SUPERNATURAL

Pic: Maximo Pedraza (http://www.flickr.com/photos/maximopedraza)

Soko - Monster Love (feat. Ariel Pink)

Tomorrow is the release of Diary of Purple Songs on PNRC. But the 30th of this month I'll release the Cultlove EP on RVRB MUSIC!!! Worked very hard on this for a few months. It features 8 songs including Would You Join My Cult?. Today I'll upload the single Desire Song on soundcloud and the videoclip is already watchable at the Mexican Vans website: http://v66.com.mx/ . Check it out<4 #cultlove for all of you.

Lyrics:

Colored grey, streetlight bliss
I am a man who smells like piss
You took my kids in '96
Last night I dreamed I kissed your lips

You make me cry
It took so long
Heroin tears
Desire Song

I'm walking down to memory lane
The years I was a little saint
A black man says I'm running out
Reality is lost and found

You make me cry
It took so long
Heroin tears
Desire Song

Desire Song

The first single from Preoccupations' debut s/t album on Flemish Eye, out 2015/01/20.

Watch the video by the very talented director: Yoonha Park here https://www.youtube.com/watch?v=hdMz7BUtOvk

Preoccupations : Continental Shelf

Crystal Stilts - The Dazzled

Side A on the new tour single for Makthaverskan. Out digitally now!

Out on 7" March 3rd in Scandinavia, April 18th in the US. 

Makthaverskan - Witness

Track from the forthcoming Lp via Going Underground. 

Peluquería Canina - Hilda Zaude

One of two songs I had to create for a university assignment, April 2025.
https://soundcloud.com/exurd/mindbreak

see me

nightschoolrecords.bigcartel.com/artist/m…-nilsson

A sweeping, cinematic, emotional change is in the air. Molly Nilsson’s sixth studio album Zenith begins with clear, wide eyes open to Earth as we would love it to be but seldom is. Recorded in her home of Berlin and whilst touring and, as ever, conceived, produced, written and recorded in solitude, Zenith is Nilsson’s big statement and consequently her most affecting work to date. It sees her reveling in big arrangements, sweeping synth strings, bigger choruses and emotions. Like the rest of us she looks within and to endless sunsets in wonder and puzzlement.

That Molly Nilsson is a DIY cult figure is beyond question; she has always written directly and with wit straight down the line between the universal and the personal. The difference with Zenith, and you can hear it in the opening chords of opener The Only Planet, is that her scope is now much wider and her heart heavier than ever before: over a post-ecstatic dusk, Nilsson serenades the globe in a loving embrace. Following on, 1995 is, arguably, one of Nilsson’s finest songs to date. It’s one of those songs to learn the lyrics to, to listen to on repeat, a reason to wear the grooves down to the bone, it’s why pop music can be one of the greatest art forms we have. It’s an example of how, on this album, Molly draws the listener closer to her heart than ever before. There’s simply no escape from the line “The plans that you made / when you still had the time / I’ve saved all the things that you left behind but by now I guess I’d consider them all mine /Windows 95, is only a metaphor for what I feel inside / Although I’m older now / there’s still an emptiness that’s never letting go somehow.” Show-stopper Mountain Time is the soundtrack to being on the run, from societal conventions, from normative ideas of happiness, from your surroundings. It’s the intoxicating call of the renegade. That’s not to say that Nilsson’s light touch has been forsaken for grandiose statements. Bunny Club begins as a demo-sketch before breaking into a fast-paced tale of doomed romance with big rave synths and Bus 194 (All There Is) sees Molly joyride through a city on a happy hardcore bus. But it’s tracks like Tomorrow and another contender for best-ever-Molly moment, Happyness that the true scale of what she’s accomplished reveals itself. We’re locked in a spiraling orbit, strings and bass whirling, gazing at the spinning planet below us as we contemplate both the ultimate freedom in loneliness and the glimmer of hope in the Other. Can we ever be truly with someone? Are we ever truly alone?

Over the 13 tracks here we get the impression that Nilsson may always be restless; like anyone else she has conflicting feelings of love and hate. It’s just not many other people can tell you exactly how you feel before you know it yourself.

MOLLY NILSSON: Mountain Time (from Zenith)

LISTEN / BUY - http://www.austinpsychfest.com/store/the-reverb-conspiracy-vol-1/

The Reverberation Appreciation Society and our friends Fuzz Club Records have teamed up to release the first volume in a new European psych compilation series: The Reverb Conspiracy. The first volume will be released on November 10th 2012, and celebrated by a two day event at Shakewell Arms in London followed by a 2 week European tour.

THE ALBUM

This 180g double LP compilation will be available in a limited, hand numbered edition of 1,000 with deluxe gatefold packaging and artwork from Nonni Dead (from The Dead Skeletons). 

The vinyl will be available in Europe at select stores and through fuzzclubmusic.com and in North America through austinpsychfest.com, with 25% of proceeds going to Child’s i Foundation that help abandoned children in Uganda: http://www.childsifoundation.org

Pre-sale starts October 30th on http://www.austinpsychfest.com and http://www.fuzzclubmusic.com.

