Trouble On My Mind (Drunken Logic Cover)

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Drunken Logic - Trouble On My Mind (Drunken Logic Cover)

Sonate n°3 pour piano en fa majeur

J’ai rarement besoin d’introduire mes musiques. Celle-ci fait exception : s’agissant d’une musique à programme, je me dois d’en présenter les grandes lignes pour que, à la fois l’auditeur, mais aussi l’interprète, puissent comprendre ce que j’ai voulu signifier et comment interpréter cette sonate.

Cette sonate pour piano a pour titre « Anthropo-scène ». Elle a pour ambition de décrire l’évolution de l’Homme depuis la nuit des temps jusqu’à nos jours.

Vidéo : https://youtu.be/LeAbQYEAiAs

Sonate n°3 pour piano ­— « Anthropo-scène »

Power Corrupts

Face

Lady A | Dancin' Away With My Heart

A huge thanks to Barricage for their massive contriution to the track, it wouldn't sound anywhere near as good as it does without them. 

Lyrics : 
(intro)
Time to scalp the Balds
I love it when they die
(v1)
Welcome to the party where we celebrate
The beauty we steal from the people we hate 
We all disagree yet we never debate
We just have to believe and be in one kind of state

We all look alike and we all dress the same
This all happened before, yet we march unashamed
We know we'll self-destruct when it's all said and done
But we hate colour so much that we'll blow up the sun

(ch)
Yeah
How is this happening again (x3)

Thousand year party that only lasted ten 
False place their bets on mistakes of the dead
Living and breathing these skulls fear for their land 
Livid, they scream 'gainst what's only in their heads

(v2)
Strength over weakness
Us versus them
No self-awareness
Just self-defense

Back to the good days
Just not sure when
Days where the good hate
Could still make us friends
(Lex guitar solo)
Srength over weakness
Paint over shit
Cope can't redeem us
Nothing wrong with what we did

Hate over facts
Date over chat
Rape over castration
Murder over protection

(ch)

Credits: 
Lex : intro guitar, lead guitar (chorus+2nd verse), larsen effetcts
Dave : intro vocals, chorus vocals, background vocals (2nd verse), lyrics (chorus(2nd half), intro)
Iris : main composition, rythm guitar, bass, vocals (Verses 1 and 2, chorus (1st half)

Rage Party (w Barricage)

Itheereum Cybernetics

itheereum.ai

Image: https://creator.nightcafe.studio/creation/NuEWRHAWTEfFpexTgohA/itheereum-cybercity-building-2

Raw-Track: https://suno.com/song/00b078e9-c7ac-4ce4-a279-2431de227228

Divergence - Encyclica

New track alert!😀
"Asteroids (The Original Was Better)" is the result of a spontaneous and fun collab between our friend and amazing musician Joe Stroffolino (https://soundcloud.com/joseph-stroffolino) and Beating Edge. Joe heard our chiptune track RND (https://soundcloud.com/beatingedge/rnd-instrumental-chiptune), got inspired by it, and wrote some lyrics based on the classic arcade game Asteroids. He added his voice and acoustic guitar over it, and sent it our way.
We loved it and decided to jump in too, building a second part with a more rock-driven vibe, using the same chiptune idea as inspiration. We stitched everything together into a single track, kicking things off with a fun spoken intro, a short vocal transition between the parts, and closing with a wild, over-the-top outro.
Hope you enjoy this crazy, hybrid ride as much as we enjoyed making it! Thanks so much to everyone who gives it a listen, sending lots of love your way!❤️‍🔥
Huge thanks, Joe, for this awesome collab! Can’t wait for the next one!😉

Music by: Beating Edge
Lyrics by: Tom (Beating Edge) and Joe Stroffolino
Performed by: Beating Edge and Joe Stroffolino
Acoustic guitar (Taylor 114ce) by: Joe Stroffolino
Vocals performed by: Joe Stroffolino and Tom (Beating Edge)
At the moment, this track is exclusively available on SoundCloud.
Released on June 6, 2025.
©2025 Beating Edge and Joe Stroffolino

Lyrics:

[Spoken Intro]
Joe: Wow! This is a really cool Arcade!
Tom: Yeah!
Joe: Hey, check it out! Is that an Asteroids game over there?
Tom: Oh, wow!
Joe: I haven't seen that in like that forever!
Tom: That's definitely Asteroids! Let's play a game!
Mary (with a sore throat 🤦🏻‍♀️🤣): Oh yeah! Let's play Asteroids!

