Glasswort is and acts as a medium. A means of transmission, a channel, a liminal state, a container, an environment. A sympathetic vessel, a palette, a mirror - it centers itself in giving and receiving. In this it is both lost and found. Here it finds purpose, but not meaning. It transcribes and is transcribed in the process. As a lens, it brings those around it into focus yet cannot see itself. The soda ash from incinerated glasswort is used to make glass, valued for its crystal clear color. Sympathetic to the season, their stems take on rich purples, reds and pinks moving into leaf season - dappling the marshes like mome raths. You may also know it as swampfire, sea bean, samphire or pickleweed.

Latin: Salicornia depressa, roughly meaning depressed salt horn/branch 

Properties: A member of the goosefoot clade, Glasswort is equal parts vegetable, herb and spice. Much like oysters, kelp and other aquacultures - seabeans are a purifying force both within and without. As a halophytic plant (salt-tolerant) that can thrive in saline wastewater, it has the dual value of being a nutritious, commercially-valued vegetables and also treating wastewater from commercial fishing or shrimp operations. Glasswort is a vitamin and ionic mineral powerhouse; it is rich in calcium, iron, iodine, magnesium, copper, potassium, fiber and Vitamins, A, B, C + D. It is also very high in protein for a vegetable. You can find this small, bush-like succulent in the middle + lower levels of salt marshes in May-August in New England. Virginia Glasswort is widely distributed, from the coasts of FL to PEI in the Atlantic and from CA to BC in the Pacific. It is lovely raw, pickled, as a seasoning or cooked as a vegetable. 

Companions: Glasswort seeds are a vital food source for passerine birds and geese. It also provides a safe-haven for insects and snails, such as the marsh periwinkle and western pygmy blue, during high tides.The endangered salt marsh harvest mouse relies exclusively on Glasswort for its habitat and primary food source. They eat pickleweed and climb on top if its sturdy leaves to forage more efficiently. 

Recipe: https://honest-food.net/sea-beans-salicornia-samphire-saltwort

On Memory and Not Knowing

Giant Claw and Isabel Watson ~ June (Glasswort)

YOE - YOPE

спустя 5 месяцев этого джема lurka выпустил превью своего семпл пака с похожим вайбом: https://splice.com/sounds/packs/rubicon/forest-percussion/samples 

матрица?

4000$ jam 1

˃ a small mix of my demos for a few months. they are in a rather raw form.
i probably should have released it for my birthday, but i scored something and didn't. that's why i'm posting this now.

aetherfont

BURROWING // WITH KAVARI

the glisten of a sea cow's nose

taken from "Yairku Part 2"
https://bffmusicbffmusic.bandcamp.com/album/yairku-part-2

。. 。☿ 。. 。

when u enter a crawlspace you feel humidity all around, from the wet walls to the ground. Yairku is a dark, yet textured place . . .

。. 。☿ 。. 。

Razmiel ( my master of a tactile, virtual soundscape ) conceived this dense, atmospheric journey that expands and collapses its sonic space without any warning. through thick, wet kicks and high-pitched textures, I find myself in club areas, spontaneous noise panoramas, or even cathartic guitar riffs 0_o
with all that in mind, the EP stays emotional and poetic, delivering unconventional climaxes, and moments of silence for a deep inhale.

i listened to it for the 1st time, then 2nd, then 3rd, and still was hungry for more. Razmiel always makes me want to stay in their world for way longer than I imagined . . . ♡

