listening

1511

Run - Autumn

listt

liist

soniq destroya

Richard Devine

faved

Beatport Exclusive: btprt.dj/1veUFpH

We remixed this Japanese girl pop group and turned their song 'Lost Child' into an angry drum & bass tune. Out now through our label @VisionRecordings. Beatport only.

Artwork by http://khomatech.com

Download

Momoiro Clover Z - Lost Child (Noisia Remix) [OUT NOW]

This is the first single from Árstíðir's third full length album Hvel.

Pre-order the full-length album and get an instant download of "Things You Said": https://arstidir.bandcamp.com/album/hvel

Download free wallpaper from the album cover art: http://dl.arstidir.com/arstidirWallpapers.zip



Things You Said (Radio Edit)

“Questo ricordo, che la prima reazione collettiva fisico-emotiva è stata uguale all'ultima, e che man mano le canzoni crescevano, passando dal provino alla forma attuale, il nostro modo di reagire fisicamente ed emotivamente al loro ascolto si consolidava e si enfatizzava ancora di più verso un'unica direzione. Così, chiunque si trovasse in studio di registrazione insieme a noi a sentire quei brani che avrebbero composto il nuovo album puntava sempre e incondizionatamente il dito al cielo alzando il più possibile il braccio, il rituale che compiono i
battitori di baseball quando vogliono avvertire il pubblico che hanno intenzione di battere un fuoricampo. E noi questo avevamo intenzione di servire: un FUORICAMPO. 

Non che le cose si decidano a tavolino. E' bastato tornare alle origini senza sprechi di tempo senza vergogna, immersi dalla testa ai piedi in quella cultura pop in cui siamo cresciuti. Figli dell'animazione giapponese che sfodera il mito dell'eroe malinconico, figli dei treni che si perdono nello spazio e che planano in mare, del volo, delle stelle e delle nuvole. Buttarsi via dopo un amore estivo rigalleggiando lungo il litorale nei mesi freddi, partecipare al vizio che ci rende vivi e felici. Il vizio e il sesso che fermano lo scorrere del tempo. Il gioco della bottiglia è solo un preambolo infantile di un orgia. Abbiamo voluto gridare contro le veglie insonni, cresciamo e non dormiamo più, cresciamo e ci vestiamo sempre peggio, noi non crediamo nel paradigma del modello calciatore. 
La moda deve essere altro. Noi crediamo ancora nei film d'autore, nella storia e nella natura, crediamo nell'educazione.
È quando il battitore batte un fuoricampo che tutto il pubblico sugli spalti si mette a guardare il cielo”
Tommaso Paradiso (Thegiornalisti)


Thegiornalisti - Promiscuità

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Kursa & Duskky - Sesquipedalian [EDM.com Premiere]

Phace’s own imprint, Neosignal Recordings, released his fourth studio album, titled ‘Shape The Random’, on March 16th (CD, digital, limited vinyl formats), preceded by a two track album sampler out now (digital and limited vinyl formats). Having worked on the album for over a year, he believes this LP to be both his best work so far and his most intense production experience to date. The 14 track album contains the cutting edge drum & bass music that’s become his signature, an uncompromising and original sound that combines twisted bass, rhythmical experimentation, high contrast ambience, deep cinematic themes, explosive energy, and elements of analogue tech and funk.

OUT NOW!

