RC:Podcast

Taking care of our Ghosts
We asked grief how it felt to make us smile
We use the holes they carved for resonance
We dress a new trope for each name
Spellbound by memories
Held by rituals
Noir with hope & grateful for occasions

Africa, RDC, +256, on est ensemble

Cover: Yann Biscaut

Support

02 OCCASIONS OF FEAR

RELATED - MISSDEVANA (BUBBLINGBEATS)

Bitter Babe's curation for Rhythmic Culture sets a variety of South American artists in the limelight. For her second instalment, she picked the Toronto-based DJ, producer and curator Ana Luisa from Caracas, Venezuela for our podcast series. Her selection and productions are eclectic, not bound by genre, and mostly influenced by Latin American rhythms and experimental club sounds. Her music has been released on Caballito Netlabel, NAAFI, Jupiter4 and Deprerreo. She is the co-founder of Toronto-based club night Veneno and a resident on ISO Radio where she hosts Dimensión Ideal: a monthly show highlighting peripheral and experimental Latin American electronic music.

Bitter Babe: "Ana Luisa is part of the Latin American diaspora, from Venezuela based in Canada. In my opinion one of the most exciting DJs to hear for Latin club music, and now making her own productions. Slowly but steady positioning as one of the upcoming artist to watch closely."

@analuisaaaaaa-dj

RC:130 Ana Luisa

de 'CARAL - Lo Oscuro' (SSD-019)
https://on.soundcloud.com/nmsF4

Lo Oscuro

Corona2 (FEDRA Arcadia Remix)

In a new round of Mia Koden's curation for the Rhythmic Culture podcast, 1985, DEEP MEDi MUSIK and SYSTEM MUSIC affiliate Samba steps up in the series.

Mia Koden: "Samba is one of the most consistently fire producers I've followed over the years. He's chiefly known for his dubstep tracks but truth is he's actually a sonic chameleon, carving out dark but vibrant bangers with stand out melodies and sound choice regardless of what genre he touches. His DJ sets definitely reflect this: Saw a recent set over the summer for DEEP MEDi (a label he's dropped some anthems on) and it was packed with great selection and interesting moments."

@saamba

RC:141 Samba

In the run-up to his next release 'Arteria' on Maloca, Brussels-based artist Hypna joins us on the Rhythmic Culture mix series this week. Last year, he launched the artist collective and label Plasma Sources, which he intends to use to bridge the gap between the club and immersive listening experiences. The mix is a collection of all sorts of futurist beats, intriguing percussions, and of course a peak into his new release.

@hypna_52

RC:142 Hypna

Ofensa Label presents his second compilation: DELICIAS.

Master by Radeco Domar
Covert Art by Daniela Ruiz

Zerena Morena - Sk1n W4lker

CAMBIOS

Las culturas prehispánicas interpretaban un eclipse solar como una tragedia para la vida en la tierra, pues creían que el sol era devorado por las xulab, unas hormigas míticas, devoraban al Sol y a la Luna cuando tenía lugar un eclipse fue cambiando por la idea de que, en realidad, era un ser maligno, tal vez el mismísimo diablo o kakaz-baal (diablo en maya), el que intentaba engullir a estos cuerpos celestes.

La cosmovisión maya de los eclipses solares convirtió estos acontecimientos celestes, que los astrónomos mayas aprendieron a predecir, en algo terrorífico. Documentados en varios códices, en especial en el de Dresde, los eclipses solares eran interpretados por este pueblo como el momento en que un ser maléfico devoraba al Sol, el astro dador de vida.

Durante mucho tiempo, en la península del Yucatán existieron todo tipo de creencias místicas relacionadas con los eclipses, como la que afirma que existe una correlación entre los eclipses y las malformaciones fetales. Y es que aunque en la actualidad sabemos que los eclipses son fenómenos completamente naturales, totalmente previsibles y que, evidentemente, no anuncian ninguna desgracia, muchas de estas ancestrales creencias aún perduran en muchos lugares. 
Fuente: bit.ly/3PPoGek

"Espero que todos disfruten enormemente este fenómeno y lo perciban no como algo que causará tragedias, sino como algo que traerá equilibrio."

Totalidad

El Irreal Veintiuno - Totalidad

Brendocha, live for Acceleration Radio - aired live on CFRO 100.5FM from 11pm-12am, 2024-05-02

Brendocha:
https://soundcloud.com/brendocha
https://www.instagram.com/brendocha_/

merca bae - i should have never taken that pepa 
ruido con h - insaciable  
dj hesss - Uh?  
nourhanne - habibi ya eini (estoc remix) 
bitter babe - nadie lo puede parar  
 kassie x alexia malo - mami latina 
1OO1O - salon candela   
1OO1O - del salsodromo al rave 
merca bae - chapa  
chino pacas x invt x octoptic x djfd m2 exe x dagga (merca bae blend) - las pacas - 
despina vandi x villaseñor - gia (tribal edit) 
TAYYLOR MADE - CEASEFIRE 
pzzs  - Rregaco 
Ana Luisa & Seb  - TRASHDRUM 
Precolumbian & Estoc - Inga  
Disco Samir - Candy Drop  
DJ SOSA RD - Mami QTQ  
ruido con h - viciosa  
ojosfinos - me encanta 
canina - morenaza 
ruido con h - dime 
FRECH x Kian - AN4L CVNT  
WOST - TEKETEKE
Aleroj - EL RITMO CHANCLETA

