The roar of the engines ignites the garage's atmosphere. The metallic clinks blend with the deep rumble of the bass, creating a mechanical symphony that awakens the dormant assembly line. A technician, wrench in hand, is busy solving an issue with a faulty hose. She inspects every corner of the engine, from the recently drained oil filter to the perfectly intact cylinder head.
Another mechanic is about to check the clutch. He engages the 3rd gear with precision, while rhythms infiltrate the workshop. A radio station broadcasts catchy beats, a fusion of scrapyard club and broken noise, forming a sonic canvas that envelops the space. The sound of percussion guides the movements of the mechanic, revealing the nuances of each action. Post-pop covers and remixes intertwine, creating an unexpected soundtrack for this mechanical inspection session, accompanying the rotations of the wheels during three drifts.
"Troisième Vitesse" is a unique fusion between the world of Garage 83-C and the unrestrained creativity of club music. The metallic noises converse with the sonic experiments, creating an immersive experience where mechanics and electronic sequences come together.

FR : Le rugissement des moteurs embrase l'atmosphère du garage. Les cliquetis métalliques se mêlent au grondement sourd des basses, créant une symphonie mécanique qui réveille la chaîne de montage endormie. Une technicienne s'affaire, clé à molette en main, pour résoudre un problème de durite défectueuse. Elle inspecte chaque recoin du moteur, du filtre à huile récemment vidangé à la culasse en parfait état.
Un autre mécanicien s'apprête à vérifier l'embrayage. Il enclenche la 3ème vitesse avec précision, tandis que les rythmiques s'infiltrent dans l'atelier. Le poste radio diffuse des beats entraînants, une fusion de club ferraille et de broken noise, formant une toile sonore qui enveloppe l'espace.
Le son des percussions guide les gestes du mécanicien, révélant les subtilités de chaque mouvement. Des reprises & remixes post-pop viennent s'entremêler, créant une bande-son inattendue pour cette séance de vérification mécanique, accompagnant les rotations des roues pendant trois tours de rond-point.
Troisième Vitesse est une fusion singulière entre l'univers de Garage 83-C et la créativité débridée de la musique club. Les bruits métalliques dialoguent avec les expérimentations sonores et créent une expérience immersive où la mécanique et les séquences électroniques se conjuguent. 


released December 8, 2023

Pay what you want, all benefits will be donated to Utopia56.

utopia56.org

Many thanks to : Bancal, Chance, Leese, Deejay Chaleur, fig., MondKobold, pickle vick and Fa:act for joining us in our trip <3

All tracks mixed by artists and compiled by Garage 83-C.
Mastering and additional supreme guidance : Gston
Artwork : Billy Dogz

Bandcamp

Troisième Vitesse (COMP83C003)

Leese - Kosbaar

Anta Doma - Fleur de Verre

ouing ouing & Francis Cheval - Il est mort le soleil

"The roar of the engines ignites the garage's atmosphere. The metallic clinks blend with the deep rumble of the bass, creating a mechanical symphony that awakens the dormant assembly line. A technician, wrench in hand, is busy solving an issue with a faulty hose. She inspects every corner of the engine, from the recently drained oil filter to the perfectly intact cylinder head.

Another mechanic is about to check the clutch. He engages the 3rd gear with precision, while rhythms infiltrate the workshop. A radio station broadcasts catchy beats, a fusion of scrapyard club and broken noise, forming a sonic canvas that envelops the space. The sound of percussion guides the movements of the mechanic, revealing the nuances of each action. Post-pop covers and remixes intertwine, creating an unexpected soundtrack for this mechanical inspection session, accompanying the rotations of the wheels during three drifts.

"Troisième Vitesse" is a unique fusion between the world of Garage 83-C and the unrestrained creativity of club music. The metallic noises converse with the sonic experiments, creating an immersive experience where mechanics and electronic sequences come together.

https://soundcloud.com/garage83c

PREMIERE⚡Chance - There Is No Point To Seek [Garage 83-C]

The roar of the engines ignites the atmosphere of the garage. The metallic clinks blend with the deep rumble of the bass, creating a mechanical symphony that awakens the dormant assembly line. A technician, wrecnh in hand, is busy solving an issue with a faulty hose. She inspects every corner of the engine, from the recently drained oil filter to the perfectly intact cylinder head.

