That's me (standing) at a Plague Screening Booth in India back in 1994

Omicron Techno Madness (Stay Safe)Me on right in India 1994 Bubonic plague.

Playlist
01 Dj Pupila - A Nice Haircut (Original Mix)
02 Battric & MIVU - My Nature (Original Mix)
03 LCD Soundsystem - 45:33 (Pilooski Remix)
04 Coeo - Never Going Home
05 Kevin Saunderson - Future (feat. Inner City) [Kenny Larkin Tension Mix]
06 Alex Celler - Blue Vaudeville (Shonky Remix)
07 Shan - Who Run Tings (Original Mix)
08 Depeche Mode - Cover Me (Dixon Remix)
09 Art Of Tones -	Gimme Some More (Saison Remix)


InviernoInvernal_Un_Mix_Por Alcap_One

Photo: Emden, Germany, 2025.

I've had the drum loop for this in mind for a few months now but couldn't find a creative route to do something with it. Hope this works though and it's a gentle piece.

As ever, listen all the way through = good karma... thank you.

Drums: NI Kontakt loop.
Bass: Sandberg Elektra 4-string with flats through NI Guitar Rig.
Guitars: Fender Telecaster into NI GuitarRig.
Keys: various VST from NI and Arturia. Strings are from Spitfire Audio.
Mastering: Ozone 11 Standard.
DAW: Ableton 12.

Bandcamp

After Everything Is Said

Psalm 51 in Hebrew 
Today is the Jewish Judgement Day Feast 
I think its good prayer for today

Translation in English: 
Have mercy upon me, O God, according to thy lovingkindness: according unto the multitude of thy tender mercies blot out my transgressions. Wash me throughly from mine iniquity, and cleanse me from my sin. For I acknowledge my transgressions: and my sin is ever before me. Against thee, thee only, have I sinned, and done this evil in thy sight: that thou mightest be justified when thou speakest, and be clear when thou judgest. Behold, I was shapen in iniquity; and in sin did my mother conceive me. Behold, thou desirest truth in the inward parts: and in the hidden part thou shalt make me to know wisdom. Purge me with hyssop, and I shall be clean: wash me, and I shall be whiter than snow. Make me to hear joy and gladness; that the bones which thou hast broken may rejoice. Hide thy face from my sins, and blot out all mine iniquities. Create in me a clean heart, O God; and renew a right spirit within me. Cast me not away from thy presence; and take not thy holy spirit from me. Restore unto me the joy of thy salvation; and uphold me with thy free spirit. 13Then will I teach transgressors thy ways; and sinners shall be converted unto thee. Deliver me from bloodguiltiness, O God, thou God of my salvation: and my tongue shall sing aloud of thy righteousness. O Lord, open thou my lips; and my mouth shall shew forth thy praise. For thou desirest not sacrifice; else would I give it: thou delightest not in burnt offering. The sacrifices of God are a broken spirit: a broken and a contrite heart, O God, thou wilt not despise. Do good in thy good pleasure unto Zion: build thou the walls of Jerusalem. Then shalt thou be pleased with the sacrifices of righteousness, with burnt offering and whole burnt offering: then shall they offer bullocks upon thine altar.