Acceleration Radio - Brendocha - 2024-05-02

URBEX: Preludio, es el primer compilado de @po_sss_ole, es una localidad, un punto geográfico, que a través de lo visual sirve como punto de partida, para llevarlo a propuestas sonora, buscando en la producción la hibridación de la experimentación con los ritmos latinos y la conjunción de bases de la música electrónica. Un compilado que cuenta con 13 temas de productorxs de distintas latitudes de Latinoamérica. 

URBEX: Preludio is the first compilation from @po_sss_ole, a locality, a geographical point that visually serves as a starting point to lead it to sound proposals, seeking in production the hybridization of experimentation with Latin rhythms and the conjunction of electronic music bases. A compilation that features 13 tracks from producers from different parts of Latin America.

Máster en su mayoría x Octoptic
Arte x arrehola

Yourte Bugarach - Pouteria

In a brand new Rhythmic Culture podcast, guest curator ZULI shines a light on Cairo-raised/Berlin-based artist Assyouti.

ZULI: "Assyouti was an obvious choice for me; his knowledge of music spans an extremely wide range of genres and I've seen him go b2b with absolutely anyone in any context and deliver every single time; he's a proper DJ. The guy lives and breathes music, so the list of accolades already under his belt at only 24 years of age (as both a DJ and producer) come as no surprise to me or anyone who knows him. Definitely one of the most promising young names to come out of Cairo."

@assyouti

RC:143 Assyouti

For ZULI's second artist as guest curator for the Rhythmic Culture podcast he picks the Cairo-based artist Ashrar.

ZULI: "Ashrar is another obvious choice because, to him, music is sacred; it shouldn't be informed by any non-creative forces. He reflects these values clearly through his work as a curator, DJ and producer, and has therefor created his own sort of palette of sounds, artists and labels within which he operates. It's what sets him apart as a DJ, which is why I picked him for this series."

@ashrardj

RC:144 Ashrar

Parisian artist December steps up in this week's instalment of the Rhythmic Culture mix series. December’s music is a nightly one. Always on the edge between party and spleen, it questions the sensitivity taboo in techno, alternating dry rhythmic punishments and synthesizers coloured with a worried melancholy.

In the course of 80 minutes, December shifts back and forth between mesmerising scapes and rhythms–from slow to fast and back–brought with confidence and class.

@decemberxxx

RC:145 December

FalseGod.exe - Adrenaline

My Hit Record Too Late Seeing Radio Play and Receiving Love Nationwide....Enjoy

TOO LATE

QUIEN QUIERE TUKI? (WHO WANTS TUKI?)
Soundtrack from the short documentry.

Compiled and Mixed by Pocz & Pacheko.

DOWNLOAD LINK: ( LINK DE DESCARGA )
http://www.mediafire.com/download.php?fgr31t1edidg7bo

WHO WANTS TUKI? Is a comprehensive documentary which tells the fascinating story of an underground venezuelan dance music scene known as Changa Tuki.

Official Websites:
www.whowantstuki.com 
www.quienquieretuki.com 

Directed & Produced by: 
Mostro Contenidos: http://mostrocontenidos.com/ 
Abstractor: www.abstractor.net  (@_abstractor )
Design Or Die: www.designordie.tv  (@designordie)

© Esta obra ha sido lanzada bajo Creative Commons y la mayoría de Los Derechos están Reservados. Prohibido el uso comercial de este disco en cualquier medio sin previa autorización de los artistas. Caracas, Venezuela. Septiembre 2012.

© This Soundtrack is Released Under Creative Commons. Most Rights Reserved. Commercial use of any of the Works presente don this recording is prohibited. 
Caracas, Venezuela. September 2012. 

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 

Próximos Lanzamientos / Forthcoming Releases:

- Pocz & Pacheko: Changa Letal (Enchufada 2012)
+ Info: www.enchufada.com

- Jess & Crabbe present: Changa Tuki Classics (Mental Groove 2012)
http://www.mentalgroove.ch/



24 Dj Yirvin - Absurda Coincidencia

Amsterdam-based music platform, artist agency, record label and event organization representing music culture since 2016.

Artist roster:
AliA (@aliamusicc)
askmelater (@akaaskmelater)
King Kami (@kiingkami)
Lieke TR (@lieke-tr)
Lolo Batten (@lolobatten)
Low End Activist (@lowendactivist)
Max Abysmal (@maxabysmal)
Narathip (@narathip-ams)
Nathan Kofi (@nathankofi)
NPLGNN (@nplgnn)
ojoo (@ojoogyal)
Photonz (@photonz)

Head of music: brendan@rhythmicculture.com 
Bookings: tim@rhythmicculture.com
PR: pr@rhythmicculture.com
General inquiries: info@rhythmicculture.com

RC:130 Ana Luisa

Rhythmic Culture

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