BUY THE ALBUM (DIGITAL):
Phace Bandcamp: bit.ly/1u92xog
Neosignal Recordings Store: bit.ly/1MFtYPr
Beatport: http://btprt.dj/1Ejnyks
i-Tunes: bit.ly/1xsklLf
Spotify: spoti.fi/1x83hBp

BUY THE CD:
Amazon Germany: http://amzn.to/1CP7Q4G
Amazon UK: http://amzn.to/1CP7N9h
Juno: http://bit.ly/1aZVlYB
Deejay: http://bit.ly/1aZVsn9
Eastblock Records: http://bit.ly/1AeaxGp
Weltbild: http://bit.ly/1Aeb7Ef
WOM: http://bit.ly/1C4wsqO
WOW Australia: http://bit.ly/1GBPuFZ

BUY EXCLUSIVE PHYSICAL VINYL & CD BUNDLES:
Phace Bandcamp: bit.ly/1vfRRFa

BUY ALBUM SAMPLER (DIGITAL):
Phace Bandcamp: bit.ly/1u92sBd
Neosignal Store: bit.ly/1z41lVE
Beatport: btprt.dj/1v4oZVF
i-Tunes: bit.ly/1G0pkxg

BUY ALBUM SAMPLER PART 1(LIMITED 12" VINYL):
Redeye Records: bit.ly/1KIbfli
Juno: bit.ly/1E1RCSD
Deejay: bit.ly/1DWFBhM
Have-A-Break: bit.ly/1zhSyiX
and more.

BUY ALBUM SAMPLER PART 2(LIMITED 2x12" VINYL):
Redeye Records: http://bit.ly/1wpSBgD
Juno: http://bit.ly/1AdwEO6
Deejay.de: http://bit.ly/1wWmbuM
Eastblock Records: http://bit.ly/1GnYET7
and more.

BUY OFFICIAL MERCH:
Neosignal Store: bit.ly/1ddzNSt

Phace
Like → www.facebook.com/phaceneosignal
Follow → twitter.com/phace_

Neosignal Recordings
Like → www.facebook.com/neosignalnsgnl
Follow → twitter.com/neosignal_
Website → www.neosignal.de/

'Phace's Shape the Random LP in 5 minutes' - Minimix/Medley [ALBUM OUT NOW]

The new album, out now on Second Language Music.  www.secondlanguagemusic.com

There's not just a brutalism about Cumbernauld, the Scottish "new town" in North Lanarkshire, developed ostensibly to catch the population overspill from neighbouring Glasgow in the 1950's but also a melancholy, almost tangible banalism.  According to brothers Phillip and Peter Walker, collectively operating under the moniker of P60, the lack of any discernible activity, cultural or otherwise, has resulted in a "blank society" which practically revels in its stagnance.  "If you Google images on Cumbernauld," says Phillip, you'll notice a distinct dearth of people in the photos.  Everyone just stays at home watching tv." But look very closely and you'll notice that something is happening behind the concrete 
and steel facade.  
 “We got into this by default," says Peter. “Our uncle Jim, died about 5 years ago and they found all these old synths and stuff in his attic which obviously, he’d never used. Some of them were wrapped up in bin liners and bits of carpet so the rain wouldn’t get at them.  Nobody wanted them so at first I thought let's just stick them on eBay or something."
Phillip, however, had other ideas. “I used to be in a band (the equally reclusive Glasgow post-punk outfit, Knives Replace Air) which was all guitars but I knew we could do something if we applied ourselves. It’s taken 2 years to actually start making tunes we’re happy with.  Before, it was just press a key, twist some knobs and see what comes out.  We’re still not exactly Depeche Mode.”  
It’s this rudimental, even naïve approach to their somewhat rusty analogue palette that makes P60 stand out.  As Phil says, “Most people with a few synths and a drum-machine would go, ‘Let’s make dance music’ but between us, we literally have no interest in club culture.  We’re much more interested in the voice of the instruments." 
But why P60?  “Both our names start with P obviously but in one of the binbags with all these synths was a little black box held together with duct tape and someone’s Dymo’ed ‘P60’ on it.  There’s an input and an output and we’ve had it apart but we’ve still got no idea what it does!  It’s literally a little black box that does nothing.  It seemed very apt.  We aren't going to play live or have our photos taken.  We want to stay anonymous.  In the current celeb-obsessed climate, that's about as punk as I can imagine.”  

