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esos sonidos del matrimonio tambien se los debes hacer a los sistemas del pasado

Richard Devine

vage kek

acid addict

Two Stroke

Kevin From Heaven

DIAG004 A2 Value (Eqd) 44 16

0 - 5.33 
samuel beckett, not i (jessica tandy 1973) 
grischa lichtenberger, 1013_27_synt_rearrg_1 (not rel. 2013)
4.55 - 9.20 
grischa lichtenberger, 0710_31_kl st arrg flag 8 arg 1 rm 1 arg2 (not rel 2010) 
cliff martinez, ladies close your eyes (ost only god forgives, 2013)
8.42 - 11.22
the fear ratio, guv 1 (light box, 2011)
10.50 - 16.35
surgeon, whos band hands are these (roly vexd remix kinky) (whos band hands are these, 2007)
georgian chants (1914)
16.24 - 24.40
grischa lichtenberger, 1013_21-lv 1 pn rec strtc (not rel. 2013)
georg büchner, lenz im gebirge
23.00 - 26.20
grischa lichtenberger, 1106_25 kataplexie (not rel. 2006)
26.30 - 30.30
grischa lichtenberger, 0313_27_pn ss 2 (not rel. 2013)
30.30 - 34.30
grischa lichtenberger, 0913_04_lv_1 git (not rel. 2013)
33.00 - 36.45
grischa lichtenberger, 0512_16_lv 1 mit (not rel. 2012)
36.20. - 38.00
grischa lichtenberger, 1212_06_lv secr 13 2 d (not rel. 2012)
37.52 - 42.50
raime, we must hunt under the wreckage of many things (raime ep, 2010)
41.00 - 46.25
senking, exhausted (tap, 2003)
46.10 - 51.30
grischa lichtenberger, 0913_12 re 0713 lv 2 (not rel. 2013)
tsutomu ohashi, illusion (akira ost, 1988)
arthur russell, tree house (world of echo, 1986, reiss. 2004)
51.10 - 57.30
vainqueur, lyot (basic channel rmx, 1993)
56.00 - 62.10
grischa lichtenberger, 0518_lv 1 git (not rel 2013)
grischa lichtenberger, 0113_25 tape magnet ss 1 (not rel 2013)
61.00 - 65.20
grischa lichtenberger, 0213_25 julias orgalette ir forrest
65.30 - 68.20
the last poets, meanmachine (1971)
grischa lichtenberger, 0513_25_lv_1b X 1b (not rel 2013)
68.20 - 71.00
grischa lichtenberger, 0811_096_re 0211_08 (and IV, 2012)
71.00 - 75.10
photek, axiom (1997)
74.50 - 76.00
cyclo, c7 (2001)
75.50 - 85.00
grischa lichtenberger, 0311_09_lv_2 (not rel 2011)
grischa lichtenberger, 0611_22 git wtter (not rel 2011)
grischa lichtenberger, 0313_10 lv 1 g ss1 (not rel 2013)
84.50 - 87.17
elliott smith, satellite (elliott smith, 1995)

1013_27 Ice Fm

Tony Modestep recaps his favourite tunes of 2013 with his yearly 'Best of' mix.
If you love the tunes as much as we do, support the artists and buy the full versions!

Tracklist:

Driod - Bar9 and Datsik
Sound The Alarm - Genetix & Sadhu
Gun Finga - Eptic
Immortal - Eddie K
No One Is Safe feat. Persist - FuntCase
Loaded - 50 Carrot, Coffi & K.E.V
Levitate (Koven Remix) - Hadouken!
Sweat VIP - Skrillex
Squid Attack (FuntCase Remix) - Genetix
Mammoth Bass - Genetix
Worst Enemy - Trampa
The Pit feat. Method Mad (Datsik Remix) - Doctor P
System - D Jhasta
Clap VIP - Document One
Wasteman - JPhelpz
Bonesaw - Getter & Trampa
Bulletproof - Doctor P
Smack My Bitch Up (Noisia Remix) - The Prodigy
Without You feat. Totally Enormous Extinct Dinosaurs (Doctor P and Flux Pavilion Remix) - Dillon Francis
Culture - Joe Ford
Termination - JPhelpz
Sound Champion - Trolley Snatcha
Jam Rock - Trampa
Go Home - Spenca & AFK
Tribal Dance - Farkas
Inside My Head feat. Ghetts - Modestep
Swoop - ETC!ETC! & Brillz
Someone Say (Cookie Monsta Remix) - Jakes
Techno Terry feat. Dismantle - Caspa
Take It All - Modestep & Koven
Parallax - Konec & xKore
Hench - JPhelpz
Let's Do It -  FuntCase & Max Headroom
Scarred - Culprate
Atomic Bomb (Nostalgia Remix) - FuntCase & Cookie Monsta
Come Find Me feat. Flux Pavilion - Cookie Monsta
Endorphins feat. Alex Clare (Dismantle Remix) - Sub Focus
LDN TWN - 50 Carrot & Coffi
Like Dat - Genetix
Hangover (Ill Skillz Remix) - Buraka Som Sistema
Feel Good VIP - Modestep
Shishkabob 0 Doctor P
Take A Ride - Document One vs. DC Breaks
Make It Bun Dem (Trolley Snatcha VIP) - Skrillex feat. Damien Marley


