Artificial Aries

KERNEL PANIC /o/ 

Follow the leaaaad into 2 hours of Ambient, Break-core & glitches to relate this well famous city disease called  - -  anxiety - - . Quotidian Ups & down, stressfull poems, nervous breakdownss, story of panic crisis and others darkies in the company of #130e0a <3
Come bit your nail & twist ur hair, this is a piece of our mind about  Anxiety At The Era of Internet

MANA-MACHINE 010 KERNEL PANIC (+words from #130e0a)

https://soundcloud.com/adhs_lene of https://soundcloud.com/sniffinglue666

https://www.retreatradio.net/sniffin-glue

Sniffin' Glue #25 w/ ADHS Lene (28/03/22)

Ekaliff (06/04/22)

https://soundcloud.com/elisefritzson

https://www.retreatradio.net/quelle

Quelle #18 (10/04/22)

Jake Meginsky 
Live at 10 Forward 
May 13 2022

Live At 10F May 13 2022

OTOROKU is proud to present the first vinyl reissue of Blue Notes for Mongezi, one of the most passionate celebrations of a life in music ever laid to tape. Recorded in late 1975 by Blue Notes, then reduced to a quartet - Dudu Pukwana on  alto sax, whistle, percussion, and vocals; Johnny Dyani on bass, bells, and vocals; Louis Moholo-Moholo on drums, percussion, and vocals; and Chris McGregor on piano, and percussion - and issued the following year by Ogun, the album is a kairos; the first commercial release by one of free jazz’s seminal ensembles, captured them 13 years after their founding - at the height of their powers - delivering an explosive dirge dedicated to Mongezi Feza, their former bandmate and friend. 

Blue Notes were founded in Cape Town in 1962 and stand among the most important ensembles in the history of jazz. Artistically brilliant and groundbreaking - gathering, within a few short years, a devoted following that included Don Cherry, Steve Lacy, Abdullah Ibrahim, Dexter Gordon, Kenny Drew,Keith Tippett, Evan Parker, John Stevens, and numerous others - they were also the first widely visible multiracial band in South Africa.

As a mixed race band under South African apartheid; this group of friends and like-minded artists - Chris McGregor, Mongezi Feza, Dudu Pukwana, Nikele Moyake, Johnny Dyani and Louis Moholo-Moholo -  existed within a context that viewed their mere existence as a dangerous and subversive act. In 1964, as the pressure mounted, they joined an exodus of musicians leaving for Europe, eventually settling in London during the following year. Sadly, not long after arriving and facing continued economic peril, the group buckled. Johnny Dyani left to join Don Cherry’s band. Moholo-Moholo and Dyani followed suit and joined Steve Lacy on tour, and the remaining members morphed into a number of ensembles that eventually grew to become Chris McGregor's Brotherhood Of Breath.

In late 1975 however, Mongezi Feza - in the midst of a fruitful period collaborating with Dudu Pukwana, Johnny Dyani, and Okay Temiz - suddenly passed away at the age of thirty from pneumonia. Nine days later, on the 23rd December, following the memorial service to their friend, Pukwana, Dyani, McGregor, and Moholo-Moholo gathered in a rehearsal room in London and set out to play. Fittingly, no discussion took place before or during the session. The music was left to say it all.  

The resulting double LP coalesced into four long-form movements that occupy a side each, collectively unleashing an onslaught of free jazz fire, fluidly covering a remarkable range of moods and tactical approaches across it’s length. For anyone encountering the Blue Notes for the first time, the album must have felt like being blindsided by a brick, adding a profound sense of credence to Moholo-Moholo’s belief that free improvisation was intrinsically linked to the Pan-African temperament. In the band’s hands, the idiom sounds like nothing else and exactly as it should. 

A frenzied funeral dirge, a cry, and catharsis, the record rises and falls between playful and joyous movements of deconstructed song, rhythmic and vocal tribalism, and churning, instrumental free expression. It indicates not only a possible future for musical expression - as all truly avant-garde music does - but also the very roots of music itself, illuminating, through abstraction, the far-flung, ancient roots currently carried by the New Orleans “first line” march to the grave. It is a decidedly African vision of free jazz, coalescing as a collective expression of celebration and loss on a cold London day. It is a masterpiece unfolding in real time - out on a limb and laden with risk - created by four of the most talented voices the idiom has known.  