Another mechanic is about to check the clutch. He engages the 3rd gear with precision, while the rhythms infiltrate the workshop. The radio station broadcasts catchy beats, a fusion of scrapyard club and broken noise, forming a sonic canvas that envelops the space.

The sound of percusion guides the movements of the mechanic, revealing the nuances of each action. Post-pop covers and remixes intertwine, creating an unexpected soundtrack for this mechanical inspection session, accompanying the rotations of the wheels during three drifts.

"Troisième Vitesse" is a unique fusion between the world of Garage 83-C and the unrestrained creativity of club music. The metallic noises converse with the sonic experiments, creating an immersive experience where mechanics and electronic sequences come together.

SATA
@satadjjj
https://www.instagram.com/satadjjj/

Garage 83-C
@garage83c
https://www.instagram.com/garage83c/

Troisième Vitesse

Corredor

Premiere: SATA - Corredor | Garage 83-C

Sumac presents Marakame, a 7 track album available in digital and vinyl formats including remixes by Siete Catorce and Cassius Select. "Marakame" or “mara'akame" means "who knows" or "who sees" in Huichol, an indigenous language of Mexico. Marakame also refers to shamans, who are considered intermediaries between the human and spiritual worlds. Working with these themes, places and histories, Viiaan has crafted a series of tracks exploring memory, grieving and ritual.
credits
released October 18, 2024 

Written and Produced by Viiaan 
Mastered by Imaabs 
Artwork by Cruz Miguel

Keeper

@lithetrax
After 5 standout releases, including debuts from many fresh faces to the left-of-field underground scene, Plasma Sources presents its inaugural compilation: Multi-Source. It brings together the current label family and a slew of other artists operating on the cutting- edge of dance floor electronics for a multi-genre, sound design heavy, wild ride. In turn, the label takes aim at establishing itself as one of the most exciting imprints in the experimental club scene.
From the 90BPM cinematic, Lorn-esque sludge of newcomer Guide’s ‘Gemological’ to the crisp staccato transients and negative space of Ziyiz’s ‘Plastic Sentiments’, each track adheres to one of the guiding principles that the label has employed so effectively to curate it’s platform, irrespective of tempo: a love for sci-fi aesthetics and a desire to transpose these into sonic equivalents.

Plasma Sources has always prided itself on delicately balancing dark and light, release to release. On Multi-Source, this broad spectrum is in full vision. Reinartz offers up dubbed- out, IDM-esque desolation on ‘Action Bias’, whilst Stolen Velour’s ‘Suigetsu’ brings a bright playfulness - high-pitched vocal cuts marry pulsating, organic beats which sound like if Untold’s Hemlock output got a 2024 facelift. Some tracks, like Prior Self’s brooding yet fidgety ‘Turn Out’ and Klahrk & Atrice’s flange-fuelled ‘You’ve Changed’ occupy the centre of this continuum with their takes on high-tempo techno-influenced mutations.

The full label family comes back to join in on the fun. HYPNA and NIQH team up on a collaboration which perfectly unites their sounds under a 4-bar bass-heavy roller laden with noise. NIQH offers up their own track, exploring crystalline club structures on ‘Pressure’. unearth’s cinematic, wasteland-ridden sound is in clear focus on ‘Safe Tread’ and Beton Brut’s signature grime-concrète comes through loud and clear on ‘WWW’.

Cortical offer up ‘Hammer’, a continuation of their relentless avant-techno manifesto established by their debut, whilst J-Shadow rounds things off with a space-age jungle- exploration on ‘X-38'.
The juxtaposition of dark and light. The delicate balancing of experimentalism and dance floor sensibilities. The interweaving of sci-fi and biologically-infused sound design. These are the key aesthetics with which Plasma Sources has approached its output ever since release no.1.
Multi-Source acts as a confirmation of this manifesto as it looks forward to 2025 and its future as a key player in the experimental club scene.

