the ones she never had comes running

re:34
12" vinyl + digital, edition of 105. Label sticker design by Efentwell.

www.juno.co.uk/products/cedar-transfer-ep/853389-01/
www.redeyerecords.co.uk/vinyl/141658-re34-cedar-transfer-ep
disc-world.com/products/re34
suburbantrash.com/experimental-abstract-ambient/1309--pre-order-re34-cedar-transfer-ep.html

Jon Schorah aka Cedar is a producer intent on finding new ways to embrace his musical influences, from deep house, ambient, techno to drum & bass and minimalism. Much of his early work (circa 1999) appeared on the infamous Good Looking Records and sub labels.

Later works quickly saw Cedar embrace a more eclectic style, including deep house and broken beat excursions, combining intricate programming with electronic atmospheres and warm harmonic pulses.

Switching from production to music software design led to several years of silence in the commercial world, shortly to be broken with the forthcoming Transfer EP. Again incorporating his signature atmospheric sound, now more technical and experimental, this release pushes the boundaries of genre classification and signals a direction for future works.

At the intersection of minimalist, technical drum n bass & atmospheric electronica lies the latest release, Transfer. The title track sees hypnotic evolutionary rhythms cross pollinate and slide between pure sub tones, ebbing and flowing in a modernist architectural landscape infused with heavily manipulated natural noise recordings, stretched and looped into ghostly shimmers and pulsating tones.

Driving polyrhythms push and pull the tide of natural radio ambience throughout Sferics. Threatening darker overtones spill over, but never quite overcome, as warm pulses eventually enfuse the panorama.
Proxima pushes and pulls with half-time layers anchoring double time pulses, anchored with suckin-sub bass and modulated noise breathing into the space between. From the tension, eventually, harmony arises to fade away almost as it began.

Tension and pressure predominate as VLF ticks toward some serious sub tones. Deep house influences abound yet the signature d’n’b tempo remains.

Cedar – Transfer

Cythra - Dark Horse

𝑷𝒓𝒆𝒎𝒊𝒆𝒓𝒆: Veil - Commotion [ER007]

Sometimes you do things that you don't really understand until much later. You play drums in a band at school, you get immersed in the electronic layers behind video games, and then you fall in love with analogue machines. Veil has carefully woven all these stages into his project, which is as musical as it is visual.

His new opus, ‘Borrow My Eyes’, reflects his universe tinged with science fiction, UK influences, ambient and textural interplay. Variations in broken rhythms collide with flashes of electro and murky synthetic veils, creating a cinematography that is both raw and enveloping.

The four tracks provoke an experience that is both sonic on the outside and visual on the inside. Your eyes close and your mind opens up to Veil's mental screen, offering a slice of your memories that you can interpret with the nostalgia of your choice. The Dutchman job sifre offers a tangy, deconstructed version of this with his remix of the track ‘Pretty Light’.

Digital distribution by Triple Vision Rotterdam
Mastering : A-Sim @ Human Disease Network Mastering
Artwork : Jeremy Pintat / fafaron studio

𝑽𝒆𝒊𝒍
Soundcloud : https://soundcloud.com/veilnothingsreal
Instagram : https://www.instagram.com/veil_nothingsreal/

𝑬𝒕𝒉𝒐𝒔 𝑹𝒆𝒄𝒐𝒓𝒅𝒔
Soundcloud : https://soundcloud.com/ethosrecords
Bandcamp : https://ethosrecords.bandcamp.com/
Instagram : https://www.instagram.com/ethos_records/
Facebook : https://www.facebook.com/ethosrecords

Borrow My Eyes [ER007]

Commotion

Support & Buy

𝑷𝒓𝒆𝒎𝒊𝒆𝒓𝒆: Veil - Commotion [ER007]

SERA023: Satellite Era presents “Aetherial Pulses EP” - a futuristic sound collage by Mhamed Mansouri, best known as @disektor.

Out now on all major platforms: ffm.to/sera023

Wrapping up our most active year at the Satellite Era HQ finds us taking a glimpse into what is to come. With 2025 looking to be even busier, we call upon an old friend to guide us into the unknown by setting a strong sonic precedent, while still paying homage to the formative style of our vast audio museum.

Over two years since his label debut on our acclaimed Distant Arrays series, we welcome back Moroccan based producer, sound designer, programmer, and visual artist. He first landed on our radar as a standout in SoundCloud’s experimental niche back in early 2020, the same year as our imprint’s conception. Complementing his production are interactive live performances that utilize creative coding, which generate varied results with each passthrough and are repurposed back into his workstation - a feedback loop tested for success. Founder of Geometric Corruption, the collective works in tandem with us and our friends at glitch.cool to tend to the international community, bringing together experimental electronic enthusiasts from around the world. Rather than conforming to a set approach, he builds on the high-fidelity hyperglitch subculture with a twist of his own - songs that feel more musical and intricate overall. This attribute has ultimately led him to his next offering to the consumers of computer music.

“Aetherial Pulses EP” finds Disektor teetering between digitized realms & the natural world, taking the form of a sonic poem that exhibits glitched maximalism & melodic tones alike. The project still delivers stuttering drum patterns meant to engulf the listener, but also paints the rest of the stereo with a coating of lush ambiance. The project begins with “Reflections,” a mellow entry with a grueling bassline that progresses into a preview of the complexity ahead. The title track serves its purpose as a clear summary of the EP, while heightening the energy with vocal chops that feel almost psychedelic at times. The pulsating synths really begin to take form in “Lush Deviation,” a middle-ground between heavy low-end presence and percussion riding higher frequencies. “Emergence In Motion” recruits frequent collaborator Tenebral Cortex to deliver a seven-minute cinematic experience of its own, which feels like a separate story within the entire narrative. “Waves” is a formidable end to the project, with an eerie yet beautiful piano melody in the outro that leaves it open-ended.