---

DUDU PUKWANA / alto sax, whistle, percussion, vocals

CHRIS McGREGOR / piano, percussion

LOUIS MOHOLO / drums, percussion, vocals

JOHNNY DYANI / bass, bell, vocals and most of the words

ROKURE005 - Blue Notes For Mongezi "First Movement"

Miguel Eedl DJ Set @ Befaco Modular Day BCN - September 24th 2022


Playlist:

Mr. Incognito - Alarm
Silicon - S.S.S. Bass Test
Truncate - Trnct_7_2 Untitled A
The Chemical Brothers - Free Yourself (Paranoid london Remix)
Locked Club - Lomay Lomay
Randomer - Bring
BFTT - I
Miss Kittin - 1993 EACID (Truncate Remix)
Gesloten Cirkel - Chasing Away the Night
Truncate - Trnct_7_1 Untitled A
The Jaffa Kid - Intergalactic War Trials
Gesloten Cirkel - Submit X
Rutherford - Battle
Rhyw - Biggest Bully
James Shinra - Arc (Benjamin Damage Remix)
BFTT - Enin
Marco Passarani - Phonok (Vacuum Party Mix by Gescom)
Posthuman - Hack Jammer
DJ Plead - Going for It
Rhyw - It Was All Happening
Special Request - Redrum
Soul Oddity - DJ Tokio
Phoenecia - Rhythm Box (Soul Oddity Remix)
Miguel Eedl - An Odd Place (Unreleased)
Sould Oddity - Welcome Back To Earth
The Exaltics - Propaganda DNA
Ardisson - 5 Minutes to get Straight
Rhyw - Geomest
FFT - Regional

Modular Day 2022 Dj Set

Esse EP ficou na minha cabeça por mais de cinco anos. A primeira faixa que fiz dentro dessa ideia foi Auto da Compadecida, lançada em 2020, que sampleia a trilha do filme. Desde então, venho pensando nisso, ouvindo, pesquisando, testando e tentando achar um som que fizesse sentido.

Bailão de Dois junta elementos da música nordestina com beats eletrônicos. O nome vem da ideia do prato mesmo — baião de dois — que mistura duas bases diferentes num negócio só. Foi isso que tentei fazer aqui também: cruzar gêneros e referências musicais em cada faixa do EP.

E a artwork do EP nasceu num processo junto com minha namorada, que é de Teresina. Fizemos um brainstorming com referências do Nordeste, tanto do senso comum quanto das versões mais atuais. Depois, comecei a traduzir tudo isso em imagem, criando várias versões com cenários cheios de elementos, mas nenhuma parecia certa. Aos poucos fui limpando tudo, até chegar numa composição mais minimalista, com um cacto humanóide no centro — meio surreal, meio simbólico, direto ao ponto, como o som do EP.

E se curtir ou tocar em algum rolê, me marca no Instagram: @buarky_

Valeeeuu <3

Free Download: buarky.bandcamp.com

Follow @buarky:

instagram.com/buarky_
twitter.com/buarky_
fb.com/buarky

Buarky – Bailão de Dois

This EP has been on my mind for over five years. The first track I made from this idea was Auto da Compadecida, released in 2020, sampling the film’s soundtrack. Since then, I’ve been thinking about it, listening, researching, testing, and trying to find a sound that made sense.

Bailão de Dois brings together elements of Northeastern Brazilian music with electronic beats. The name comes from the dish itself — baião de dois — which mixes two different basics into one. That’s what I tried to do here too: crossing genres and musical references on every track of the EP.

The artwork came from a process with my girlfriend, who’s from Teresina. We brainstormed references from the Northeast, both common and more current. Then I started translating all that into visuals, creating several versions with busy scenes, but nothing felt right. Gradually, I stripped it down to a more minimal composition, with a humanoid cactus in the center — somewhat surreal, symbolic, and straight to the point, like the sound of the EP.

If you vibe with it or play it out, tag me on Instagram: @buarky_

Thanks <3

Free Download: buarky.bandcamp.com

Follow @buarky:

instagram.com/buarky_
twitter.com/buarky_
fb.com/buarky



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Ekaliff (06/04/22)

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