#BESTOF2013

**MASH UP MONDAY WEEK 5**

This week i take a track of my own with micky slim and mash up the place with some TJR and Adina Howard action!

Shout to all my freaks out there! If you like it, share it, love it and comment!

#MASHUPMONDAY 

WEEK 5: Tjr vs Micky Slim & Majestic Vs Adina Howard- Funky Dirty Freak

SFV Acid - And No Stress

Tiptop Audio is proud to introduce a new project for 2015: Tiptop Audio Records.
In the recent years musical productions have seen a remarkable return to the use of hardware through analog synthesizers and digital control interfaces. This trend has proven so strong that it prompted a rebirth of modular synths in a new format (eurorack).  Tiptop Audio has made a name producing sophisticated but easy to use modules, designed to form a complete system that is especially effective for dance-oriented productions and live sets.

Tiptop Audio Records selected for its first issue some of the most groundbreaking artists using such systems, to present a range of artists who, through their tracks, explore the landscape of dance music in a very fresh perspective.  These are the artists who inspire the Tiptop team to make more innovative devices, which in turn make new music (a nice feedback loop).

ANGLE, BLAWAN, CHRISTIAN BURKHARDT JOAO CESER, JOHN TEJADA, JOSEPH FRAIOLI, MOE ESPINOSA (DRUMCELL), KINK, RICHARD DEVINE and SURGEON each contribute a track stamped with their own style and vision.  Tracks range from Surgeon’s trademark hard minimal beat, to Kink’s gauzy dreamscape, while Richard Devine and Joseph Fraioli explore the outer reaches of beat based music.  The Phase VI team (John Tejada and Moe Espinosa AKA Drumcell) produces an endlessly shifting set of percolating rhythms, Christian Burkhardt and Joao Ceser put some 21st century twists on classic dance floor patterns, ANGLE lay down effortless, sophisticated Continental style and Blawan adds some industrial toned menace.

The release will initially come as a double vinyl edition, with a cover painted by the artist Matteo Giampaglia, and a digital download version will follow.
An original video teaser will introduce the compilation, then other videoclips of the individual tracks will be realized by exciting new visual artists.

9 RICHARD DEVINE - CR HEX MUTANT

Just released today my remix of bossFYTE on DETROIT UNDERGROUND
Lil' Dog Toes / Think About It ( Richard Devine Remix)
DETROIT UNDERGROUND 7-inch by bossFYTE.
Order Here:
https://bossfyte.bandcamp.com/track/think-about-it-devine-remix-2

BossFYTE - Think About It ( Richard Devine Remix)

Link to the video of the patch, recorded in one take here: https://vimeo.com/136165676

download to the .wav file :-)

Patch Notes:

Harmonic patch using the new MakeNoise tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer, and 4ms Spectral Multiband Resonator. The master clock is the Tiptop Circadian Rhythms. Clock output running into the Modcan Touch Sequencer. Channel output one running into one intellijel Dixie (V1) for the bassline. Dixie output running into a Mutable instruments Ripples filter (LP4), triangle waveform. Second channel output sequencing quantized 8 note sequence to the telharmonic oscillator, creating the first lead sequence in the patch (major scale set). One Mult output taken and sent to the Strymon BigSky reverb pedal to create the delicate swarm pads that rise in and out at the builds. Amplitude control of the slow rises via the intellijel HexVCA, slow rate control from one Modcan Quad LFO. The other output is then taken and sent to the Qu-bit RT-60 reverb. Third output from the Modcan TS sending quantized CV to the MakeNoise STO oscillator variable SHAPE output then sent through lower section of the MakeNoise Optomix. The forth output from the Modcan TS is sending a 4 chord pattern (min9) to the intellijel shapeshifter module in chord mode. This output is then sent to another Qu-Bit RT-60 reverb algorithm. MakeNoise Mysteron plucking guitar like effect being triggered by a 4ms RCD, 5th trigger out. The Mysterson then is running out into a Strymon BlueSky pedal, reverb.