P60 'Models' comes in a semi-transparent glassine envelope with postcard, sanding disc, tachograph, hand-stamped litmus paper and electrical resistor.  Limited edition of 300 copies.  This is SL031.



Kronecker Product

From the album, 'Models,' out now on Second Language Music.  www.secondlanguagemusic.com

There's not just a brutalism about Cumbernauld, the Scottish "new town" in North Lanarkshire, developed ostensibly to catch the population overspill from neighbouring Glasgow in the 1950's but also a melancholy, almost tangible banalism.  According to brothers Phillip and Peter Walker, collectively operating under the moniker of P60, the lack of any discernible activity, cultural or otherwise, has resulted in a "blank society" which practically revels in its stagnance.  "If you Google images on Cumbernauld," says Phillip, you'll notice a distinct dearth of people in the photos.  Everyone just stays at home watching tv." But look very closely and you'll notice that something is happening behind the concrete 
and steel facade.  
 “We got into this by default," says Peter. “Our uncle Jim, died about 5 years ago and they found all these old synths and stuff in his attic which obviously, he’d never used. Some of them were wrapped up in bin liners and bits of carpet so the rain wouldn’t get at them.  Nobody wanted them so at first I thought let's just stick them on eBay or something."
Phillip, however, had other ideas. “I used to be in a band (the equally reclusive Glasgow post-punk outfit, Knives Replace Air) which was all guitars but I knew we could do something if we applied ourselves. It’s taken 2 years to actually start making tunes we’re happy with.  Before, it was just press a key, twist some knobs and see what comes out.  We’re still not exactly Depeche Mode.”  
It’s this rudimental, even naïve approach to their somewhat rusty analogue palette that makes P60 stand out.  As Phil says, “Most people with a few synths and a drum-machine would go, ‘Let’s make dance music’ but between us, we literally have no interest in club culture.  We’re much more interested in the voice of the instruments." 
But why P60?  “Both our names start with P obviously but in one of the binbags with all these synths was a little black box held together with duct tape and someone’s Dymo’ed ‘P60’ on it.  There’s an input and an output and we’ve had it apart but we’ve still got no idea what it does!  It’s literally a little black box that does nothing.  It seemed very apt.  We aren't going to play live or have our photos taken.  We want to stay anonymous.  In the current celeb-obsessed climate, that's about as punk as I can imagine.”  

P60 'Models' comes in a semi-transparent glassine envelope with postcard, sanding disc, tachograph, hand-stamped litmus paper and electrical resistor.  Limited edition of 300 copies.  This is SL031.



P60 - Broken And Unbroken

The Reception

Title track from Leafcutter John's new album, Resurrection(Pathway009)

A panoramic sound world of drifting vocals over a densely-processed terrain of mud-caked percussion and guitar, Leafcutter John’s new solo album, Resurrection, is a characteristically unique blend of the electronic and the acoustic, the hi-tech, the human and the homemade.
Resurrection is the sixth Leafcutter John album and his first solo release since 2006’s The Forest and The Sea CD/LP(Staubgold). In the intervening nine years, John has toured from Vietnam to Venice, appeared live with Beck Hansen and Imogen Heap, and provided the score for Crow, a major theatre project by Handspring (creators of War Horse). 

