ROOM 9:9_part3

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TonalTheory - What Is There To Navigate

Buy here: exhale.fanlink.tv/va003

Digital release: 6th May 2022
Vinyl release: 6th May 2022

Amelie Lens’ event series / label hybrid sets the pace for the rest of the year with a formidable lineup of artists on this compilation, soon to be followed with the Exhale family debuting its party series in none other than the revered DC10 in Ibiza this summer.

Label head Amelie Lens opens with her signature vocals in the fiery but haunting ‘All Of You’ and is followed by three formidable producers. Dark techno dynamo Proxyma continues with breakneck speed with ‘Schwarze Funktion’, while Basswell’s composition ‘Troublemaker’ injects a mischievous energy. Caravel follows with textural banger ‘Queen of Darkness’, armed with volatile keys and a warbling, warped bassline.

Exhale mainstay Farrago is up next with tight percussion and slick sound fragments dancing around the harder elements of his production ‘Hard Dimension’. Berlin’s Mython contributes ‘Double Defender’, a driving cut with a muscular groove and walloping bass. Taking the reins next is Arma, who uses rave stabs, reverbs and metallic synths to create eerie stomper ‘Seraphin’. Krl Mx doesn’t hold back with sinister synths and a ferocious kick & bass combo in galloping cut ‘Before I Forget Your Voice’. Roüge contributes ‘Ratchet’ - a gut-punching track with a grizzly bassline and melodic bleeps.

On the last leg of the record, with ‘I’m From 1994 Dude’ Nico Moreno features a true Moreno production with industrial elements and a slamming acid sequence. ‘What U Get’ by Ley Mar is next with scuffed metal textures, minimal rave stabs and rumbling, dark synths. X-Alox picks up the pace with ‘260%’ an energetic weapon with chaotic drum sequences and a sharp sliced-up vocal breakdown at the mid-way point. Lucinee & Lifka team up for galactic track ‘In Rage’, with an echoed vocal hook, resounding alarm and rolling kick drum. On a high with spiking synths, stretched out melodies and a pulsating kick that entrances listeners down to the final beat Swart lastly closes the compilation.

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ARMA - Seraphin

Zero

Interstellar

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Monokult - Interstellar

#onlybombs

ARTIST: NETTY HUGO
TITLE: RAMEN
VERSION: ORIGINAL MIX
RELEASE DATE: 04/07/2022

Track Taken from "Ramen Ep"

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Ramen Ep

Ramen (Original Mix)

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ATKD101 - Netty Hugo "Ramen" (Original Mix)(Preview)(Autektone Dark)(Out Now)

Buy here: leriocorrado.fanlink.tv/a38

Digital release: 17th June 2022

01: Overwrite
02: Test Pressing
03: Not Yet
04: Roar
05: A Tre

Naples born and based @lerio-corrado returns to Second State with debut solo EP ‘A38’. After several contributions to the Berlin label’s ‘SUM’ compilation series, Corrado delivers this five track EP showcasing the best of Italy’s techno.

Lerio kicks off with mischievous melodies and a confident kick in the opener, ‘Overwrite’. Light and syncopated percussion snaps and shakes over the lead chord whilst the volume increases and begins to brew tension, soon accompanied by an erratic solitaire idiophone component. Following is ‘Test Pressing’, an unrelenting, full bodied cut with a deep bass and looping metallic element that furiously circles throughout the track. Snappy hi hats are dappled throughout in unison with the kick, creating an anxious energy. ‘Not Yet’ begins with a kick and an alternating pitch of the lead line. The main rhythm smoothly rolls throughout the foundations of this cut, maintaining a slick and grooving vibe despite the sharpness of the shakers and hi hats.

Dancefloor driven cut ‘Roar’ consists of wavering electronics, growls and punchy components. Listening with full intensity creates a sense of an electro-magnetic field surrounding the listener. Corrado strips back the lead line for the final leg and lets a thundering kick and shakers drive forward. ‘A Tre’ has a thud-like kick and somewhat tribal elements. Shakers and rhythmic bleeps jiggle and dance erratically, injecting serious energy into the EP for its final track. Short closed hats and a gurgling sample ring out and echo menacingly, also creating a dark atmosphere.

@lerio-corrado
@secondstateaudio

Lerio Corrado - Test Pressing

June the 17th meet Nakadia to come back with her new single release titled "Back to Zero" to CODEX Recordings! 

