Name: 808/303-into a Harvestman Malgorithm by RichardDevine
Duration: 5 min 18 s
Description: TR-808 with TB-303 running through a Harvestman malgorithm" Not really a song, just a experiment/jam, testing out the Harvestman CV input range. Fun little demo, my first post to SoundCloud. Richard Devine=)

🍭☃️🌜🦒👨‍❤️‍👨💏👨‍❤️‍💋‍👨👩‍❤️‍👩

Download Link:
http://www.mediafire.com/?le64zol7cixu95s

Photo by: Rogerio Fires
http://rogeriofires.com/


So Fine

Abstract animal, bird and insect vocalizations entirely made with a custom modular synthesizer called Kyma made by https://kyma.symbolicsound.com/

Animal vocal synth

featuring a high noon situation between a neural network and a fridge buzz, a recording of a remix of kyokas flashback track sitting backstage with (yet another) fridge and a piano in stockholm's kulturhuset in 2013 (i wanted to finish and send to her for some years now), some remixes of lorde, ariana grande and tov lo and some remixes i did along the way that seemed to get almost forgotten... 

whish you a very nice transition from 12 to 1 (don't get fooled by decimals, let alone binaries).

tracklist:

tov_lo - cool girl (1116_21_lv_1 grischa lichtenberger remix)
plapla pinky - analclaire (grischa lichtenberger remix)
disclosure - magnets ft. lorde (grischa lichtenberger remix)
fridgebuzz vs. matt vitelli/ aran nayebi - neural networks emulating pop songs (grischa lichtenberger edit)
kyoka - flashback (grischa lichtenberger remix)
ariana_grande - into you (grischa lichtenberger remix)
dimitry paranyushkin, stefan faerber - 0612_20 13 (grischa lichtenberger edit)
violet shaped - spectral nightdrive (0113_31_vsh_rmx_b grischa lichtenberger remix)
banks - fuck with my self (grischa lichtenberger remix)
0813_04_lv_hanno 1 mst 3 (grischa lichtenberger remix for hanno leichtmann)
svreca - tommy vicananza (grischa lichtenberger octogonal crayons recut 0912_18_rmx_1_c_2)
jesse osborne-lanthier - financial aid solicitation study in four parts (grischa lichtenberger rmx)
dimitri mazurov - wry (grischa lichtenberger 'not enough randomness' remix 0116_05)
ariana_grande - dangerous woman (1116_21_re_0614_25 grischa lichtenberger boris cool remix)
biathlon - sleepless (grischa lichtenberger remix)

1216_28 binaries mix of remixes

https://planetmu.bleepstores.com/release/107937-richard-devine-sortlave
https://richarddevine.bandcamp.com/album/sort-lave
http://smarturl.it/RDSortLave

After a break of 6 years, Atlanta based electronic musician, producer and sound designer Richard Devine returns with a new album ‘Sort\Lave’ on Venetian Snares‘ Timesig imprint. Recorded between 2016 and 2017 using Richard’s custom built Eurorack modular system and two Nord G2 Modular units, Sort\Lave features 12 tracks of intricate electronica that ranges from abrasive percussive experiments such as ‘Revsic‘ to ‘Astra’s dazzling juxtaposition of sounds and onto the radiant ambience of the album’s closer ‘Takara‘.

Talking about the album’s genesis Devine explains “I’ve been using modular synthesizers since I was 17, but have never written complete tracks using these newer systems. This was my first experiment to see if it would be possible and I probably spent about 5 years building up the systems that I used on this album.”

“I wanted the record to sound very different to my previous works which had been more cold, digital, clinical even, and had all been made using computers. The aim here was the complete opposite, to create something that felt very organic, detailed, spacious, big and warm and just as importantly, a record that you could put on and play all the way through that flowed in a seamless way.”