Although “Aetherial Pulses EP” is only Disektor’s second-ever extended play, the project is easily his best and most emotive work yet - a stepping stone for what is next on his musical agenda. The undertones speak of finding senses of tranquility in the decaying Earth around us however we can. It perfectly contributes to our DNA as servants of the experimental intersection and delivers a memorable, sometimes challenging journey.

Written & produced by Mhamed Mansouri
Mastered by Amir Mashayekhi
Cover art & visual designed by Nic Juister

BUY / STREAM

Disektor - Reflections

*Through the eye of a needle, I peer into a vivid green forest. 
The world twists in psychedelic hues. 
Each leaf pulses with light, every bird's song intertwining with the rustling trees. 
Brightness surrounds, a living symphony.*

Produced by @notjolly & @egr3g0re
Mastered by CTRLS
Cover art by Ruslan Golovko aka iwhiteplant
TRND030
2025

Egregore x Jolly - Engaging E-Motion

SSS sprouts out of your speakers like a flower in bloom on a midsummer’s eve, or as if Jesus jumped down from the cross; abandoning both his suffering and his eventual reprieve; leaving it behind for the merely mortal to pick up and deny. No saviour is left but music hereafter, and she is here to stay. 

On the solar plateau stands a flower in the everlong song of a midsummer’s eve. Never will her sounding petals abandon her post of prosperity. Let there be light - and shine forth it will well as it should. Let there be hope - for forward it beckons will well as it should. Yes, let there be music - for there is no higher hope than that voice which brings itself to sing - and sing it will well as it should!

bio by indebraendt

Φ
Third Scan - Nematoden
Scano & Afgang - Brødre
Impulsive Force - Banal Ørekanal 
Repulsive Force - Brainwash
Hans Dunkelkammer - Unknown Arena
Cybersnack - Progress dub!
MOS - Elements
indebraendt- Project Nirvana 2
Charasmatix - Happy Nü Yeahre
Braindoc - Type 1 (Tunnel mix)
Bamboo Forest - Synthesis
Magnus & Friends - Stepladder
Cobber - Vessel
indebraendt- Epistemic Corruption
reinhaudt - We Kill
Mik-Ha - Shining in the night
Manton - how dull
Φ

https://soundcloud.com/3xsss
https://www.instagram.com/stephaniejeanweber/

SI106 - SSS

Solemn

star warts OG

Link to the video of the patch, recorded in one take here: https://vimeo.com/139872178

download the free wave file :-)

Patch experiment using the Noise Engineering Variatic Erumption x 2, and Minigorille CV graphic modules x 2. Clock output from the Tiptop Circadian Rhythms into the CV Graphic input 1, left side (purple). Then another output from the TipTop CR taken to the right side (siliver) CV Graphic module. Output 4 from the Tiptop CR sent to the left side Variatic Erumption (ext gate to the hit jack input) which would send very slow burst of random gates. The CV Graphic CV output (PONG sequencer mode 2) A and B would output bouncing ball like CV voltages to the Variatic Erumption CV Pattern, and Time/Division input. This created some very organic scattered sequencing taking one output that was triggering a Snazzy Fx Ardcore running custom frac drums patch.

The other output was running into a trigger input on the Mutable instruments clouds, which is causing the light granular scattering in between the beats. Another output from the V.E. running into the Noise Engineering Basimilus Iteritas, for the FM pluck like percussion sound. Next output from VE running into a 4ms RCD, random triggering spaced out burst to the clock input. From here, the output was taken (4)out to the MakeNoise Optomix set slightly open, which was running a ALM's new "Akemie's Castle" dual voltage controlled oscillator, running out the chord output (OSC A). From the Akemie's Castle the output is going into a Tiptop Z-DSP processed with the The Halls of Valhalla card running program 7 (Asgard). Mult output also taken to the Strymon Big Sky pedal running in "Chorale" mode mix completely wet for delicate melodic swells. Making the rich choral timbres. Another gate output from the Noise Engineering V.E. running into the Mutable Instruments (mystery) module. Output from here sent to the Qu-Bit RT-60 effect module, which is also being triggered (for effects program change) via by the 5 division output from the 4ms Rotating Clock Divider.

Kick drum created using the MakeNoise telHarmonic module, running into a Optomix. Snare and hi-hat sounds courtesy of two Ladik D-333 Rom players. One running the Snares card, and another running hi-hats. Both outputs being summed into the Synthrotek DLY module. The delay input being modulated by a modcan QuadLFO output 1 slow S&H. First sequenced notes via the Mutable instruments Braids running the new "HARM" additive harmonics mode. The quantization was set to "Oinian". Second Braids for other harmony running the "OPSK" smooth sine like melody, VCA mode set to on, with short decay for pluck like quality. Signal for both braids are being sent to another Qu-Bit RT-60 running program number 1-Reverb. Quantization set to "Oinian". Bassline sound created with a Intellijel Shapeshifter output 1, then being run into intellijel uVCF filter in LPF input, then the signal goes out a Qu-Bit RT-60 in program 1 Reverb. 

Ascension - Modular Patch

Remix of a BW track I did in 1994 under my previous artist name Kinesthesia: https://www.discogs.com/Bochum-Welt-Scharlach-Eingang/release/759
New Bochum Welt album out now: https://soundcloud.com/k7-records/bochum-welt-azure
https://www.facebook.com/bochumwelt/

Bochum Welt - Phlughaven Alphard (Kinesthesia Mix)

New EP Systik now available: https://richarddevine.bandcamp.com/

Bookings: mia@lb-agency.net

Ascension - Modular Patch

RichardDevine

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