Mozart in the Jungle, Seasons 1-3

String Quartet No. 12 in E flat major, Op. 127 - Ludwig van Beethoven

String Quartet No. 12 in E flat major, Op. 127 - I. Maestoso-allegro - Ludwig van Beethoven (8D Binaural Remastered - Music Therapy)

I'm finally sharing a little piano piece I started working on two years ago. Lately my composition has drifted to piano pieces with some pockets of improvisation. These pieces are a bit more stripped back, so I've been hesitant to share them. Nevertheless, in the spirit of the title, here it is.

Right Here

The sheet music of some of my compositions can be downloaded from my website https://pianoimprovictor.com/
You can support me on Bandcamp https://pianoimprovictor.bandcamp.com/
If you like my music – share it with your friends!

Musical Moment №1 - Improvised Piano Piece

Improvisation on piano before the buyer came in 2000

Piano For Sale - Blue Part

I could hear the music in my head when I saw this wacky cat that looked ready to set out into outer space. The piece has two main themes - the beginning melody in G major (“adventure theme”) and the pastoral theme in F major. I pictured rockets flying around towards the end, after which the F major theme returns for the finale. To me, this feels like finding home in oneself after the adventure. The score can be found at: https://www.scoreexchange.com/scores/prelude-no-10-641759.html

Aspiring Cat

Today's music video with beautiful goddess with her face animations by Stable Diffusion, AI here.. 
https://youtu.be/EHtG-u5q55c
and today's short video here..
https://youtube.com/shorts/SSG0Fk3QgtI?feature=share

#3433: May. 9, 2023: Dream of the soft look your eyes had once ("The Collected Poems of W. B. Yeats") 
Today's pure primal piano music here. Happy if this music makes you feel peaceful.. : )
Looking for absolute natural beauty every day for Piano Ten Thousand Leaves. Target number is 4536 and 3433(75.7%) achieved today. Find my project.. : )
This piece may might have good 1/f fluctuation characteristic although I stopped investigating it each piece.

My new message: "Does it make sense to preserve it for 1000 years?"

Today's cover ART is created by #Midjourney (Art Generating #AI), according to my wish. Happy if you like it.

I'm now making Archive site of Piano Ten Thousand Leaves project by utilizing #wordpress. Basically nice direction I've already gotten.. : )
Currently 1100 pieces already achieved. 
But this week I need to do something else, so I'm going to stop this task for a bit.

######## NEW 23rd SELECTION ALBUM JUST RELEASED ########
"Golden Light" - the 23rd selection album of piano ten thousand leaves

Youtube: Full(20 songs, 50 minutes) and Free 4K Video with Super Beautiful Motion Graphics of Artgrid
https://youtu.be/3Gc813k8eec

Youtube: Digest of "Golden Light" music video. 12 minutes in 4K
https://youtu.be/GB7oBTB0yOo

spotify
https://open.spotify.com/album/6kJ3Xoy0jSjx1AmUNyKu6T

apple music
https://music.apple.com/jp/album/golden-light-piano-ten-thousand-leaves-volume-23/1662304120

amazon music
https://www.amazon.com/music/player/albums/B0BRJ258Z7?&_encoding=UTF8&tag=tcjaz-22&linkCode=ur2&camp=247&creative=1211

Line Music
https://music.line.me/webapp/album/mb0000000002b2e80a

AWA
https://s.awa.fm/album/948948aecf74cfc9ee19

Other Every music streaming services in the world
https://linkco.re/QebcGtzF?lang=en

Dream Of The Soft Look Your Eyes Had Once - #3433 By Chair House 230509

Jordan Rudess Plays Ivory 3: Live at NAMM 2023

Jordan Rudess: NAMM Medley - solo piano improv on Dream Theater and Liquid Tension Experiment tunes

Jordan Rudess: Pianist/Composer

Jordan Rudess: Saturday NAMM Medley - Live @ NAMM 2023

#jazz #classical #lofi #orchestral #instrumental #filmmusic #cinemasoundtrack #moviesoundtrack #moviescore

Surrender (From "Il commissario Pepe - Police Chief Pepe")

Sooner or Later

I can’t tell you

There are transparent walls between us, we do not hear each other ... Answer me, do not be silent!
I invite you to listen to my piano improvisation "Talk to Me".

