New(recommedation) songs of the 2nd week of October

richar devine

We Come In Peace Space Bass Part 12

Check out our BandPage on Facebook: http://listn.to/RichardDevine - Brought to you by http://www.rootmusic.com

RootMusic BandPage

Tiptop Audio is proud to introduce a new project for 2015: Tiptop Audio Records.
In the recent years musical productions have seen a remarkable return to the use of hardware through analog synthesizers and digital control interfaces. This trend has proven so strong that it prompted a rebirth of modular synths in a new format (eurorack).  Tiptop Audio has made a name producing sophisticated but easy to use modules, designed to form a complete system that is especially effective for dance-oriented productions and live sets.

Tiptop Audio Records selected for its first issue some of the most groundbreaking artists using such systems, to present a range of artists who, through their tracks, explore the landscape of dance music in a very fresh perspective.  These are the artists who inspire the Tiptop team to make more innovative devices, which in turn make new music (a nice feedback loop).

ANGLE, BLAWAN, CHRISTIAN BURKHARDT JOAO CESER, JOHN TEJADA, JOSEPH FRAIOLI, MOE ESPINOSA (DRUMCELL), KINK, RICHARD DEVINE and SURGEON each contribute a track stamped with their own style and vision.  Tracks range from Surgeon’s trademark hard minimal beat, to Kink’s gauzy dreamscape, while Richard Devine and Joseph Fraioli explore the outer reaches of beat based music.  The Phase VI team (John Tejada and Moe Espinosa AKA Drumcell) produces an endlessly shifting set of percolating rhythms, Christian Burkhardt and Joao Ceser put some 21st century twists on classic dance floor patterns, ANGLE lay down effortless, sophisticated Continental style and Blawan adds some industrial toned menace.

The release will initially come as a double vinyl edition, with a cover painted by the artist Matteo Giampaglia, and a digital download version will follow.
An original video teaser will introduce the compilation, then other videoclips of the individual tracks will be realized by exciting new visual artists.

9 RICHARD DEVINE - CR HEX MUTANT

Just released today my remix of bossFYTE on DETROIT UNDERGROUND
Lil' Dog Toes / Think About It ( Richard Devine Remix)
DETROIT UNDERGROUND 7-inch by bossFYTE.
Order Here:
https://bossfyte.bandcamp.com/track/think-about-it-devine-remix-2

BossFYTE - Think About It ( Richard Devine Remix)

Link to the video of the patch, recorded in one take here: https://vimeo.com/136165676

download to the .wav file :-)

Patch Notes:

Harmonic patch using the new MakeNoise tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer, and 4ms Spectral Multiband Resonator. The master clock is the Tiptop Circadian Rhythms. Clock output running into the Modcan Touch Sequencer. Channel output one running into one intellijel Dixie (V1) for the bassline. Dixie output running into a Mutable instruments Ripples filter (LP4), triangle waveform. Second channel output sequencing quantized 8 note sequence to the telharmonic oscillator, creating the first lead sequence in the patch (major scale set). One Mult output taken and sent to the Strymon BigSky reverb pedal to create the delicate swarm pads that rise in and out at the builds. Amplitude control of the slow rises via the intellijel HexVCA, slow rate control from one Modcan Quad LFO. The other output is then taken and sent to the Qu-bit RT-60 reverb. Third output from the Modcan TS sending quantized CV to the MakeNoise STO oscillator variable SHAPE output then sent through lower section of the MakeNoise Optomix. The forth output from the Modcan TS is sending a 4 chord pattern (min9) to the intellijel shapeshifter module in chord mode. This output is then sent to another Qu-Bit RT-60 reverb algorithm. MakeNoise Mysteron plucking guitar like effect being triggered by a 4ms RCD, 5th trigger out. The Mysterson then is running out into a Strymon BlueSky pedal, reverb.