During this time, John has also maintained his permanent role as the unpredictable, electronic antagonist in Polar Bear, the twice Mercury Music Prize-nominated, genre-defying jazz band.
This new record marks fifteen years of releases by Leafcutter John. Born John Burton in Wakefield (Yorkshire, England), his highly original musical voice was first spotted by Mike Paradinas, label boss of Planet Mu Records. Over the course of his first three albums (2000-2003), John established and developed his idiosyncratic London-based studio, and his skills as an inventor of unusual instruments and extraordinary music software.
Resurrection begins with the sound of a single bell, in homage to one of John’s major influences, Bernard Parmigiani’s De Natura Sonorum (1976). From there, the album unfolds over five cinematically varied tracks, “like floating above a world in constant flux,” in John’s own words. In fact, aerial photographs of the Japanese tsunami of 2011 were a direct inspiration for the record.
“I would create complete, fully-formed compositions,” says John, “then later, I’d come back to them, playing the part of
the destroyer, scraping and smearing away elements, weathering, piling up and re-ordering them, as if they’d been hit by a natural disaster.”
Not content with the usual tools available to the electronic musician, John has created innovative new systems and techniques for both live performance and production. This includes a light-controlled instrument that allows him manipulate his live sound through gesture, flickering candles, flashing torches and pyrotechnics. For the track “Gulps,” John coded special software to layer huge swathes of sound. Using a recursive system, he created 7.1 billion layers of a recording of the North Sea, one for each human alive on the planet at the time of writing.
Featuring a guest appearance by Shabaka Hutchings (Sons of Kemet), “Gulps” is a poignant demonstration of John’s
approach: Hutchings’ intimate clarinet is gradually engulfed by a (literal) ocean of sound. This is sculptural sound design
where technological innovation is always at the service of the emotional impact of the music: deeply human at its root, and
mind-expanding in its ambition.

Desire Path Recordings
www.desirepathrecordings.com | leafcutterjohn.com

Credits
Written and produced by Leafcutter John, with Varpu
Kronholm playing additional percussion on “I Know You
Can” and Shabaka Hutchings playing Clarinet on “Gulps.”
“Endless Wave” contains elements of “Forest Of Spades” by
Strings Of Consciousness, used with permission.
Mastered by James Plotkin
Photography by Max Baillie
Design by Chris Koelle, Leafcutter John, and Varpu Kronholm

Distributed by Revolver

Leafcutter John - Resurrection

Digitalism's new single 'Roller' is out 8th June via PIAS
iTunes: https://itunes.apple.com/gb/album/roller-ep/id991293750?ls=1

www.facebook.com/digitalism
www.twitter.com/digitalismmusic
www.instagram.com/digitalismofficial
www,soundcloud.com/digitalism_official
thedigitalism.com

DJ MAG WEEKLY PODCAST: Digitalism

Amon Tobin occupies a peculiar position in the dance music firmament – a point where the gravitational forces of IDM, EDM, D’n’B and rather more hipster-friendly bass music balance one another out. He’s got every bit the production finesse, and often the weirdness, of WARP luminaries, he can also make some very deep and dark basement-friendly tunes – yet he is something of a rave superstar in the USA, and for The Six Rhythms EP he’s on Dutch loudness-warriors Noisia’s label Division. His Two Fingers guise was originally created for tracks with UK MC Sway, but it’s now an instrumental project. We won’t lie, the other tracks on this EP slide a bit far into stadium rave territory for us, but this one – a healthy dose of body-rocking warehouse electro – does the business and then some. It’s out on 22nd June – you can preorder on the Division site or iTunes.

Preorder

Two Fingers "Adrian's Rhythm" - Boiler Room Debuts

MARCHROMT30a Edit 2b 96

MARCHROMT30A EDIT 2B 96 MASTERED

Link to the video of the patch, recorded in one take here: https://vimeo.com/136165676

download to the .wav file :-)

Patch Notes:

Harmonic patch using the new MakeNoise tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer, and 4ms Spectral Multiband Resonator. The master clock is the Tiptop Circadian Rhythms. Clock output running into the Modcan Touch Sequencer. Channel output one running into one intellijel Dixie (V1) for the bassline. Dixie output running into a Mutable instruments Ripples filter (LP4), triangle waveform. Second channel output sequencing quantized 8 note sequence to the telharmonic oscillator, creating the first lead sequence in the patch (major scale set). One Mult output taken and sent to the Strymon BigSky reverb pedal to create the delicate swarm pads that rise in and out at the builds. Amplitude control of the slow rises via the intellijel HexVCA, slow rate control from one Modcan Quad LFO. The other output is then taken and sent to the Qu-bit RT-60 reverb. Third output from the Modcan TS sending quantized CV to the MakeNoise STO oscillator variable SHAPE output then sent through lower section of the MakeNoise Optomix. The forth output from the Modcan TS is sending a 4 chord pattern (min9) to the intellijel shapeshifter module in chord mode. This output is then sent to another Qu-Bit RT-60 reverb algorithm. MakeNoise Mysteron plucking guitar like effect being triggered by a 4ms RCD, 5th trigger out. The Mysterson then is running out into a Strymon BlueSky pedal, reverb.

