Hardware grooves only
Digitakt - Digitone II - Model:Cycles - Microkorg

House music producer on Defected, Duty Free, The End etc

IVY LAB = Sabre + Stray

Bookings:
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N.America: shunt@teamwass.com / sgoodgold@teamwass.com
R.O.W: francesco@primarytalent.com

Management:
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shai@ivylab.co.uk

Joachim Spieth’s musical career spans more than two decades, during which he has played many roles: DJ, producer, live performer, and founder of the esteemed Affin record label. His work is defined by an exceptional attention to detail and a keen sensitivity to creating immersive atmospheres, qualities that are evident whether in his studio productions or live performances.

In the early stages of his career, Spieth made notable strides through collaborations with Wolfgang Voigt’s Kompakt label. His contributions to the renowned Pop Ambient series, as well as a track featured on The Orb’s Back To Mine compilation, helped solidify his reputation within the ambient music scene.

A defining moment in Spieth’s career came in 2007 with the founding of his own label, Affin. Under his leadership, Affin has evolved into a respected international platform that brings together like-minded artists and fosters creative collaboration. Working closely with ambient artist Markus Guentner, Spieth has established a dynamic partnership that extends beyond music, with Guentner also contributing his artistic vision to the label’s visual identity.

Spieth’s discography showcases remarkable versatility, earning him recognition from both critics and fans. In addition to albums like Irradiance, Terrain, Overlay, and Retrace, his work has been reinterpreted by esteemed artists such as alva noto, Pole, Abul Mogard, Rafael Anton Irisarri, Dino Sabatini, Luigi Tozzi, and Claudio PRC. Through his Textures series, Spieth has also created a sound library that further emphasizes his commitment to sonic exploration and experimentation.

As a DJ, Joachim Spieth has performed in over 30 countries, sharing his musical vision with audiences worldwide. In recent years, he has developed a live ambient program, which has been showcased at prestigious festivals such as Up To Date (Białystok), Mostra (Barcelona), and the Ambientalny Festival (Wrocław).

MARTIN BOOKS
Merchandise: 
https://martin-books.com/shop/

Plattenfirma
Kneaded Pains
M-nus (ENTER IBIZA)
Toolroom
Carti
Deeperfect



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https://rottencityrecords.bandcamp.com/

https://www.instagram.com/rottencityrecords/?hl=es


https://www.facebook.com/rottencityrecords/

Themes For Rotten Cities since 2015.
Psychedelic Wave / Esoteric Body Music / Romantic Noir Disco
Based In Madrid.
Run by @alvarocabana
 

For demos: demos@rottencity.net

For booking/showcase: booking@rottencity.net

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Booking: BW@t-s-agency.com
NA/SA: alo@prismaartists.com

https://linktr.ee/cinthie_dj

Follow my SPOTIFY PLAYLIST (Updated Weekly) : https://spoti.fi/2RHGKu3 

Berlin based DJ, Producer, Music Lover, Record Collector, Label Owner and Record Store Owner.


Berlin's Cinthie has grown to become one of the most revered and respected figures in contemporary electronic music in recent years both in her hometown and across the globe. Her touring schedule regularly sees her playing her inimitable DJ style in hotspot cities like Paris, London, Amsterdam, Barcelona, Stockholm, Seoul, Osaka, and of course her beloved hometown Berlin .

Djing in said city since the early nineties as a teenager Cinthie's depth of knowledge radiantly shines through in her sets and her productions, which traverse through a broad range of classic and contemporary House and Techno sounds. Recent times have seen Cinthie look inwards towards her aspirations for the future, and as a result, dedicated a huge portion of her time to building her own studio, featuring a wide spectrum of some of the most noteworthy vintage drum machines and synthesizers in existence.

Initially Cinthie made her mark with Diego Krause, Ed Herbst and stevn.aint.leavn as the Beste Modus / Beste Freunde collective, amongst running Unison Wax and We_R House on top of the main labels. Most recently she launched her 803 Crystalgrooves imprint to critical acclaim, a platform which has become a huge focus for her own productions for the foreseeable future as well as the imprint's sub-label Collective Cuts, which as the name suggests, welcomes music from affiliates and friends of the artist. On top of this there’s a burgeoning relationship with Will Saul's Aus imprint where her debut album comes in 2020. Cinthie’s unfaltering drive and dedication to all things House continues into another decade...

MËSTIZA is a Spanish DJ and producer duo, known for blending electronic music with traditional Spanish cultural roots, especially flamenco. Their signature style fuses afro house, deep house, and tech rhythms with flamenco claps, guitars, and vocals, creating a unique and visually striking experience. They have performed on international stages and at the most important festivals. With their powerful image and artistic concept, MËSTIZA stands out as one of the most innovative acts in today’s European electronic scene. 

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MËSTIZA es un dúo español de DJs y productoras, conocido por fusionar música electrónica con raíces culturales españolas, especialmente el flamenco. Su estilo único mezcla ritmos afro house, deep house y tech con palmas, guitarras y voces tradicionales, creando una propuesta vanguardista y muy visual. Han actuado en escenarios internacionales y en los festivales más importantes. Su imagen poderosa y concepto artístico hacen de MËSTIZA una de las propuestas más innovadoras de la electrónica europea actual.

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