Hubie Davison - I Won't Be There
I Won't Be There EP
Leisure System
LSR008


Available as high quality download in all popular digital stores November 4th, 2013

Buy now on Boomkat: http://boomkat.com/downloads/844315-hubie-davison-i-won-t-be-there

1. I Won't Be There
2. Haven
3. Mannequin Move
4. Yeh Sai
5. No Shirt, No Shoes
6. I Won't Be There (Dayvision Rework)

Hubie Davison makes his artist debut on Leisure System with the I Won’t Be There EP, an expansive collection of lush, interplanetary house that is at once vaguely exotic and completely entrancing.

Hailing from Ireland and previously studying music composition in London, Davison synthesizes the emotive melodicism of artists like John Talabot and Caribou with the bare grooviness of Nicolas Jaar, incorporating phantasmagorical vocal samples into a refined instrumental palette. I Won’t Be There is an ethereal listening experience, with tracks developing from calm restraint to exhilarating peaks. Whether it’s the gentle rainstorm that introduces “Mannequin Move,” the gauzy hollers of “Yeh Sai,” or the pulsing piano chords and swollen bass of standout opener “I Won’t Be There,” Davison has a fully-formed feel for mellow grooves, while the thumping, floor-ready Dayvision Rework of “I Won’t Be There” should be getting played out at Panorama Bar for months to come.

Whether soundtracking end-of-summer romance or warming a winter chill, moving dance floors or soothing after-hour comedowns, I Won’t Be There is a thrilling debut from an exciting young artist we're proud to have join the Leisure System family.

www.leisuresystem.net
www.Facebook.com/LeisureSystem
www.Facebook.com/HubieDavison

Hubie Davison - I Won't Be There

Taken from WOLF EP 23 

Pre Order / http://bit.ly/1cdRhwE

Wolf Music Take-Over Room 3 at Fabric 18.01.14 / http://bit.ly/1dMrz3E

Out Now

Stirling feat. High Hopes

Crown

(free) download this track: https://atomnation.bandcamp.com/album/25

Free Download

Portable Sunsets - Islander (Version)

Download: http://www.xlr8r.com/mp3/2015/08/roscius-petrol/

@rosciusofficial

From the new EP WMD#2 available on Beatport September 4th. 


Download

Roscius - Petrol

London producer Hector Plimmer takes Afriquoi's diasporic African sound into deeper electronic territories, with soaring melodies and Shabaka Hutchings’ reverbed sax forming the foundation. Released on Record Store Day on Wormfood & One House Records.

Read more & buy: http://www.stampthewax.com/2017/04/07/premiere-afriquoi-starship-hector-plimmer-remix/
Listen on Youtube: bit.ly/starship-plimmer

Listen on Youtube

Afriquoi - Starship (Hector Plimmer Remix) (STW Premiere)

JRBB:  Moebius Strip EP
(Additional beat production by COEO. Remix by Brandt Brauer Frick)
Label: Kryptox 

"...surprising, individualistic, cutting-edge and irrepressibly fun" (The New York Music Daily)

JRBB is a German 15 person big band that combines Jazz with Electronica. Additional beat production by COEO (Toy Tonics). On this EP is a rework from JRBB friends BRANDT BRAUER FRICK included. 
This EP is the first release on KRYPTOX: a new Berlin based label for Neo-Krautrock/JazzElectronica/Experimental music.

The new label is made by Mathias "Munk" Modica. The producer behind indiedance labels Gomma and Toy Tonics. (Modica produced records with people like James Murphy, WhoMadeWho, Peaches, Daniel Avery, The Rammellzee a.o.)
With the new label he goes a step further. Searching for new artists who experiment on a high musical level and go beyond boundaries. Far away form the traditional dance universe. 

The first release on Kryptox comes from JRBB. A 15 piece Jazz group that has a very own, new way to combine Jazz with electronic elements. A New York newspaper called it ODM: Organic Dance Music. A term that fits well.
Even if it's hard to pin down JRBB's music - as it is so unique. There is no other band like this. But there is growing new scene of musicians that combine Jazz with electronic styles: Artists like The comet is coming, Kemasi Washington, Moses Boyd, Yussef Kamaal, ...

All of the JRBB's members are in their end 20ies and studied Jazz at international high profile jazz universities. Leonhard Kuhn is the composer and arranger of most of JRBBs music and trombonist Roman Sladek is the band leader and producer. 
The four compositions on Moebius Strip are all based on a straight 4/4 beat pattern (that has been sound designed by Munich's upcoming house producers COEO). Over that rhythmic base JRBB expand their ostinato-horn/bass patterns that often start with simple one tone unisono lines, but slowly grow into huge, emotive, complex structured arrangements. Imitating the structures of dance tracks with breakdowns and DJ tool dynamics, but going much further. In JRBB's compositions you can hear influences from certain late 1960 Hardbob music, as well as 1970ies Jazzfunk and Modern Jazz and certain artists that came out of New York's Knitting Factory scene from the 1990ies.

In Germany there is already a buzz for JRBB's energetic live shows. Last year they played more then 90 shows. Creating huge euphoria wherever they come on stage. The buzz reached the artistic directors of Lincoln Center in New York: the holy place of Jazz in the USA. The director Meera Dugal invited JRBB. And so in August 2016 the band played there and was euphorically received by press and audience.

