"Step into the magical world of Let’s Just Jam Playlist on SoundCloud – a sonic journey where vibes meet emotions! 🎶✨ From uplifting beats to soul-soothing melodies, it's your go-to for every mood. Let the music take you on a ride regardless of how you're feeling! 🚀 #LetsJustJam #SoundCloudMagic"

Let’s Just Jam

Electronic

Dublin 8

MegaMix  15.05.2024

1. Treat You Right
2. Do The Do
3. My Sister
4. Silk Slut

'Weiss City Vol 1' showcases this producers vast talent by embracing house music's rich heritage with deep jacking grooves, warm rumbling subs, sweet sharp percussion and delicate vocal treatment. Leading the EP. 'You Treat Me Right' sets the tone with an infectious guitar lick and impassioned vocals on top of a driving but deep bass line. 'Do The Do' is straight up organ house, with an unforgettable melody, vocal cut and sharp percussion. Next up, Weiss delivers the funk with 'My Sister'; one of those tracks you'll have on repeat for weeks on end, the groove is unrivalled on this one! Finally, 'Silk Slut' concludes the EP on a slightly darker note with heavy drums, pitched down vocals and a rumbling bass; perfect for after parties.

Weiss - My Sister (Original Mix)

Electronic Bliss

Vivaldi– four Seasons

Horizon

Tech House, Deep Techno, Etc. I have no idea what I was thinking when I did this EP hahaha, but here it goes, I hope you like it and drop some love in the comments.
Thank you all 🙏

Connect with me!:
📸 Instagram ➟ https://www.instagram.com/angelparilli
🎶 Spotify ➟ https://open.spotify.com/artist/6SUtr...
🍏 Apple Music ➟ https://music.apple.com/us/artist/ang...
♪ https://www.beatport.com/artist/angel...
🔍Website ➟ http://AngelParilli.com/
🎧 SoundCloud ➟ https://soundcloud.com/angelparilli
📣 Facebook ➟ https://www.facebook.com/angelparilli
📲 Twitter ➟ https://twitter.com/angel_parilli
🎓 Linkedin ➟ https://www.linkedin.com/in/angel-par...

#DeepTechno #techhouse  #progreesivehouse

Bass For Your Face

FREE DOWNLOAD

Bass For Your Face [FREE DOWNLOAD]

It takes courage to enjoy it, Björk sings. Big Time Sensuality!

London Faves from the 90s

Embark on a sonic adventure like never before with "Demonslayer," an immersive album-video game fusion that transports you to a mystical realm filled with treacherous dungeons, mythical creatures, and rock-infused magic. This groundbreaking experience seamlessly blends the excitement of a video game with the power of a rock album, creating an unparalleled journey for your senses.

Demonslayer

Labyrinth of Shadows

Labyrinth Of Shadows

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

It’s currently obvious that boys these days go through a lot, so I decided to create this shit for the boys to help us all go through emotions

SAD BOY

Dancing is the best exercise for brain happiness 🔊💚🔊💃🕺💃🕺

Is Life

"From the air, raise them like you just don't care." 🔊💚🔊

XXX Lyrics on two songs.
                                           My dedication to Jane & all the strong  Dzelarhons,🌋🌋 FU.K YEAH!!!!! 🌋🌋

Everyday is women's day. Middle finger to Pale Male & Stale Politicians who r f..kin up the world

Pop Out ft Lil Beezi

Cinema

Cinema (Radio Edit) [feat. Gary Go]

Mayhem

Pulling The Rug

The Night Out

The Night Out (A-Trak vs. Martin Rework)

Alone
Backing track, Mix, Arrangement and Production: Lillithe
Vocal: Emily Coy
https://soundcloud.com/freevocals
Bass: Paploviante
https://soundcloud.com/paul-racle

Alone      ( Prod. Lillithe-Paploviante)

JARV’s lifelong love affair with music has deep roots, sprouting in the ‘70s influenced by six older siblings always spinning tunes.  Festivals have been a crucial part of his fabric since his first taste at Sweetwaters ‘83.  JARV’s sets reflect his broad musical palette, recreating his journey from  the reggae-infused snow and surf of Whanganui via the psychedelic experience of cave living in India and the melting pot that was the exploding dance culture of early ‘90s London. Now based in Tāmaki Makaurau, JARV's experimentation across music’s multiple genres continues to evolve. He knows how to party and how to bring the party.

Bookings -   richardjarvis483@gmail.com

https://www.facebook.com/richard.jarvis.9465/

Photography by : Richard Jarvis & Bruce Jarvis #   
Apart from Lee Scratch Perry & The Ska Photo.

Past Gigs ... 
1998 Red Eye Cafe Gigs
1998 Seans House party with the amazing band from Palmy - Cortina.
!4,8,99 - Roots Bar with Keeping Tadpoles (Whanganui) 
28,8,99 - Fine Arts Hat Ball (Whanganui) 
4,9,99 - Roots Bar - Global Dance (Whanganui)
11,9,99 - Red Eye Cafe - Tranceported  (Whanganui)
17,9,99 - Roots Bar with DJ Melt 
30,10,99 -Roots Bar with The Hasselhoff Experiment.
20,11, 99 -Fine Arts Gig. War Memorial Hall Whanganui
7,9, 2000 Fallout Festival with Nick on the ones & twos  -Sunbeam - (Ohakune)

Dancing is the best exercise for brain happiness 🔊💚🔊💃🕺💃🕺

Richard (JARV)