Name: Spirals - Reaktor 6 - Experiment by RichardDevine in experimental
Duration: 1 min 15 s
Description: Spirals - Drums and percussion are the "SineBeats2" ensemble, Background Drone was "Space Drone", Tiny effects crackles and white noise by the "TG-8H" instrument. Bassline from the "Sum Synth" from the Reaktor Library. Lead acid line coming in later is the "Monark" Blocks instrument.

I was hoping this had to do with the Spiral sequencer. Would love to use it with the new Blocks. Haven't found a way yet.

experimental

Kryptic Minds - Train Wreck Mix

This mix is the polar opposite of HARD/MAXIMAL/CATHARTIC. It's a 4 channel surround sound mix of drone/ambient that I made for a session I had in my basement. I set up a speaker in each corner, invited a bunch of friends around and we all lay melting in the middle of the dark room vibrating from the bass. I love that experience. I feel so refreshed afterwards, like I've had my mind reset. It's like a spa for my brain.

It starts and ends with one of my oldest binaural recordings of rain. This was to signify the start and end of the experience - only when the rain is playing are you allowed to speak.

This is a binaural mix down. If you want to try the full 4 channel experience, you can download the front and rear stereo files here.

Front LR:
https://drive.google.com/file/d/1hKzKYaXBxiNAY20a2YzyLSDDnn4GPx_9/view?usp=sharing

Rear LR:
https://drive.google.com/file/d/1jTxAfLkWnILssG-hPjll4K_ZyQsxcZAw/view?usp=sharing

Probs easiest to put them on separate tracks in Ableton or whatever and route the tracks to the appropriate speakers.

So get some pillows, take a big (but responsible) dose of your favourite dissociative and disconnect from reality for a while.

Tracklist:

Rob Clouth - the rain in dad's utility room (field recording)
Abul Mogard - On a Shattered Shell Beach
Douglas Quin - Weddell Seals (Underwater)
Lee Gamble - Inta Centre
Ulla Straus - Billow
Rob Clouth - sea bus rich tonal drone (field recording)
Murcof - Inevitable Truth
Thomas Köner - Ilira
Rob Clouth - dawn chorus, saint mary's vale after bivvying (field recording)
Pub - Cokeshandy
Rob Clouth - victoria (field recording)
Rob Clouth - Spaces Far Below
Murcof - Dropped Soul
Thomas Köner - Nuuk (Air)
Perila - Blanket
Rob Clouth - epic wind in st. andrews park in the dark (field recording)
Paul Wirkus - Physikerin
Tim Hecker - Music for Tundra Pt 1
Motion Graphics - Brass Mechanics
Abul Mogard - Along the River
Rob Clouth - the rain in dad's utility room (field recording)

SOFT/MINIMAL/INTROSPECTIVE

Download - http://www.divshare.com/download/16982284-401

Here's a mix for Leeds based online magazine Inhabit.

Tracklist - 

01 - Clubroot - 'Comedown VIP'
02 - Clubroot - 'Hellion'
03 - Clubroot - 'Scars'
04 - Clubroot - 'Serendipidy Dub'
05 - Clubroot - 'Running On Empty'
06 - Clubroot - 'Murmur Interlude'
07 - Clubroot - 'Stained Glass'
08 - Clubroot - 'Tower Block'
09 - Clubroot - 'Murmur Interlude 2'
10 - Clubroot - 'Eulogy'
11 - Clubroot - 'Sjambok'
12 - Clubroot - 'Tempt Fate'
13 - Clubroot - 'Lurking In The Shadows'
14 - Clubroot - 'Celestial'
15 - Clubroot - Left-Hand Path'
16 - Clubroot - Garissons'

Check out the accompanying interview here - 

http://www.inhabitonline.co.uk/

Enjoy!

