<a href="spotify:artist:6OQOvP7RAdmAKVXXQqD0Se">Pan-Pot</a>'s favorite tracks. Updated regularly. Curated by Pan-Pot. More track IDs <a href="spotify:genre:track_id">here</a>.

Pan-Pot's track IDs

Original by Adam Beyer. Available now on Drumcode.

Adam Beyer - Remainings III (Dustin Zahn Remix)

Chris Liebing - Too Much Talk

Harthouse 1994 UK
http://www.discogs.com/Resistance-D-Skyline/master/264229

Resistance D - throm 3

Red 2

Gonk (2023 Remaster)

Beatport https://www.beatport.com/release/the-dub-techno-years/3498728
FLASH Recordings www.flash-rec.com
Mastered by www.riemannkollektion.com

The Welderz - Acid & Chord

It Must Be Wrong (1.1)

20 to 20

Sprung Minimism

Format - Solid Session

H-Productions proudly presents (HPX102) Jack in the Box, by Cari Lekebusch. 3 stripped down trax with effective jacking dynamics and no nonsense approach.

Jack in the Box (HPX102)

Jack in the Box

Today we premiere the track Crystal by by Fabrizio Lapiana. 
Fabrizio Lapiana’s Attic Music label reaches release number 20 on the main series with a new EP from the boss himself: Collective Chaos features remixes from fellow Italian techno luminaries Neel & Laertes.

Rome’s Lapiana has been a vital voice in the global techno underground for more than 10 years now. His Attic Music label has played a key part in that, while his own evocative techno soundscapes have come on the likes of M_Rec ltd, Figure Jams, ARTS and Out-Er. This is his first outing of 2020 and is superbly stylish techno trip.

Opener ‘Crystal’ is deep, drawn out techno with perfectly smooth and supple drum programming that soon gets you in a state of hypnosis. Subtle synth loops rise up through the mix as things grow more urgent, and once the percussion joins you’re utterly locked. The title track is a more turbulent and edgy affair that sound tracks a dystopian urban wasteland – the synths are riddled with static, the hurried drums are punchy and there is an urgency in the molten synth lines that keeps you right on the edge of your seat.

Sound sculptor Neel runs Spazio Disponibile with collaborative partner Donato Dozzy and has an impeccable knack for sound design. Here he links with Laertes, a Mental Modern associate who produces artful techno. Together, they remix ‘Collective Chaos’ into a dark and moody techno roller with glitchy textures and high speed synth lines that sweep you off your feet.
Closing out this terrific trip is ‘Koyuk’, a Millsian adventure into an intergalactic techno future, with polyphonic synths rippling above a rubbery drum line that is both propulsive and pensive.

This is high grade, perfectly distilled and meditative techno from some of Italy’s finest exports.

Release Date: March 6th, 2020

Premiere: Fabrizio Lapiana - Crystal

Mental Diary (Act 1)

Russian Bells

Freak of Nature

Nature

Out now on Rekids: lnk.to/REKIDS165

Techno pioneer Robert Hood debuts on Rekids with a blistering release entitled ‘Nothing Stops Detroit’ ahead of an album this winter.

Over the last three decades the Underground Resistance alum has continually been at the forefront of the techno genre whilst releasing on many of electronic music’s finest labels to boot. In recent years his solo outings have appeared on a select few labels such as Dekmantel, Music Man Records, not to mention his very own M-Plant. Having made appearances on Rekids in the past remixing label boss Radio Slave - both as Robert Hood (‘Don’t Stop No Sleep’) and Floorplan (‘Feel The Same’) - the Detroit originator now drops a four track release in his official debut on the label.

With its machine aesthetic, ‘Nothing Stops Detroit’ is unmistakably Hood from start to finish. Precision kick drums propel the title track forward as stuttering effects and deep stabs work alongside a march band rhythm. ‘7 Mile Dog’ is next with its grainy synths and scintillating pads, making way for the meandering bassline, rattling atmospherics and trippy, oscillating top line of ‘Ignite A War’. Finally, ‘The Cure’ is a cacophony of twisted percussion and rumbling low-end that energetically concludes matters.

It Must Be Wrong (1.1)

Richard Bartz

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