Translated literally as 'The Way' or 'The Path', Tao is a name for the eternally nameless, for the primordial essence, for the fabric out of which all things in the universe are made and from which all universal energies flow. Like water it is in its essential nature undifferentiated. Like a river that never runs dry, the Tao endlessly replenishes itself.

In Zen Buddhism, Tao is 'The Way' with Buddha-nature and Buddha-mind. Tao, or Dao, is the sense and expression of the relationship between the void and the plenum, the natural balance between opposites. It is soft and quiet but immensely powerful. It is the Tao that keeps the universe balanced and ordered.

This TAO album has been inspired to follow its own path... 

The universal Tao and the purity of creation bring all things into being. Reaching a balance between mind and body, a relationship is formed forever bound in a harmony of love. Through ongoing practices the Tao's guiding embrace can lead the way to anenlightened path. The seed of purity reside

Path to Enlightenment - 7:12 (sample)

Listen to 3 Hour Version: https://youtu.be/MrkklfHEfrM

Tibetan Healing Sounds┋Remove Negative Energy┋Aura Cleanse + Home Cleanse + Raise Positive Energy

Cleanse Aura and even your home from all the Negative Energy with healing Tibetan sounds featuring Tibetan Flute, Singing Bowls and Temple Bells

Copyright © 2022 Meditative Mind®

⌘ TRACK INFO ⌘
Track: Tibetan Healing Sounds
ISRC : AUTMZ2010341
SKU: MrkklfHEfrM | AP0020
Music :  Dilpreet Bhatia

Tibetan Healing Sounds

Listen 3Hr Version ▶

Tibetan Healing Sounds┋Remove Negative Energy┋Aura Cleanse + Home Cleanse + Raise Positive Energy

Forest Handpan Music

Warmth of the Sun's Rays (with Forest Sound)

some happen - final version now, sorry

Arp LZ Test

Transformation I

I wrote this composition in memory of the 17 victims killed in the mass shooting at Marjory Stoneman Douglas High School in Parkland, Florida.  

@ 2018 Roger Hooper Music

Clouds

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It’d be a laborious task to run through all of Fritch’s many accolades, since 2009 he has released over 20 albums and composed music for over 30 feature films and more than a hundred short films. Lost Tribe Sound has been by his side since the beginning, releasing a few of his finest stand alone scores, including the critically acclaimed, ‘The Waiting Room’, ‘Eagle Hunters in a New World’, and ‘The Old Believers.’ Of course, LTS could boast for days about what a musical genius we believe he is. Yet, having written so many of these press rants for Fritch in our time, we’ll try to curb ourselves at the risk of preaching to the choir or sounding disingenuous.

That isn’t to say, Fritch isn’t well deserving of mountains of praise. We are honestly amazed that his film music hasn’t attracted the attention of more major motion picture studios. To date, Fritch has penned imaginative and impressive scores for narrative and documentary productions that run the gamut of most every imaginable genre and aesthetic. From raw and emotional films that uncover startling humanitarian and ecological crises, such as 2016’s Oscar-nominated short film ‘4.1 Miles,’ and National Geographic’s sweeping ’Into The Canyon,’ to eccentric and nuanced biopics and documentaries on figures such as Ursula K LeGuinn, Bill Nye and Johnny Cash. Fritch has found unique and artful voices for these wide ranging stories.

Most of those familiar with Fritch, know only of his albums as a singer songwriter or genre-elusive multi-instrumentalist, which truly represent a small fraction of the depth and range of his work. ‘Deceptive Cadence…’ gathers the most remarkable and memorable pieces from Fritch’s vast catalog of film compositions. Rather than filling up two volumes with half assembled film cues and fragmented themes, Fritch has gone to great lengths with ‘Deceptive Cadence…’ to make sure both volumes tell a story, build theme, and create a satisfying full album experience as good as any movie they may have come from. While this music once graced a particular film, show, or commercial, it has all been reimagined, reworked and made whole in post-production to complete the epic narrative of ‘Deceptive Cadence…’

Cover Image by Joe Borreson (http://www.dustclouddesign.com)

Deceptive Cadence: Music For Film Volume I & II

Reshuffle the Deck

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William Ryan Fritch - Reshuffle the Deck (from Deceptive Cadence: Music For Film Vol. I & II)

Wandering 🏢
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Veins - Songs for Piano, Wind & Water EP

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Valeska Rautenberg - Wandering

Hallowed Halls was written as a homage to ancient or enchanting architectural spaces. When you walk into some buildings, the sense of history living within the walls and very fabric of the building is palpable. Generations come and go, lovingly maintaining their most cherished spaces to exist within a world they will never know. The piece combines the sound of an old orchestral keyboard instrument called the celeste with various synths and bell-like textures, and a repetitive groove built from a traditional Irish drum called the bodhran. Louise Anna’s voice is also used within the texture to create a sense of it reverberating within the space. The track has taken on a new significance recently, with all the concert halls, theatres and gathering spaces worldwide that lie dormant, waiting to be filled with life again.
credits

Written by Zands & Louise Anna Duggan
Produced & mixed by Oli Jacobs
Mastered by Guy Davie
Recorded at Real World Studios, UK
Cover Artwork by Melanie Kretzer

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Minihi - Hallowed Halls

Remix of From the Ashes taken from my latest electronica album Earth Follower.  A song about optimism in the midst of dark times.
#westandwithukraine
#SCFIRST
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Earth Follower

From The Ashes

Downloads

From the Ashes (Single Remix)

Composer and producer of largely instrumental music in the electronica, ambient and new age styles.  Music credits include writing for illusionist Simon Drake and providing music for his venue in London. Cinematic and atmospheric in scope, Richard's music also has a more intimate style including solo piano pieces.

From the Ashes (Single Remix)

Richard Anthony Bean