This new approach was to prove fruitful and enabled Devine to create music in an entirely new way. “I really wanted to break free from timeline-based music creation and do things with my hands on the fly,” he explains. “So the tracks are more like captured snapshot performances where I could experiment and play around with the idea of probability-based sequencing for every patch, string multiple sequencers together that would feed other sequencers to come up with interesting rhythms and melodies. It was really fun coming up with new sounds this way too, I felt like I created several I haven't heard before with this album. Some of the tracks on the album were complete accidents and evolved from something that happened spontaneously. In the end I feel this is one of the best records I have released to date, so I’m very excited to share it with the world.”

Making his debut in 1995, Devine’s releases for labels including Schematic, Warp Records and Detroit Underground have established him as one of the leading figures within the electronica community. In addition to his musical productions, Devine has enjoyed a lengthy and successful career in sound design, developing patches for many of the world’s leading music technology businesses and working with companies such as Google and Nike.

Sort\Lave

Richard Devine - Opaque Ke (TIMESIG009)

https://www.youtube.com/watch?v=tPPuwFg2SvU
http://smarturl.it/RichardDevineRevsic
http://smarturl.it/RDSortLave
http://planetmu.bleepstores.com/release/1079…ine-sortlave
http://richarddevine.bandcamp.com/album/sort-lave

After a break of 6 years, Atlanta based electronic musician, producer and sound designer Richard Devine returns with a new album ‘Sort\Lave’ on Venetian Snares‘ Timesig imprint. Recorded between 2016 and 2017 using Richard’s custom built Eurorack modular system and two Nord G2 Modular units, Sort\Lave features 12 tracks of intricate electronica that ranges from abrasive percussive experiments such as ‘Revsic‘ to ‘Astra’s dazzling juxtaposition of sounds and onto the radiant ambience of the album’s closer ‘Takara‘.

Talking about the album’s genesis Devine explains “I’ve been using modular synthesizers since I was 17, but have never written complete tracks using these newer systems. This was my first experiment to see if it would be possible and I probably spent about 5 years building up the systems that I used on this album.”

“I wanted the record to sound very different to my previous works which had been more cold, digital, clinical even, and had all been made using computers. The aim here was the complete opposite, to create something that felt very organic, detailed, spacious, big and warm and just as importantly, a record that you could put on and play all the way through that flowed in a seamless way.”

This new approach was to prove fruitful and enabled Devine to create music in an entirely new way. “I really wanted to break free from timeline-based music creation and do things with my hands on the fly,” he explains. “So the tracks are more like captured snapshot performances where I could experiment and play around with the idea of probability-based sequencing for every patch, string multiple sequencers together that would feed other sequencers to come up with interesting rhythms and melodies. It was really fun coming up with new sounds this way too, I felt like I created several I haven't heard before with this album. Some of the tracks on the album were complete accidents and evolved from something that happened spontaneously. In the end I feel this is one of the best records I have released to date, so I’m very excited to share it with the world.”

Making his debut in 1995, Devine’s releases for labels including Schematic, Warp Records and Detroit Underground have established him as one of the leading figures within the electronica community. In addition to his musical productions, Devine has enjoyed a lengthy and successful career in sound design, developing patches for many of the world’s leading music technology businesses and working with companies such as Google and Nike.

Richard Devine - Revsic (TIMESIG009)

Live set at Unsafe and Sounds Festival 2018, played on an acousmonium.
Photo credit: 
The dumb and the Ugly: https://www.facebook.com/thedumbandtheugly/

Anastrophe

Having recently stretched and squashed our wildest electronic imaginations on the Sort\Lave album for Timesig, Richard Devine reshapes a world of synthesis that to our ears sounds like what we imagine his studio would sound like if it were melting. By far the most wildly outer-reaching submission in the Bleep Mix series, Richard Devine creates an incredible soundworld that once you are pulled into, is increasingly hard to shake loose.

