haikueye.blogspot.com

Accompanying image by  Annie Spratt https://unsplash.com/@anniespratt

Fall of memory Naviar Haiku 463 (Rumblin Cynth Rampo)

ModelCycles (Elektron), MicroFreak(Arturia)and Pigments (Arturia)
sequenced with Torso T-1 (Torso Electronics), than reorganized and composed in Ableton.

Dichotomous_R (xtract)

A small track I created in December 2022. Just a drone, an arpeggio and lots of filter automation. Best listened with a subwoofer :)

The "walking steps"-sample was taken from the Luftrum Free Field Recordings library.

Morning Walk

5.El Tiempo Real De Cierre Del Párpado

FADE IN [or ECHOES OF SILENCE?]:

INT. THEATRE - NIGHT [or DARK ENSEMBLE?]

The curtains slowly rise on the blank stage, revealing an enigmatic presence fixed in a trance-like state. Emerging gradually from the shadows, the unidentified figure initiates their art with an opening chord. Instantly, the atmosphere is transformed with a velvet-black ambiance [or twilight abyss?] and a mysterious glow that seems to swirl and dance in the background [1].

CUT TO:

AN INTRICATE TAPESTRY OF VERNACULAR [or LANGUAGE LABYRINTH?]

We hear a cacophony of colliding sounds and reverberations, accompanied by a palpable intensity that fills the chamber. The camera pans across the chaos of cross-talking and crests and troughs as the music ebbs and flows, before settling on a serenely secret scintilla of spliced synesthesia that emerges from the pandemonium [2]. A suggestive sprightly spillage of entwined euphony ignites the air with an escalating fervor as the music hums and hastens, with rogue and ruse rippling in a raft of rabble [3].

CUT TO:

A SYMPHONY OF CHUCKLES AND CHISELS [or LAUGHTER AND LITERARY LINES?]

A deliriously dissonant chaos of cloverleaf cloistering, a melodious medley of sparks and embers that arise and swirl with each crescendo [4]. We hear the enigmatic energy taking form, bewildering and befuddling with its bold babbling. It blurs and then burgeons into a symphony of chuckles and chisels, each sculpting and savoring its way into a sonic sensuality [5].

CUT TO:

A BIZARRELY BEGUILING VISTA [or ENCHANTING EERIE LANDSCAPE?]

The journey winds through a warbling world, whirling through wryness, whimsy, and wit before finally delivering us to a bizarrely beguiling vista [6]. The camera lingers on this strange and foreign place, capturing its surreal and disorienting beauty [7].

CUT TO:

INT. THEATRE - NIGHT (LATER) [or REVERBERATING RUINS?]

The enigmatic figure is now in full view of the camera, but their identity is obscured by the atmospheric distortion that now fills the room [8]. The music has reached a frenzied crescendo, and the camera shakes and shudders with the vibrations [9]. Suddenly, there is a loud crash, and the figure disappears from view.

CUT TO:

INT. THEATRE - NIGHT (MOMENTS LATER) [or POST-APOCALYPTIC AFTERMATH?]

The music has stopped, and the atmosphere is beginning to clear [10]. The camera pans across the stage, revealing a scene of chaos and destruction. The unidentified figure is lying on the ground, their instrument shattered into pieces.

DIRECTOR (off-screen)
Cut! Cut! What the hell was that?

CAMERAMAN (off-screen)
I don't know, man. It just went to hell.

DIRECTOR (off-screen)
We can't use any of this. We need to reshoot the whole thing.

CUT TO:

INT. THEATRE - DAY (NEXT DAY) [or MORNING MOURNFULNESS?]

The curtains rise once again, and the enigmatic figure initiates their art anew. This time, the music is slow and mournful, and the camera focuses on the shattered remains of the instrument on the ground [11]. As the music continues, we see the figure begin to piece a campfire from the broken fragments of their creation [12].

CUT TO:

A GENTLE FADE OUT [or THE FINAL NOTE?]

As the music fades to silence, the curtains slowly close, and the camera lingers on the crackle of the [1].

[1] Flames? Or more of an ethereal light?
[2] Maybe a more specific example of the synesthesia? Or focus on the harmony?
[3] Consider simplifying this sentence - too much alliteration?
[4] Sparks and embers seem repetitive - change one?
[5] "Salivating" could be "savoring"?
[6] Mention specific visuals?
[7] How can we show this beauty? What does it look like?

[9] What if the camera's shake is more subtle?
[10] Could the smoke clear to reveal a specific image/message?

[13] Does the guitar need to play a significant role throughout?

https://www.youtube.com/shorts/KbHTR5DusbM

‘˘ •Øö Oπ°∑ø˚'¨

a lo-fi recording of a concert in Modena dedicated to the music of Arvo Pärt

Silouans Song
Magnificat
Cantus in memoriam Benjamin Britten
Nunc dimittis
Trisagion
Adam's Lament

Tallinn Chamber Orchestra
Estonian Philarmonic Chamber Choir

Tonu Kaljuste

Teatro Comunale di Modena
5 Aprile 2023

Arvo Pärt a Modena

Improvising on contrabass recorder to acoustic jungle loops by Ned Haweeli.

Drum And Contrabass Recorder

Synthesizer & Found Sounds by Marco Lucchi (Modena, Italia)
Guitar and Mix by Jeff Gburek (Poznan, Polska)

Ὁ Γὰρ Καιρὸς Ἐγγύς Jeff Gburek Marco Lucchi

2023-05-27

In Waves

Since I'm trying to learn the Scottish Gaelic language, I will be giving my tracks Gaelic names.
Mathan (pronounced MaHan) means bear as the picture suggests.

Mathan

Frozen Plains

Intermedia artist and passionate about electronic music, I decided in 2016 to set up on my own in this new field...
Through the 'ResonantLines' project I follow my instinct... in between dark ambient, rhythmic structures, atmospheric, abstract and experimental vibes, sometimes in combination with my visuals (videos and animations).
Greetings from Belgium!

Dichotomous_R (xtract)

RESONANTLINES

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