חָנֵּנִי אֱלֹהִים כְּחַסְדֶּךָ; כְּרֹב רַחֲמֶיךָ, מְחֵה פְשָׁעָי.
הַרְבֵּה הֶרֶב, כַּבְּסֵנִי מֵעֲוֹנִי; וּמֵחַטָּאתִי טַהֲרֵנִי.
כִּי־פְשָׁעַי אֲנִי אֵדָע; וְחַטָּאתִי נֶגְדִּי תָּמִיד.
לְךָ לְבַדְּךָ חָטָאתִי, וְהָרַע בְּעֵינֶיךָ עָשִׂיתִי;
לְמַעַן תִּצְדַּק בְּדִבְרֶךָ, וְתִזְכֶּה בְשַׁפְטֶךָ.
הֵן־בְּעָוֹן חוֹלָלְתִּי, וּבְחֵטְא יֶחֱמַתְנִי אִמִּי.
הֵן־אֱמֶת חָפַצְתָּ בַטֻּחוֹת, וּבְסָתֻם חָכְמָה תוֹדִיעֵנִי.
תְּחַטְּאֵנִי בְאֵזוֹב וְאֶטְהָר; תְּכַבְּסֵנִי וּמִשֶּׁלֶג אַלְבִּין.
תַּשְׁמִיעֵנִי שָׂשׂוֹן וְשִׂמְחָה; תָּגֵלְנָה עֲצָמוֹת דִּכִּיתָ.
הַסְתֵּר פָּנֶיךָ מֵחֲטָאָי; וְכָל־עֲוֺנֹתַי מְחֵה.
לֵב טָהוֹר בְּרָא־לִי אֱלֹהִים; וְרוּחַ נָכוֹן חַדֵּשׁ בְּקִרְבִּי.
אַל־תַּשְׁלִיכֵנִי מִלְּפָנֶיךָ; וְרוּחַ קָדְשְׁךָ, אַל־תִּקַּח מִמֶּנִּי.
הַשִּׁיבָה לִי שְׂשׂוֹן יִשְׁעֶךָ; וְרוּחַ נְדִיבָה תִּסְמְכֵנִי.
אֲלַמְּדָה פֹשְׁעִים דְּרָכֶיךָ; וְחַטָּאִים אֵלֶיךָ יָשׁוּבוּ.
הַצִּילֵנִי מִדָּמִים אֱלֹהִים — אֱלֹהֵי תְּשׁוּעָתִי; תְּרַנֵּן לְשׁוֹנִי צִדְקָתֶךָ.
אֲדֹנָי שְׂפָתַי תִּפְתָּח; וּפִי יַגִּיד תְּהִלָּתֶךָ.
כִּי־לֹא־תַחְפֹּץ זֶבַח וְאֶתֵּנָה; עוֹלָה לֹא תִרְצֶה.
זִבְחֵי אֱלֹהִים רוּחַ נִשְׁבָּרָה; לֵב־נִשְׁבָּר וְנִדְכֶּה — אֱלֹהִים לֹא תִבְזֶה.
הֵיטִיבָה בִּרְצוֹנְךָ אֶת־צִיּוֹן; תִּבְנֶה חוֹמוֹת יְרוּשָׁלָ‍ִם.
אָ֤ז תַּחְפֹּץ זִבְחֵי־צֶדֶק עוֹלָה וְכָלִיל; אָ֤ז יַעֲלוּ עַל־מִזְבַּחֲךָ פָּרִים.

Psalm 51 Hebrew 2

Photo: Glasgow, Scotland, 2025.

Some uptempo for you. Middle section I was attempting a take on Remain in Light era Talking Heads for what it's worth.

As ever, listen all the way through = good karma... thank you.

Drums: NI Kontakt loop.
Bass: Sandberg Elektra 4-string with flats through NI Guitar Rig.
Guitars: Fender Telecaster into NI GuitarRig.
Keys: various VST from NI and Arturia.
Mastering: Ozone 11 Standard.
DAW: Ableton 12

Antedote to a Frozen Mind

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First Incarnation - The Modern Soma of Humanity // In Between Violence

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One might argue that Ritalin serves a similar societal role to Soma in Huxley’s "Brave New World," offering chemical management of mood, behavior, and productivity, though it is self-administered rather than mandated by the state. Ritalin is prescribed to enhance focus and calm, but its use (and misuse) can also produce euphoria, dependence, and withdrawal symptoms, echoing some psychological mechanisms attributed to Soma’s fictional role. However, Ritalin is a real stimulant with known physical and mental risks, while Soma is a literary creation imagined as uniformly pleasurable and socially pacifying—making their “purpose” comparable mainly in philosophical critique, not medical reality.

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lyrics written by fictionalive

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music is the song 'in between violence' written, produced and provided by, courtesy of mobygratis.com and its crew, licensed

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vocal production, arrangement, final mix and drop by fictionalive

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artwork illustration by and courtesy of peter uertz, düsseldorf / germany

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fusion of it all -
fictionalive with with popoems series and the hyper media reports

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dropped
tuesday, october 14th, 2025
11:55 am central european time
high noon's up next


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First Incarnation - The Modern Soma of Humanity / In Between Violence

Photo: Bergen, Norway, 2025.

Some laid back goodness for you.

As ever, listen all the way through = good karma... thank you.

Drums: NI Kontakt loop.
Bass: Sandberg Elektra 4-string with flats through NI Guitar Rig.
Guitars: Fender Telecaster into NI GuitarRig and Archetype Plini.
Keys: various VST from NI and Arturia. Behringer Pro-800. Crow Hill Small String Gestures.
Mastering: Ozone 11 Standard.
DAW: Ableton 12

Last Night I Dreamt

Buy on Beatport: https://www.beatport.com/release/balkanizateur-embroidery-edit/5508246

Peak-Time Techno ethnic anthem: a Futuristic cinematic fusion of ethnic Balkan elements set against an energetic, dark, atmospheric background.