Drum sequencing from TipTop CR, channel one kick drum going to the Nord Drum 2. Second channel number 2 triggering a custom snare drum made on the Nord Drum 2. Channel 6 from the CR triggering a low bass drum, in the key of "C". Clock output from CR into the 4ms SCM being rotated by a intellijel dixie sine wave output running at a slow rate shifting the 16th's hi hat pattern. Noise source for hi-hats are the SSF quantum rainbow 2, purple output running into the MakeNoise Optomix. The high end snare clap sound is by the Synthrotek's DS-M drum module, then being lightly processed by the Synthrotek DLY, slowly CV controlled by a Modcan Quad LFO in random mode creating more glitchy effects. This is then being sequenced by channel number 2 from the tiptop CR. The first lower left side 4ms Spectral Multi-band Resonator processing 72 custom DSP samples, which are being played by one addac wave player. The output is then being sent to a intellijel uVCF filter (hi pass), for the light subtle glitch textures. The second 4ms Spectral Multi-band Resonator, processing another set of 32 samples (noise washes/slow rises/falls) via channel number 4 from the CR tiptop. From here the output is being processed by a Mutable Instruments Clouds (granular mode), being controlled by the Pittsburgh Modular Game System running "Meteor Shower" mode in which the explosion based gates and random control voltages are then being sent to 3rd Dixie, controlling the CV rate time then from there its sent to the "Freeze" input on clouds, processing small bits of audio coming from the second addac waveplayer, The second output coming from the gamesystem is going into the "position" input on Clouds, which is doing some additional glitching to the signal.Main output from a intellijel Mutagen mixer then ran through the Eventide space pedal for extra spatial atmosphere. :-)

Harmonic Symmetry - Modular Patch

Very few musical acts achieve the levels of unanimous acclaim of Autechre. The English duo of Rob Brown and Sean Booth are not an act you simply like; they are an act you love, fawn over and dream about. They’ve got themselves here over the course of the last 28 years, and have done so by amassing a discography that’s about as perfect, influential and accomplished as could ever be possible. A key Warp label act from day one, they have released tens of albums, well over a ten EPs and have featured on a dizzying amount of essential compilations, mixes and remixes in that time. Without their contribution to the IDM canon, its fair to say the modern musical landscape would look very different. 

Rhythmic but experimental, absorbing yet abstract, cerebral and psychedelic, their ever evolving output is up there with the likes of fellow luminaries Boards of Canada and Aphex Twin as some of the most important in all of electronic music. As well as being fine craftsmen in the studio, Autechre are also revered live performers who really manage to conjure up captivating and otherworldly soundtracks that marry heavy bass with ethereal melody. The pair themselves do not care for genre, but suffice it to say that they have mastered everything from hardcore to ambient to glitch and plenty of indescribables in between. 

When the pair recently laid down an impressive set at Dekmantel Festival, we asked if they might be up for a doing an early inspiration mix, whereby they put together a collection of the sort of electro and hip hop tracks that turned them on as youths. At first they hesitated, pointing out that "we don't do strictly retro stuff, it's too corny.” But alas, a few days later, a huge file landed in our inbox… That file is a 4 hour and 18 minute mix that basically encapsulates not just Autechre’s own influences, but also acts as a fine anthology of the greatest electro sounds of all time. Every sub genre imaginable gets touched upon along the way, with nods to forefathers like Kraftwerk, killer cuts from Man Parrish, classics from Newcleus and retro gold from the likes of The Beat Club. It is a thrilling ride and a truly rare treat that reminds us just why we love Autechre, as well as shining a light on a vast genre that often pays second fiddle to house and techno.

Dekmantel Podcast 035 - Autechre

Link to the video of the patch, recorded in one take here: https://vimeo.com/139872178

download the free wave file :-)

Patch experiment using the Noise Engineering Variatic Erumption x 2, and Minigorille CV graphic modules x 2. Clock output from the Tiptop Circadian Rhythms into the CV Graphic input 1, left side (purple). Then another output from the TipTop CR taken to the right side (siliver) CV Graphic module. Output 4 from the Tiptop CR sent to the left side Variatic Erumption (ext gate to the hit jack input) which would send very slow burst of random gates. The CV Graphic CV output (PONG sequencer mode 2) A and B would output bouncing ball like CV voltages to the Variatic Erumption CV Pattern, and Time/Division input. This created some very organic scattered sequencing taking one output that was triggering a Snazzy Fx Ardcore running custom frac drums patch.

