Richard (JAHv's)

Funkylicious

MegaMix  15.05.2024

TRACKLIST BELOW x3

TRIGGERWARNING: may contain trash-vibe like a hotel DJ in a resort for seniors


Von der Kusshaltestelle bis zur Agentur für Liebe. Frisch vermählte Verbindungen sollte mensch zelebrieren. Wir durften frisch vermählte Paare auf dem Fusion Festival begleiten. Wer dabei verschickt wurde, wissen wir nicht mehr. Jocklichste Grüssle, LNJS.
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From the kissing stop to the agency for love. Newlywed unions should be celebrated by humans. We were allowed to accompany newlyweds couples at the Fusion Festival. Who was dispatched in the process, we no longer know. Jocklichste Grüssle, LNJS.
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TRACKLIST with LOVE:

1 GT - if you leave me now 24_44.1 Master	
2 Dished (Stripper) (Babert Italo Disco Remix)
3 I Will Survive (Makin Bakin Extended Mix)
4 Ghostbusterz - Hot Stuff
5 Janet Jackson - What Have You Done (Jam Master remix)
6 Scon & Mudz - Who Ya Gunna Call
7 I Ran (Sam In Space Cosmic Edit)
8 Eelke Kleijn & Lee Cabrera - Self Control
9 XPRESS - Lonely Heart (Traxion & Sam In Space Edit)
11 Lokee, Stefane - Superfreak (Original Mix)
12 Kolombo - Throw Your Hands
13 Englishman in N.Y. (LBMR REVISION)
14 Block & Crown feat. S-Boyz - Volare	
15 Block_&_Crown_U_Got_The_Body_Original_Mix
16 Pink Floyd - High Hopes (SHIHA Remix) Final Master
17 Giacca & Flores - Last Night a DJ Saved My Life	
18 Never Gonna Give You Up (2K22 Mix)
19 Sigurd Barrett - Pilfingerdansen

Late Night Jockel Session - Highraten @Fusion Festival 2023

Please check my other surrender to disco sets here:

https://soundcloud.com/aka_tony/sets/surrender-to-disco?si=aa7c74185682448abbb06ecbdcf741f6&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Guidato dai computers  - Mix 2023

"Whats going on?" Hopefully a Revolution - Hey-ey-ey - hey-ey-ey

Salon zur wilden Renate was our first nightclub we visited in Berlin 10 years ago. CeleBRATE the 10 years anniversary of Rebellion der Träumenden in this nightclub is the biggest full circle moment of the year. We played this set surrounded by many well-known jockels and many new jockels. Thanks Rebellion der Tröumer* for the invitation! This was truly MAGIC🔮

Jockellion - 10YREBELLION @WILDERENATE

I've decided just to be happy today (and everyday). Join me and send me a smiley

Be Happy Today

Please check my other surrender to disco sets here:

https://soundcloud.com/aka_tony/sets/surrender-to-disco?si=aa7c74185682448abbb06ecbdcf741f6&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The term "high" in the title indicates that I experience a natural sense of euphoria when playing such classy edits. 

And AI can create some pretty funny covers if one provides the right prompt.

Fröhliche Highnachten - Mix 2023

It takes courage to enjoy it, Björk sings. Big Time Sensuality!

London Faves from the 90s

Funk

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
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Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
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First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
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A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

Is Life

"From the air, raise them like you just don't care." 🔊💚🔊

Pop Out ft Lil Beezi

For the L💖VE of electronic music 💖🌈💖

Alone
Backing track, Mix, Arrangement and Production: Lillithe
Vocal: Emily Coy
https://soundcloud.com/freevocals
Bass: Paploviante
https://soundcloud.com/paul-racle

Alone      ( Prod. Lillithe-Paploviante)

Ganz nach dem Motto: Es gehört definitiv mehr gekuschelt, haben wir ein kleines Special für euch. Das geht raus an alle Lovers.
Kleiner Tipp vom Valentin für alle ohne Date. Schnapp dir die Marry Jane und kuschel dich zu uns in die Happy Hour.

https://soundcloud.com/hathappyhour

Verschmust mit Valentin in die Happy Hour

JARV’s lifelong love affair with music has deep roots, sprouting in the ‘70s influenced by six older siblings always spinning tunes.  Festivals have been a crucial part of his fabric since his first taste at Sweetwaters ‘83.  JARV’s sets reflect his broad musical palette, recreating his journey from  the reggae-infused snow and surf of Whanganui via the psychedelic experience of cave living in India and the melting pot that was the exploding dance culture of early ‘90s London. Now based in Tāmaki Makaurau, JARV's experimentation across music’s multiple genres continues to evolve. He knows how to party and how to bring the party.

Bookings -   richardjarvis483@gmail.com

https://www.facebook.com/richard.jarvis.9465/

Photography by : Richard Jarvis & Bruce Jarvis #   
Apart from Lee Scratch Perry & The Ska Photo.

Past Gigs ... 
1998 Red Eye Cafe Gigs
1998 Seans House party with the amazing band from Palmy - Cortina.
!4,8,99 - Roots Bar with Keeping Tadpoles (Whanganui) 
28,8,99 - Fine Arts Hat Ball (Whanganui) 
4,9,99 - Roots Bar - Global Dance (Whanganui)
11,9,99 - Red Eye Cafe - Tranceported  (Whanganui)
17,9,99 - Roots Bar with DJ Melt 
30,10,99 -Roots Bar with The Hasselhoff Experiment.
20,11, 99 -Fine Arts Gig. War Memorial Hall Whanganui
7,9, 2000 Fallout Festival with Nick on the ones & twos  -Sunbeam - (Ohakune)

Funk

Richard (JARV)