Drum sequencing from TipTop CR, channel one kick drum going to the Nord Drum 2. Second channel number 2 triggering a custom snare drum made on the Nord Drum 2. Channel 6 from the CR triggering a low bass drum, in the key of "C". Clock output from CR into the 4ms SCM being rotated by a intellijel dixie sine wave output running at a slow rate shifting the 16th's hi hat pattern. Noise source for hi-hats are the SSF quantum rainbow 2, purple output running into the MakeNoise Optomix. The high end snare clap sound is by the Synthrotek's DS-M drum module, then being lightly processed by the Synthrotek DLY, slowly CV controlled by a Modcan Quad LFO in random mode creating more glitchy effects. This is then being sequenced by channel number 2 from the tiptop CR. The first lower left side 4ms Spectral Multi-band Resonator processing 72 custom DSP samples, which are being played by one addac wave player. The output is then being sent to a intellijel uVCF filter (hi pass), for the light subtle glitch textures. The second 4ms Spectral Multi-band Resonator, processing another set of 32 samples (noise washes/slow rises/falls) via channel number 4 from the CR tiptop. From here the output is being processed by a Mutable Instruments Clouds (granular mode), being controlled by the Pittsburgh Modular Game System running "Meteor Shower" mode in which the explosion based gates and random control voltages are then being sent to 3rd Dixie, controlling the CV rate time then from there its sent to the "Freeze" input on clouds, processing small bits of audio coming from the second addac waveplayer, The second output coming from the gamesystem is going into the "position" input on Clouds, which is doing some additional glitching to the signal.Main output from a intellijel Mutagen mixer then ran through the Eventide space pedal for extra spatial atmosphere. :-)

Harmonic Symmetry - Modular Patch

Taken from the forthcoming Shine EP, out 18th September via Ultramajic.

Vinyl: https://clone.nl/item36764.html
Digital: http://btprt.dj/1KqmnSU

BANDCAMP

FEEL WHAT IT IS

Very few musical acts achieve the levels of unanimous acclaim of Autechre. The English duo of Rob Brown and Sean Booth are not an act you simply like; they are an act you love, fawn over and dream about. They’ve got themselves here over the course of the last 28 years, and have done so by amassing a discography that’s about as perfect, influential and accomplished as could ever be possible. A key Warp label act from day one, they have released tens of albums, well over a ten EPs and have featured on a dizzying amount of essential compilations, mixes and remixes in that time. Without their contribution to the IDM canon, its fair to say the modern musical landscape would look very different. 

Rhythmic but experimental, absorbing yet abstract, cerebral and psychedelic, their ever evolving output is up there with the likes of fellow luminaries Boards of Canada and Aphex Twin as some of the most important in all of electronic music. As well as being fine craftsmen in the studio, Autechre are also revered live performers who really manage to conjure up captivating and otherworldly soundtracks that marry heavy bass with ethereal melody. The pair themselves do not care for genre, but suffice it to say that they have mastered everything from hardcore to ambient to glitch and plenty of indescribables in between. 