The album’s tracklist spans the continent and documenting the darker side of Europe’s psychedelic rock scene with songs from 19 bands, curated by Fuzz Club Records and mastered by Brett Orrison.

Check out 2 streaming tracks from the album: The Orange Revival's "Ever" and Lola Colt's "Diamonds":

TRACKLIST

1. Black Market Karma (UK) - Weightless 
2. A Victim Of Society (GR) - You're Gonna Hate Me
3. The Lucid Dream  (UK) - Hits Me Like I'm Stoned 
4. The Electric Koolaid Company (UK)- Dreams

5. The Orange Revival (SE) - Ever
6. The KVB (UK) - Never Enough
7. Radar Men From The Moon (NL) - Heading For The Void
8. Singapore Sling (IS) - Nothing Inside
9. Oscar Suave (UK) - No Direction

10. Dead Skeletons (IS) - Kundalini Eyes
11. Lola Colt (UK) - Diamonds 
12. Sonic Jesus (IT) - Underground
13. The Underground Youth (UK) - I Need You
14. Black Lizard (FL) - Spirits

15. Wall Of Death (FR) - Thunder Sky
16. Get Your Gun (DK) - Staying For A While
17. The Third Sound (IS) - Re-Elevation
18. The Wands (DK) - Hello I Know The Blow You Grow Is Magic
19. Dead Rabbits (UK)  - When I'm Blue

RELEASE PARTY AND TOUR

Come celebrate the release at Shacklewell Arms on November 10th and 11th, featuring performances by:

Singapore Sling (IS) - The Blue Angel Lounge (DR)  - The Telescopes - Wall Of Death (FR) - The Lucid Dream - The KVB - Lola Colt - Sonic Jesus (IT) - The Underground Youth - Dead Rabbits - Oscar Suave - Black Lizards (FI) - The Wands (DK)

Presented by Fuzz Club Records, Bad Vibrations and The Reverberation Appreciation Society.

Tickets: http://www.wegottickets.com/event/187000

Facebook Event - http://www.facebook.com/events/397278727005726/

EUROPEAN TOUR:

Singapore Sling, Wall of Death and Lucid Dream

Nov 10th-11th London - Shacklewell Arms
Nov 15th- Paris - Glazart
Nov 17th - Berlin- White Trash
Nov 20th - Copenhagen - Pumpehuset
Nov 22nd - Oslo - Blå
Nov 23rd - Stockholm - Debaser

Facebook Event for European Tour -http://www.facebook.com/events/275831705861721

The KVB - Never Enough

Belfast-based four-piece Girls Names are a singular proposition, both geographically and psychically removed from their contemporaries at home and abroad. Released in February 2013, their second album 'The New Life' is the sound of a band on the fringes striving to forge their own path, purposefully out of step - and time - with their surroundings. Weighed heavy with the grey landscapes of their hometown, 'The New Life' is isolation laid bare, shot through with an undeterred sense of purpose and individuality.

Having released a series of singles and EPs on various independent labels, Girls Names made their first significant impression on the wider world in 2011 with their debut album, 'Dead To Me,' earning plaudits from the likes of Pitchfork, NME and Loud & Quiet amongst a host of others. And yet, despite all the praise heaped on it, as soon as that record was released Girls Names were already moving into a different headspace. 

The band’s performance at this year Primavera festival provided them with their first real opportunity to showcase the songs that were to comprise 'The New Life.' The sunshine backdrop of the Spanish coastline offered a somewhat incongruous setting to the eerie dissonance of the new material, a kind of trial by fire metamorphosis rapturously received. Following a tour of Europe, the band returned home to record the album over a series of months. Having been produced by singer and songwriter, Cathal Cully, they’ve managed to capture that sense of otherness the performances at Primavera hinted at. The expansion to a four piece means the garage-clatter of the spritely pop songs of their debut have been replaced by a deeper, shadowy exercise in catharsis, driven by repetition, psychedelia and Dionysian crisis. And the record was born of a weighty concept too, as Cully explains: 

“'The New Life' is not an over night change for Girls Names - just over two years in fact. 'Dead to Me' literally was dead to us by the time it was committed to wax. But it's a learning curve. We started moving on as artists the moment we finished that recording session, maybe even before. Not to dwell on the past, 'The New Life' is what happens when you reset everything back to zero and start again, but try to perfect. It starts back at zero the minute the needle hits the groove but we're also starting back from zero once the needle lifts at the end of the record. Ad infinitum. 'The New Life' is what follows now.”

The album’s title track, and the first single to be taken from the album, is an ideal entry point. Just shy of 8 minutes long, it rotates around a hypnotic bass line, and in Cully’s evocation of renaissance, offers a perfect metaphor for the album as a whole. New single ‘Hypnotic Regression’ - available to stream today - reflects another side to the record. The reverb-heavy guitars and compelling melody are immediately memorable, but there are signs of experimentation, too; the white squall of the lead break; the uneasiness in the vocal echoes that furnish the verses. As such, 'The New Life,' stands as a brave statement; the mark of the band untying themselves from the past and easing forth into the unknown.

"The New Life" will be released on February 18th, 2013 on Tough Love (UK) and February 26th, 2013 on Slumberland Records (US).


The KVB - Never Enough

LEVITATION