liste1

Glen Velez

Check out our BandPage on Facebook: http://listn.to/RichardDevine - Brought to you by http://www.rootmusic.com

RootMusic BandPage

bostharr

Degisik

Richard Devine

ludo (ergo sum)
a new long and intense playlist of hand-picked sounds and words from "the zone"..
....ludic and libidic soundtrack...without a direction but with an intention...
blues pollinated techno, poly-rhythmic folktronics and poly-glottal ballads,
infused with lush beats pigmented by deep bass and crispy crackles.
...to dance and to dive...to breath and to sink....

cloud.selector

ludo - cloud.selector tape#03

All aboard ! 
SplitBrain's 1st playlist of Tribal Ecstasy Vibez & Beats to elevate your body & soul.
Electronic Tribal Meditation mix.Our journey to the heart of rhythm ecstasy begins...
In groove we trust :-)

Ecstatic Rhythms Playlist 1

http://electronicexplorations.org/?show=fausten

FAUSTEN Black Sunday [ Electronic Explorations 2013 ]

0 - 5.33 
samuel beckett, not i (jessica tandy 1973) 
grischa lichtenberger, 1013_27_synt_rearrg_1 (not rel. 2013)
4.55 - 9.20 
grischa lichtenberger, 0710_31_kl st arrg flag 8 arg 1 rm 1 arg2 (not rel 2010) 
cliff martinez, ladies close your eyes (ost only god forgives, 2013)
8.42 - 11.22
the fear ratio, guv 1 (light box, 2011)
10.50 - 16.35
surgeon, whos band hands are these (roly vexd remix kinky) (whos band hands are these, 2007)
georgian chants (1914)
16.24 - 24.40
grischa lichtenberger, 1013_21-lv 1 pn rec strtc (not rel. 2013)
georg büchner, lenz im gebirge
23.00 - 26.20
grischa lichtenberger, 1106_25 kataplexie (not rel. 2006)
26.30 - 30.30
grischa lichtenberger, 0313_27_pn ss 2 (not rel. 2013)
30.30 - 34.30
grischa lichtenberger, 0913_04_lv_1 git (not rel. 2013)
33.00 - 36.45
grischa lichtenberger, 0512_16_lv 1 mit (not rel. 2012)
36.20. - 38.00
grischa lichtenberger, 1212_06_lv secr 13 2 d (not rel. 2012)
37.52 - 42.50
raime, we must hunt under the wreckage of many things (raime ep, 2010)
41.00 - 46.25
senking, exhausted (tap, 2003)
46.10 - 51.30
grischa lichtenberger, 0913_12 re 0713 lv 2 (not rel. 2013)
tsutomu ohashi, illusion (akira ost, 1988)
arthur russell, tree house (world of echo, 1986, reiss. 2004)
51.10 - 57.30
vainqueur, lyot (basic channel rmx, 1993)
56.00 - 62.10
grischa lichtenberger, 0518_lv 1 git (not rel 2013)
grischa lichtenberger, 0113_25 tape magnet ss 1 (not rel 2013)
61.00 - 65.20
grischa lichtenberger, 0213_25 julias orgalette ir forrest
65.30 - 68.20
the last poets, meanmachine (1971)
grischa lichtenberger, 0513_25_lv_1b X 1b (not rel 2013)
68.20 - 71.00
grischa lichtenberger, 0811_096_re 0211_08 (and IV, 2012)
71.00 - 75.10
photek, axiom (1997)
74.50 - 76.00
cyclo, c7 (2001)
75.50 - 85.00
grischa lichtenberger, 0311_09_lv_2 (not rel 2011)
grischa lichtenberger, 0611_22 git wtter (not rel 2011)
grischa lichtenberger, 0313_10 lv 1 g ss1 (not rel 2013)
84.50 - 87.17
elliott smith, satellite (elliott smith, 1995)

1013_27 Ice Fm

Voice of the Drum &ndash; Rhythms of the Voice: Glen Velez with Lori Cotler Using frame drums and vocal styles from around the world, these musicians blend rhythmic harmonies, chants and sound poems. &ldquo;Astonishing sophistication&rdquo; (village Voice). Presented by World Music Institute. 
&nbsp;