The other output was running into a trigger input on the Mutable instruments clouds, which is causing the light granular scattering in between the beats. Another output from the V.E. running into the Noise Engineering Basimilus Iteritas, for the FM pluck like percussion sound. Next output from VE running into a 4ms RCD, random triggering spaced out burst to the clock input. From here, the output was taken (4)out to the MakeNoise Optomix set slightly open, which was running a ALM's new "Akemie's Castle" dual voltage controlled oscillator, running out the chord output (OSC A). From the Akemie's Castle the output is going into a Tiptop Z-DSP processed with the The Halls of Valhalla card running program 7 (Asgard). Mult output also taken to the Strymon Big Sky pedal running in "Chorale" mode mix completely wet for delicate melodic swells. Making the rich choral timbres. Another gate output from the Noise Engineering V.E. running into the Mutable Instruments (mystery) module. Output from here sent to the Qu-Bit RT-60 effect module, which is also being triggered (for effects program change) via by the 5 division output from the 4ms Rotating Clock Divider.

Kick drum created using the MakeNoise telHarmonic module, running into a Optomix. Snare and hi-hat sounds courtesy of two Ladik D-333 Rom players. One running the Snares card, and another running hi-hats. Both outputs being summed into the Synthrotek DLY module. The delay input being modulated by a modcan QuadLFO output 1 slow S&H. First sequenced notes via the Mutable instruments Braids running the new "HARM" additive harmonics mode. The quantization was set to "Oinian". Second Braids for other harmony running the "OPSK" smooth sine like melody, VCA mode set to on, with short decay for pluck like quality. Signal for both braids are being sent to another Qu-Bit RT-60 running program number 1-Reverb. Quantization set to "Oinian". Bassline sound created with a Intellijel Shapeshifter output 1, then being run into intellijel uVCF filter in LPF input, then the signal goes out a Qu-Bit RT-60 in program 1 Reverb. 

Ascension - Modular Patch

Link to the video captured here in real-time: https://vimeo.com/150015591

Patch Notes:

This was a patch experiment using the new Mutable Instruments Rings/Clouds Modules, and trying to create strumming/plucking guitar like sounds within a patch. The inspiration came from playing around with the Clouds Parasites 1.3 alternate firmware running in the Resonator mode highlighting the "scatter" (or strum) function. The master clock was the Tiptop Circadian Rhythms module, taking the first 4 outputs into my Nord Drum 2 for the Kick, snare, closed and open hi-hats. From there the clock output from the CR was multiplied and then sent to the Modcan Touch Sequencer. First row output from the TS was sent to the intellijel Shapeshifter creating a two note baseline sequence that comes in at 1:58. The second sequence Row2 output from the TS was sent to the "ALM Akemie's Castle" module OSC A output using the chord function, that comes in at 25 seconds. The gates from the modcan where set to a 16th's pulse sequence. Modulation from the synthesis technology E102 Quad Temporal Shifter output 1 modulating the Multiplier input on Operator 1. The 2, 3 and 4 outputs from the E102 where also modulating the Operator 2, 3, and 4 inputs on the Akemie's Castle. This was creating the harmonic timbre changing as the sequence was playing.

The slowly evolving sweeping noise textures that come in at 1:09 is from the Music Thing Radio Music module. The sample was a white noise sampled lightly filtered and then sent to the intellijel HexVCA with the amplitude CV control via a Intellijel Dixie modulating from slow to high rates (free running). The Make Noise Rene was being externally clocked from the Circadian Rhythm, and was sending out a quantized output to the Mutable Instruments Clouds pitch input creating the chord guitar sequence. The strum sounds on Clouds was played by the 4ms QCD running in 32th division output into the Trigger input. The freeze input was also triggered by a Ladik R-110 Random clock module. The combination of the two created the trill chord like strums.