Drum sequencing from TipTop CR, channel one kick drum going to the Nord Drum 2. Second channel number 2 triggering a custom snare drum made on the Nord Drum 2. Channel 6 from the CR triggering a low bass drum, in the key of "C". Clock output from CR into the 4ms SCM being rotated by a intellijel dixie sine wave output running at a slow rate shifting the 16th's hi hat pattern. Noise source for hi-hats are the SSF quantum rainbow 2, purple output running into the MakeNoise Optomix. The high end snare clap sound is by the Synthrotek's DS-M drum module, then being lightly processed by the Synthrotek DLY, slowly CV controlled by a Modcan Quad LFO in random mode creating more glitchy effects. This is then being sequenced by channel number 2 from the tiptop CR. The first lower left side 4ms Spectral Multi-band Resonator processing 72 custom DSP samples, which are being played by one addac wave player. The output is then being sent to a intellijel uVCF filter (hi pass), for the light subtle glitch textures. The second 4ms Spectral Multi-band Resonator, processing another set of 32 samples (noise washes/slow rises/falls) via channel number 4 from the CR tiptop. From here the output is being processed by a Mutable Instruments Clouds (granular mode), being controlled by the Pittsburgh Modular Game System running "Meteor Shower" mode in which the explosion based gates and random control voltages are then being sent to 3rd Dixie, controlling the CV rate time then from there its sent to the "Freeze" input on clouds, processing small bits of audio coming from the second addac waveplayer, The second output coming from the gamesystem is going into the "position" input on Clouds, which is doing some additional glitching to the signal.Main output from a intellijel Mutagen mixer then ran through the Eventide space pedal for extra spatial atmosphere. :-)

Harmonic Symmetry - Modular Patch

Link to the video of the patch, recorded in one take here: https://vimeo.com/139872178

download the free wave file :-)

Patch experiment using the Noise Engineering Variatic Erumption x 2, and Minigorille CV graphic modules x 2. Clock output from the Tiptop Circadian Rhythms into the CV Graphic input 1, left side (purple). Then another output from the TipTop CR taken to the right side (siliver) CV Graphic module. Output 4 from the Tiptop CR sent to the left side Variatic Erumption (ext gate to the hit jack input) which would send very slow burst of random gates. The CV Graphic CV output (PONG sequencer mode 2) A and B would output bouncing ball like CV voltages to the Variatic Erumption CV Pattern, and Time/Division input. This created some very organic scattered sequencing taking one output that was triggering a Snazzy Fx Ardcore running custom frac drums patch.

The other output was running into a trigger input on the Mutable instruments clouds, which is causing the light granular scattering in between the beats. Another output from the V.E. running into the Noise Engineering Basimilus Iteritas, for the FM pluck like percussion sound. Next output from VE running into a 4ms RCD, random triggering spaced out burst to the clock input. From here, the output was taken (4)out to the MakeNoise Optomix set slightly open, which was running a ALM's new "Akemie's Castle" dual voltage controlled oscillator, running out the chord output (OSC A). From the Akemie's Castle the output is going into a Tiptop Z-DSP processed with the The Halls of Valhalla card running program 7 (Asgard). Mult output also taken to the Strymon Big Sky pedal running in "Chorale" mode mix completely wet for delicate melodic swells. Making the rich choral timbres. Another gate output from the Noise Engineering V.E. running into the Mutable Instruments (mystery) module. Output from here sent to the Qu-Bit RT-60 effect module, which is also being triggered (for effects program change) via by the 5 division output from the 4ms Rotating Clock Divider.

Kick drum created using the MakeNoise telHarmonic module, running into a Optomix. Snare and hi-hat sounds courtesy of two Ladik D-333 Rom players. One running the Snares card, and another running hi-hats. Both outputs being summed into the Synthrotek DLY module. The delay input being modulated by a modcan QuadLFO output 1 slow S&H. First sequenced notes via the Mutable instruments Braids running the new "HARM" additive harmonics mode. The quantization was set to "Oinian". Second Braids for other harmony running the "OPSK" smooth sine like melody, VCA mode set to on, with short decay for pluck like quality. Signal for both braids are being sent to another Qu-Bit RT-60 running program number 1-Reverb. Quantization set to "Oinian". Bassline sound created with a Intellijel Shapeshifter output 1, then being run into intellijel uVCF filter in LPF input, then the signal goes out a Qu-Bit RT-60 in program 1 Reverb. 