When the pair recently laid down an impressive set at Dekmantel Festival, we asked if they might be up for a doing an early inspiration mix, whereby they put together a collection of the sort of electro and hip hop tracks that turned them on as youths. At first they hesitated, pointing out that "we don't do strictly retro stuff, it's too corny.” But alas, a few days later, a huge file landed in our inbox… That file is a 4 hour and 18 minute mix that basically encapsulates not just Autechre’s own influences, but also acts as a fine anthology of the greatest electro sounds of all time. Every sub genre imaginable gets touched upon along the way, with nods to forefathers like Kraftwerk, killer cuts from Man Parrish, classics from Newcleus and retro gold from the likes of The Beat Club. It is a thrilling ride and a truly rare treat that reminds us just why we love Autechre, as well as shining a light on a vast genre that often pays second fiddle to house and techno.

Dekmantel Podcast 035 - Autechre

Bandcamp: ochre.bandcamp.com/album/beyond-the-outer-loop
Spotify: open.spotify.com/album/6gOkTOsw1ax9UYZ5zVghOu
Apple: itunes.apple.com/us/album/id1203813166
http://ochremusic.com

Beyond the Outer Loop

Anaphora

Bandcamp

Here's Alex's and my oral history of this track..

Alex:  "The idea for ‘Eve’ came about from a short session in my studio where I sketched out some very rough 16 bar loops and sent them over to Max to play with, deliberately stopping myself from developing them too far at this stage in order to leave space the collaborative process to evolve."

Max:  "I almost un-wrote a track for this one. Alex started off with the main bulk of the ideas for the track, and I initially chopped it all back to a couple of key elements.   I then experimented with some FFT effects and building some chaotic randomising manipulations of the basic elements, and sliding drum rhythms so that one drum element would slip relative to another and then back in - all an attempt to generate some movement and variation from the simple building blocks."

Alex:   "It was interesting to hear the rough ideas I had created, developed in a totally different way to how they would have had I been writing the track by myself. Inspired by the new direction the track was going in - "

Max:  "I'd made a mess.  Alex helped tidy it all up and bring it enough back into line to work as a dancefloor track"

Alex:  "- I layered some more percussion hits and string textures.  We continued the process of sending stems back and forth, refining each others ideas as well and creating new ones until the track was ready."

Max:  "The quotient series has been a nice opportunity to experiment with new music outside of the restrictions of record labels and their need to sell product.  This freedom has left me open to put out a piano solo and feedback matrix, a 10 minute ambient to drum and bass glitch remix, a track scored to a video, a one off club collab and more - all projects that I wanted to try, and am glad I did, but that wouldn't easily fit into the usual EP/LP formats. 

It's been a sort of sketch and experiment project, much of it tied to the Emergence visual shows, where I've been experimenting with how I can perform music and visual in sync in a live format. "


FREE DOWNLOAD

Eve - with Alex Banks - Quotient 6/6

I made this little mash up track a few years ago. It's comprised of all halloween related songs and it's silly and stupid. Enjoy.

Monster mash-up halloween jammy jam

Mix of the Week #90 is from Prins Emanuel

On SoundCloud: @prinsemanuel @fasaanrecordings


Mix of the Week #90: Prins Emanuel - Eternal Bacchanal

II OUT NOW II 

Beatport: http://btprt.dj/1GHAQyU
iTunes: http://apple.co/1M6uypf

One year on since the first installment, the mighty Hot Creations turn up the heat as they get set to unleash ‘Hot Summer Jams 2’, featuring eight exclusive tracks from familiar faces and blossoming new talents.

The first half of the v/a welcomes back some favourite artists with the first track coming from label head and main man himself Jamie Jones, hot off the heels of some far reaching releases as Hot Natured and solo anthems. He delivers the storming future anthem, ‘Danger Mouse’. Next up Suara boss Coyu delivers ‘The Cat’ featuring the stunning vocals of Cari Golden. On an old school tip, New Yorker MANIK hits us with ‘Freak Your House feat. MC Kew G’ followed by a dance ready track from Alexis Raphael, who had his first track signed to Hot Waves back in 2011.