Clubroot - Inhabit Online Mix - May 2011

Live DJ set from Friday night at the Slow Tempo Stage at Bass Coast Festival 2023 
@bass-c0ast

Love out to all 

While you listen please sign this petition <3 


Tracklist:
nthng - With You
Bambooman - Static
Deemkeyne - Boehen
Method Sound - Plaze
LOIF - Intel
Warmth - Smoke
jaydonclover - Goodthing ft. KayFaraway
K-Lone - In The Dust Of This Planet
Jinku - A1
Dürerstuben - Trunce Zen Dance
URA - Shojin
Genus Aix - Yours In Haste
Deemkeyne - Barhat
Henry Greenleaf - Patent
Vardae - Dem Bad
GILA - Pick Six
Katatonic Silentio - When You Think It's Over
nuages - ghosts
Ura - Freestyle Rain
Dyl - Interpretare 2
Van Bonn & Luis Baltes - Temptation
Adam Kroll - MeShell
Katatonic Silentio - On The Edge Of Unthought State
Voodoo Tapes - Dawn ft Paolo Petrella
Dublo - Ohm
Unknown Mobile - Nelic Spore
3129152020 - She's From Akelarre
Half Normal - Slaughter
Siadic - A Projection
Big kani & baytrilla - Sub Water Dub
Sunun - Voicebox (Eusebeia Remix)
Dive Reflex Service - Palace Cell
sparkly cosine - izalith [dub] w yoh

Caro live at Bass Coast 2023

Tom Cosm - DJ Set - Twisted Frequency Festival 2024

moontribe 31 year june 22 2024

Weka Tek Live Twisted Frequency 2025

When I Sit Alone. In My Thoughts. I Am Crushed (Sorcery Remix)

Music for burning times. 

tracklist:
goo - skullghostalien
néel - 0011
Conna Haraway - Redirect ft. XENIA REAPER
False Aralia - Zero Key 01
øjeRum - Til VInden I Dine Øjne (excerpt)
james K - Rider
Marysia Osu - momento mori (Anja Ngozi rework)
gab_i - June (unvoiced)
Mara - Singing
Adam Badi Donoval - Today I Woke up Earlier Than Usual
Silent Era - Crescent Meadow
Florian T M Zeisig - Thank You Pharoah
Imryll - A Knit Of My Own Fibers/Concussion
Anna Wise - Vivre d’Amour et d’Eau Fraîche (with Jon Bap)
Areliz Ramos - Wet/Forget

image: "Forest Fire 1910 - Striped peak area", Fire Lines, Center for Digital Inquiry and Learning (CDIL), University of Idaho Library, https://cdil.lib.uidaho.edu/fire-lines/items/im-09.html 

Fire Shelter w/ Birthname on n10.as radio 27.09.25

“Infinite Delay” EP by Optiloop is a deep, atmospheric journey through melodic dub techno. Each track blends hypnotic rhythms, evolving pads, and textured delays that wash over warm basslines and subtle percussion. The EP explores the balance between motion and stillness — layers of reverb and echo create a sense of infinite space, while steady grooves keep the pulse grounded. Perfect for late-night listening or immersive DJ sets, Infinite Delay captures the timeless essence of dub techno with a modern melodic touch.

Infinite Delay

Link to the video of the patch, recorded in one take here: https://vimeo.com/136165676

download to the .wav file :-)

Patch Notes:

Harmonic patch using the new MakeNoise tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer, and 4ms Spectral Multiband Resonator. The master clock is the Tiptop Circadian Rhythms. Clock output running into the Modcan Touch Sequencer. Channel output one running into one intellijel Dixie (V1) for the bassline. Dixie output running into a Mutable instruments Ripples filter (LP4), triangle waveform. Second channel output sequencing quantized 8 note sequence to the telharmonic oscillator, creating the first lead sequence in the patch (major scale set). One Mult output taken and sent to the Strymon BigSky reverb pedal to create the delicate swarm pads that rise in and out at the builds. Amplitude control of the slow rises via the intellijel HexVCA, slow rate control from one Modcan Quad LFO. The other output is then taken and sent to the Qu-bit RT-60 reverb. Third output from the Modcan TS sending quantized CV to the MakeNoise STO oscillator variable SHAPE output then sent through lower section of the MakeNoise Optomix. The forth output from the Modcan TS is sending a 4 chord pattern (min9) to the intellijel shapeshifter module in chord mode. This output is then sent to another Qu-Bit RT-60 reverb algorithm. MakeNoise Mysteron plucking guitar like effect being triggered by a 4ms RCD, 5th trigger out. The Mysterson then is running out into a Strymon BlueSky pedal, reverb.

