Trending Jazz songs on SoundCloud. Updates weekly with popular tracks in Israel.

Jazz

All Time Standarts Jazz! With solo Acoustic Nylon Guitar, Bass and Drum!

Trio Jazz - All Time Standards

Copy of Jazz

Fake Tive - jazz

Alice in Paris!

U & I

Fire at night

Байка (baika band) - Дежавю

2024年2月に見た夢に出てきた街をテーマに作りました

稲瀬隠駅前(Inasekakushi-eki-mae)

Listen to from the start (meowfey) on Spotify, Apple Music, and YouTube Music!

Spotify: https://open.spotify.com/album/0GwyAr9cRQjJkg7wq0ohD6?si=I1URIR8mTC6C8QbMiFavhg
Apple Music: https://music.apple.com/us/album/from-the-start-meowfey-single/1719600822
YouTube Music: https://music.youtube.com/playlist?list=OLAK5uy_lJM69qHs4krF7IcB9Uc8uX3EL866h1JS4&si=Ko60BLdtd-OTIeAT

something i made w meowsynth

I hope you enjoy this silly song! Original song: From the Start - Laufey

Thank God for the gift of music!

Socials: https://linktr.ee/j1gggs

from the start (meowfey)

metox - Принимают с мескалином (jazz)

Background Tapestry: Jazz Background Music

Mellow Jazz

💿| Listen everywhere
→ https://fanlink.tv/Fleeting-Movements

🎵 | Music by Tawbee
→  https://www.instagram.com/tawbeee/
→  https://soundcloud.com/tawbe
→  https://www.youtube.com/@Tawbzz

🎶 | Tracklist
[00:00] Prologue 
[02:48] Astray
[05:10] Mist
[07:26] Réveil
[09:53] Épilogue

🎨 | Artwork by Laura Bisson
→  https://www.instagram.com/thelaurd_/
_____________________________________________

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Tawbe - Fleeting Movements

What The World Needs Now

Chopin - The Lost Nocturne

Chopin - The Lost Nocturne is a captivating homage to the Romantic master, evoking the delicate beauty and emotional depth of his most cherished works. This nocturne enchants with its lyrical piano melody, accompanied by lush harmonies that create an atmosphere of introspection and serenity.

The piece flows with a dreamlike quality, balancing intricate phrasing with moments of profound simplicity. Its hauntingly beautiful themes and nuanced dynamics draw the listener into a world of quiet reflection, reminiscent of Chopin’s timeless nocturnes yet imbued with a sense of rediscovery.

A poignant tribute, The Lost Nocturne embodies the soul of Chopin’s artistry, offering both homage and innovation in equal measure.

Contemporary Classical - The Essential Collection

Chopin - The Lost Nocturne

🎬 VIDEO

Going Up

Chopin’s Revenge – IV. "Broken Keys" by Tom Connell

The final piece in the Chopin’s Revenge suite, Broken Keys is a fiery and dramatic solo piano work that pushes both technique and emotion to the limit. Combining dazzling Chopin-esque flourishes with jagged, almost percussive dissonances, this piece captures the raw energy of a piano seemingly on the verge of breaking apart.

From cascading arpeggios to thunderous low-end chords, Broken Keys alternates between moments of delicate beauty and bursts of unrestrained power. Impressionist jazz harmonies weave through the turbulence, adding unexpected color and tension to the piece. A fitting finale to the suite, Broken Keys is both a testament to the piano’s expressive range and a thrilling ride for any listener.

Chopins Revenge

Chopins Revenge - IV. Broken Keys

Step back into the golden age of swing with a fresh twist: my nylon‑string guitar leads a tight trio of bass and brush‑work drums through John Turner Layton’s 1918 classic “After You’ve Gone.” I reharmonized the chorus with luminous chord extensions and slipped in a few passing, Brazilian‑tinged turnarounds, letting the melody flirt between elegant nostalgia and modern bite. The bass walks, prowls, and occasionally sings in counter‑melody, while the drums paint the air with whispering cymbals and snare pops that keep the pulse light on its feet.

First popularized by Marion Harris just days after World War I ended, “After You’ve Gone” became a rite of passage for jazz greats from Louis Armstrong to Ella Fitzgerald—everyone finding new colors in its deceptively simple frame. My take keeps that bittersweet heartbeat but opens new harmonic windows, inviting you to feel both the sepia glow of 1920s ballrooms and the vibrant energy of today’s jam sessions.

