Spotify: https://sptfy.com/queimada

'Myself/Other' is the new EP from Queimada, the Valencia-based sound designer and artist Marco Colocci. @queimada77

Following his established musical aesthetic based on massive electroacoustic samples and granular synthesis practice, Queimada shaped a project that conceptually draws from the idea of Id and Es, decomposing himself into the musical process.  The concept’s duality recreates itself in the ontological aspects of the sonic material used in the EP’s compositional process and results in a unique structure that alternates harsh deflagrations and eerie events.

Mastered by Tom Tommers at YourOhm Studio B @tommers-agu
Artwork by Nicolas Berger behance.net/nicolasschaffer
Graphic by Alberto Cattani

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Full stream of _mass's "dxscord," taken from Premier Rayon compiatin on Soleil Rouge Records, out September 15.

More: www.orbmag.com/music/

@soleil-rouge-collectif
@mass_1x

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Premiere: _mass – dxscord

IM095 - Infinite Machine 10 Years Compilation
Label: Infinite Machine
Release Date: December 3rd, 2021
Format: Digital

Celebrating 10 years of solidly cerebral club music releases, Infinite Machine is celebrating its first decade with an 19 -track compilation full of heat from label mainstays, new signees and some of the friends who helped them along the way. Infinite Machine was born out of a desire to run an dance imprint with the same DIY ethos as the hardcore/screamo labels that xWOLFx, IM's owner, was previously involved with. Over its decade-long lifespan, the label has rapidly evolved into a central figure within the hybrid dance music scene that’s formed on the internet; a place where dembow drum patterns can easily sit next to Sinogrime samples and dubstep sensibilities. In the last few years, as the label and it’s artists have matured, Infinite Machine’s output has taken a slightly cyberpunk turn, moving away from pure dance-floor slammers and towards more conceptual works which deal with our ultra-accelerated culture or soundtrack imagined off-planet worlds.

Some highlights from the release include Galtier’s ‘My Mess is a Face’, a real head-spinner full of granular synthesis and warped sample work. Later on in the comp, Bungalovv delivers a sensory delight with ‘Alacran’, a track so dense with layers of sound design it feels like you can sink your teeth into it. All Centre signee Duswunder pops up mid-way through the release with the frenetic and furious ‘Black Bile’ which is absolutely not a track to be missed. IDM upstart Daniel Ruane’s contribution ‘ZZZZZ’ is hypnotic perfection - one of those compositions that really has to be heard to be believed. Towards the end of the release, long-time Infinite Machine signee Yilan appears with ‘Cortisol’, another slow mind-bender of a track full of siren-like synths and rolling stutters of percussion. And rounding out proceedings is W3C’s ‘Templar’, a great example of the sort of forward-thinking music Infinite Machine loves to release. It’s a track rooted in club culture but, at the same time, transposed away from that context to some other-worldly space.

In an era of dance music consumption where genre trends or in-vogue labels can rapidly switch from flavour of the month to faint memories, this 10-year milestone is a testament to the independent label's unwavering enthusiasm for unearthing fresh talent and pushing our releases at a relentless pace, much like the hardcore labels xWOLFx previously ran. Three cheers for another decade of jaw dropping releases and Infinite Machine's commitment to the church of DIY.

Artwork by Benfika

Daniel Ruane - ZZZZZ

PROXY

Taken from Celine Arnauld (@celinearnauld) new album Narrative, out April 8, 2022, via ZABRA (@zabrarecords)

Read: https://bit.ly/3J0nui9
Pre-order: https://bit.ly/3DziwI1

The album's concept unfolds on the narrative identity and the postulates of Paul Ricoeur, where he says life is narrated, examined and retaken because we are narrated stories of the past and present. This involves the actual concept of historicity, understood as the capacity that history, like a ‘singular collective’ , has to give a satisfactory response to the aporia of past, present and future fragmentation. "Narrative" is divided into two parts: past and future, where a journey through childhood to adulthood is glimpsed. Identity could be said to be the story of an individual, evolving inner life, integrating a reconstructed past and an imagined future in order to provide life with some degree of unity and purpose. On the relationship between life stories and the adaptation, that shows that the term "narrators" is multiplied in several meanings; of redeemers from suffering or even adversity, and who construct life stories that present themes of agency and personal exploration. They also tend to enjoy the highest levels of mental health, well-being and maturity. It could be said that this work it's a development of narrative identity from the origins from young children to the articulation of sophisticated strategies in personal stories told in adolescence to the emerging years of adulthood, where feelings are mixed and wrapped in a poetic conflict between emotions-machines and organic echoes.

Artwork by João Pedro Fonseca

Mastering by André Teixeira

Released by ZABRA

Premiere: Celine Arnauld - Deconstruct The Problem [ZABRA]

xl.iks - Sebundoheiseu

Opener of Zoë Mc Pherson's third album "Pitch Blender"

Pre order vinyl, digital : https://sfx-space.bandcamp.com/album/pitch-blender-sf04

Watch on fire : https://vimeo.com/775761761

Written, performed, recorded
and engineered by Zoë Mc Pherson
Mixed by James Ginzburg
Mastered by Joker
Cut by Lupo Lubich
Photography by Lucie Rox

Pitch Blender

On Fire - Zoë Mc Pherson

Seidr

Oroboro keeps exploring the bounds of his extreme eco-footwork galaxy: labyrinthic rhythms, exploded melodies and shimmering sci-fi samples fuel three high gravity tracks, sonic manifestation of the Eternal Sun. 

Tracklist: 
01. Eternal Sun 
02. Breaking Biogenesis 
03. Resurgence 

The release includes a limited print of 20 posters.
credits

OROBORO - BREAKING BIOGENESIS

AYA - I Will Not Come At Your Beck And Call I Am At Home Preemptively Mashing Up The Dance That Is Where I Am
>>
https://soundcloud.com/aya_yco

Where to start with AYA… Another genuine GENIUS and the one true patron saint of all things FUN and unpretentious. Totally self-sufficient in her methods, ethos and aesthetic, AYA builds these amazing narratives in her tracks, taking you on this mad journey of self discovery and eventually (if you’re also a music producer) self-loathing and a strong aftertaste of “Wait, WHAT!? How the hell did they make this?!? Oh god it sounds amazing I bet it took her 5 minutes”. Well in actual fact you’re probably right, it did take her 5 minutes but RELAX buddy that’s just 5 minutes in Earth time... And we all know she’s operating on some Jupiter level shit right now. If the planets could talk Earth would simply whisper the words “Check out AYA’s Boiler Room, its LIT”

AYA - I Will Not Come At Your Beck And Call I Am At Home Preemptively Mashing Up The Dance...

Ren’s ‘Just Stop Talking’. Taken from @syn12uk's brand new compilation.

More: https://ins-rt.net/audio/ren-just-stop-talking

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Premiere: Ren - Just Stop Talking

✶ label curated by @albertocattani & @vviissee
✶ inquiries: info@takearestnow.com
✶ website: www.takearestnow.com

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