Tropkillaz is 808 BASS MUSIC 
provided by DJ Zegon & Andre Laudz 
SOUNDCLOUD:
DJ Zegon http://www.soundcloud.com/djzegon
Andre Laudz http://www.soundcloud.com/laudzcwb

Tropkillaz is a duo formed by Brazilian producers, from the old school (DJ Zegon) and new school (Laudz).

Dj Zegon is one of Brazil’s most respected DJ/Producers – with a career spanning over 20 years, and having worked in over 100 records,including collaborations with Kanye West, M.I.A, David Byrne(Talking Heads), George Clinton,a few Wu Tang Members (RZA,Method Man,Ol’Dirty Bastard) amongst others. Former member of the group N.A.S.A, he toured the world with their debut album “The Spirit of Apollo” and performed in festivals such as Coachella.

Laudz is a new cat in the game, however even with only 5 years in the business he’s worked with the likes of like Snoop Dogg,Dr Dre, as well as Brazil’s top hip hop MCs.  The two have also scored movies,comercials and tracks for videogames .

Together, the two have created an intense collection of club bangers,that blends Trap and Bass music with Electro,Hip Hop, and Latin Samples in a unique style.

They first got worldwide attention with their underground hit “Mambo”, a sure shot in any dance-floor, and their recent collab  ”Assets” with Yellow Claw (released by Mad Decent) propelled them even further, placing Tropkillaz’s footprint in the Trap Movement.

Being recently featured on Run The Trap’s Top 10 Trap Duos (tastemaker blog in the scene – run by Complex Music), having their remix of N.A.S.A’s “Hide” on the Top 10 iTunes Electronic Charts (US & UK), official remixes for Major Lazer, and with recent support from superstar DJs like Diplo, Flosstradamus,DJ Snake,Steve Aoki, to name a few, Tropkillaz have proved to be heavy-weight contenders.

With over 50 original tracks and remixes ready, and having performed sold out shows in venues ranging from Brazil to Russia, Tropkillaz is currently finishing a mixtape entitled “Tropical Bass Killers”, as well as their debut EP.  Watch this space.

BOOKING//PROMO//COLLABS//ETC// email: tropkillaz@gmail.com

www.dubdogz.com.br

Management:
emerson@drop.cool
+55 48 99141-6016

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Circoloco Records \ Defected \ Nervous \ Cuttin' Headz \ MOTRAXX \ DOGGHAÜZ 

Rising up out of Brazil’s hotbed of formidable talent, Mochakk (AKA Pedro Maia) embodies a level of passion and drive that has placed him in a league of his own. His insatiable hunger for knowledge means he has a broad palette to draw from, channelling his deep well of influences into his vibrant creative output. As anyone who has witnessed him in action will attest, Pedro wears his heart on his sleeve, often expressing his honest love for music in an endearingly physical manner. His skills as a selector have led to bookings at globally renowned clubs, including a residency at the iconic DC-10, while his productions encapsulate his diverse sonic identity. A natural born entertainer, who regularly devours music, history and cultural information by the truckload, Mochakk is a unique artist whose energy and enthusiasm are contagious.

Mochakk’s achievements in 2023 alone demonstrate how influential and respected he has become, with his online fanbase growing to over 3.5 million followers across his socials. He sold out a 5,000-capacity show for leading broadcaster Cercle at the Plaza de España in Seville (the set has almost 4 million views), played over 160 shows in 29 countries, and joined the family at DC-10 as a resident. On that note, Mochakk also released the huge single ‘Jealous’ with Circoloco Records, alongside his killer remixes of Groove Armada’s ‘Superstylin’’ and Diplo’s ‘Express Yourself’. 2023 also saw the launch of his Tricks And Tracks event series, merging his love of skateboarding with electronic music for a unique party. Elsewhere, his Mochakk Calling events have sold out at every worldwide location so far. At the end of 2023 he was named by both Amazon Music and Spotify Mint as Artist to Watch in 2024, wrapping up a hugely successful 2023 with the promise of an even bigger year ahead...

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