Drum sequencing from TipTop CR, channel one kick drum going to the Nord Drum 2. Second channel number 2 triggering a custom snare drum made on the Nord Drum 2. Channel 6 from the CR triggering a low bass drum, in the key of "C". Clock output from CR into the 4ms SCM being rotated by a intellijel dixie sine wave output running at a slow rate shifting the 16th's hi hat pattern. Noise source for hi-hats are the SSF quantum rainbow 2, purple output running into the MakeNoise Optomix. The high end snare clap sound is by the Synthrotek's DS-M drum module, then being lightly processed by the Synthrotek DLY, slowly CV controlled by a Modcan Quad LFO in random mode creating more glitchy effects. This is then being sequenced by channel number 2 from the tiptop CR. The first lower left side 4ms Spectral Multi-band Resonator processing 72 custom DSP samples, which are being played by one addac wave player. The output is then being sent to a intellijel uVCF filter (hi pass), for the light subtle glitch textures. The second 4ms Spectral Multi-band Resonator, processing another set of 32 samples (noise washes/slow rises/falls) via channel number 4 from the CR tiptop. From here the output is being processed by a Mutable Instruments Clouds (granular mode), being controlled by the Pittsburgh Modular Game System running "Meteor Shower" mode in which the explosion based gates and random control voltages are then being sent to 3rd Dixie, controlling the CV rate time then from there its sent to the "Freeze" input on clouds, processing small bits of audio coming from the second addac waveplayer, The second output coming from the gamesystem is going into the "position" input on Clouds, which is doing some additional glitching to the signal.Main output from a intellijel Mutagen mixer then ran through the Eventide space pedal for extra spatial atmosphere. :-)

Harmonic Symmetry - Modular Patch

Spirals - Drums and percussion are the "SineBeats2" ensemble, Background Drone was "Space Drone", Tiny effects crackles and white noise by the "TG-8H" instrument. Bassline from the "Sum Synth" from the Reaktor Library. Lead acid line coming in later is the "Monark" Blocks instrument. 

Spirals - Reaktor 6 - Experiment

Link to the video of the patch, recorded in one take here: https://vimeo.com/139872178

download the free wave file :-)

Patch experiment using the Noise Engineering Variatic Erumption x 2, and Minigorille CV graphic modules x 2. Clock output from the Tiptop Circadian Rhythms into the CV Graphic input 1, left side (purple). Then another output from the TipTop CR taken to the right side (siliver) CV Graphic module. Output 4 from the Tiptop CR sent to the left side Variatic Erumption (ext gate to the hit jack input) which would send very slow burst of random gates. The CV Graphic CV output (PONG sequencer mode 2) A and B would output bouncing ball like CV voltages to the Variatic Erumption CV Pattern, and Time/Division input. This created some very organic scattered sequencing taking one output that was triggering a Snazzy Fx Ardcore running custom frac drums patch.

The other output was running into a trigger input on the Mutable instruments clouds, which is causing the light granular scattering in between the beats. Another output from the V.E. running into the Noise Engineering Basimilus Iteritas, for the FM pluck like percussion sound. Next output from VE running into a 4ms RCD, random triggering spaced out burst to the clock input. From here, the output was taken (4)out to the MakeNoise Optomix set slightly open, which was running a ALM's new "Akemie's Castle" dual voltage controlled oscillator, running out the chord output (OSC A). From the Akemie's Castle the output is going into a Tiptop Z-DSP processed with the The Halls of Valhalla card running program 7 (Asgard). Mult output also taken to the Strymon Big Sky pedal running in "Chorale" mode mix completely wet for delicate melodic swells. Making the rich choral timbres. Another gate output from the Noise Engineering V.E. running into the Mutable Instruments (mystery) module. Output from here sent to the Qu-Bit RT-60 effect module, which is also being triggered (for effects program change) via by the 5 division output from the 4ms Rotating Clock Divider.

