Side A on the new tour single for Makthaverskan. Out digitally now!

Out on 7" March 3rd in Scandinavia, April 18th in the US. 

Makthaverskan - Witness

OUT ON ALL PLATS

Clandestine Gallery

made by Lyra Kastrina Corporelle

GATCHA (Bonus)

Taken from their self-titled debut album 'Exploded View', Out Now!

 New band from Berlin & Mexico City fronted by Anika. 

Download Orlando instantly: https://explodedview.bandcamp.com
Order the LP/CD: http://hyperurl.co/EVAMZ

Facebook: www.facebook.com/explodedviewband/
Instagram: www.instagram.com/explodedviewband/
Twitter: twitter.com/ExplodedViewBnd
Tumblr: explodedviewband.tumblr.com/

Tour dates: bit.ly/1R1m34M

Exploded View

Orlando

Exploded View – Orlando

A new Memory Tapes song, recorded live at rehearsals.

Catch Memory Tapes on tour now: bit.ly/1PHRoUT
may 13th - pittsburgh, pa - club cafe
may 14th - philadelphia, pa - boot & saddle
may 19th - baltimore, md - metro gallery
may 20th - brooklyn, ny - palisades

Memory Tapes - Words They Don't Believe

Fake It

Video: https://youtu.be/p-g3ARYwMzs
From the upcoming Eterna EP. It's been asleep for 4 years, now it's ready to awaken the world.
https://www.instagram.com/2kulit2kuwit

Eterna Tests

Phèdre - Eclipsed

Be Brave - Tropic of Cancer

LISTEN / BUY - http://www.austinpsychfest.com/store/the-reverb-conspiracy-vol-1/

The Reverberation Appreciation Society and our friends Fuzz Club Records have teamed up to release the first volume in a new European psych compilation series: The Reverb Conspiracy. The first volume will be released on November 10th 2012, and celebrated by a two day event at Shakewell Arms in London followed by a 2 week European tour.

THE ALBUM

This 180g double LP compilation will be available in a limited, hand numbered edition of 1,000 with deluxe gatefold packaging and artwork from Nonni Dead (from The Dead Skeletons). 

The vinyl will be available in Europe at select stores and through fuzzclubmusic.com and in North America through austinpsychfest.com, with 25% of proceeds going to Child’s i Foundation that help abandoned children in Uganda: http://www.childsifoundation.org

Pre-sale starts October 30th on http://www.austinpsychfest.com and http://www.fuzzclubmusic.com.

The album’s tracklist spans the continent and documenting the darker side of Europe’s psychedelic rock scene with songs from 19 bands, curated by Fuzz Club Records and mastered by Brett Orrison.

Check out 2 streaming tracks from the album: The Orange Revival's "Ever" and Lola Colt's "Diamonds":

TRACKLIST

1. Black Market Karma (UK) - Weightless 
2. A Victim Of Society (GR) - You're Gonna Hate Me
3. The Lucid Dream  (UK) - Hits Me Like I'm Stoned 
4. The Electric Koolaid Company (UK)- Dreams

5. The Orange Revival (SE) - Ever
6. The KVB (UK) - Never Enough
7. Radar Men From The Moon (NL) - Heading For The Void
8. Singapore Sling (IS) - Nothing Inside
9. Oscar Suave (UK) - No Direction

10. Dead Skeletons (IS) - Kundalini Eyes
11. Lola Colt (UK) - Diamonds 
12. Sonic Jesus (IT) - Underground
13. The Underground Youth (UK) - I Need You
14. Black Lizard (FL) - Spirits

15. Wall Of Death (FR) - Thunder Sky
16. Get Your Gun (DK) - Staying For A While
17. The Third Sound (IS) - Re-Elevation
18. The Wands (DK) - Hello I Know The Blow You Grow Is Magic
19. Dead Rabbits (UK)  - When I'm Blue

RELEASE PARTY AND TOUR

Come celebrate the release at Shacklewell Arms on November 10th and 11th, featuring performances by:

Singapore Sling (IS) - The Blue Angel Lounge (DR)  - The Telescopes - Wall Of Death (FR) - The Lucid Dream - The KVB - Lola Colt - Sonic Jesus (IT) - The Underground Youth - Dead Rabbits - Oscar Suave - Black Lizards (FI) - The Wands (DK)

Presented by Fuzz Club Records, Bad Vibrations and The Reverberation Appreciation Society.