Introduction to Glen Velez - Glen Velez

Coba - Glen Velez

Electronic Tribal Ecstasy Music by SplitBrain. All framedrum solos by the amazing percussion virtuoso David Kuckhermann. Please share, follow & repost if you like it :-)
Check out my site for more shamanic beats & goodies : https://splitbrainmusic.com

#SoundCloudRadio

Free Download

Shaman's Dream  - SplitBrain Feat. David Kuckhermann

Face To Face (9/8 time signature)

Alpha Warriors immersed in deep drumming meditation.
http://splitbrainmusic.com

Alpha Warriors Meditation

Tiptop Audio is proud to introduce a new project for 2015: Tiptop Audio Records.
In the recent years musical productions have seen a remarkable return to the use of hardware through analog synthesizers and digital control interfaces. This trend has proven so strong that it prompted a rebirth of modular synths in a new format (eurorack).  Tiptop Audio has made a name producing sophisticated but easy to use modules, designed to form a complete system that is especially effective for dance-oriented productions and live sets.

Tiptop Audio Records selected for its first issue some of the most groundbreaking artists using such systems, to present a range of artists who, through their tracks, explore the landscape of dance music in a very fresh perspective.  These are the artists who inspire the Tiptop team to make more innovative devices, which in turn make new music (a nice feedback loop).

ANGLE, BLAWAN, CHRISTIAN BURKHARDT JOAO CESER, JOHN TEJADA, JOSEPH FRAIOLI, MOE ESPINOSA (DRUMCELL), KINK, RICHARD DEVINE and SURGEON each contribute a track stamped with their own style and vision.  Tracks range from Surgeon’s trademark hard minimal beat, to Kink’s gauzy dreamscape, while Richard Devine and Joseph Fraioli explore the outer reaches of beat based music.  The Phase VI team (John Tejada and Moe Espinosa AKA Drumcell) produces an endlessly shifting set of percolating rhythms, Christian Burkhardt and Joao Ceser put some 21st century twists on classic dance floor patterns, ANGLE lay down effortless, sophisticated Continental style and Blawan adds some industrial toned menace.

The release will initially come as a double vinyl edition, with a cover painted by the artist Matteo Giampaglia, and a digital download version will follow.
An original video teaser will introduce the compilation, then other videoclips of the individual tracks will be realized by exciting new visual artists.

9 RICHARD DEVINE - CR HEX MUTANT

Noumen - Abyss

Just released today my remix of bossFYTE on DETROIT UNDERGROUND
Lil' Dog Toes / Think About It ( Richard Devine Remix)
DETROIT UNDERGROUND 7-inch by bossFYTE.
Order Here:
https://bossfyte.bandcamp.com/track/think-about-it-devine-remix-2

BossFYTE - Think About It ( Richard Devine Remix)

Link to the video of the patch, recorded in one take here: https://vimeo.com/136165676

download to the .wav file :-)

Patch Notes:

Harmonic patch using the new MakeNoise tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer, and 4ms Spectral Multiband Resonator. The master clock is the Tiptop Circadian Rhythms. Clock output running into the Modcan Touch Sequencer. Channel output one running into one intellijel Dixie (V1) for the bassline. Dixie output running into a Mutable instruments Ripples filter (LP4), triangle waveform. Second channel output sequencing quantized 8 note sequence to the telharmonic oscillator, creating the first lead sequence in the patch (major scale set). One Mult output taken and sent to the Strymon BigSky reverb pedal to create the delicate swarm pads that rise in and out at the builds. Amplitude control of the slow rises via the intellijel HexVCA, slow rate control from one Modcan Quad LFO. The other output is then taken and sent to the Qu-bit RT-60 reverb. Third output from the Modcan TS sending quantized CV to the MakeNoise STO oscillator variable SHAPE output then sent through lower section of the MakeNoise Optomix. The forth output from the Modcan TS is sending a 4 chord pattern (min9) to the intellijel shapeshifter module in chord mode. This output is then sent to another Qu-Bit RT-60 reverb algorithm. MakeNoise Mysteron plucking guitar like effect being triggered by a 4ms RCD, 5th trigger out. The Mysterson then is running out into a Strymon BlueSky pedal, reverb.

