liste1

newmsc2

Check out our BandPage on Facebook: http://listn.to/RichardDevine - Brought to you by http://www.rootmusic.com

RootMusic BandPage

Spring 14

NastyNasty =)

Richard Devine

sick nasty

crazed

0 - 5.33 
samuel beckett, not i (jessica tandy 1973) 
grischa lichtenberger, 1013_27_synt_rearrg_1 (not rel. 2013)
4.55 - 9.20 
grischa lichtenberger, 0710_31_kl st arrg flag 8 arg 1 rm 1 arg2 (not rel 2010) 
cliff martinez, ladies close your eyes (ost only god forgives, 2013)
8.42 - 11.22
the fear ratio, guv 1 (light box, 2011)
10.50 - 16.35
surgeon, whos band hands are these (roly vexd remix kinky) (whos band hands are these, 2007)
georgian chants (1914)
16.24 - 24.40
grischa lichtenberger, 1013_21-lv 1 pn rec strtc (not rel. 2013)
georg büchner, lenz im gebirge
23.00 - 26.20
grischa lichtenberger, 1106_25 kataplexie (not rel. 2006)
26.30 - 30.30
grischa lichtenberger, 0313_27_pn ss 2 (not rel. 2013)
30.30 - 34.30
grischa lichtenberger, 0913_04_lv_1 git (not rel. 2013)
33.00 - 36.45
grischa lichtenberger, 0512_16_lv 1 mit (not rel. 2012)
36.20. - 38.00
grischa lichtenberger, 1212_06_lv secr 13 2 d (not rel. 2012)
37.52 - 42.50
raime, we must hunt under the wreckage of many things (raime ep, 2010)
41.00 - 46.25
senking, exhausted (tap, 2003)
46.10 - 51.30
grischa lichtenberger, 0913_12 re 0713 lv 2 (not rel. 2013)
tsutomu ohashi, illusion (akira ost, 1988)
arthur russell, tree house (world of echo, 1986, reiss. 2004)
51.10 - 57.30
vainqueur, lyot (basic channel rmx, 1993)
56.00 - 62.10
grischa lichtenberger, 0518_lv 1 git (not rel 2013)
grischa lichtenberger, 0113_25 tape magnet ss 1 (not rel 2013)
61.00 - 65.20
grischa lichtenberger, 0213_25 julias orgalette ir forrest
65.30 - 68.20
the last poets, meanmachine (1971)
grischa lichtenberger, 0513_25_lv_1b X 1b (not rel 2013)
68.20 - 71.00
grischa lichtenberger, 0811_096_re 0211_08 (and IV, 2012)
71.00 - 75.10
photek, axiom (1997)
74.50 - 76.00
cyclo, c7 (2001)
75.50 - 85.00
grischa lichtenberger, 0311_09_lv_2 (not rel 2011)
grischa lichtenberger, 0611_22 git wtter (not rel 2011)
grischa lichtenberger, 0313_10 lv 1 g ss1 (not rel 2013)
84.50 - 87.17
elliott smith, satellite (elliott smith, 1995)

1013_27 Ice Fm

Exclusively out on Alle Farben´s "Winterheart Blue" Sampler!
https://itunes.apple.com/album/alle-farben-45-winterheart/id825611596

GAMPER & DADONI:
www.facebook.com/gamperanddadoni
CLAPTONE:
https://www.facebook.com/claptone.official
♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫
FEATURED ON YOUTUBE (Mr Suicide Sheep)
http://youtu.be/_2-5gb75a0U

THANKS TO:
Picture by Till van Loosen Photography
https://www.facebook.com/tillvanloosenphotography

iTunes

Claptone - No Eyes feat. Jaw (GAMPER & DADONI Remix)

JELLY (256k)

Tiptop Audio is proud to introduce a new project for 2015: Tiptop Audio Records.
In the recent years musical productions have seen a remarkable return to the use of hardware through analog synthesizers and digital control interfaces. This trend has proven so strong that it prompted a rebirth of modular synths in a new format (eurorack).  Tiptop Audio has made a name producing sophisticated but easy to use modules, designed to form a complete system that is especially effective for dance-oriented productions and live sets.