The bass guitar tone sound that comes in at 1:24 are from the MakeNoise Mysteron, that is being sequenced by the Modcan Touch Sequencer, Row Output 3 was programmed in the same key but a lower octave. The "Rings" module was creating slow attack soft high pitched chords in reverb that come around 2:50. There was additional processing of the Clouds output that was sent into the Tiptop ZDSP module running the "Halls of Vahalla" card program 8 "Ginnungagap" creating the high pitch octave deep reverb shimmer effects. The harmonic slow swells that come in at 3:30 where created using another intellijel Dixie oscillator sine output running into an Strymon "Big Sky" pedal being harmonically controlled by an intellijel µScale V1. The output was being played slowly then processed using the "Choral" mode, creating the slow shimmer swells. The entire mix was sent into the Eventide Space pedal using the "Corridors" patch.

Mutable Instruments Rings : mutable-instruments.net/modules/rings
Clouds Parasites firmware: mqtthiqs.github.io/parasites/clouds.html

Strum - Modular Patch

Nero - Promises (Skrillex)

Hier mal ein selbstgemachter "Acid Trance Beat". Extra hochgeladen auf Wunsch meines geschätzen Nachbarn Mr. LX.

Acid Trance Beat

Ceephax Acid Crew - Ceephax Acid

FlAv - Toxicomania

Found a large Velvet Ant walking on my driveway today, and couldn't help but notice the odd sounds this insect was making. The recording is of the insect crawling around inside a cardboard box, before I let it go back into my backyard. The Velvet Ant, also known as the "Cow Killer" is actually not an ant, but a wasp. I recorded this with 2 DPA 4060 Lav's and Sound Devices 702 recorder at 24bit-96Khz. 


Recording of a Velvet Ant.

Acid-trance-techno_BY_DJ_DROZZI

Free gift from my <3 to ur ears

Alt download: http://rockdizfile.com/sipi3tdgeb92/Trap_On_Acid.mp3.html

www.facebook.com/RLGrime
www.twitter.com/RLGrime


https://soundcloud.com/wedidit-collective

Trap On Acid

This track was composed for the "Curtis" (iphone/ipod/ipad) app by The Strange Agency. This piece is a Acousmatic composition based on everyday found objects. I recorded various wine glasses, gears, metal, motors, Ratchets, chimes, croaking frog scraper, Indian bells, Tibetan Singing Bowls, Santoor, waterphone, piano, hematite magnets, processed voice, underwater ambiances, computer, and sprinkled bits of Buchla 200e/Doepfer Euro rack Modular. 
All of the sounds originally captured at 24-bit 96khz with a Neumann RSM 191 A/S stereo shotgun mic, SMK4060 Stereo Matched 4060-BM Miniature Omnidirectional Microphones and Sound Devices 702 recorder. Download the wave in 16-bit 44.1khz wave:)
Process and further granulate my piece with the"Curtis" app version 1.1 here on the itunes store. 
http://itunes.apple.com/us/app/curtis-for-ipad/id384228003?mt=8#


Objects Of Granularity

Tom Waits (on Jim Wilson): "Wilson, he's always playing with time. I heard a recording recently of crickets slowed way down. It sounds like a choir, it sounds like angel music. Something sparkling, celestial with full harmony and bass parts - you wouldn't believe it. It's like a sweeping chorus of heaven, and it's just slowed down, they didn't manipulate the tape at all. So I think when Wilson slows people down, it gives you a chance to watch them moving through space. And there's something to be said for slowing down the world."

Source: "Woyzeck to run at Freud Playhouse". Daily Bruin (USA), by Andrew Lee. December 3, 2002

Find more on the recording on this link: http://www.democraticunderground.com/10023815586

Tom Waits on Tom waits talking about this recording - http://gloriousnoise.com/2008/tom_waits_interviews_tom_waits

More on the recording - http://hearingvoices.com/transcript.php?fID=142

You can buy original recording here - http://www.amazon.com/Gods-Chorus-Crickets-Jim-Wilson/dp/1932192077?tag=viglink124132-20

Original recording from the author - http://www.constancedemby.com/godscricketchorus_f.html

And more: http://scienceblogs.com/startswithabang/2013/10/13/weekend-diversion-is-this-an-amazing-chorus-of-slowed-down-crickets/

Jim Wilson | God's Chorus of Crickets | crickets audio recording slowed way down

Computer Controlled Artificial Behavior

Bart B More & Tommie Sunshine - Drop Acid

Recording today of a container full of thousands of Maggots squirming in wet mud. I buried two H2a-XLR hydrophones below the surface (in the mud), and placed two DPA-4060 Lav microphones on the top surface and let the maggots call all over the place. All 4 channels are unprocessed, unedited 24bit-96khz captured with a Sound Devices recorder.


Hydrophone/Lav Recording of 1000 Maggots in sticky wet mud.