Drum sequencing from TipTop CR, channel one kick drum going to the Nord Drum 2. Second channel number 2 triggering a custom snare drum made on the Nord Drum 2. Channel 6 from the CR triggering a low bass drum, in the key of "C". Clock output from CR into the 4ms SCM being rotated by a intellijel dixie sine wave output running at a slow rate shifting the 16th's hi hat pattern. Noise source for hi-hats are the SSF quantum rainbow 2, purple output running into the MakeNoise Optomix. The high end snare clap sound is by the Synthrotek's DS-M drum module, then being lightly processed by the Synthrotek DLY, slowly CV controlled by a Modcan Quad LFO in random mode creating more glitchy effects. This is then being sequenced by channel number 2 from the tiptop CR. The first lower left side 4ms Spectral Multi-band Resonator processing 72 custom DSP samples, which are being played by one addac wave player. The output is then being sent to a intellijel uVCF filter (hi pass), for the light subtle glitch textures. The second 4ms Spectral Multi-band Resonator, processing another set of 32 samples (noise washes/slow rises/falls) via channel number 4 from the CR tiptop. From here the output is being processed by a Mutable Instruments Clouds (granular mode), being controlled by the Pittsburgh Modular Game System running "Meteor Shower" mode in which the explosion based gates and random control voltages are then being sent to 3rd Dixie, controlling the CV rate time then from there its sent to the "Freeze" input on clouds, processing small bits of audio coming from the second addac waveplayer, The second output coming from the gamesystem is going into the "position" input on Clouds, which is doing some additional glitching to the signal.Main output from a intellijel Mutagen mixer then ran through the Eventide space pedal for extra spatial atmosphere. :-)

Harmonic Symmetry - Modular Patch

Walk Down

Link to the video of the patch, recorded in one take here: https://vimeo.com/139872178

download the free wave file :-)

Patch experiment using the Noise Engineering Variatic Erumption x 2, and Minigorille CV graphic modules x 2. Clock output from the Tiptop Circadian Rhythms into the CV Graphic input 1, left side (purple). Then another output from the TipTop CR taken to the right side (siliver) CV Graphic module. Output 4 from the Tiptop CR sent to the left side Variatic Erumption (ext gate to the hit jack input) which would send very slow burst of random gates. The CV Graphic CV output (PONG sequencer mode 2) A and B would output bouncing ball like CV voltages to the Variatic Erumption CV Pattern, and Time/Division input. This created some very organic scattered sequencing taking one output that was triggering a Snazzy Fx Ardcore running custom frac drums patch.

The other output was running into a trigger input on the Mutable instruments clouds, which is causing the light granular scattering in between the beats. Another output from the V.E. running into the Noise Engineering Basimilus Iteritas, for the FM pluck like percussion sound. Next output from VE running into a 4ms RCD, random triggering spaced out burst to the clock input. From here, the output was taken (4)out to the MakeNoise Optomix set slightly open, which was running a ALM's new "Akemie's Castle" dual voltage controlled oscillator, running out the chord output (OSC A). From the Akemie's Castle the output is going into a Tiptop Z-DSP processed with the The Halls of Valhalla card running program 7 (Asgard). Mult output also taken to the Strymon Big Sky pedal running in "Chorale" mode mix completely wet for delicate melodic swells. Making the rich choral timbres. Another gate output from the Noise Engineering V.E. running into the Mutable Instruments (mystery) module. Output from here sent to the Qu-Bit RT-60 effect module, which is also being triggered (for effects program change) via by the 5 division output from the 4ms Rotating Clock Divider.