Tiptop Audio Records selected for its first issue some of the most groundbreaking artists using such systems, to present a range of artists who, through their tracks, explore the landscape of dance music in a very fresh perspective.  These are the artists who inspire the Tiptop team to make more innovative devices, which in turn make new music (a nice feedback loop).

ANGLE, BLAWAN, CHRISTIAN BURKHARDT JOAO CESER, JOHN TEJADA, JOSEPH FRAIOLI, MOE ESPINOSA (DRUMCELL), KINK, RICHARD DEVINE and SURGEON each contribute a track stamped with their own style and vision.  Tracks range from Surgeon’s trademark hard minimal beat, to Kink’s gauzy dreamscape, while Richard Devine and Joseph Fraioli explore the outer reaches of beat based music.  The Phase VI team (John Tejada and Moe Espinosa AKA Drumcell) produces an endlessly shifting set of percolating rhythms, Christian Burkhardt and Joao Ceser put some 21st century twists on classic dance floor patterns, ANGLE lay down effortless, sophisticated Continental style and Blawan adds some industrial toned menace.

The release will initially come as a double vinyl edition, with a cover painted by the artist Matteo Giampaglia, and a digital download version will follow.
An original video teaser will introduce the compilation, then other videoclips of the individual tracks will be realized by exciting new visual artists.

9 RICHARD DEVINE - CR HEX MUTANT

Just released today my remix of bossFYTE on DETROIT UNDERGROUND
Lil' Dog Toes / Think About It ( Richard Devine Remix)
DETROIT UNDERGROUND 7-inch by bossFYTE.
Order Here:
https://bossfyte.bandcamp.com/track/think-about-it-devine-remix-2

BossFYTE - Think About It ( Richard Devine Remix)

Link to the video of the patch, recorded in one take here: https://vimeo.com/136165676

download to the .wav file :-)

Patch Notes:

Harmonic patch using the new MakeNoise tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer, and 4ms Spectral Multiband Resonator. The master clock is the Tiptop Circadian Rhythms. Clock output running into the Modcan Touch Sequencer. Channel output one running into one intellijel Dixie (V1) for the bassline. Dixie output running into a Mutable instruments Ripples filter (LP4), triangle waveform. Second channel output sequencing quantized 8 note sequence to the telharmonic oscillator, creating the first lead sequence in the patch (major scale set). One Mult output taken and sent to the Strymon BigSky reverb pedal to create the delicate swarm pads that rise in and out at the builds. Amplitude control of the slow rises via the intellijel HexVCA, slow rate control from one Modcan Quad LFO. The other output is then taken and sent to the Qu-bit RT-60 reverb. Third output from the Modcan TS sending quantized CV to the MakeNoise STO oscillator variable SHAPE output then sent through lower section of the MakeNoise Optomix. The forth output from the Modcan TS is sending a 4 chord pattern (min9) to the intellijel shapeshifter module in chord mode. This output is then sent to another Qu-Bit RT-60 reverb algorithm. MakeNoise Mysteron plucking guitar like effect being triggered by a 4ms RCD, 5th trigger out. The Mysterson then is running out into a Strymon BlueSky pedal, reverb.

Drum sequencing from TipTop CR, channel one kick drum going to the Nord Drum 2. Second channel number 2 triggering a custom snare drum made on the Nord Drum 2. Channel 6 from the CR triggering a low bass drum, in the key of "C". Clock output from CR into the 4ms SCM being rotated by a intellijel dixie sine wave output running at a slow rate shifting the 16th's hi hat pattern. Noise source for hi-hats are the SSF quantum rainbow 2, purple output running into the MakeNoise Optomix. The high end snare clap sound is by the Synthrotek's DS-M drum module, then being lightly processed by the Synthrotek DLY, slowly CV controlled by a Modcan Quad LFO in random mode creating more glitchy effects. This is then being sequenced by channel number 2 from the tiptop CR. The first lower left side 4ms Spectral Multi-band Resonator processing 72 custom DSP samples, which are being played by one addac wave player. The output is then being sent to a intellijel uVCF filter (hi pass), for the light subtle glitch textures. The second 4ms Spectral Multi-band Resonator, processing another set of 32 samples (noise washes/slow rises/falls) via channel number 4 from the CR tiptop. From here the output is being processed by a Mutable Instruments Clouds (granular mode), being controlled by the Pittsburgh Modular Game System running "Meteor Shower" mode in which the explosion based gates and random control voltages are then being sent to 3rd Dixie, controlling the CV rate time then from there its sent to the "Freeze" input on clouds, processing small bits of audio coming from the second addac waveplayer, The second output coming from the gamesystem is going into the "position" input on Clouds, which is doing some additional glitching to the signal.Main output from a intellijel Mutagen mixer then ran through the Eventide space pedal for extra spatial atmosphere. :-)