Dynamic duo Leftwing & Kody make their first appearance on the label as they team up with Cera Alba to deliver the heavy duty ‘I Got One Way’. Newcomers David Glass & CDC, Sean Branton and Neil Parkes also make their debuts on the label with serious impact. Bubbling with groove and energy, each of the tracks hold superior dance floor magic, road tested worldwide by the Hot Creations crew this summer, they are essential ammunition.

Co-founded by Jamie Jones and Lee Foss, Hot Creations has been going from strength to strength since it’s creation in 2010, releasing a comprehensive catalogue of music from well known artists and breaking new talents who have gone on to be some of the biggest names in the industry today.

2015 has seen a wealth of new productions from Jamie Jones including a collaboration with Kate Simko and the London Electronic Orchestra on his new label Emerald City, followed by another huge hit from his band Hot Natured plus the release of ‘Siberian Express’, recently named Essential New Tune.

BEATPORT

Hot Summer Jams 2 - 01 Jamie Jones - Danger Mouse

Tracklist + download: http://boilerroom.tv/upfront/042-teamsesh/

"TeamSESH is a group of friends from all over the world bound together by our love for music and the same love for creating it. We are steadily working towards our dreams; as a unit. Thanks to everybody for the support, it is and will always be appreciated. We got so much more coming very soon."

- Bones, @TeamSESH

Mixed by @hnrk93 

Tracklist + download

Upfront 042: TeamSESH

Midland always hits the sweet spots with his edits and this one is no different. After 30 seconds you're hit with those quintessential synths that vibrate and transform as the song progresses. 

The eloquent vocals are backed with meandering percussion and emotion-laced riffs. It's safe to say we're really feeling this one, check it.

More exclusive music

Premiere: Darkstar 'Stoke The Fire' (Midland Remix)

Link to the video of the patch, recorded in one take here: https://vimeo.com/139872178

download the free wave file :-)

Patch experiment using the Noise Engineering Variatic Erumption x 2, and Minigorille CV graphic modules x 2. Clock output from the Tiptop Circadian Rhythms into the CV Graphic input 1, left side (purple). Then another output from the TipTop CR taken to the right side (siliver) CV Graphic module. Output 4 from the Tiptop CR sent to the left side Variatic Erumption (ext gate to the hit jack input) which would send very slow burst of random gates. The CV Graphic CV output (PONG sequencer mode 2) A and B would output bouncing ball like CV voltages to the Variatic Erumption CV Pattern, and Time/Division input. This created some very organic scattered sequencing taking one output that was triggering a Snazzy Fx Ardcore running custom frac drums patch.

The other output was running into a trigger input on the Mutable instruments clouds, which is causing the light granular scattering in between the beats. Another output from the V.E. running into the Noise Engineering Basimilus Iteritas, for the FM pluck like percussion sound. Next output from VE running into a 4ms RCD, random triggering spaced out burst to the clock input. From here, the output was taken (4)out to the MakeNoise Optomix set slightly open, which was running a ALM's new "Akemie's Castle" dual voltage controlled oscillator, running out the chord output (OSC A). From the Akemie's Castle the output is going into a Tiptop Z-DSP processed with the The Halls of Valhalla card running program 7 (Asgard). Mult output also taken to the Strymon Big Sky pedal running in "Chorale" mode mix completely wet for delicate melodic swells. Making the rich choral timbres. Another gate output from the Noise Engineering V.E. running into the Mutable Instruments (mystery) module. Output from here sent to the Qu-Bit RT-60 effect module, which is also being triggered (for effects program change) via by the 5 division output from the 4ms Rotating Clock Divider.