Tickets: http://www.wegottickets.com/event/187000

Facebook Event - http://www.facebook.com/events/397278727005726/

EUROPEAN TOUR:

Singapore Sling, Wall of Death and Lucid Dream

Nov 10th-11th London - Shacklewell Arms
Nov 15th- Paris - Glazart
Nov 17th - Berlin- White Trash
Nov 20th - Copenhagen - Pumpehuset
Nov 22nd - Oslo - Blå
Nov 23rd - Stockholm - Debaser

Facebook Event for European Tour -http://www.facebook.com/events/275831705861721

The KVB - Never Enough

Belfast-based four-piece Girls Names are a singular proposition, both geographically and psychically removed from their contemporaries at home and abroad. Released in February 2013, their second album 'The New Life' is the sound of a band on the fringes striving to forge their own path, purposefully out of step - and time - with their surroundings. Weighed heavy with the grey landscapes of their hometown, 'The New Life' is isolation laid bare, shot through with an undeterred sense of purpose and individuality.

Having released a series of singles and EPs on various independent labels, Girls Names made their first significant impression on the wider world in 2011 with their debut album, 'Dead To Me,' earning plaudits from the likes of Pitchfork, NME and Loud & Quiet amongst a host of others. And yet, despite all the praise heaped on it, as soon as that record was released Girls Names were already moving into a different headspace. 

The band’s performance at this year Primavera festival provided them with their first real opportunity to showcase the songs that were to comprise 'The New Life.' The sunshine backdrop of the Spanish coastline offered a somewhat incongruous setting to the eerie dissonance of the new material, a kind of trial by fire metamorphosis rapturously received. Following a tour of Europe, the band returned home to record the album over a series of months. Having been produced by singer and songwriter, Cathal Cully, they’ve managed to capture that sense of otherness the performances at Primavera hinted at. The expansion to a four piece means the garage-clatter of the spritely pop songs of their debut have been replaced by a deeper, shadowy exercise in catharsis, driven by repetition, psychedelia and Dionysian crisis. And the record was born of a weighty concept too, as Cully explains: 

“'The New Life' is not an over night change for Girls Names - just over two years in fact. 'Dead to Me' literally was dead to us by the time it was committed to wax. But it's a learning curve. We started moving on as artists the moment we finished that recording session, maybe even before. Not to dwell on the past, 'The New Life' is what happens when you reset everything back to zero and start again, but try to perfect. It starts back at zero the minute the needle hits the groove but we're also starting back from zero once the needle lifts at the end of the record. Ad infinitum. 'The New Life' is what follows now.”

The album’s title track, and the first single to be taken from the album, is an ideal entry point. Just shy of 8 minutes long, it rotates around a hypnotic bass line, and in Cully’s evocation of renaissance, offers a perfect metaphor for the album as a whole. New single ‘Hypnotic Regression’ - available to stream today - reflects another side to the record. The reverb-heavy guitars and compelling melody are immediately memorable, but there are signs of experimentation, too; the white squall of the lead break; the uneasiness in the vocal echoes that furnish the verses. As such, 'The New Life,' stands as a brave statement; the mark of the band untying themselves from the past and easing forth into the unknown.

"The New Life" will be released on February 18th, 2013 on Tough Love (UK) and February 26th, 2013 on Slumberland Records (US).


Girls Names - Pittura Infamante

Released May 27th. Night School Records.
CD/LP/Digital.
Pre-Order: http://nightschoolrecords.bigcartel.com/product/lssn016-terror-bird-all-this-time-lp

“All This Time” is the 3rd full length LP from Terror Bird - aka Nikki Nevver - and is by far the most personal, emotionally affecting and musically developed. Recorded at home over a period of 5 months, the 10 songs on “All This Time” document a period of intense emotional upheaval, a period wherein Nevver underwent major shifts in her personal life, rediscovered the solo recording process (previous albums having used live drumming and studio production) and married a raw, personal music with a straight-to-tape aesthetic most in-tune with her early recording experiences. The difference this time is that Nevver’s unique voice - at turns operatic and fragile, untutored and wearing its heart on its sleeve - serves as the perfect conduit for the emotional turmoil in the songs.

Nevver’s voice has grown into a formidable instrument, a towering, unabashed vocal whose resonance curls around the synth and drum machine production, at times duetting with itself, at times scaling the vocal register to reach new dramatic heights. Brought up on the music of the 80s “studio” - The Smiths, Kate Bush, The Cure - Nevver’s music exists beyond modern zeitgeists or considerations, subverting “big production” music into a personal DIY aesthetic. It’s a pure songwriting that outgrows genre and thrives purely on the merits of direct communication between songwriter and listener. 

Each song on “All This Time” serves as a chapter in a narrative that is universal; from the self-doubt and loneliness of opener “The Wrong Way,” to the doomed bedroom romance of “Try To Break Me,” from the masochistic guilt of “Locket” to the near-anthemic “Lust & Violence.” Each song speaks directly, plainly, to the listener, dispensing as much as possible with the unnecessary augmentation of modern pop music; “All This Time” is simply the deeply romantic, part-doomed / part-hopeful songs of a singular, unique talent.

The Wrong Way (From LSSN016 - "All This Time" CD/LP/Digital)

A stylistic sampler of the Mexican Summer / Software Recording Co. catalog

The KVB - Never Enough

LEVITATION

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