Harmonic Symmetry - Modular Patch

Link to the video of the patch, recorded in one take here: https://vimeo.com/139872178

download the free wave file :-)

Patch experiment using the Noise Engineering Variatic Erumption x 2, and Minigorille CV graphic modules x 2. Clock output from the Tiptop Circadian Rhythms into the CV Graphic input 1, left side (purple). Then another output from the TipTop CR taken to the right side (siliver) CV Graphic module. Output 4 from the Tiptop CR sent to the left side Variatic Erumption (ext gate to the hit jack input) which would send very slow burst of random gates. The CV Graphic CV output (PONG sequencer mode 2) A and B would output bouncing ball like CV voltages to the Variatic Erumption CV Pattern, and Time/Division input. This created some very organic scattered sequencing taking one output that was triggering a Snazzy Fx Ardcore running custom frac drums patch.

The other output was running into a trigger input on the Mutable instruments clouds, which is causing the light granular scattering in between the beats. Another output from the V.E. running into the Noise Engineering Basimilus Iteritas, for the FM pluck like percussion sound. Next output from VE running into a 4ms RCD, random triggering spaced out burst to the clock input. From here, the output was taken (4)out to the MakeNoise Optomix set slightly open, which was running a ALM's new "Akemie's Castle" dual voltage controlled oscillator, running out the chord output (OSC A). From the Akemie's Castle the output is going into a Tiptop Z-DSP processed with the The Halls of Valhalla card running program 7 (Asgard). Mult output also taken to the Strymon Big Sky pedal running in "Chorale" mode mix completely wet for delicate melodic swells. Making the rich choral timbres. Another gate output from the Noise Engineering V.E. running into the Mutable Instruments (mystery) module. Output from here sent to the Qu-Bit RT-60 effect module, which is also being triggered (for effects program change) via by the 5 division output from the 4ms Rotating Clock Divider.

Kick drum created using the MakeNoise telHarmonic module, running into a Optomix. Snare and hi-hat sounds courtesy of two Ladik D-333 Rom players. One running the Snares card, and another running hi-hats. Both outputs being summed into the Synthrotek DLY module. The delay input being modulated by a modcan QuadLFO output 1 slow S&H. First sequenced notes via the Mutable instruments Braids running the new "HARM" additive harmonics mode. The quantization was set to "Oinian". Second Braids for other harmony running the "OPSK" smooth sine like melody, VCA mode set to on, with short decay for pluck like quality. Signal for both braids are being sent to another Qu-Bit RT-60 running program number 1-Reverb. Quantization set to "Oinian". Bassline sound created with a Intellijel Shapeshifter output 1, then being run into intellijel uVCF filter in LPF input, then the signal goes out a Qu-Bit RT-60 in program 1 Reverb. 

Ascension - Modular Patch

Link to the video captured here in real-time: https://vimeo.com/150015591

Patch Notes:

This was a patch experiment using the new Mutable Instruments Rings/Clouds Modules, and trying to create strumming/plucking guitar like sounds within a patch. The inspiration came from playing around with the Clouds Parasites 1.3 alternate firmware running in the Resonator mode highlighting the "scatter" (or strum) function. The master clock was the Tiptop Circadian Rhythms module, taking the first 4 outputs into my Nord Drum 2 for the Kick, snare, closed and open hi-hats. From there the clock output from the CR was multiplied and then sent to the Modcan Touch Sequencer. First row output from the TS was sent to the intellijel Shapeshifter creating a two note baseline sequence that comes in at 1:58. The second sequence Row2 output from the TS was sent to the "ALM Akemie's Castle" module OSC A output using the chord function, that comes in at 25 seconds. The gates from the modcan where set to a 16th's pulse sequence. Modulation from the synthesis technology E102 Quad Temporal Shifter output 1 modulating the Multiplier input on Operator 1. The 2, 3 and 4 outputs from the E102 where also modulating the Operator 2, 3, and 4 inputs on the Akemie's Castle. This was creating the harmonic timbre changing as the sequence was playing.

