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Please, use headphones or good loudspeakers.

The purple fuchsia bled upon the ground. (2023–24)
Commission: Westdeutschen Rundfunk & Wien Modern

Live Recording: Pierre-Laurent Aimard & WDR Orchestra (cond. Elena Schwarz), 12 May 2024, Cologne

Photo: WDR/Holger Talinski

The purple fuchsia bled upon the ground. (2023–24), for piano and orchestra

Just like STORA SKUGGAN, the music collective @drm-wpnz also prefer to lurk in fog and dark corners – perhaps it is the reason we found each other… With a vast archive of mixes – and even though we regularly play many of them – we fear only to have peeled the lid of this sonic treasure. Flying Eastwards C90 is in the selector Moahaha’s own words a “Far East fantasy. Ninety minutes of vintage gems from Japan, Indonesia, Singapore, South Korea, Taiwan and Hong Kong”. The more part of these compositions have never been rereleased in any shape or form since their first release in the 1960s/1970s (we are often marvelled by never recognising any of the productions in the Dream Weapons mixes). Serious knowledge and research is the core of their work. Immerse yourself in the dreamlike beauty and sweet sounds of Enka, Trot, Dangut, Mandopop and Electone – among other things. Enjoy!

041 – Dream Weapons: Flying Eastwards C90

Improvised live on May 6th 2025 at Tonal Park Studio
Recorded and mixed by Don Godwin
Photo taken in Trondheim, Norway by Lili Zaneta

The Tightrope

lapidary waves B

An arrangement of the live recordings from my performance, Pianosphere. The performance took place in June 2022 and featured my beloved piano, fitted with 4 contact mics. The output of these mics went into a kiloton of effects which could then be sent individually into a 4-channel setup + subwoofer.

Pianosphere

Students of Decay presents The Dip, a new full-length recording by Berlin-based artist and composer Thomas Ankersmit, marking his debut with the label and sixth album to date. Comprised of two expansive, sidelong pieces composed entirely on the Serge Modular synthesizer, it signals a subtle yet significant shift in Ankersmit’s trajectory, imbuing the hyper-physical, psychoacoustic intensities of his live performances with introspective, atmospheric, and even melodic elements. 

17:54 excerpt, from "The Dip" album on Students of Decay

Produced by: @brodinskiofficial and @LaraSarkissian

Mix & Mastering: Modulaw 
Artwork: Rob Scharlach

Brodinski, Lara Sarkissian - ZULAL

PRIMA MATERIA - The Last Mask (2025) 
for soprano, ensemble, electronics and video

Myrtó Nizami (music/text/direction)
Luca Tornato Serafini (video/lights)
Siavash Jafari (sound engineering)

Performed by:
Kristia Michael (voice)
Ensemble Modelo62: 
Klara van de Ketterij (percussion)
Santiago Lascourain (e-guitar)
Enric Sans I Morera (clarinets)
Vasilis Stefanopoulos (db, e-bass)

________
Commissioned by Dag in De Branding Festival
Premiered on 7/6/2025, Het Nationale Theater, Den Haag

photo: Davids Danoss

The Last Mask (2025) - excerpt (Kristia Michael, Ensemble Modelo62)

PRIMA MATERIA I (2024)
for soprano, ensemble and electronics 
excerpt from 1st movement

Myrtó Nizami (music/text/direction)
Luca Tornato Serafini (lights)
Siavash Jafari (sound engineering)

Performed by:
Kristia Michael (voice)
Ensemble Modelo62:
Klara van de Ketterij (percussion)
Santiago Lascourain (e-guitar)
Codi Takacs(dbass)

________
Commissioned by Dag in De Branding Festival
Premiered and recorded live on 1/6/2024, Korzo Theater, Den Haag

photo: Bart Grietens

Prima Materia I (movement I excerpt) 2024

ÖSTERREICHISCHER RUNDFUNK
(Live) Recording: Katarina Gryvul: Jouissance (Uraufführung) - für Buchla-Synthesizer,
verstärktes Ensemble und Elektronik
Place & Date of Recording: March 19, 2025 / Musikverein Wien
Artists: Black Page Orchestra

Jouissance for buchla easel, ensemble and electronics

GEGEN KÖRPER
THE SOUND OF ANTHROPOGENESIS & OTHER DWELLINGS
certified 
party pooper
sorehead
spoilsport
grinch
gremlin
grouch
grump
wet blanket
sourpuss 
drip
drag
crab
bore
fuddy-duddy
goody-goody
malcontent
pecksniffian 
crosspatch 
killjoy
animal

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