αριθμός τέσσερα (Number Four)

Anza

01 Anza

Bossa Nova Guitar - Henrique Alvim
Congas - Maciej Mustafa Giżejewski
Whistle - Paul Johnson - https://soundcloud.com/paulflute

The Psychology Of James Berland

04 The Psychology Of James Berland

Flamenco Guitar - Lucas Trigueiro
Duduk - Paul Johnson - https://soundcloud.com/paulflute
Additional Sound Design - Arthur Hislop

Muerte De La Dama

06 Muerte De La Dama

I found this in a bunch of random demos.. Excuse the ropey mix, haha :)

That Sinking Feeling

Asa - That Sinking Feeling ft. Sigrid Zeiner (Culprate Remix)

Available now! 

Buy there album here:
https://culprate.bandcamp.com

1. Whispers (Part I) 
2. Florn 
3. The Memoirs Of Gregory Otterman 
4. Acid Rain 
5. In The End 
6. Void 
7. Without 
8. Within 
9. Yin 
10. Whispers (Part II) 
11.Relucent feat. ZES

Like Culprate: www.facebook.com/culprate
More Culprate: www.soundcloud.com/culprate
Follow Culprate: www.twitter.com/culprate
Coming soon: www.twitch.tv/culprate
Merch: www.store.culprate.com

Deliverance

Support!

Relucent ft. Zes

Twine Tree Tether

W&P: @herbalistekmusic
Master: @qqantt
A&R, artwork: @emiliagrima

Zingiber Mioga

Ocean Metro Theme

Link to the video of the patch, recorded in one take here: https://vimeo.com/136165676

download to the .wav file :-)

Patch Notes:

Harmonic patch using the new MakeNoise tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer, and 4ms Spectral Multiband Resonator. The master clock is the Tiptop Circadian Rhythms. Clock output running into the Modcan Touch Sequencer. Channel output one running into one intellijel Dixie (V1) for the bassline. Dixie output running into a Mutable instruments Ripples filter (LP4), triangle waveform. Second channel output sequencing quantized 8 note sequence to the telharmonic oscillator, creating the first lead sequence in the patch (major scale set). One Mult output taken and sent to the Strymon BigSky reverb pedal to create the delicate swarm pads that rise in and out at the builds. Amplitude control of the slow rises via the intellijel HexVCA, slow rate control from one Modcan Quad LFO. The other output is then taken and sent to the Qu-bit RT-60 reverb. Third output from the Modcan TS sending quantized CV to the MakeNoise STO oscillator variable SHAPE output then sent through lower section of the MakeNoise Optomix. The forth output from the Modcan TS is sending a 4 chord pattern (min9) to the intellijel shapeshifter module in chord mode. This output is then sent to another Qu-Bit RT-60 reverb algorithm. MakeNoise Mysteron plucking guitar like effect being triggered by a 4ms RCD, 5th trigger out. The Mysterson then is running out into a Strymon BlueSky pedal, reverb.

Drum sequencing from TipTop CR, channel one kick drum going to the Nord Drum 2. Second channel number 2 triggering a custom snare drum made on the Nord Drum 2. Channel 6 from the CR triggering a low bass drum, in the key of "C". Clock output from CR into the 4ms SCM being rotated by a intellijel dixie sine wave output running at a slow rate shifting the 16th's hi hat pattern. Noise source for hi-hats are the SSF quantum rainbow 2, purple output running into the MakeNoise Optomix. The high end snare clap sound is by the Synthrotek's DS-M drum module, then being lightly processed by the Synthrotek DLY, slowly CV controlled by a Modcan Quad LFO in random mode creating more glitchy effects. This is then being sequenced by channel number 2 from the tiptop CR. The first lower left side 4ms Spectral Multi-band Resonator processing 72 custom DSP samples, which are being played by one addac wave player. The output is then being sent to a intellijel uVCF filter (hi pass), for the light subtle glitch textures. The second 4ms Spectral Multi-band Resonator, processing another set of 32 samples (noise washes/slow rises/falls) via channel number 4 from the CR tiptop. From here the output is being processed by a Mutable Instruments Clouds (granular mode), being controlled by the Pittsburgh Modular Game System running "Meteor Shower" mode in which the explosion based gates and random control voltages are then being sent to 3rd Dixie, controlling the CV rate time then from there its sent to the "Freeze" input on clouds, processing small bits of audio coming from the second addac waveplayer, The second output coming from the gamesystem is going into the "position" input on Clouds, which is doing some additional glitching to the signal.Main output from a intellijel Mutagen mixer then ran through the Eventide space pedal for extra spatial atmosphere. :-)

Harmonic Symmetry - Modular Patch

GreyMatter - Big Kick Drum and created using the "Machine Gun.ensemble" playing slow at 60 BPM, then layered with the "Newscool.ens" for the clap in verb type sounds. Tiny snare and hi-hat made with the "SineBeats2.ens. The high spiral/phasey noisy effects where all from two instances of the "TG-8H" ensemble. The knocking wooden sounds in space are from Rick Scott's "sampleThrasher_v1.ens". 

Grey Matter - Reaktor 6 - Experiment

RIP Qebrus <3 You'll always be one of the most amazingly unique artists there was in my opinion & your influence will undoubtedly live on. I'm so glad I knew you & was able to work with you on this.

Get the wav, mp3 or als here: https://live.mrbillstunes.com/product/album/corrective-scene-surgery/2ct7-ft-qebrus/

Corrective Scene Surgery

2ct7

Download & Donate

CSS #17 - Mr. BIll & Qebrus - 2CT7 (Ableton Project DL Available!!)

New EP Systik now available: https://richarddevine.bandcamp.com/

Bookings: mia@lb-agency.net

Grey Matter - Reaktor 6 - Experiment

RichardDevine