a nice little voyage from deephouse to techno

August 2013

This is one part of my 4,5 hours set, I played at Watergate on August 17, 2013 (6:00am-10:30am). Enjoy!

Playlist? Shazam it! 
If you can't find it, it might be unreleased and upcoming on one of my labels AEON & Soulfooled ;-)

Alex Niggemann Live @ Watergate - August 17, 2013 (6:00am-10:30am) Part 2

2Hs of my set in MUTE, Mar del Plata, Argentina on the 23rd of November 2013.

Barem @ MUTE, Mar Del Plata, NOV-2013

I did this remix for Techno Therapy records, which will be released on all platforms 20th June. I loved the strings sample from the original track so it wasn't a hard mix to work on, I just built what I thought worked best around that one part, and this is the result. Hope you like it! Ps I think there's a vinyl for the release to, but whether or not this mix features on there I don't know.

Pig and Dan - Tears of a clown - Max Cooper's Expanded Remix (clip)

Pan - Pot Feat. G - Tech - Gravity (Original)

Please visit www.electronicgroove.com for more info and download.

Connect with Barem:
Soundcloud: https://soundcloud.com/barem
Facebook: https://www.facebook.com/baremminus
Twitter: https://twitter.com/baremmusic
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Webiste: www.electronicgroove.com/
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Twitter: twitter.com/egpodcast
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Mauricio Barembuem (Barem) spent his youth playing blues and rock guitar, but quickly took advantage of the digital revolution in which he was living, soon getting to grips with programmes like Ableton and Reason to start crafting his own electronic sounds: a keen individualist, this form of musical expression was the one Barem really enjoyed. With releases on labels like Foundsound and Minus, he quickly made a name for himself in the techno world.

Influenced by imprints like Perlon, Spectral Sound, Studio One, Ovum, 7th City as well as, of course, Minus, he began on a long journey honing his own unique sonic fingerprint. His first release, the Kleine EP, on free internet label Unfoundsound Records in 2005 was responsible for kicking off Barem’s career. The track “Suki,” was picked up by a number of internationally acclaimed DJs and re-released on vinyl label Phonocult two years later. After a few online releases, Barem signed with Minus for the label’s Min2Max compilation with “Opal”.

More releases followed on Minus, as Barem style evolved from stark, digital and abstract into a more organic tech house sound as exemplified by his Kolimar EP. The successful releases were accompanied by appearances on major festivals such as Mutek, DEMF, TimeWarp, Tomorrowland, Creamfields and many more across North and South America, Europe, and Asia.

“I love bass. That's where my tracks are sustained and where I concentrate most energy. I'm not really the melodic kind of producer. But somehow melodies happen on a random secondary layer by the interaction of elements which I always want to be on tune. I love percussion and that's my second main resource. Most of my tracks are very loopy and groovy. I like when the groove pushes you to dance with no effort while the loop gets you hypnotised. My favourite songs ever are all very simple and that's what I try to do in general.”

The crowning glory in this producer’s discography to date is his full-length album, After The Storm. Released in June 2011, the album goes deeper and deeper into Barem’s percussive driven grooves, natural sounding rhythms and rich, well-defined sound palette. A genuine journey from start to finish that touches on dub, takes cues from acid, but always remains warm, and mystical. The album has also spawned another world tour, which saw the man play live shows across the world for the first time since 2008.



More info

EG.522 Barem

I just started a new segment on my monthly radio show at Delta FM about special artists  and labels. It's my way of sharing music that I admire and fully respect. 
For the first hour, I picked my favorite producer at the moment, someone I consider to be ahead of our time. Someone that I think should have a lot more recognition for what he gives to electronic music.
In these times where a lot of great music gets lost in a sea of mediocre music, lame hit attempts, and why not hits that don't do anything but fighting in charts, hypes and things that used to belong to other music genres, some artists still remind us what we are here for: Create something new, exciting and fun not just to sell and get popular, but to generate emotions and help the music evolve. My first hour is a mix of my favorite tracks from Stimming and I hope you like them as much as I do! :)

Barem - Delta Club Special Stimming FM90.3 - 06-10-11

Aisha - Trappa

Subscribe to our podcast on iTunes: 
https://itunes.apple.com/de/podcast/elektronic-force-by-marco/id1187248655

Follow our radio show also on Mixcloud:
http://www.mixcloud.com/marcobailey

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iTunes

MATERIA Music Radio Show 013 with Marco Bailey

MATERIA Music Radio Show 025 with Marco Bailey

The Martinez Brothers prep their fans for their open-to-close set with Seth Troxler for OUTPOST's Tuskegee showcase with an hour-long In Session mix recorded live at Shelter Amsterdam - presenting their famed energetic sound profile and electrifying style.

@shelter_amsterdam

http://mixmag.net/feature/in-session-the-martinez-brothers

Pan - Pot Feat. G - Tech - Gravity (Original)

Dario Restrepo