Put on your headphones, close your eyes, and let this trio carry you somewhere between past and present. If you enjoy the ride, hit ⬆ Repost, leave a comment, and follow for more intimate jazz stories soon to arrive.

After You've Gone - J. T Layton

Afternoon in Paris – Jazz Trio Arrangement

Picture a sun‑kissed Parisian boulevard just as the cafés begin to buzz: that’s the canvas for my nylon‑string guitar, bass, and brush‑work drums in this trio reading of John Lewis’s 1949 classic “Afternoon in Paris.” I open with a relaxed samba pulse that lets the melody sway like late‑day shadows, then slip into alternating four‑to‑the‑bar swing and airy chord‑melody passages, giving the tune a cosmopolitan lilt. The bass quotes walking lines à la Percy Heath before blooming into counter‑melodies, while the drums paint gentle splashes—more watercolor than oil—keeping everything buoyant and bright.

Written by Modern Jazz Quartet co‑founder John Lewis as a love letter to Europe’s jazz scene, “Afternoon in Paris” has long been a playground for giants from Sonny Rollins to Wes Montgomery. My take leans into that breezy sophistication, inviting you to wander Paris streets where every corner turns into a new harmonic vista—then slips you back to the present with a subtle, modern reharmonization on the final head.

Press play, let the city lights flicker behind your eyelids, and if the journey moves you, tap ⬆ Repost, leave a thought, and follow for more stories told in six strings and three hearts.

Afternoon In Paris - J. Lewis

Ain’t Misbehavin’ – Jazz Trio Arrangement

Imagine the carefree sparkle of a 1920s Harlem night, distilled into three voices: nylon‑string guitar, warm upright bass, and feather‑touch drums. In this take on Fats Waller’s 1929 classic “Ain’t Misbehavin’,” I start with a sly, two‑bar vamp that hints at stride piano but trades the keys for fingerstyle syncopation. The head floats over spread voicings—think gypsy‑jazz meets cocktail lounge—before slipping into a walking bass interlude where the melody peeks out in harmonics. Brushes tease the backbeat, accenting the tune’s wink‑and‑grin lyric even without words.

Co‑written with Andy Razaf and Harry Brooks for the revue Hot Chocolates, “Ain’t Misbehavin’” became Fats Waller’s signature and a beacon of the swing era, later re‑imagined by Louis Armstrong, Billie Holiday, and countless others. My arrangement keeps that flirtatious swing but ventures through fresh chord substitutions and a brief bossa‑tinged bridge, letting the trio breathe new colors into Waller’s eternal declaration of faithful mischief.

Press play, tap your foot, and picture a dim speakeasy where the smiles are as smooth as the whiskey. If this little slice of vintage joy grabs you, hit ⬆ Repost, drop a comment, and follow along—more guitar‑led jazz stories are on the way.

Ain't Misbehavin - F. Waller

All Blues – Jazz Trio Arrangement

Slip into a slow‑rolling 6/8 groove where every note hangs like dusk: my nylon‑string guitar, a singing bass, and whispering brushes re‑imagine Miles Davis’s 1959 modal masterpiece “All Blues.” I keep the famous bass ostinato intact but voice it on guitar in open fourths, letting harmonics shimmer over the top while the upright bass answers with deep, woody drones. Mid‑chorus, we widen the palette—trading fours between guitar octaves and arco bass slides—before settling back into that eternal, hypnotic pulse. The drums ride the snare rim and cymbal edges, adding smoky accents that feel more heartbeat than time‑keeper.

Originally recorded on Kind of Blue, “All Blues” rewrote the rulebook for modal jazz, offering soloists endless space within a single scale. Our trio honors that spaciousness yet nudges the harmony with subtle chromatic side‑slips and a breezy chord‑melody tag that hints at Brazilian waltz. Think late‑night club, low lights, and conversations that don’t need words.

Hit play, let the groove carry you downstream, and if it resonates, tap ⬆ Repost, leave a thought, and follow—more six‑string journeys through jazz history are on the way.