The slowly evolving sweeping noise textures that come in at 1:09 is from the Music Thing Radio Music module. The sample was a white noise sampled lightly filtered and then sent to the intellijel HexVCA with the amplitude CV control via a Intellijel Dixie modulating from slow to high rates (free running). The Make Noise Rene was being externally clocked from the Circadian Rhythm, and was sending out a quantized output to the Mutable Instruments Clouds pitch input creating the chord guitar sequence. The strum sounds on Clouds was played by the 4ms QCD running in 32th division output into the Trigger input. The freeze input was also triggered by a Ladik R-110 Random clock module. The combination of the two created the trill chord like strums.

The bass guitar tone sound that comes in at 1:24 are from the MakeNoise Mysteron, that is being sequenced by the Modcan Touch Sequencer, Row Output 3 was programmed in the same key but a lower octave. The "Rings" module was creating slow attack soft high pitched chords in reverb that come around 2:50. There was additional processing of the Clouds output that was sent into the Tiptop ZDSP module running the "Halls of Vahalla" card program 8 "Ginnungagap" creating the high pitch octave deep reverb shimmer effects. The harmonic slow swells that come in at 3:30 where created using another intellijel Dixie oscillator sine output running into an Strymon "Big Sky" pedal being harmonically controlled by an intellijel µScale V1. The output was being played slowly then processed using the "Choral" mode, creating the slow shimmer swells. The entire mix was sent into the Eventide Space pedal using the "Corridors" patch.

Mutable Instruments Rings : mutable-instruments.net/modules/rings
Clouds Parasites firmware: mqtthiqs.github.io/parasites/clouds.html

Strum - Modular Patch

For the "Transform" trailer demo song I mixed a few of my favorite sounds from  Jean-Edouard Miclot sound effects library new from Twisted Tools and tried to create a short slow piece that really showcased the versatility of some these sounds within the context of a musical composition. I also included a few additional sound effects and percussion sounds from my personal library that are also included in the release.
Recorded/processed/mangled at 24-bit 96-khz...

Link to buy the library here: http://twistedtools.com/shop/samplepacks/transform/

Devil's Droid / Transform - Licensing contact: Pitch Hammer (310) 709-2794

"Transform" Trailer -by Richard Devine

From "Poison Flavored" available now on rwina records


HYDRA (out NOW on Rwina Records)

last christmas i took acid and rode a cruiser bike through an abandoned san jose. I wrote this the next morning

Acid Hangover (IGUESSITSPOPULARTOTELLYOUITSAFREEDOWNLOAD)

OUT NOW on "Tropico Balkanico", La http://soundcloud.com/mercosur debut album
Balkan brass band from Colombia

La Mercosur_Cumbia Nacional_Dj Galletas Calientes Rmx_Album Version

RISP is Richard Devine's algorithm-based exploration of generative time structures for analog synths. If you missed limited vinyl boarding pass worry not -- gain 3 additional original richard devine compositions plus five remixes by Loops Haunt, Vaetxh, Subjex, Valance Drakes & Balkansky with the release of RISP on CD. Expect to breathe air on distant planets as chaotic, broken machines speak harmonious mutant languages via RD's human/alien soundesign and audio activist remixes. Thirteen new tracks to become alien. Watch the video for Plonked Spectral here: http://vimeo.com/38752382

DU-16: CD info: detroitunderground.net/blog/2012/03/28/richard-devine-•-risp-•-cd/

RiSP-CD

1. PlonkedSpectral
2. ErkWerks
3. Oxin2lin
4. TipTopBD808
5. Varseop
6. Morro
7. Etch n Sketch
8. Plasmik
9. Vapor Wave Acid
10. York Capacitor
11. ReneAnalogueSeq
12. Plonked Spectral (Vaetxh oort cloud remix)
13. Oxin2lin (Valance Drakes Remix)
14. Plonked S.(Gordan-Loopshaunt-Remix)
15. Plonked S. (Subjex Remix) *
16. Plonked Spectral-(Balkansky Remix)*
17. Plonked S. (DrumCell Remix)*

* exclusive for digi download.