For @richarddevine's latest album 'Sort/Lave' click here: https://link.bleep.com/Richard-Devine-Mix

Bleep Mix #49 - Richard Devine

"almost to the day 10 years ago i was exchanging emails with carsten (nicolai) and olaf (bender) for my first release with raster-noton. before i knew it, i was playing a concert at villa massimo - i never played in front of people before. till today i feel nervous and a bit estranged by the situation of live performances, but i've learned (a bit) to dive into this and get an experience out of it - after all an essential part of art is presenting what you've done to the public. making a mixtape, though, feels more natural and honest in some way. so, without the need to shoot from the hip, this mix is dedicated to all the patient, inspiring and encouraging people i've met with raster(-noton)."

grischa lichtenberger


tracklist

1
- lek, lullaby to faa mai (elephant lullaby) (elephantnews youtube, 2014)
- island people, vultures and doves (island people, raster r-m174, 2017)
- grischa lichtenberger, 0416_10_lv_1_cello 1 (unreleased, 2016)

2
- robert lippok, varieties of impact (applied autonomy, raster r-m181, 2018)
- steve reich, six pianos (six pianos, deutsche grammophon 2525463, 1974)

3
- grischa lichtenberger, 1018_08_lv_gr_ssd (unreleased, 2018)
- byetone, rocky (soft) (death of a typographer, raster-noton r-n092, 2008)
- grischa lichtenberger, 0517_01 lv2 ms snt seq b (unreleased, 2017)

4
- frank bretschneider, thermik (archiv 4, raster noton r-n175)

5
- grischa lichtenberger, 0218_08_lv 2 b recs (unreleased, 2018)
- toru takemitsu, distance (garden rain, deutsche grammophon 002894775382, 1974)
- dasha rush, dance with edgar poe (sleepstep, raster-noton r-n158, 2015)

6
- grischa lichtenberger, 0617_01 lv 1 pnrecs + 0617_03 mobile paper shredder (unreleased, 2017)
- grischa lichtenberger, 1016_13 lv 1 ms (slow dances, unreleased, 2016)

7
- robert lippok & ronald lippok, fruit of the loom (weltecho, raster-noton r-n052, 2003)
- mokira, byte (cliphop, raster noton cdr 036, 2000)
- grischa lichtenberger, 0716_29_lv 1 re 0716_15 recs (unreleased, 2016)
- banks, fuck with myself (the altar, harvest 2557103717, 2016)

8
- nhk, __1 (unununium, raster-noton r-n111, 2009)

9
- grischa lichtenberger & jesse osborne-lanthier, 0117_18_re_0616_25 cslm ss2 mel 2 4b 180 dwnpt 51 2 (2017)

10
- zavoloka, inflame (sichten 1, raster r-m180, 2018)

11
- cassie, don't play it safe (don't play it safe, bad boy entertainment, 2017)
- djc artz, cassie-don't play it save filtered instrumental (youtube, 2018)
- grischa lichtenberger, 1018_10 cassie-artz remix (unreleased, 2018)

12
- grischa lichtenberger, 1017_09_lv_1b trks 2 (unreleased, 2017)

13
- atom™ & lisokot, leitmotif 1 (walzerzyklus, raster r-m176, 2017)

14
- kyoka, flashback (is (is superpowered), raster-noton r-n153, 2014)
- grischa lichtenberger, 1216_28_kyoka-flashback remix backstage (fridgebuzz+piano stockholm 2016) (unreleased, 2016)

15
- grischa lichtenberger, 0617_02_pb recs 2 arg 1 b q2 (bielefeld city, für carsten/c) (unreleased, 2017)

1018 10 lv 1 nts mix 1c

grischa lichtenberger »1018 10 lv 1 nts mix 1c«

TR-808 with TB-303 running through a Harvestman malgorithm" Not really a song, just a experiment/jam, testing out the Harvestman CV input range. Fun little demo, my first post to SoundCloud. Richard Devine=)


808/303-into a Harvestman Malgorithm

info: https://radio.syg.ma/episodes/guests-100-grischa-lichtenberger-manual-narration
http://grischa-lichtenberger.com
https://soundcloud.com/grischenka

Grischa Lichtenberger

GUESTS 100 – Grischa Lichtenberger: manual narration

New EP Systik now available: https://richarddevine.bandcamp.com/

Bookings: mia@lb-agency.net

808/303-into a Harvestman Malgorithm

RichardDevine

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