Mastering by HYPNA 
Cover Design by Joh000 // Jose Hernández

plasmasources.bandcamp.com
www.instagram.com/plasma__sources

Turn Out

CEM - FORMA
Cat. Nr: DN031
Format: Digital / Transparent LP
Release Date: 28 March, 2025
Buy / stream: dansenoire.ffm.to/cem

CEM has gained international notoriety over the past years for bewitching club and festival audiences alike with his feverish, polymorphic and richly referential DJ sets. For his debut full-length album, FORMA, the Berlin-based Herrensauna founder momentarily departs the dancefl oor, instead contributing a refl ective and at times menacing compositional study on terror and temporal anachronism for our perplexing times. All six pieces were originally commissioned to accompany Portuguese artist Mauro Ventura’s performative installation of the same name, shown fi rst at the Volksbühne in 2022; the work engaged notions of labor and repetition through a multiplicity of gestural and corporeal interventions. Featured prominently on FORMA are the sound of bells—doorbells, meditative bowls, farm cowbells, Shinto bells—a motif CEM distills repeatedly onto the record to presage and work through both the violent specter of order and discipline, as well as the reparative qualities of harmony and retreat.
Opening the album with poignant synths, granulated bell hits, and double bass string drones is “The Calling”, which summons listeners into a rattling and twisting soundscape that dichotomously channels alertness and serenity at once. “Bells Corrupt”, in turn, transforms the comforting chime of bells into an alarming and insistent pattern as it evolves in pitch and form, recalling the anxious fi lm grammar of Italian giallo legends Lucio Fulci and Dario Argento or Czech animator Jan Švankmajer. “An Industrial Satire” is conceived as an homage to experimentalist Limpe Fuchs, known for her Dadaist use of self-made, metallic instruments and strings. The second part of the piece takes a staggering turn with the addition of ghaita—a Northern Moroccan double reed horn with a series of holes—sampled from the Master Musicians of Joujouka’s collaborative 1971 album with Brian Jones and layered alongside CEM’s own percussion work. The horn elements—linked to the ancient fertility rites of Pan—here culminate in a melodic embodiment of panic and celebration. “Statue Garden” is a minimalist organ drone piece interlaced with fi eld recordings accumulated through the musician’s recent travels across East Asia. Its dexterous balance of stillness and depth provides a contemplative interlude amidst the album’s vigour. The album closes on a provocative note with “The Sincerity Test” that features Berlin-based Lithuanian performance artist Gertrūda Gilytė, whose wry spoken-word intervention mirrors the kind of grotesque, deluded ‘positive affirmations’ that abounds on social media, suggesting a relatedness between narcissistic online speak and the rise of reactionary politics.

CEM is no stranger to the ever-threatening past and present of fascism, having been raised in Vienna within a Turkish-Kurdish immigrant household. FORMA thus emerges as a militant sonic offering and, through its razor-sharp interweaving of atmosphere and texture, conjures a fractured, albeit elegiac, space of possibility wherein time is out of joint and the circular motion of history with a capital H is dizzyingly thrown into disarray. As our world rushes forward into the past, casting dissonant spells might turn out to be our last rempart.

Forma is a series of action painting performances founded and directed by Mauro Ventura with movement direction by the choreographer Kiani del Valle

Track 1 mastered by Raphael Valensi
Track 2-6 mastered by Rashad Becker
Artwork by Niels Wehrspann

buy / stream 

CEM - An Industrial Satire I

Shelter presents “Aveen” — the third installation in our genre-agnostic compilation series.

To follow up 2023’s “Feyrûse” and 2024’s “Mizgîn”, we have curated an emotionally charged collection of 17 tracks that press against the debilitating realities of life in the mid-2020s. The title stems from a Persian word meaning “pure” or “transparent” — signaling a search for unfiltered and sincere artistic expression in the midst of a social climate filled with smoke and mirrors.

“Aveen” features Shelter’s most international line-up to date, with music from 18 artists spread across 13 countries and 5 continents displaying their signature sounds shaped by their local scenes and cultures. 

Flowing through mutated shades of ambient, hypnagogic pop, trance, leftfield techno, neo-perreo, and GQOM — the compilation connects the myriad influences and mind-states of electronic musicians from nearly every corner of the world and tethers them together into a cathartic 17-track excursion.


Klahrk – Lets Keep This Moving

𝐒𝐰𝐢𝐧𝐞 𝐃𝐚𝐢𝐥𝐲 𝐩𝐫𝐞𝐬𝐞𝐧𝐭𝐬: 𝐆𝐮𝐞𝐬𝐭 𝐌𝐢𝐱 𝐛𝐲 ⊹ Abadir @rami-abadir ⊹

Abadir is one of the most fascinating producers (also a DJ and music journalist) from the contemporary experimental club music world. He is always changing and growing as an artist. He is interested in collaboration and frequently works together with different artists across the world. Whether it's with Nahash, Ehua, Lyra Valenza, or Slikback. From ambient to bass music to mashups and hybrids with rich Arabic rhythms.