Kick drum created using the MakeNoise telHarmonic module, running into a Optomix. Snare and hi-hat sounds courtesy of two Ladik D-333 Rom players. One running the Snares card, and another running hi-hats. Both outputs being summed into the Synthrotek DLY module. The delay input being modulated by a modcan QuadLFO output 1 slow S&H. First sequenced notes via the Mutable instruments Braids running the new "HARM" additive harmonics mode. The quantization was set to "Oinian". Second Braids for other harmony running the "OPSK" smooth sine like melody, VCA mode set to on, with short decay for pluck like quality. Signal for both braids are being sent to another Qu-Bit RT-60 running program number 1-Reverb. Quantization set to "Oinian". Bassline sound created with a Intellijel Shapeshifter output 1, then being run into intellijel uVCF filter in LPF input, then the signal goes out a Qu-Bit RT-60 in program 1 Reverb. 

Ascension - Modular Patch

Heavyweight track from the master himself! Taken from Culprate's upcoming Mask EP, out on the 27th of November. 
Pre-order via Bandcamp and receive the Habstrakt collab 'Inertia' as an instant download: http://hyperurl.co/MaskEP

@culprate
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More Music

Culprate - Mask

Extended demo of the new "Flesh" Reaktor 6 instrument. "Scatterbrain Jungle" :-) Very cool innovative performance synth that turns anything you feed it into a electronic symphony

Only two instances of the Flesh ensemble. All sounds are 100% Flesh sounds. The only thing added was a touch of reverb from the 2CAudio 2C-B2

http://www.native-instruments.com/en/products/komplete/synths/flesh/


ScatterbrainJungle - Flesh Reaktor - Demo Extended Version

Download Daruma Vol. 004: http://get.tndn.io/l/8pbL_u-Awc 

Follow @electricmantis

Follow Daruma:
@darumasounds
www.twitter.com/darumasounds
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Download Vol. 004

Electric Mantis - Estimate

https://www.toneden.io/wearegraves/post/graves-myrne-tiger-blood

graves & MYRNE - Tiger Blood

Track List:
--------------------
Daylight - Monsta
Bobby Savage - Lady Killer feat. Alexandra Kane {Fear The Priest Rmx}
Unknown Artist - Guarana Spy
Martijn Schmit - Sk8te
Datamnesia - Minimal Techno Bootleg
Dandi & Ugo vs Piatto - Techno Cartoons
Master Enkel - Output
Unknown Artist - Werktitel 5 Pressure
Unknown Artist - Monochord
Bryant Autrey - That Mix
Bryant Autrey - Saltines
Unknown Artist - Push 31
Krachen - Summertime
Santiago Ciapuscio - Techno Or What
Unknown Artist - Techno 6C

Quantum Dynamics 16


TRACKLIST:

1-  Shambok - Heroin House 3
2- Zombie Nation - Momplays
3- Radio Slave - The Clone Wars (K-Lagane rmx)
4- Hackler & Kuch - Bring it
5- Fear The Pries† - If You Don't Believe I Love You Just Ask My Gf
6- Fukkk Offf - Suck This
7- Phutek - WTFDD
8- Fear The Pries† - I Keep Forgetting I Forgot About You
9- Fukkk Offf - Boston Dynamics
10- Alek Drive - Future Music
11- Fukkk Offf - U.R. Techno
12- Olson - Disturbance (Adam Remix)
13- Un:Code - DRKNSS (Sovnger Remix)
14- Olson - Disorder (Atix Remix)
15- Linda Lamb & Gipsy Family - Ground Punkrocked (GEDEØN rmx)
16- Equitant - Body Vehement
17- Eliot - Tuberculoyd
18- Crystal Castles - Year Of Silence

BL∆CK TECHNØ DJ MIX

Modeselektor / Berlin

"Itchy" is taken from the forthcoming Siriusmo album "Enthusiast" (MONKEYTOWN033) Out June 14

Siriusmo "Itchy" taken from the forthcoming album "Enthusiast" (MONKEYTOWN033) Out June 14

New EP Systik now available: https://richarddevine.bandcamp.com/

Bookings: mia@lb-agency.net

ScatterbrainJungle - Flesh Reaktor - Demo Extended Version

RichardDevine