Lincoln Center impresario Meera Dugal talked to The New York Music Daily about the band: 
„Who here has heard German techno big band jazz before? This was a first for me! And I have to say: This large scale German ensemble is surprising, considering how individualistic, cutting-edge and irrepressibly fun they are – their instrumentation follows the standard big band jazz model. Stylistically, they're all over the map. This seventeen-piece outfit validated their reputation as one of the world's most distinctive and adrenalizing dance outfits.“

JRBB - Trust In Me

There was a coarse wind which cast a bitter spell across the morning. It was a sunny day but a fierce chill was present and upon the breeze, it carried a sweet sound of a cry from far, far away. These were Shaman echoes, a distant noise from across the ocean which had travelled softly upon the glow of the morning. It was eerie yet enchanting at the same time, beautiful yet hollow and haunting. These chants were supposed to guard and protect, to bring peace and fend off terrible spirits. To the naked ear they were whispers of evil but the naked ear was wrong. 

Sunrom is remixed on a new EP for Ancient Future Now, the latest instalment in a series of remix packages which has featured a prolific array of names. This time it is Tuff City Kids on duty, aka the infamous duo of Lauer and Gerd Janson.

PREMIERE: Sunrom - Shaman Echoes (Tuff City Kids Eau De Remix)[Ancient Future Now]

Rheinzand releases their amazing self-titled debut album 'Rheinzand' on Music For Dreams. Available in all digital stores: music-for-dreams.lnk.to/rheinzandFA

After much anticipation, our Belgian disco diamonds Rheinzand present their debut full-length album. On their self-titled record, The Belgian trio wraps the human heart in synthetic threads of modular electronic disco. 9 songs writhing on timeless dancefloors, morphing in and out of shapes of luxuriant melody and vivid instrumentation.

The album is full of classic disco and electro sounds, wielded with imposing prowess by multi- instrumentalist Reinhard Vanbergen. It’s both an exploration of dance music’s electronic genealogy and the vintage cool that has defined its different eras. Still, an organic atmosphere pervades as the blend of real instrumentation fixes a sort of retro-futurism, imagining an alternative timeline that’s a bit more exciting, more sensuous and libidinal, maybe more human, too, than our current outlook.

We start the engines with Break of Dawn, a compelling beat rises from the basement and soon we’re submerged by the pulsing bassline. Dark sunglasses on, we cruise through the night, letting flashing city lights flow into unbroken torrents of color. Blind awakens us, a splash of handclaps in the face, vivid strings and Charlotte’s trademark slick vocals enter the stage. Tantalizing sunbeams power up circuits of electronic synths blipping and beeping away.

Later down the road, we hit the Latin part of town. Porque fits enchanting vocal spells in beautiful Spanish on playful flamenco rhythms. Fourteen Again is a throwback to early electro, playing around with knobs and buttons. An oscillating synth imagines new worlds of plastic

emotion. Still disco and still very cool, though. A constant velocity is sustained throughout the album by this recurring locomotive synth, trudging away beneath the action. Once in a while, we hear the deep, mighty, trembling voice of Mr. Rheinzand speaking to us in incantations. Someone’s pulling the strings here.

On Slippery People, the trio cover the Talking Heads classic in a characteristic procedure of bouncy funk. We’re swirled around by the delirious glasswork of You Don’t Know Me into the hypnagogic funk noir of Strange World. Drifting through the house of mirrors after the fourth mojito.

Obey collects all these threads in a full-bodied future classic disco anthem, before Queen of The Dawn wraps up the show with a sky-bound epic of operatic choirs and ceremonious drums that lands somewhere between Kate Bush’s Aerial and Peter Gabriel’s most bombastic.

Connect with Rheinzand:
FB: www.facebook.com/Rheinzand/
SC: @rheinzand
IG: www.instagram.com/rheinzand/?hl=da

Strange World

Rheinzand is a collaborative project between Reinhard Vanbergen, the multi-instrumentalist producer, Charlotte Caluwaerts (Tundra) and Mo Disko from the renowned duo ‘The Glimmers.’ Live on stage they are accompanied by Stéphane Misseghers (dEUS) on drums and Bruno Coussée (MannGold) on bass.

Rheinzand’s music is a mixture of styles inspired by dance music’s rich history. Their songs give nods to old & new genres, forgotten & popular scenes in order to create their own take on today’s musical landscape.

Their exotic & eclectic style caught the ears of Danish label ‘Music For Dreams’ on which they released their debut self titled album in March 2020. Piccadilly Records (Manchester) voted the album number 1 album of the year 2020 and Phonica (London) gave them a well-deserved place in their top 50 of best albums of 2020. 

 Tracks from the album such as ‘Blind’ were championed by DJ Harvey during his summer residency at Pikes Ibiza, and the band have had tracks on the first two volumes of his Mercury Rising compilations.

The singles ‘Kills & Kisses’, ‘Obey’ & ‘Slippery People’ (their fantastic cover of Talking Heads’ classic) has further demonstrated their unique and flawless production that is capturing the hearts and dance-floors around the world.
As the live music industry held its breath for a year due to covid, the band didn’t get the chance to bring the first album to a club or festival near you. 

Nevertheless, they used that time well and wrote a second album, titled ‘Atlantis Atlantis’. Still using the same ingredients, you can hear an evolution in song writing, the use of different languages and more song-based structures. The release is planned for early 2022.

To keep momentum during the pandemic, the band and label Music For Dreams commissioned a string of remixes from their debut album from the likes of Gerd Janson, Red Axes, Musumeci, Pete Herbert, Peaking Lights, Superpitcher + many more. Released on digital & Ltd Edition 12”

Hailing from Gent, Belgium the band are set to tour upon the release of their second album 'Atlantis Atlantis' planned for the 4th of February 2022.

© Rheinzand