14 songs

Total Time: 1:09 - 700.5MB


Links:

Release info from Detroit Underground detroitunderground.net/blog/2011/11/08/richard-devine-risp-ep-du-16/

Valentin Rodriguez, Dmas3, dmas3.com

Richard Devine: richard-devine.com

Plonked Spectral - From RiSP EP - CD

Alien Languages, is an experimental Acousmatic acoustic piece done entirely with just one iPad and Animoog. No plug-ins, editing, or extra sound sources were used for this recording. The demo track was to show how the sounds might be used for creating new sound effects, and electronic textures.

Alien Languages By Richard Devine

Tracklist:
01 NastyNasty - Waves (Bandcamp)
02 Quitter - Yadadada (unreleased)
03 NastyNasty - Prognosis (Robox Neo-Tech)
04 NastyNasty - Legionnaire (Rwina)
05 NastyNasty - Cylonn (unreleased)
06 NastyNasty - Marionette_edit (unreleased)
07 NastyNasty - Eleven (unreleased)
08 Quitter - Dirty Beard (Bandcamp)
09 Canblaster - Clockworks (NastyNasty contortion)
10 NastyNasty - ??? (unreleased)
11 NastyNasty - Cadburry (unreleased)
12 I'D n TELL n YOU x BUT s I'D a HAVE l TO v KILL a YOU
13 NastyNasty - Blind Samurai (unreleased)
14 NastyNasty - Warrior Path (unreleased)
15 NastyNasty - Aizen_edit (unreleased)
16 NastyNasty - Greedy (unreleased)
17 Quitter - Gravity (unreleased)

Quitter= myself and the illustrious SO.MF.WHAT: https://www.facebook.com/pages/QUITTER/183226945709
Ask me questions: http://codeineblunts.tumblr.com/
watch me rant: https://twitter.com/#!/Nastysounds
LIKE!: https://www.facebook.com/pages/NastyNasty/128765516974?ref=ts

LAZERBRAIN

This track was composed for the "Curtis" (iphone/ipod/ipad) app by The Strange Agency. This piece is a Acousmatic composition based on everyday found objects. I recorded various wine glasses, gears, metal, motors, Ratchets, chimes, croaking frog scraper, Indian bells, Tibetan Singing Bowls, Santoor, waterphone, piano, hematite magnets, processed voice, underwater ambiances, computer, and sprinkled bits of Buchla 200e/Doepfer Euro rack Modular. 
All of the sounds originally captured at 24-bit 96khz with a Neumann RSM 191 A/S stereo shotgun mic, SMK4060 Stereo Matched 4060-BM Miniature Omnidirectional Microphones and Sound Devices 702 recorder. Download the wave in 16-bit 44.1khz wave:)
Process and further granulate my piece with the"Curtis" app version 1.1 here on the itunes store. 
http://itunes.apple.com/us/app/curtis-for-ipad/id384228003?mt=8#


Objects Of Granularity

Electro Cumbia soundtrack used for PAINTHOUSE PROJECT épisode 8
Watch the video here:
http://www.youtube.com/watch?v=UjGEghtrEEM&feature=share
Watch another video from the painthouse I made the music for:
http://www.youtube.com/watch?v=6bCE7BYyCI8
Visit PAINTHOUSE PROJECT Blog
http://painthouseproj.blogspot.fr/

<a href='https://theartistunion.com/tracks/e23502'>Download for free on The Artist Union</a>

FREE DOWNLOAD

DJ GALLETAS CALIENTES_CUMBIA CHINA SIDERENSE

Computer Controlled Artificial Behavior

Taken from The Uprising Album on Mau5trap records.