Kick drum created using the MakeNoise telHarmonic module, running into a Optomix. Snare and hi-hat sounds courtesy of two Ladik D-333 Rom players. One running the Snares card, and another running hi-hats. Both outputs being summed into the Synthrotek DLY module. The delay input being modulated by a modcan QuadLFO output 1 slow S&H. First sequenced notes via the Mutable instruments Braids running the new "HARM" additive harmonics mode. The quantization was set to "Oinian". Second Braids for other harmony running the "OPSK" smooth sine like melody, VCA mode set to on, with short decay for pluck like quality. Signal for both braids are being sent to another Qu-Bit RT-60 running program number 1-Reverb. Quantization set to "Oinian". Bassline sound created with a Intellijel Shapeshifter output 1, then being run into intellijel uVCF filter in LPF input, then the signal goes out a Qu-Bit RT-60 in program 1 Reverb. 

Ascension - Modular Patch

Vocal sample from - Sheila Chandra - Speaking in tongues.

Culprate - Green

Link to the video captured here in real-time: https://vimeo.com/150015591

Patch Notes:

This was a patch experiment using the new Mutable Instruments Rings/Clouds Modules, and trying to create strumming/plucking guitar like sounds within a patch. The inspiration came from playing around with the Clouds Parasites 1.3 alternate firmware running in the Resonator mode highlighting the "scatter" (or strum) function. The master clock was the Tiptop Circadian Rhythms module, taking the first 4 outputs into my Nord Drum 2 for the Kick, snare, closed and open hi-hats. From there the clock output from the CR was multiplied and then sent to the Modcan Touch Sequencer. First row output from the TS was sent to the intellijel Shapeshifter creating a two note baseline sequence that comes in at 1:58. The second sequence Row2 output from the TS was sent to the "ALM Akemie's Castle" module OSC A output using the chord function, that comes in at 25 seconds. The gates from the modcan where set to a 16th's pulse sequence. Modulation from the synthesis technology E102 Quad Temporal Shifter output 1 modulating the Multiplier input on Operator 1. The 2, 3 and 4 outputs from the E102 where also modulating the Operator 2, 3, and 4 inputs on the Akemie's Castle. This was creating the harmonic timbre changing as the sequence was playing.

The slowly evolving sweeping noise textures that come in at 1:09 is from the Music Thing Radio Music module. The sample was a white noise sampled lightly filtered and then sent to the intellijel HexVCA with the amplitude CV control via a Intellijel Dixie modulating from slow to high rates (free running). The Make Noise Rene was being externally clocked from the Circadian Rhythm, and was sending out a quantized output to the Mutable Instruments Clouds pitch input creating the chord guitar sequence. The strum sounds on Clouds was played by the 4ms QCD running in 32th division output into the Trigger input. The freeze input was also triggered by a Ladik R-110 Random clock module. The combination of the two created the trill chord like strums.

The bass guitar tone sound that comes in at 1:24 are from the MakeNoise Mysteron, that is being sequenced by the Modcan Touch Sequencer, Row Output 3 was programmed in the same key but a lower octave. The "Rings" module was creating slow attack soft high pitched chords in reverb that come around 2:50. There was additional processing of the Clouds output that was sent into the Tiptop ZDSP module running the "Halls of Vahalla" card program 8 "Ginnungagap" creating the high pitch octave deep reverb shimmer effects. The harmonic slow swells that come in at 3:30 where created using another intellijel Dixie oscillator sine output running into an Strymon "Big Sky" pedal being harmonically controlled by an intellijel µScale V1. The output was being played slowly then processed using the "Choral" mode, creating the slow shimmer swells. The entire mix was sent into the Eventide Space pedal using the "Corridors" patch.

Mutable Instruments Rings : mutable-instruments.net/modules/rings
Clouds Parasites firmware: mqtthiqs.github.io/parasites/clouds.html

Strum - Modular Patch

3D & VERMONA DEMO

Taken and remixed from the Album: External Combustion, all sounds made from only a Bodhran Frame Drum. 





Glen Velez Remix, External Combustion, interpretation.

A remaster + extension of a track from Sa'iyr: A Tribal Metamorphosis whipped up for a show I participated in with Kami Liddle

I Cash Radii (extension for Rainbow)

Been really proud of remixing this master for this great label. Glen is a legendary and over skilled percussionist, if you don't know him ask google 4 chances out of 5 that it will make your day  ;)
This was made by tweaking the source material in reaktor 100%. then i glued the parts together in Acid.

