Lucidflow: http://Lucidflow.Bandcamp.com
📀 Submit your dj mix: If your dj mix fits to our style include at least 3 tracks from our labels (Lucidflow, Sofa Sessions or im-moral, exactly 60 min, no watermarks, good quality, + track list) and send a private link. 
Demo uploader (Read our policy): https://lucidflow-records.com/contact/
Artists: Klartraum, Nadja Lind, Helmut Ebritsch, Dapayk Solo, Terry Lee Brown Jr., Ian Pooley, Robert Babicz, Silicone Soul, G-Man, UGLH, Slam, Steve Rachmad, Mirzah-Zadeh, Patrick Lindsey, D. Diggler, Hernan Cattaneo, Soundexile, Yapacc, Hatikvah, Helly Larson, Tigerskin, Dub Taylor, Bredon Moeller, Terry Lee brown Junior and many more
For demos please read our web-site. Thanks

the intention is to create an inner-space within the listener, for them to explore their own minds and challenge their internal programing.
thicc bass-lines; brain-bending synthwork; dreamy melodies; peppered with vocal samples to inspire ideas; all coalescing to create a fresh approach to a sadly diluted genre.

it aims to re-mystify. each sound purposefully crafted to guide the listener's journey through both black AND white, while still leaving enough grey room for personal interpretation. it can be challenging and confronting, but at the same time strangely comforting, and very human.

that's the intention. what do YOU hear?

There's only one obvious thing in the sound of Neelix: Relentless forward boost. Exactly how this boost is generated is not obvious at all – which makes it catchy in the most subliminal way possible. The German artist playfully incorporates elements of Progressive Trance, Progressive House and Electro. However, the actual magic of Neelix happens somewhere inbetween those genres. For 10 years already this unique formula made him a crowd-pleaser at a great variety of dance events on all 5 continents, including monumental festivals like Electric Daisy Carnival, Tomorrowland or Boom.

It's 2005 when Neelix stirs a revolution. His album 'No Way To Leave' fulfills all the expectations of the dance floor – but it does so in the most unexpected way. Within no time, party goers refer to his highly dynamic hybrid style simply as 'Neelix sound'. It's the beginning of a stellar career that keeps building and building – just like a typical Neelix track itself. During the last decade, the music of Neelix has inspired a whole generation of producers, it can be found in the collections of countless DJ, in film productions, and in the catalogues of prestigious labels like for instance SpinTwist Records or Paul Oakenfold’s legendary Perfecto imprint.

I am neither afraid of showing my emotions nor to include them in my music - Stimming

Few people bring a truly original sound to house music. At a relatively young age, Hamburgs Martin Stimming did just that, demonstrating a sophisticated yet accessible sound that is beyond his years.

Two years after hooking up with Solomuns Diynamic Music, his 2008 breakthrough hit Una Pena made the electronic world sit up and take notice, and before long acclaimed labels like Freerange, liebe*detail, Buzzin´ Fly, Green and Poker Flat were snapping up his work. 2009 saw him release his immaculate debut album Reflections to great acclaim, cementing his reputation as one of the most exciting new producers of his generation. 

His second album, Liquorice, eschews the normal kick-clap/snare template by and large to explore more interesting and progressive territories, but always with that trademark magpie-like sense of texture, emotion and discovery. 

His productions are filled with a multitude of his own unique, charismatic field recordings, and he never uses the same sample more than once. 

2010 saw him pick up an award for Best Newcomer at the Ibiza DJ Awards, following on from his live show (Stimming does not DJ) stunning the crowds at the islands legendary Pacha, and the finest danceries around the world Πfrom Berlins Panoramabar to Sao Paulo´s D-Edge, Brussels Fuse, London´s fabric and Paris Rex, and plenty more beyond. 

Remixes for the likes of Sascha Funke, Claude VonStroke, Deadmau5, Stephan Bodzin and Tom Novy to name but a few have further spread his influence amongst the discerning house and tech community, and cemented his reputation as one of the scene´s most exceptional producers.

Clearly, Martin Stimming is a precious talent indeed. But then again, not everyone loves liquorice...

Looking back on more then one decade of intense involvement in the Trance scene, Benjamin Halfmann aka Audiomatic witnessed the rich evolution of this sub culture with all its innovations, variations and all its ups and downs. Even more: During the years his project constantly gained quality and became a reference for sophisticated, high-functional Progressive Trance. Therefore Audiomatic became an integral ingredient of this scene and has shaped its musical development with his unique sounds which have been part of legendary parties and festivals all around the globe.

It all started with some powerful Heavy Metal: Benjamin Halfmann banged his head to the music of AC/DC and posters of Punk, Hardcore and Metal bands adorned the walls of his room up to the age of 15 years. Then he discovered the fascinating worlds of Psy Trance and rapidly became engaged as a DJ, first public performances followed in 1999. 
But soon a strong desire to convert his creativity into own music arose, and so Audiomatic got hungry for more. His producer’s breakfast consisted of some tasty Fruity Loops and this simple production software instantly made him aware that the games on his computer were not only a waste of time, but also of hard disc space.

 Not even one year later his music already convinced the label management of Leviathan Music and so the track “Woodstock” became the first official release in 2002. Various contributions on different compilations followed and the year 2004 delivered the first full length Album “Multiplayer”. Together with Stefan “Magnetrixx” Lewin, who has always been a good friend and important source of inspiration for Benjamin Halfmann, the project “Audiomatrixx” was formed, gained euphoric feedback and also brought to life a studio album in 2008. The same year, Audiomatic’s second album was released. Of course this is not the end of his productivity: Dedicating the next work to his fellow citizens in mind, the album “Weekend Society” became another pleasant success in 2011.



Kularis is the stage name of the german music producer Alex Golz. After starting DJing in 1998 it was a matter of course that he had to start his own productions. Three albums, many digital-EPs and tons of single releases show his musical idea of progressive trance to the people.
Fresh ideas jump out of his mind and start to let the crowd dance.
Try to catch him on one of his next gigs around the globe, like in Brazil, Germany, England, Italy, Portugal, France, Swiss, Mexico, etc.......

Bookings Worldwide:
info@mixagencybookings.com
facebook.com/mixagencybookings
Facebook:
facebook.com/jisermusic

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