Techno (Peak Time / Driving)
135 BPM - Ab Minor

Record Label: clouDNine Recordings
Release date: October 15, 2025
UPC: 199746807292

Balkanizateur (Embroidery Edit)

Beatport

Firste

Last day on earth

Qualia [singular qualia; from Latin qualis = of what kind], subjective properties perceived independently of the associated object; first-order phenomenal properties (see below). In the philosophy of mind, qualia are the classic examples of the (phenomenological) characteristics of conscious experience that are accessible from an internal perspective. Simple sensory sensations such as the visual quality of “scarlet” in a conscious color experience (color perception) or the olfactory quality of “musk” in an olfactory experience (sense of smell), but also bodily sensations and emotions are examples of such phenomenal properties. Because such properties have no internal structure according to experience and are not the result of a process of abstraction, they form, in a sense, the most concrete, basic building blocks of consciousness and are therefore first-order properties (order). Furthermore, according to many philosophers, they resist reductionist analysis (reductionism) because they form the intrinsic core of an experience; which cannot be conceptually reduced to relationships between elements of deeper levels of description (such as neuroscientific or functional ones). A multitude of variants of classic thought experiments attempt to show that any statement, however rich, about the physical or functional organization of a being with qualitative states  is always compatible with the assumption that the conscious experience of this being does not generate any phenomenal properties, or only radically different ones. Qualia are also difficult to grasp linguistically (one cannot explain to a person born blind what “scarlet red” means) and, as private properties, are subject to epistemic asymmetry (they are non-public properties insofar as they are only accessible to the experiencing subject itself). A number of authors therefore dispute the existence of qualia altogether. Emergentism, mind-body problem, neurophilosophy, perspectivity.

Qualia [Einzahl Quale; von latein. qualis = wie beschaffen], subjektiv und unabhängig von dem zugehörigen Objekt wahrgenommene Eigenschaften; phänomenale Eigenschaften erster Ordnung (s.u.). In der Philosophie des Geistes bilden Qualia die klassischen Beispiele für die aus der Innenperspektive zugänglichen (phänomenologischen) Merkmale des bewußten Erlebens. Einfache sensorische Empfindungen wie die visuelle Qualität von "Scharlachrot" in einem bewußten Farberlebnis (Farbwahrnehmung) oder die olfaktorische Qualität von "Moschus" in einem Geruchserlebnis (Geruchssinn), aber auch Körperempfindungen und Emotionen sind Beispiele für solche phänomenalen Eigenschaften. Weil solche Eigenschaften dem Erleben nach keine innere Struktur besitzen und nicht das Ergebnis eines Abstraktionsvorgangs sind, bilden sie die gewissermaßen maximal konkreten, basalen Grundbausteine des Bewußtseins und sind daher Eigenschaften erster Stufe (Ordnung). Außerdem widersetzen sie sich nach Auffassung vieler Philosophen einer reduktionistischen Analyse (Reduktionismus), weil sie den intrinsischenKern eines Erlebnisses bilden; dieser läßt sich begrifflich nicht auf Beziehungen zwischen Elementen tieferliegender Beschreibungsebenen (etwa neurowissenschaftlicher oder funktionaler Art) zurückführen. .....

Qualia

JARV’s lifelong love affair with music has deep roots, sprouting in the ‘70s influenced by six older siblings always spinning tunes.  Festivals have been a crucial part of his fabric since his first taste at Sweetwaters ‘83.  JARV’s sets reflect his broad musical palette, recreating his journey from  the reggae-infused snow and surf of Whanganui via the psychedelic experience of cave living in India and the melting pot that was the exploding dance culture of early ‘90s London. Now based in Tāmaki Makaurau, JARV's experimentation across music’s multiple genres continues to evolve. He knows how to party and how to bring the party.

Bookings -   richardjarvis483@gmail.com

https://www.facebook.com/richard.jarvis.9465/

Photography by : Richard Jarvis & Bruce Jarvis #   
Apart from Lee Scratch Perry & The Ska Photo.

Past Gigs ... 
1998 Red Eye Cafe Gigs
1998 Seans House party with the amazing band from Palmy - Cortina.
!4,8,99 - Roots Bar with Keeping Tadpoles (Whanganui) 
28,8,99 - Fine Arts Hat Ball (Whanganui) 
4,9,99 - Roots Bar - Global Dance (Whanganui)
11,9,99 - Red Eye Cafe - Tranceported  (Whanganui)
17,9,99 - Roots Bar with DJ Melt 
30,10,99 -Roots Bar with The Hasselhoff Experiment.
20,11, 99 -Fine Arts Gig. War Memorial Hall Whanganui
7,9, 2000 Fallout Festival with Nick on the ones & twos  -Sunbeam - (Ohakune)

Omicron Techno Madness (Stay Safe)Me on right in India 1994 Bubonic plague.

Richard (JARV)