"Cultural surroundings could mean rhythmic patterns that exist in the Arab region. I really can’t count the number of rhythmic patterns that we have. I only know a few, like 15 different rhythmic patterns, and I think there are hundreds. So, I’m still discovering, learning, and listening a lot," told Abadir to the Danish blog Passiveaggressive.

𝐀𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐦𝐢𝐱 ➽
"I’m revisiting my early music influences in this special mix. Every artist/band in this mix has been a great source of inspiration to me in terms of production, sound design, mood and how to build a song structure. For the last ten years, I still find a lot of their traces in my music, consciously or subconsciously. I grew up with this music —among others— in the 90’s and 00’s, introduced to these artists through MTV, VH1, magazines like Q, Select and Mixmag, as well as MTV’s late-night programs Alternative Nation and Chill Out Zone. This mix brings back good memories of collecting music on CDs, Cassettes, VHS tapes and later on ripping music on CDs as music piracy took off with Napster, iMesh, Limewire and torrents."

➽ 𝐓𝐑𝐀𝐂𝐊𝐋𝐈𝐒𝐓
Steve Reich - Check It Out
King Crimson - Neal and Jack and Me
Talking Heads - The Great Curve
Peter gabriel - Shock the Monkey
Brian Eno + David Byrne - Regiment 
Depeche Mode - It’s No Good
Happy Mondays - Hallelujah (Club Mix)
Primal Scream - Loaded
Nine Inch Nails - Into the Void
Tricky - Mellow
Brian Eno - Under Stars
The Stone Roses - Fools Gold
Massive Attack - Unfinished Sympathy 
Goldie - Timeless
Portishead - The Rip
Adam F - Circles
Roni Size & Reprazent - Morse Code
The Prodigy - Narayan
The Chemical Brothers - Hey Boy, Hey Girl

Follow Abadir on Instagram: https://www.instagram.com/ramiabadir/

[Swine Guest Mix] Abadir - Early Music Influences

Zoë Mc Pherson - Mirador

SWINE PREMIERE: @streikthrough from the new compilation by Bern-based label @crttrcollective

About the release: "The CRTTR-CLB series carries the vision of exploring different ways of challenging the notion of club music. For each release we want to bring together four artists who have somehow given us a glitchy feeling on the dancefloor, while digging or in any other listening situation. We’ll be releasing a new track every friday."

CRTTR is a Bern-based collective founded in 2021. Their focus lays on experimentation and exploration in a broad field. "We strive to shed light on different niches, be it through releases, events, radio shows, sonic works, visual art or whatever seems interesting to us at the moment," says the label.

Release Date: June 20, 2025 

Tracklist:
01. Hannah_Heartbreak - adolescence pt.1 
02. Trillion Tapeman - drifting in to hear the talk 
03. STREIKTHROUGH - Stone Hitting Glass
04. Jan Loup - Temptation

[Swine Premiere] STREIKTHROUGH – Stone Hitting Glass (CRTTR-CLB)

Acid in the Veins

O CÄO - CHECK (FLIPSILV3R remix))

Studio - Drum Loops Maschine

Amsterdam-based music platform, artist agency, record label and event organization representing music culture since 2016.

Artist roster:
AliA (@aliamusicc)
askmelater (@akaaskmelater)
King Kami (@kiingkami)
Lieke TR (@lieke-tr)
Lolo Batten (@lolobatten)
Low End Activist (@lowendactivist)
Max Abysmal (@maxabysmal)
Narathip (@narathip-ams)
Nathan Kofi (@nathankofi)
NPLGNN (@nplgnn)
ojoo (@ojoogyal)
Photonz (@photonz)
Teqmun (@teqmun-microbyome)

Head of music: brendan@rhythmicculture.com 
Bookings: tim@rhythmicculture.com
PR: pr@rhythmicculture.com
General inquiries: info@rhythmicculture.com

Booking, prods and demos : garage83c@gmail.com

Équipage : 
Garage Zbeul System
Francis Cheval
Yozef
ouing ouing
DJ 8.6
Gston
Alombredulila
Red is Dead
Soviet Ivienietzsche
Malo-les-Bains
Jeune Walker
SATA
u.ly
La Sale Défaite

Premiere: SATA - Corredor | Garage 83-C

Rhythmic Culture

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