produced by Salva and Nasty Nasty

iTunes:
http://glob.ly/2w0

Beatport:
http://smarturl.it/theuprising

Foreign Beggars - Crep Hype produced by Salva and Nasty Nasty

Krampfhaft – First Threshold

Having firmly made his mark on 2011 with the Spit Thunder 7” and Makin’ Magic EP, tracks that are still causing trouble in dances around the world, Dutch producer Krampfhaft returns to Rwina Records for a new release that blends cinematic sound design with jaw-dropping, hands in the air dancefloor ecstasy. 
The First Threshold is Krampfhaft’s statement of intent for 2012, uncompromising party music designed to make people move yet still hinting at something deeper. This a producer that’s still exploring the possibilities afforded by the music and as the intro states he’s quite capable of doing damage and sparing no one in the process. 
The EP opens with Marram. Setting the scene for what’s to follow, the track deftly balances epic and melancholic moods. It opens with sweeping strings, finger snaps and a dreamy melody before exploding into a grandiose drop with cascading drums and ominous synths. From this point on there’s no turning back. The core of the EP is found in Cork, Twin Prime and In A Dream, three high energy productions built firmly and unashamedly with the dancefloor in mind. Cork wastes no time and gets straight to the point with a rhythm built out of industrial parts and subtle interplays between percussive drums and euphoric melodies. This is a sonic whirlwind that sweeps across the dance with deadly precision. The same lethal precision informs Twin Prime: drums roll in a crescendo before unleashing sub heavy bass and more euphoric lead madness that mutates as the track progresses. If ever there was music to lose your mind to in the club this might just be it. In A Dream opens with loud panting breaths and looped eponymous vocal samples informing the listener that he’s “trapped in a dream” before a rush signals the arrival of heavy, claustrophobic drums and more catchy ecstatic lead melodies. As the melody morphs and plays a game of call and answer over the rhythm you might have just enough time to find a way out. Bones closes the EP, a gentler production that echoes the melancholy of Marram and comes across as a cleaner, brighter yet just as emotionally pulling production as the ones Clams Casino build his reputation on. Rolling drums, booming kicks and ethereal voices gently stir the listener towards the end. If you want to go all over again, you only need to press play. 
First Threshold continues Krampfhaft’s exploration of what makes dancefloors move today. The high energy and varied moods found across its five tracks, inherited from his diverse background as a fan of electronic and dance music, are balanced with an attention to sonic detail and musical structure that’s often taken for granted. Cross the First Threshold and come lose yourself in a sonic adventure like no other.

Artwork by Menno Fokma and Floris Vos

Format: Vinyl 12" and digital 
Barcode: 5055300368645

Released by: Rwina Records 
Release/catalogue number: RWINA020 
Release date: Nov 19, 2012 

Krampfhaft - First Threshold EP [RWINA020]

Richard Devine - Etch and Sketch (Drasko V Remix)
RiSP Album 2012 
Detroit Underground

www.detund.net
www.drasko-v.com

Richard Devine - Etch N Sketch (Drasko V Remix)

Testing my new live set - direct recording.

Symphonic Machine Live Version

VIRUS

Lyrics "closer"

Gestrandet in dieser gespenstischen Stadt
Ampeln schwingen hin und her und die Telefonleitungen sind tot
Der Boden ist klirrend kalt
Sie nahm mein Herz; ich denke, sie nahm meine Seele
Gemeinsam mit dem Mond renne ich weit fort
von dem Inferno der feurigen Sonne

Getrieben von der düsteren Stimmung
Keine Gnade zeigend, würde ich es nochmal tun
Öffne deine Augen
Du wirst weiter weinen, baby, ich werde Dich ausbluten lassen
Der Himmel blinzelt mir zu
Ich sehe aus dem Meer einen Sturm aufsteigen

Und es kommt näher
Und es kommt näher

Du erschütterst mich bis ins Mark
Lässt mich zurück, ganz allein, mit meiner Liebe
denkst DU an MICH ?
Wo bin ich jetzt? baby, wo schlafe ich?

Kings of Leon - Closer [no one 32 Vocal rmx]

Crep Hype - MRK1 Remix 
Original produced by Salva and Nasty Nasty

Foreign Beggars Crep Hype - MRK 1 Remix

Buddha Bless

by Sean D of DDP

'It's got a great beat and you can meditate to it!'
-Dick Clark

Buddha Bless

Uploaded with AudioShare app - http://kymatica.com/audioshare

TM OBC at Drumcomputer

Download link: https://itunes.apple.com/my/album/enough-enough-single/id665876114

Enough, Enough (acoustic version, raw demo)

New EP Systik now available: https://richarddevine.bandcamp.com/

Bookings: mia@lb-agency.net