GET IT HERE:
http://subjex.bandcamp.com/album/remixes-collection

Glen Velez  - External Combustion (Subjex Remix)

ÓLAFUR ARNALDS & NILS FRAHM - a2 (Max Cooper Remix) 

DOWNLOAD it exclusively from XLR8R: http://www.xlr8r.com/mp3/2012/04/stare-max-cooper-remix

ORDER the Ltd. Edition 10" Vinyl/Download from our store and receive the remix with it:
http://www.erasedtapes.com/store/index/ERATP042

'A starry-eyed house experience that fits seamlessly into a soulful, deep-felt dancefloor dynamic. Swells of low end surge into a crisp, percussive breakdown that never seems to shift too abruptly, leaving Arnalds' & Frahm's original melody work to come humming through the compressed kick in a blissful wave of moonlit elegance' – XLR8R

'A hazy slow-builder that sits nicely equidistant between Arnalds’ solo work and his excellent Kiasmos project' – The Line Of Best Fit

Erased Tapes label mates Ólafur Arnalds and Nils Frahm record and mix their first collaborative record between Reyjkjavík and Berlin as a surprise release for label founder Robert Raths.

The ambient/electronic work ‘Stare’ is a true family effort from Ólafur Arnalds and Nils Frahm with Anne Müller joining in on cello and all graphics by close label-friend and now in-house designer Torsten Posselt of Feld Studios.

This release will be strictly limited and exclusively available on Record Store Day 2012, April 21st. Coinciding with the 5th Anniversary of Erased Tapes, it’s also available from the official Erased Tapes online store and sure to become a must-have for fans of the label and these two artists.

LABEL: ERASED TAPES RECORDS    UK RELEASE DATE: APRIL 21, 2012
CAT.NO: ERATP042 EP/DL   EAN: 4050486068137

TRACK LISTING:  1. a1  2. a2  3. b1  4. a2 (Max Cooper Remix)* digital bonus track

OFFICIAL WEBSITES:   OLAFURARNALDS.COM   DURTONSTUDIO.COM   ERASEDTAPES.COM 

Stare

a2 (Max Cooper Remix)

Ólafur Arnalds & Nils Frahm - a2 (Max Cooper Remix)

Found a large Velvet Ant walking on my driveway today, and couldn't help but notice the odd sounds this insect was making. The recording is of the insect crawling around inside a cardboard box, before I let it go back into my backyard. The Velvet Ant, also known as the "Cow Killer" is actually not an ant, but a wasp. I recorded this with 2 DPA 4060 Lav's and Sound Devices 702 recorder at 24bit-96Khz. 


Recording of a Velvet Ant.

This track was composed for the "Curtis" (iphone/ipod/ipad) app by The Strange Agency. This piece is a Acousmatic composition based on everyday found objects. I recorded various wine glasses, gears, metal, motors, Ratchets, chimes, croaking frog scraper, Indian bells, Tibetan Singing Bowls, Santoor, waterphone, piano, hematite magnets, processed voice, underwater ambiances, computer, and sprinkled bits of Buchla 200e/Doepfer Euro rack Modular. 
All of the sounds originally captured at 24-bit 96khz with a Neumann RSM 191 A/S stereo shotgun mic, SMK4060 Stereo Matched 4060-BM Miniature Omnidirectional Microphones and Sound Devices 702 recorder. Download the wave in 16-bit 44.1khz wave:)
Process and further granulate my piece with the"Curtis" app version 1.1 here on the itunes store. 
http://itunes.apple.com/us/app/curtis-for-ipad/id384228003?mt=8#


Objects Of Granularity

Computer Controlled Artificial Behavior

Recording today of a container full of thousands of Maggots squirming in wet mud. I buried two H2a-XLR hydrophones below the surface (in the mud), and placed two DPA-4060 Lav microphones on the top surface and let the maggots call all over the place. All 4 channels are unprocessed, unedited 24bit-96khz captured with a Sound Devices recorder.


Hydrophone/Lav Recording of 1000 Maggots in sticky wet mud.

Short recording of a recording of a humming bird feeding on my back porch. This clip was recorded with two DPA 4060 Lav microphones taped to the humming bird feeder. Recorded on to a Sound Devices 702 recorder at 24-bit 96khz. 