。. 。☿ 。. 。

Razmiel
"𝘛𝘩𝘦 𝘢𝘭𝘣𝘶𝘮 𝘪𝘯 𝘵𝘩𝘦 𝘧𝘪𝘳𝘴𝘵 𝘩𝘢𝘭𝘧 𝘸𝘢𝘴 𝘴𝘶𝘱𝘱𝘰𝘴𝘦𝘥 𝘵𝘰 𝘤𝘰𝘯𝘵𝘪𝘯𝘶𝘦 𝘵𝘩𝘦 𝘵𝘩𝘦𝘮𝘦𝘴 𝘰𝘧 𝘱𝘢𝘳𝘵 1 (xxxglamourxxx.bandcamp.com/album/yairku-part-1) 𝘸𝘪𝘵𝘩 𝘢 𝘱𝘴𝘦𝘶𝘥𝘰-𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘧𝘪𝘤 𝘳𝘦𝘴𝘦𝘢𝘳𝘤𝘩 𝘰𝘧 𝘢𝘭𝘪𝘦𝘯 𝘦𝘯𝘷𝘪𝘳𝘰𝘯𝘮𝘦𝘯𝘵𝘴 𝘪𝘯 𝘵𝘩𝘦 𝘴𝘰𝘯𝘪𝘤 𝘧𝘰𝘳𝘮 𝘢𝘯𝘥 𝘢 "𝘤𝘩𝘦𝘢𝘱 𝘕𝘢𝘵𝘪𝘰𝘯𝘢𝘭 𝘎𝘦𝘰𝘨𝘳𝘢𝘱𝘩𝘪𝘤 𝘥𝘰𝘤𝘶𝘮𝘦𝘯𝘵𝘢𝘳𝘺" 𝘷𝘪𝘣𝘦 𝘭𝘰𝘭.
𝘉𝘶𝘵 𝘵𝘩𝘦𝘯 𝘵𝘩𝘦 𝘴𝘦𝘤𝘰𝘯𝘥 𝘩𝘢𝘭𝘧 𝘬𝘪𝘯𝘥𝘢 𝘦𝘷𝘰𝘭𝘷𝘦𝘥 𝘪𝘯𝘵𝘰 𝘢 𝘮𝘰𝘳𝘦 𝘧𝘪𝘳𝘴𝘵-𝘱𝘦𝘳𝘴𝘰𝘯 𝘱𝘦𝘳𝘴𝘱𝘦𝘤𝘵𝘪𝘷𝘦 𝘢𝘯𝘥 𝘐 𝘵𝘳𝘪𝘦𝘥 𝘵𝘰 𝘨𝘪𝘷𝘦 𝘪𝘵 𝘢 𝘮𝘰𝘳𝘦 𝘢𝘥𝘷𝘦𝘯𝘵𝘶𝘳𝘦-𝘭𝘪𝘬𝘦 𝘢𝘯𝘨𝘭𝘦. 𝘉𝘢𝘴𝘪𝘤𝘢𝘭𝘭𝘺 𝘢 𝘭𝘰𝘯𝘦 𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘴𝘵 𝘷𝘦𝘯𝘵𝘶𝘳𝘪𝘯𝘨 𝘢𝘸𝘢𝘺 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘨𝘳𝘰𝘶𝘱 𝘵𝘰 𝘦𝘹𝘱𝘭𝘰𝘳𝘦 𝘵𝘩𝘦 𝘥𝘢𝘯𝘨𝘦𝘳𝘰𝘶𝘴 𝘢𝘳𝘦𝘢𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘺𝘴𝘵𝘦𝘳𝘪𝘦𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘱𝘭𝘢𝘯𝘦𝘵 𝘰𝘯 𝘵𝘩𝘦𝘪𝘳 𝘰𝘸𝘯 𝘪𝘯𝘴𝘵𝘦𝘢𝘥 𝘰𝘧 𝘱𝘢𝘴𝘴𝘪𝘷𝘦𝘭𝘺 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨 𝘴𝘭𝘪𝘮𝘦 𝘮𝘰𝘯𝘴𝘵𝘦𝘳𝘴 𝘩𝘢𝘩𝘢.
𝘛𝘩𝘢𝘵𝘴 𝘬𝘪𝘯𝘥𝘢 𝘩𝘰𝘸 𝘪 𝘤𝘰𝘮𝘣𝘢𝘵𝘦𝘥 𝘵𝘩𝘦 𝘳𝘦𝘢𝘭𝘭𝘺 𝘭𝘰𝘯𝘨 𝘤𝘳𝘦𝘢𝘵𝘪𝘷𝘦 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘢𝘭𝘣𝘶𝘮 𝘢𝘯𝘥 𝘮𝘦 𝘶𝘭𝘵𝘪𝘮𝘢𝘵𝘦𝘭𝘺 𝘨𝘦𝘵𝘵𝘪𝘯𝘨 𝘣𝘰𝘳𝘦𝘥 𝘰𝘧 𝘵𝘩𝘦 𝘪𝘯𝘪𝘵𝘪𝘢𝘭 𝘢𝘱𝘱𝘳𝘰𝘢𝘤𝘩.
𝘚𝘰𝘯𝘪𝘤𝘢𝘭𝘭𝘺, 𝘪𝘵 𝘦𝘹𝘪𝘴𝘵𝘴 𝘴𝘰𝘮𝘦𝘸𝘩𝘦𝘳𝘦 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘍𝘢𝘭𝘴𝘦 𝘕𝘰𝘪𝘴𝘦'𝘴 𝘍𝘭𝘰𝘳𝘢𝘭 𝘚𝘵𝘳𝘰𝘣𝘦 𝘢𝘯𝘥 𝘊𝘩𝘦𝘮𝘪𝘢 𝘕𝘰𝘸𝘦𝘫 𝘌𝘳𝘺 𝘖𝘚𝘛 (www.youtube.com/watch?v=xqcbxuQz-zQ) 𝘪𝘯 𝘮𝘺 𝘩𝘦𝘢𝘥, 𝘸𝘪𝘵𝘩 𝘴𝘰𝘮𝘦 𝘦𝘱𝘪𝘤/𝘩𝘰𝘳𝘳𝘰𝘳 𝘵𝘳𝘢𝘪𝘭𝘦𝘳 𝘮𝘶𝘴𝘪𝘤 𝘦𝘭𝘦𝘮𝘦𝘯𝘵𝘴 𝘵𝘰𝘰."

mood board:
🧠🦠🎐🦅⚡️🏔🧐 

music by @razmiel
www.instagram.com/razzzmiel/

featuring @flagrastama

artwork by Matěj Boček
www.instagram.com/matej_bocek_/

master by @fausto_mercier
linktr.ee/faustomercier

♫°004

MUEU

Razmiel - MUEU (feat. Flagrastama)

Artist: galen tipton
Album: fake meat
Format: Vinyl / Digital
Release: Sept 2019

Music by Galen Tipton, Holly Waxwing & Giant Claw
Visual art by Galen Tipton and Sam Balfus

galen tipton - touch (w/ Holly Waxwing & Giant Claw)

Parsing the Noise is the most recent album by Bean Boy

Whos Afraid Of 137?!

youtu.be/y-VSRmZXGco

ARTWORK @ SEVI DOMOCHEVSKY

fitnesss.bandcamp.com/album/f20-d-1r

F20 / FAITH

Super proud of this! hope you all enjoy this track!

Follow sv1!
https://twitter.com/sv1music
https://soundcloud.com/sv1music

Follow me on twitter!
https://twitter.com/Lonneker_

4000$ jam 1

restrange

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