Kick drum created using the MakeNoise telHarmonic module, running into a Optomix. Snare and hi-hat sounds courtesy of two Ladik D-333 Rom players. One running the Snares card, and another running hi-hats. Both outputs being summed into the Synthrotek DLY module. The delay input being modulated by a modcan QuadLFO output 1 slow S&H. First sequenced notes via the Mutable instruments Braids running the new "HARM" additive harmonics mode. The quantization was set to "Oinian". Second Braids for other harmony running the "OPSK" smooth sine like melody, VCA mode set to on, with short decay for pluck like quality. Signal for both braids are being sent to another Qu-Bit RT-60 running program number 1-Reverb. Quantization set to "Oinian". Bassline sound created with a Intellijel Shapeshifter output 1, then being run into intellijel uVCF filter in LPF input, then the signal goes out a Qu-Bit RT-60 in program 1 Reverb. 

Ascension - Modular Patch

Link to the video captured here in real-time: https://vimeo.com/150015591

Patch Notes:

This was a patch experiment using the new Mutable Instruments Rings/Clouds Modules, and trying to create strumming/plucking guitar like sounds within a patch. The inspiration came from playing around with the Clouds Parasites 1.3 alternate firmware running in the Resonator mode highlighting the "scatter" (or strum) function. The master clock was the Tiptop Circadian Rhythms module, taking the first 4 outputs into my Nord Drum 2 for the Kick, snare, closed and open hi-hats. From there the clock output from the CR was multiplied and then sent to the Modcan Touch Sequencer. First row output from the TS was sent to the intellijel Shapeshifter creating a two note baseline sequence that comes in at 1:58. The second sequence Row2 output from the TS was sent to the "ALM Akemie's Castle" module OSC A output using the chord function, that comes in at 25 seconds. The gates from the modcan where set to a 16th's pulse sequence. Modulation from the synthesis technology E102 Quad Temporal Shifter output 1 modulating the Multiplier input on Operator 1. The 2, 3 and 4 outputs from the E102 where also modulating the Operator 2, 3, and 4 inputs on the Akemie's Castle. This was creating the harmonic timbre changing as the sequence was playing.

The slowly evolving sweeping noise textures that come in at 1:09 is from the Music Thing Radio Music module. The sample was a white noise sampled lightly filtered and then sent to the intellijel HexVCA with the amplitude CV control via a Intellijel Dixie modulating from slow to high rates (free running). The Make Noise Rene was being externally clocked from the Circadian Rhythm, and was sending out a quantized output to the Mutable Instruments Clouds pitch input creating the chord guitar sequence. The strum sounds on Clouds was played by the 4ms QCD running in 32th division output into the Trigger input. The freeze input was also triggered by a Ladik R-110 Random clock module. The combination of the two created the trill chord like strums.

The bass guitar tone sound that comes in at 1:24 are from the MakeNoise Mysteron, that is being sequenced by the Modcan Touch Sequencer, Row Output 3 was programmed in the same key but a lower octave. The "Rings" module was creating slow attack soft high pitched chords in reverb that come around 2:50. There was additional processing of the Clouds output that was sent into the Tiptop ZDSP module running the "Halls of Vahalla" card program 8 "Ginnungagap" creating the high pitch octave deep reverb shimmer effects. The harmonic slow swells that come in at 3:30 where created using another intellijel Dixie oscillator sine output running into an Strymon "Big Sky" pedal being harmonically controlled by an intellijel µScale V1. The output was being played slowly then processed using the "Choral" mode, creating the slow shimmer swells. The entire mix was sent into the Eventide Space pedal using the "Corridors" patch.

Mutable Instruments Rings : mutable-instruments.net/modules/rings
Clouds Parasites firmware: mqtthiqs.github.io/parasites/clouds.html

Strum - Modular Patch

info: https://radio.syg.ma/episodes/guests-100-grischa-lichtenberger-manual-narration
http://grischa-lichtenberger.com
https://soundcloud.com/grischenka

Grischa Lichtenberger

GUESTS 100 – Grischa Lichtenberger: manual narration

New EP Systik now available: https://richarddevine.bandcamp.com/

Bookings: mia@lb-agency.net

Spirals - Reaktor 6 - Experiment

RichardDevine

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