Recording of Hummingbird Feeding.

dimdededim dimdededim, dimdededim dimdededim,
dimdededim dimdededim, dimdededim dimdededim,
dimdededim dimdededim, dimdededim dimdededim,
dimdededim dimdededim, dimdededim dimdededimmmm

Thank you Patrick Watson for this and those and these and all the others. 

Bigbirdinasmallcage

Richard Devine - Etch and Sketch (Drasko V Remix)
RiSP Album 2012 
Detroit Underground

www.detund.net
www.drasko-v.com

Richard Devine - Etch N Sketch (Drasko V Remix)

A Journey through some of my favorite Electroacoustic pieces.  On Electric Deluxe Podcast 005. 

Pieces from Ake Parmerud, Trevor Wishart, Francis Dhomont, Denis Smalley, Curtis Roads, Horacio Vaggione, Natasha Barrett, Jonty Harrison, Francois Bayle, Pierre Henry, Bernard Parmegiani, Hugh Le Caine, Iannis Xenakis, Ekkehard Ehlers, Jean-Claude Risset, Morton Subotnick, Tod Dockstader, and Joseph Hyde. 

Electric Deluxe Podcast   005   Richard Devine

remix i did for the extremely talented Jesse Boykins III.


Jesse Boykins III - The Perfect Blues (Official RMX)

Testing my new live set - direct recording.

Symphonic Machine Live Version

WORDS -THROUGH INSOMNIA THE WORDS AWAKEN

21 artists have created a track using exclusively excerpts from the album 'Corps Sonores' by Shape2 (stomoxine.bandcamp.com/album/corps-sonores).
Download the compilation CORPS SONORES RE here: http://stomoxine.bandcamp.com/album/corps-sonores-re

Julien Beau ► julienbeau.blogspot.fr

DOWNLOAD COMPILATION

Julien Beau - Exomots

Collaboration for Konque podcast on Nervmusic
https://soundcloud.com/easychanges/nervmusicmixtape002-konque

Canoe Film Dub - David Last & Ten and Tracer

our first officially released track!
out on UNO-IKI-SAN
http://unoiki.bandcamp.com/album/uno-iki-san

videos
http://www.youtube.com/watch?v=W8Hl1HKY6rI
http://www.youtube.com/watch?v=L30eA3YXhQg

Paralelo - Fabrik

IF YOU LIKE THIS COVER, CHECK OUT THE REST OF SHAWN'S MUSIC!
Jam his latest EP here! 
https://soundcloud.com/shawnjamessoul/sets/the-bear


Shawn James and the Shapeshifters performing John Legend's "Who Did That To You" live at KUAF in Fayetteville, Arkansas. Recorded by Nick Futch using the Zoom H4N Handy Recorder. Watch the accompanying video, shot by Anna Hutchison at Spring Street Portraits, here: http://www.youtube.com/watch?v=nLYc_TduONU

http://www.facebook.com/ShawnJamesSoul?fref=ts
http://www.springstreetportraits.com
http://www.nickfutch.com

Who Did That To You - Shawn James - LIVE On NPR Arkansas

Uploaded with AudioShare app - http://kymatica.com/audioshare

TM OBC at Drumcomputer

From the upcoming City and Colour album, The Hurry and The Harm, available June 4, 2013 on Dine Alone Records.

Download "of space and time" for FREE: http://bit.ly/ofspaceandtimedl

Pre-order now: http://smarturl.it/TheHurryAndTheHarm

Visit www.cityandcolour.ca for more info.


The Hurry and the Harm

Of Space and Time

Pre-order Now!

'Vertigo' is taken from PVT's fourth studio album titled Homosapien, out now worldwide: smarturl.it/pvt

Touring Europe in May: pvtpvt.net/live

pvtpvt.net

www.feltesounds.com/

Vertigo (Hype Williams Snapback Remix)

Glen Velez - Musica Esporadica

Eli Huli Frame Drum played by Zohar Fresco

New EP Systik now available: https://richarddevine.bandcamp.com/

Bookings: mia@lb-agency.net