Classical New Releases

Intense Studying

Les nouveautés du Vendredi

Instrumental Study

Focus-enhancing piano for your study session.

debut basement single by synapticHAVOC
original jazz sample done by Dyke
remixed and sampled by Dyke
on the mice Terry Bakir and Alex Hancock
suggestions for samples and improvements are welcome
remember its only a demo

Rites Of Passage

Waiting

Jay_Lewis-Roll_Up_(Feat_Jungle_Musik).mp3

The Violin Concerto No. 5 in A major, K. 219, often referred to by the nickname THE TURKISH, was written by Wolfgang Amadeus Mozart in 1775, premiering during the holiday season that year in Salzburg. It follows the typical fast-slow-fast musical structure. (Wikipedia)

II movement, Adagio (Tutties cutted, just preview)

This is a wonderful track that PwP adapt directly for you to enjoy working and practicing at home or anywhere you want.

Soon available fro purchase on www.practicewithpiano.com

Mozart Violin Concerto 5 II Movement (Preview 2)

The Two Arabesques (Deux arabesques), L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891.

Although quite an early work, the arabesques contain hints of Debussy's developing musical style. The suite is one of the very early impressionistic pieces of music, following the French visual art form. Debussy seems to wander through modes and keys, and achieves evocative scenes through music. His view of a musical arabesque was a line curved in accordance with nature, and with his music he mirrored the celebrations of shapes in nature made by the Art Nouveau artists of the time.

Arabesque No. 1. Andantino con moto

This arabesque is in the key of E major. The piece begins with parallelism of triads in first inversion, a composition technique very much used by Debussy and other Impressionists which traces back to the tradition of fauxbourdon. It leads into a larger section which begins with a left hand arpeggio in E major and a descending right hand E major pentatonic progression.

The second quieter B section is in A major, starting with a gesture (E-D-E-C♯), briefly passing through E major, returning to A major and ending with a bold pronouncement of the E-D-E-C♯ gesture, but transposed to the key of C major and played forte.

In the middle of the recapitulation of the A section, the music moves to a higher register and descends, followed by a large pentatonic scale ascending and descending, and resolving back to E major.

Source:

Wikipedia:
https://en.wikipedia.org/wiki/Deux_arabesques

Debussy Amazon
https://www.amazon.com/Claude-Debussy-Essential-Collection/dp/B00I6CEZQO/

Debussy Spotify
https://open.spotify.com/album/0Mmayh49XRWTXp53uf3jtF

Best of Debussy iTunes
https://music.apple.com/gb/album/claude-debussy-the-essential-collection/819582576

Debussy Compilation
https://listen.tidal.com/album/26275698

Claude Debussy
https://www.deezer.com/us/album/7429526

Best of Debussy Playlist
https://www.youtube.com/watch?v=eXtAfPp-70I&t=76s

Claude Debussy - The Essential Collection

Deux Arabesques, L.66: No.1 Andantino con moto

Apple Music

Tamiami

Buffet De Joie

Sous La Surface

Color Me Blue

Kiriume

Remembering

Freedom

the time has come

Labyrinth

3 Gymnopédies: No. 1, Lent et douloureux

Dreamland

My Time

Deux sortes d'hommes

REYN

Quelque Part, Parfois

Beethoven: 33 Variations in C Major, Op. 120 on a Waltz by Diabelli: Var. 14. Grave e maestoso

Beethoven: Diabelli Variations, Op. 120: Var. 14. Grave e maestoso (Live at Pierre Boulez Saal, Berlin, 2020)

Quelque Part, Parfois

ReyN