Nakadia: "When I started working on "Back to Zero" I wanted to create an Acid-track, but not with the usual long 303-line. I was thinking of a driving Techno track with a short "Acid Surprise" and that's exactly what the track has become.
I originally got inspired to "Here we are" after night at DC-10 Ibiza listening to one of Jamie Jones's amazing techno sets. His techno is different to mine, but I wanted to produce something in this style. The first version was a lighter and funkier track, but it was not Nakadia. And after some time I decided to get back on the track again and make it more Nakadia-style. I added harder drums and when I found this outstanding synth-sound that now is the main sound of the track, it changed the entire dynamic of the track and now "Here we are"!"

Back To Zero

Nakadia - Here We Are (Original Mix)

I started producing these hard beats and synths, but still wanted to implement a feeling that repetitively burns into people's mind on the dance floor. Along with my friend AEYA we categorised some stages into "darkness" (nightlife and the typical club surroundings), "intensity" (walls of sound, strobes, escalating people), "oblivion" (getting lost in the situation), "unconsciousness" (physical collapse) and what you see next, a blazing bright light that suddenly surrounds you, "brightness". I recorded AEYA's voice saying these words, added a tinnitus sound which starts at 3:25 or heavily after the second drop at 5:13 and the track was finished. 

Brightness: I always loved uncompromising, straight techno music with dark attitude. When I recently had this interview with techno pioneer and former Mayday artist Christopher Just on my techno radio show „Sophisticated Rhythms“ on Evosonic Radio, we spoke about raves and events, especially in the 90s where people totally escalated on these still revolutionary new sounds until they sometimes even collapsed. I am a child of this era, too and wanted to create a track that reflects the different stages of such an experience.
I started producing these hard beats and synths, but still wanted to implement a feeling that repetitively burns into people's mind on the dance floor. Along with my friend Aeya we categorised some stages into “darkness“ (nightlife and the typical club surroundings), “intensity“ (walls of sound, strobes, escalating people), “oblivion“ (getting lost in the situation), “unconsciousness“ (physical collapse) and what you see next, a blazing bright light that suddenly surrounds you, “brightness“. I recorded Aeya's voice saying these words, added a tinnitus sound which starts at 3:25 or heavily after the second drop at 5:13 and the track was finished.

Nobody Knows: I am a fan of inconclusive utterances. I started producing “Nobody Knows“ to reflect people's ignorance in understanding things in so many ways, but think they know it all . The sounds that I used give the track a certain drive and energy, but leaves listeners a little bit in the dark at the same time, due to their dissonance style. There's a bunch of melancholy paired with influences of dark Detroit stabs that create an ultimate and deep club feeling. I loved the idea of bringing these banging old school hihats into the game after the tracks' buildup at 0:55 and to generate a kind of unpredictable sound with the low-frequency synth that evolves here and therre and leads throughout the track. The threatful voice has been added as a final element. It's my own one, layered, down-pitched and passed through diverse filters.

Brightness / Nobody Knows

Kay Barton Feat. AEYA - Brightness

Up next on AnalyticTrail a two trackers debut EP from Freak Unique called ‘’Organ Donor’’.

Freak Unique is now balancing DJing and production with club residencies for events in the Northwest UK, and Berlin. He Has releases on Matt Sassari’s Panterre, Spartaque’s IAMT, D-Unity's Unity and Ramon Tapia’s Say What?.

Opening the EP is a heavy melodic techno track called "Organ Donor" which represents his unmatchable sound stamp on the scene. "Staccato" comes second on the list and closes the unique work with a bassy sound, riff melodies and groovy percussions.

Freak Unique - Staccato

► Buy this track: https://www.beatport.com/release/breathless/3872252

Breathless

PREMIERE: Lowerzone - Breathless (Original Mix) [No Response]

Buy the EP on Bandcamp: https://cedhealing.bandcamp.com/album/exit-feed

Exit Feed

Bandcamp

Italy 2007

Ein Hoch

Echoed

The Arc of Tension

Spiritual but Not Religious

"Art generates art. Even from the smallest fragment of a work it’s possible to create a whole new universe". With a lively and extremely open mind, Richey V challenges conventions by proposing ambitious and multifaceted responses.

In his productions and DJ sets we find a constant search for emotions and contrasts, which characterize his style as an intriguing union of techno without forgetting his punk attitude.

On several occasions, including Amnesia Ibiza and Social Music City, he has shared the console with renowned international DJs such as Joseph Capriati, Sam Paganini, Ilario Alicante, Nina Kravitz, Sven Väth, Indira Paganotto, Chris Liebing, Kobosil, Charlotte de Witte, Amelie Lens, SAMA, Dave Clarke and many others. Richey V has released music on labels like REDIMENSION (Joseph Capriati) and JAM (Sam Paganini). 

He’s founder and resident of VOID, a weekly techno event that has animated Milan since 2014. VOID is the place where his musical inspiration also takes shape visually, creating a powerful collective imagination, in which the darkest aspect never neglects pure fun.

Zero

Richey V

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