Ascension - Modular Patch

Link to the video captured here in real-time: https://vimeo.com/150015591

Patch Notes:

This was a patch experiment using the new Mutable Instruments Rings/Clouds Modules, and trying to create strumming/plucking guitar like sounds within a patch. The inspiration came from playing around with the Clouds Parasites 1.3 alternate firmware running in the Resonator mode highlighting the "scatter" (or strum) function. The master clock was the Tiptop Circadian Rhythms module, taking the first 4 outputs into my Nord Drum 2 for the Kick, snare, closed and open hi-hats. From there the clock output from the CR was multiplied and then sent to the Modcan Touch Sequencer. First row output from the TS was sent to the intellijel Shapeshifter creating a two note baseline sequence that comes in at 1:58. The second sequence Row2 output from the TS was sent to the "ALM Akemie's Castle" module OSC A output using the chord function, that comes in at 25 seconds. The gates from the modcan where set to a 16th's pulse sequence. Modulation from the synthesis technology E102 Quad Temporal Shifter output 1 modulating the Multiplier input on Operator 1. The 2, 3 and 4 outputs from the E102 where also modulating the Operator 2, 3, and 4 inputs on the Akemie's Castle. This was creating the harmonic timbre changing as the sequence was playing.

The slowly evolving sweeping noise textures that come in at 1:09 is from the Music Thing Radio Music module. The sample was a white noise sampled lightly filtered and then sent to the intellijel HexVCA with the amplitude CV control via a Intellijel Dixie modulating from slow to high rates (free running). The Make Noise Rene was being externally clocked from the Circadian Rhythm, and was sending out a quantized output to the Mutable Instruments Clouds pitch input creating the chord guitar sequence. The strum sounds on Clouds was played by the 4ms QCD running in 32th division output into the Trigger input. The freeze input was also triggered by a Ladik R-110 Random clock module. The combination of the two created the trill chord like strums.

The bass guitar tone sound that comes in at 1:24 are from the MakeNoise Mysteron, that is being sequenced by the Modcan Touch Sequencer, Row Output 3 was programmed in the same key but a lower octave. The "Rings" module was creating slow attack soft high pitched chords in reverb that come around 2:50. There was additional processing of the Clouds output that was sent into the Tiptop ZDSP module running the "Halls of Vahalla" card program 8 "Ginnungagap" creating the high pitch octave deep reverb shimmer effects. The harmonic slow swells that come in at 3:30 where created using another intellijel Dixie oscillator sine output running into an Strymon "Big Sky" pedal being harmonically controlled by an intellijel µScale V1. The output was being played slowly then processed using the "Choral" mode, creating the slow shimmer swells. The entire mix was sent into the Eventide Space pedal using the "Corridors" patch.

Mutable Instruments Rings : mutable-instruments.net/modules/rings
Clouds Parasites firmware: mqtthiqs.github.io/parasites/clouds.html

Strum - Modular Patch

Take the secret portal.
https://dewmba.bandcamp.com/track/into-the-swamp-into-the-portal-secret-version

Free Download

Into The Portal

www.ultrasloth.com

Mastered by Spoonbill
Artwork by Trevor Kyler

Dingo Bingo

𝘰𝘤𝘵𝘰𝘣𝘦𝘳 𝘣𝘦𝘭𝘰𝘯𝘨𝘴 𝘵𝘰 𝘙𝘓 𝘎𝘳𝘪𝘮𝘦 𝘴𝘰 𝘪 𝘸𝘢𝘯𝘵𝘦𝘥 𝘵𝘰 𝘱𝘢𝘺 𝘩𝘰𝘮𝘢𝘨𝘦 𝘵𝘰 𝘰𝘯𝘦 𝘰𝘧 𝘮𝘺 𝘧𝘢𝘷𝘰𝘳𝘪𝘵𝘦 𝘱𝘳𝘰𝘥𝘶𝘤𝘦𝘳𝘴 𝘪𝘯 𝘮𝘺 𝘰𝘸𝘯 𝘸𝘢𝘺 (:⁣
⁣
𝘳𝘭 𝘨𝘳𝘪𝘮𝘦 𝘧𝘵. 𝘥𝘢𝘺𝘢 - 𝘪 𝘸𝘢𝘯𝘯𝘢 𝘬𝘯𝘰𝘸 (𝙟𝙪𝙪𝙠𝙪 𝙛𝙡𝙞𝙥)⁣
⁣
✦
𝘳𝘭 𝘨𝘳𝘪𝘮𝘦
soundcloud.com/rlgrime/
instagram.com/rlgrime/
twitter.com/rlgrime/