All Blues - Miles Davis

All of Me – Jazz Trio Arrangement

Step into a buoyant 4 / 4 swing where melody and mischief dance together. My nylon‑string guitar opens Gerald Marks & Seymour Simons’s 1931 evergreen “All of Me” with a unison line over walking‑bass harmonics, then blooms into lush chord‑melody passages that wink at Django and Jobim in equal measure. The bass circles beneath with supple two‑beat patterns, slipping into counter‑melody fills during the bridge, while the drums shape the air with crisp brush sweeps and rim‑click accents, giving the groove a light, almost airborne lift. Mid‑solo, we down‑shift into a half‑time “West Coast” feel before snapping back to bright swing for the shout chorus—a little musical roller‑coaster packed into three minutes.

First unveiled by Belle Baker on Radio with Paul Whiteman’s orchestra in 1931, “All of Me” quickly became a standard, immortalized by Louis Armstrong, Billie Holiday, and later Frank Sinatra. Its open chord changes invite endless reinvention; our trio keeps the tune’s joyful optimism but spices the turnaround with chromatic side‑steps and a surprise Picardy‑third tag—because sometimes giving “all of me” means coloring outside the lines.

Press play, let the grin spread, and if this ride brightens your day, hit ⬆ Repost, leave a thought, and follow—more guitar‑led jazz stories are on the way.

All of Me  - G. Marks

за деньги да (AI Jazz version)

Composer: Daiorg

Full Playlist: https://soundcloud.com/user-1428970674/sets/roblox-block-tales-ost

The Great Floccinaucinihilipilification - Block Tales OST

💿| Listen everywhere
→ https://fanlink.tv/Une-Nuit-a-Montmartre

🎵 | Music by fragile keys
→  https://open.spotify.com/artist/18uHhd1i866SZTLRTCWCbF
→  https://music.apple.com/pl/artist/fragile-keys/1751332204

🎶 | Tracklist
[00:00] Sous les Toits de Montmartre
[02:09] Le Temps Précieux
[04:05] Le Vent Nous Portera
[05:51] Des Moments à Chérir
[08:02] Quand je t'ai Vu
[10:25] Avec Toi, Tout va Bien

🎨 | Artwork by Jocelin Carmes
→  https://www.instagram.com/jocelincarmes
→  https://jocelincarmes.myshopify.com/
_____________________________________________

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→  https://link.lofigirl.com/m/music

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fragile keys - Une Nuit à Montmartre

Subscribe to my YouTube channel: www.youtube.com/@rfviolao
Discover more jazz classics and creative arrangements by visiting my website: ricardofarao.com

“Misty” is a jazz standard written and originally recorded in 1954 by pianist Erroll Garner. He laid it down as an instrumental on July 27, 1954 for his album Contrasts in a classic 32-bar form .

Garner composed the melody at altitude—reportedly while flying, inspired by the view of clouds and thoughts of his wife—and, unable to write music notation, committed it to memory until he could record it later with his trio.

In 1959, lyricist Johnny Burke added words, transforming “Misty” into a vocal ballad. That same year, Johnny Mathis’s rendition on his album Heavenly reached No. 12 on the U.S. Pop Singles chart and became Mathis’s signature song.

The tune gained cinematic fame in 1971, when it underpins the score of Clint Eastwood’s directorial debut Play Misty for Me, in which a radio DJ is repeatedly implored—“play Misty for me”—by an obsessed fan.

Over the decades, hundreds of artists have made “Misty” their own. Icons such as Ella Fitzgerald, Sarah Vaughan and Frank Sinatra have recorded it, cementing its status as one of the most beloved standards in both instrumental and vocal jazz.

Misty - Erroll Garner

The Promise Of A Future

Grazing In The Grass

Off The Record

No Pay, No Play

After 8

I Remember You (Album Version)

Official Video: https://www.youtube.com/watch?v=2ScpnUpCsM4

'Pineapple' (Feat. @moses-boyd & @nerijamusic) taken from Blue Lab Beats' debut album 'Xover'.

Pre-order the album/stream the single here: https://BlueLabBeats.lnk.to/Xover

'Pineapple' is an interpolation of the song Yembele by Samba Mapangala.

Follow Blue Lab Beats:
www.bluelabbeats.com
www.facebook.com/BlueLabBeats
www.twitter.com/bluelabbeats
www.instagram.com/bluelab_beats

Misty - Erroll Garner

Ricardo Farão