Conan The Barbarian - (OST)

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The best of Daniel Craig's James Bond movies soundtrack by David Arnold, Thomas Newman and Hans Zimmer:

00:00 - End Credits - Skyfall
02:25 - Trailer Music - Casino Royale
04:03 - Blunt Instrument - Casino Royale
05:02 - Bombers Away - African Rundown - Casino Royale
07:24 - Dinner Jackets - Casino Royale
08:08 - Vesper - Casino Royale
09:48 - City Of Lovers - Casino Royale
10:20 - Death Of Vesper - Casino Royale
13:05 - Aston Montenegro - Casino Royale
13:34 - The Name's Bond... James Bond - Casino Royale
16:22 - Time To Get Out - Quantum of Solace
19:07 - Somebody Wants To Kill You - Quantum of Solace
19:50 - Pursuit At Port Au Prince - Quantum of Solace
21:54 - Night At The Opera - Quantum of Solace
24:51 - Severine - Skyfall
26:00 - Komodo Dragon - Skyfall
27:04 - Grand Bazaar, Istanbul - Skyfall
29:57 - Tennyson - Skyfall
30:53 - Enquiry - Skyfall
32:57 - She's Mine - Skyfall
36:45 - Breadcrumbs - Skyfall
37:45 - Out Of Bullets - Spectre
39:17 - Spectre (End Titles) - Spectre
42:00 - Los Muertos Vivos Estan - Spectre 
44:27 - Westminster Bridge - Spectre
46:22 - Backfire - Spectre
49:10 - Square Escape - No Time To Die
49:58 - Cuba Chase - No Time To Die
52:38 - Back to MI6 - No Time To Die
53:35 - Matera - No Time To Die
54:39 - Lovely To See You Again - No Time To Die
55:33 - Home - No Time To Die
57:43 - I'll Be Right Back - No Time To Die
59:58 - Final Ascent - No Time To Die

Daniel Craig's James Bond Ultimate Cut.mp3

Daniel Craig's James Bond Ultimate Cut

Charity festival in Prague from which all money is given to cancer cure development. 

Artists: Prague Radio Symphony Orchestra, Prague Philharmonic Choir, conductor Nic Raine
Venue: Dvorak's Hall, Rudolfinum, Prague

Basil Poledouris - Riders of Doom from Conan the Barbarian

Available to stream and purchase here:
Spotfiy: https://tinyurl.com/pcw38wvd
Apple Music: https://tinyurl.com/3dxwm4vz

Snow Job from A View to a Kill by John Barry is definitely one of my FAVORITE pieces of 007 action music from the entire series.  As there is not a decent recording of it available on streaming platforms, I took it upon myself to officially license the piece and reconstruct it from the ground up from ear so a screen accurate version can be easily heard on Spotify, Apple Music, and Amazon.

It's VERY close to Barry's original (if not slightly amped up) minus the cheesy 80s electric guitar.  While putting together the video, I also took it upon myself to re-use parts of my recent Bond Theme re-recording to score over that awful Beach Boys segment making it pure Bond awesomeness.

Snow Job

A View To A Kill - Snow Job (previously unreleased / re-recording)

Available on:
Spotify: https://tinyurl.com/yeyr58h6
Apple Music: https://tinyurl.com/2p967xfv

My licensed cover of the previously unreleased track NASA LAUNCH followed by SPACE LAZER BATTLE by John Barry.  I tried to make these as close to the originals as possible!

Space Lazer Battle

Moonraker - Nasa Launch And Space Lazer Battle (re-recording)

Stream / Purchase here:
Spotify: https://tinyurl.com/sfwcd35t
Apple Music: https://tinyurl.com/ycyrjsuw

This is my licensed more modern cover of SUBMARINE by Bill Conti from the James Bond 007 film, For Your Eyes Only.  I replaced the synthesizer with a more traditional orchestral arrangement of the James Bond Theme much more akin to what John Barry did throughout the Moore era.

Submarine

For Your Eyes Only - Submarine (2024 re-recording)

Stream / Purchase here:
Spotify: https://tinyurl.com/4sbhshdt
Apple Music: https://tinyurl.com/2j66vez2

This is my licensed cover of The Laser Beam from Goldfinger originally composed by John Barry.

The Laser Beam

The Laser Beam - John Barry - 2024 Re-recording (from Goldfinger)

...All blades fired in this forge would break soon after forging, but the shards would never rust, nor dull, nor break...
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Music available for purchase here!
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In ancient times, There was a Dwarven blacksmith.  The iron in his region was rather poor and despite the skill he lavished upon his blades, they would always break.  One day a mysterious stranger, robed in black, approached him at his forge and offered to enchant the blacksmith's forge that blades made in it's fire would never perish.  The blacksmith was suspicious, and asked what the stranger wanted in return.  "The deed itself is my payment," said the stranger.  The smith opened his mouth to reject the offer, when his gaze fell upon one of his broken swords.  Hesitantly the dwarf agreed.  

The stranger pointed at the dwarf's forge and began an incantation.  Clouds gathered and snow began to fly in the valley, despite the summer.  The ground shook and spikes of obsidian shot up around the forge.  The fire, which had been a warm red, became an arcane violet.  "It is done," said the stranger to the horrified dwarf.  The smith cautiously took up his tools as the stranger watched, and forged a blade.  When the sword was completed, the dwarf tested the blade against the obsidian.  As he struck the rock, the blade sheared in two.  Outraged, the dwarf confronted the mysterious black robed man.  "Strike the anvil with this broken blade," said the man, and the dwarf, full of suspicion, complied.  The sheared blade clove the anvil in two and the blade took no hurt.  

All blades fired in this forge would break soon after forging, but the shards would never rust, nor dull, nor break.  Much mischief was done with those blades.  The forge came to be known as The Splinter-Forge.  From then on, the snow never departed that region and the violet fire never cooled.
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{Bible Verse}
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Music By Peter Iverson
Unpublished work copyright (c) 2025 by Peter Ian Iverson

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The Splinter Forge

Keep Your Promises

I wrote this song originally several years ago just for solo piano for my coworker that lost her sister unexpectedly, but I decided to rewrite it for choir, orchestra and piano and change it up a little bit. But, here you go my friend Missy D Green, I know you miss your sister, but she's smiling down from heaven till you meet again. Hope you like it,,,,

Till we meet again

Basil Poledouris – Conan The Barbarian - Epilogue , End Titles

"Melodies Unleashed, Richly Composed."

I am Rich Douglas, an accomplished and innovative composer known for my exceptional contributions to the world of music. With a deep passion for storytelling, I blend genres to create captivating and emotionally charged soundscapes.

I have composed for various media, including notable game scores such as "Shadowgate VR," "Insurgency," "Stranger Things: The Game," and "Lifeless Moon." My music enhances narratives, capturing the essence of each project and leaving a lasting impression on audiences.  Formerly the audio director for Paradigm Entertainment, a THQ company, I have collaborated with renowned filmmakers, game developers, and TV producers. My professionalism, dedication, and exceptional musical prowess have earned industry recognition. Graduating from the Guildhall at SMU in Cohort 2 with a focus on game design, I have a versatile approach, seamlessly blending orchestral arrangements with electronic textures and ethnic influences. This creates a distinct and immersive sonic experience.

With boundless creativity and an unwavering dedication to my craft, I continue to captivate audiences with evocative compositions. My ability to blend diverse musical styles, coupled with my storytelling expertise, cements my position as a revered composer in the world of music.

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