𝘫𝘶𝘶𝘬𝘶
soundcloud.com/juuku/
instagram.com/juuku_/
twitter.com/juuku__/
open.spotify.com/artist/2ixBQngmF4ZFXYHi8sJTfl
tiktok: juuku_

free dl

RL Grime - I Wanna Know (juuku flip)

'Luminescent EP' is available everywhere via WAKAAN Friday 10/2/2020

Purchase / Stream / Download:  orcd.co/luminescentep

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Luminescent EP

The Jellyfish

LUZCID - The Jellyfish [Electric Hawk Premiere]

Pre-order is open and the first track preview of my new EP Systik is now live! 

https://richarddevine.bandcamp.com/

BL_K Noise is proud to announce that Richard Devine - Systik will be released November 11 with pre-orders starting today. Systik is comprised of four acid tracks produced, performed live, and mastered by Richard, not originally intended to be released. Richard debuted his acid set at BL_K Noise in Los Angeles in January 2020 with the original goal of crafting and performing it throughout the rest of the year - but, as we all know, this year had different plans for us. Sinscur, the ever-evolving fractured acid track is available to stream and download on Bandcamp now.

Richard Devine’s influences, inspiration, and roots come from many sources - and this release is a homage paid to classic acid albums that inspired him in his early career but with a more modern approach and arsenal.

Every purchase in the pre-order period is entered to win a set of HEDDphones by Hedd (Heinz Electrodynamic Designs) valued at $1,899. A winner will be announced on November 11th. 

The artwork and all visual assets were created by Simona Noreik. The physical presentation was under the guidance of BL_K Noise.

blknoise.bandcamp.com

hedd.audio/heddphone/

Systik

November 2020

Richard Devine - Sinscur

premiere of "Love Is In The Air (Perc Remix)" by Nur Jaber feat. Kara
taken from the EP "Love Is In The Air", released soon on OSF

EP Details:
https://novafuture.blog/2020/09/29/nur-jaber-feat-kara-love-is-in-the-air-ep-osf/

------------------------------------------------------------------------------------------------------------

Artist: Nur Jaber| @nurjaberbeirut
Remixer: Perc |  @perc
Label: OSF | @osfmusic

Info & Buy

Nur Jaber feat. Kara - Love Is In The Air (Perc Remix) [OSF010 | Premiere]

'Till The Day I Die' is available Tuesday October 6th via WAKAAN

To Purchase / Stream / Download = https://orcd.co/tillthedayidie

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Wicked EP

Till The Day I Die

Lucii - Till The Day I Die

→ On the pulse of the UK underground. Visit www.onthewax.com to read more from across the scene ←

Following standout releases on the likes of Unplugged Audio, Audio Addict, Omen Audio & Kobun, as well as a notable appearance on ByTheProducer's chart-topping 'Collected:1' VA compilation and a number of heavily-supported, lauded self releases, 174 trailblazer BRUK returns to sub:stance recordings with a brand new 4-track project that unleashes a number of long-awaited cuts. Already receiving heavy support from Bladerunner, Doc Scott, Nicky Blackmarket, DJ Hybrid, Benny V and more, there's no shortage of hype around BRUK's production and technical prowess, with the young producer pushing sonic boundaries to maximum effect. This results in an aggressive barrage of 4 bass-heavy, full-frontal licks that kick like a 50. cal, perhaps showcased best on 'Say My Name'. Making great use of that classic vocal, BRUK combines stonecold, submersive aesthetics with that hard-hitting, gritty rolling sound that's so popular right now. A dream partnership for both artist and label.

Follow BRUK: 
→ @brukdnb
→ www.facebook.com/BeeAreUK
→ www.instagram.com/bruk_dnb

Follow sub:stance recordings:
→ @substanceleeds
→ www.facebook.com/substanceleeds
→ www.instagram.com/substanceleeds

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Website

BRUK - Say My Name [sub:stance recordings] [OTW Premiere]

Download link > https://needformirrors.bandcamp.com/album/need-for-mirrors-boots-1

BICEP - GLUE (NEED FOR MIRRORS & CHANGER / VIP BOOTLEG)

This is actually the first song on this album that was produced! Right after I made Mad Honey, I tried to buckle down and get really experimental. This song turned out quite fun and wonky. A real space bass creation.

Arcadia

Quasar

New EP Systik now available: https://richarddevine.bandcamp.com/

Bookings: mia@lb-agency.net