Short recording of a recording of a humming bird feeding on my back porch. This clip was recorded with two DPA 4060 Lav microphones taped to the humming bird feeder. Recorded on to a Sound Devices 702 recorder at 24-bit 96khz. 



Recording of Hummingbird Feeding.

Tonal Violence (Mastered Version) out on Narcosis 04

Acid Jockey - Rusher Mix

Richard Devine - Etch and Sketch (Drasko V Remix)
RiSP Album 2012 
Detroit Underground

www.detund.net
www.drasko-v.com

Richard Devine - Etch N Sketch (Drasko V Remix)

TR-808 with TB-303 running through a Harvestman malgorithm" Not really a song, just a experiment/jam, testing out the Harvestman CV input range. Fun little demo, my first post to SoundCloud. Richard Devine=)


808/303-into a Harvestman Malgorithm

Testing my new live set - direct recording.

Symphonic Machine Live Version

And here's part two of that Stattbad Wedding set.

Ewan Pearson live at Stattbad Wedding, Berlin, January 13th 2013 Part Two

Various - Autonomous Addicts
Label: The Designed Disorder

Written and Produced in 2005 on my Trusty old TR-808 and TB-303. Classic slow Acid Electro track. For those late night travels home. 

808IIRtrackfor RD

Acid Rain Produced By Jake One. Acid Rap in April.


Acid Rain

Uploaded with AudioShare app - http://kymatica.com/audioshare

TM OBC at Drumcomputer

Acid Trippin is a monster tune that was made around the time of the Swoop/Bueller sessions and rides along that same early dance trap aesthetic . Brillz signature fluttery melody lines get torn apart by saw tooth trap stabs while Whiskey Pete lends a catchy hook perfect the club. It’s been a Mad Decent Premium exclusive for two weeks and now it’s yours FREE.

Sign up for Mad Decent Premium Today to get exclusive content and advanced releases from Mad Decent & Jeffrees

htttp://www.drip.fm/mad-decent

Brillz
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Whiskey Pete
<a href="https://twitter.com/whiskeypete" rel="nofollow" target="_blank">Twitter</a>
<a href="https://soundcloud.com/whiskeypetemc" rel="nofollow" target="_blank">Soundcloud</a>
<a href="https://www.facebook.com/whiskeypetemc" rel="nofollow" target="_blank">Facebook</a>

Jeffree's Volume 5

Brillz - Acid Trippin (feat. Whiskey Pete)

Produced by: Jules Dickens @ Abstract Source Mixing https://www.abstractsourcemixing.com

ARTIST: JULES DICKENS
TITLE: THE RETURN EP (FEAT. RUSS GABRIEL REMIX)
LABEL: ABSTRAKT DANCE
CATALOGUE NUMBER: ADR003
FORMAT: DIGITAL DOWNLOAD
RELEASE DATE: 31 MARCH 2013

TRACK LIST:
1. THE RETURN
2. ANOTHER PLACE
3. ANALOG SOUL
4. ANALOG SOUL (RUSS GABRIEL REMIX)

Welcome to the third instalment from Colin Dale and Jules Dickens’ Abstrakt Dance imprint, which was launched last summer. Jules Dickens’ ‘The Return EP’ featuring a remix by Russ Gabriel follows on from a great start to the label that has already seen EPs from Colin Dale and Sir Lord Commix.

Jules Dickens, renowned for his production work as Abstract Source, is a London based DJ and producer, as well as a studio owner and teacher. So, quite the busy man! But here, he takes time out from this hectic schedule to present his first release for Abstrakt Dance.

‘The Return EP’ opens with the deepness of ‘Another Place’ where a smooth groove meets washes of synth work and cool, housey beats. The Detroit-esque piano of ‘The Return’ follows on with its thumping bassline under layers of claps, cymbals and dappled electronics, before the melancholy melodies and acid-tinged effect of ‘Analog Soul’, the last of Jules’ original three workings takes hold.

The release ends in a flourish from Techno heavyweight Russ Gabriel who (for anyone who’s been in a coma since the 90s!) has had releases on Planet-E, Peacefrog, Soma and his own highly respected Ferox label amongst others, with more recent outings on the likes of Mobilee and Pokerflat to his name. His characteristic remix on ‘Analog Soul’ ends this quality EP in fine style, proving why this influential artist is still in such high demand.

BUY WAV

jules dickens - analog soul (abstrakt dance)

New EP Systik now available: https://richarddevine.bandcamp.com/

Bookings: mia@lb-agency.net