-->Joe

I used to play asteroids in the 1980’s
I liked to blow up rocks in outer space
The flying saucers would attack me
At an ever-increasing pace

I stumbled across an old vintage arcade the other day
I hadn’t played Asteroids in a long time
I popped a quarter into that old machine
And I watched my score start to climb

I watched my score start to climb
I watched my score start to climb
I watched my score start to climb

Time goes by so quickly 
and playing that game really took me back
To those days when my future was unwritten
And I hadn’t gone so far down my current track

Pushing those buttons so fast and furiously
Standing in front of that arcade machine
Blowing up all those asteroids 
On that black and white video screen

Blowing up all those asteroids 
On that video screen
Blowing up all those asteroids 
On that video screen

For a couple of minutes, I forgot about the present
I was back floating in outer space
Breaking big rocks into small rocks
I had a a big smile on my face

And then it was time for me to go
Cause I had errands that I needed to run
But that old video game
I sure had a lot of fun

It's not over yet

-->Tom 

Just a single screen, all black and white
The whole room's dark except the TV's light
Rotate and thrust, it wasn't much
No one had seen a thing like this before

Now there's a 3D holographic thing
That no one plays, 'cause nobody can afford
With a visor on, your body's gone
It's kinda fun, but the original was better

We used to play all day, late at night
For the high score, it was do or die
No one knew what a quarter was worth
No one knew what the future had in store

Now there's a 3D holographic thing
That no one plays, 'cause nobody can afford
With a visor on, your body's gone
It's kinda fun, but the original was better

The original was better
The original was better
The original was better
The original was better

Now there's a 3D holographic thing
That no one plays, 'cause nobody can afford
With a visor on, your body's gone
It's kinda fun, but the original was better

[Spoken Outro]
Someone who wants to stay anonymous 😂: That was a lot of fun!

Asteroids (The Original Was Better)

Asteroids (The Original Was Better) - Beating Edge & Joe Stroffolino

“Summer” by CVDENCE ☀️🎹
A light and graceful piano piece capturing the warmth and ease of a perfect summer day. Flowing with lyrical melodies and delicate rubato, it moves with elegance and emotional nuance. Relaxing yet expressive, this piece invites you into a tranquil, sunlit world 🌿✨ Perfect for moments of reflection, calm, or simply enjoying beauty in its purest form.

#CVDENCE #Summer #PianoMusic #RomanticStyle #ModernClassical #RelaxingMusic #BeautifulPiano #CalmVibes #Instrumental #NeoClassical #PianoDuo #ClassicalCrossover

Summer

Ebb and Flow

https://soundcloud.com/temple-of-the-haunted-man/sets/from-here-to-everywhere

The Sun Clears The Sky

Rex Potam: A Journey Through Song and Symphony

With a voice seasoned by nearly four decades of singing, Rex Potam embarked on a new creative chapter in 2016. Though professional circumstances led him to step away from the choir, his passion for music found a fresh outlet in composition.

Rex is a self-taught singer-songwriter, drawn to crafting music that paints vivid sonic landscapes. His style seamlessly blends classic influences with an acoustic sensibility, evident both in his solo songwriting and collaborations with other artists.

But Rex's musical spectrum extends far beyond the realm of song. He delves into the world of classical composition, creating pieces that resonate with the richness and depth of the tradition. Whether composing for piano, tackling ambitious projects like concertos and symphonies, or even venturing into the sacred grandeur of a Requiem mass, his versatility shines through.

This dual identity – singer-songwriter and classical composer – defines Rex's artistic journey. He finds inspiration in the emotional intimacy of lyrics and the grand narratives of symphonic storytelling. His commitment to tonality ensures his music remains accessible and emotionally engaging, leaving a lasting impression on listeners.

Sonate n°3 pour piano — « Anthropo-scène »

Rex Potam

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