Watch the video version on my Youtube channel: https://youtu.be/9FKpsbhfAJ0

The sheet music of some of my compositions can be downloaded from my website https://pianoimprovictor.com/ Some new works are available on  https://www.sheetmusicplus.com/publishers/victor-birkan-sheet-music/3028943?isPLP=1
Find all my music here: https://linktr.ee/victorbirkan

Talk To Me! - Improvised Piano Piece

Big Greatest Hits

Felix Mendelssohn: Symphony No. 4 in A Major, Op. 90 “Italian": I. Allegro vivace

Big Winds and Brass Box

Wolfgang Amadeus Mozart: Oboe Concerto in C Major, K. 314: I. Allegro aperto

Two Rigaudons in A Major by baroque composer Georg Philipp Telemann (1681 - 1767). From Richard Irwin's album "Baroque Miniatures for Organ", a delightful collection of baroque keyboard pieces arranged for organ by Richard Irwin by some lesser know baroque composers including: Charles Dieupart (d. 1740), Louis Marchand (1669 - 1732), Christoph Graupner (1683 - 1760), Gottfried Grünewald (1673 - 1739), Johann Ludwig Krebs (1713 -1780), Gottlieb Muffat (1690 - 1770), Gottlieb Heinrich Stölzel (1690 - 1749), and their more famous contemporaries Johann Sebastian Bach (1685 - 1750) and Georg Philipp Telemann (1681 - 1767). They use baroque dance forms such as Minuet, Sarabande, Gavotte, Bourrée and Loure, a slow Gigue.

Find out more about this hymn on HymnsWithoutWords.com: 
https://play.hymnswithoutwords.com/georg-philipp-telemann-rigaudons-i-and-ii-in-a-major/
Listen on streaming services: gate.fm/rDMVIuC4
Follow Hymns Without Words: facebook.com/HymnsWithoutWords/; twitter.com/RichardMIrwin; https://hymnswithoutwords.tumblr.com/

Baroque Miniatures for Organ

Georg Philipp Telemann - Rigaudons I And II In A Major

Download

The Other Side of the Bandoneón
Héctor Ulises Passarella, bandoneón

What you hear on this Album is not simply another bandoneón: it is the same bandoneón
that is played in tango (bisonoro-rioplatences), but played with a different technique that is used for interpreting the great classics and even contemporary music. If it sounds like another bandoneón, it is because, as you will notice, the instrument acquires a different timbre, and a different expressiveness, which was probably the original one, conceived by its inventor, the German Heirich Band.
You may wonder: what does this different technique consist of? It is the one I learned from Maestro Renè Marino Rivero, a pupil of the great Alejandro Barletta, which allows you open the bellows to their full extent and close them completely without any loss  in sound quality and without compromising the articulation of the fingers .
The bandoneón needs more literature and a more specialized audience, just as the guitar has today. In order to achieve this, it will be necessary to study it thoroughly and play it using all the different techinques which in tango, even if they are beautiful and irreplaceable, are not enough. Like a pianist who plays Chopin with one touch and Stravinsky with another, a bandoneonist should not play Bach in the same way as he plays tango. What a pity for the bandoneón!
I confess that the idea of ​​recording this work was my son Roberto’s, a musician, who not only made the recording but also edited the album in every detail. During the recording sessions, I felt transported to the past and anxious, just like when, in the 70s, I was waiting to hear my concerts broadcast by the Uruguayan national radio (SODRE).
In addition to my beloved Bach, Frescobaldi, Handel and Telemann, I wanted to pay homage to Barletta and my two Montevideo masters: Marino Rivero and Guido Santorsola. The latter taught me composition and conducting and gave me valuable suggestions for the interpretation of many pieces that I performed in those years, included his beautiful "Suite all'antica", presented here on this album, originally composed for two guitars and transcribed by me for bandoneón under his supervision.
In carrying out this work, I experienced once again the great emotion I felt when re-interpreting the great classics of the baroque tradition that were so much part of my youth when I first started my career as soloist after having performed, since I was a child, in the typical tango orchestra of my dear Maestro Oscar Raul Pacheco.
This experience as a "classical bandoneonist" has certainly influenced my musical education. Even today it echoes in my way of playing the tango and is at the heart of my compositional research into rioplatense music.

Héctor Ulises Passarella

Georg Philipp Telemann - Fantasia In D minor (TWV 33 n. 2)

Composer, arranger and recording artist lives on the Marlborough Downs in Wiltshire, UK.

Georg Philipp Telemann - Rigaudons I And II In A Major

Richard M.S. Irwin

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