Minimal tracks

Superdance series

> all short tracks
> tracks uploaded between 12/2020 and 05/2021, almost half of them in the last 30 days, except for the following older ones:
. . - Hoolius Cesar "Jungle Juke 1"(#17): 10 years,
. . - Vandal Moon "No Future"(#7): 1 year*,
. . - MIDNIGHT MENACE "Virus pandémia"(#10): 1 year*,
. . - Der Florist "Faschistix"(#20): 11 months,
. . - Cochin "Silence"(#21): 11 months.

Enjoy!

* Soundcloud time: 1 year = 12 - 23 months.

HK_Superdance_tracks_211

CharmCracker The Dark Side

Push It

Artist: MIDNIGHT CLIMAX
Title: Psychic Death
Format: Cassette/Digital
Release Date: May 7th
Purchase link: https://syntheticpleasures.bandcamp.com/

Track-listing:

1. Nothing Is True, Everything Is Permitted 
2. Short-Circuit
3. Don't Bite The Hand That Feeds, Break It Off
4. It Was All A Dream
5. Psychic Death

Credits:
Recorded / Mixed by MIDNIGHT CLIMAX
Mastered by Will Killingsworth
Art by DJ Angst

Nothing Is True, Everything Is Permitted

Plaster and Rivet join forces to offer the first track of Uncanny Valleys (Vol.III)

“Uncanny Valleys” compilation series is related to the theory introduced by japanese robotitian Mori Masahiro back in 1970, referring to the paradoxical perception of the existing similarities between robots and human beings.

This third opus focuses on Modern sonics, through a variety of genres and interpretations of these aesthetics. While the volume opens with a aerial and breaked track, it unfolds with ritual and 'techno' blending, before stepping into deconstructed territories with heavy vocal and digital manipulations. Finally, the final contributions open up sharply designed sounds and noisy atmospheres, which maintain the link within the compilation series.

Taking a look at music that is influenced by a genre - Industrial-, created in the times where the concept of Uncanny Valleys was created, helps us to grasp the links between the theory and art, both inspired by the development of technologies and its influences on both personal and societal aspects.

Uncanny Valleys (Vol.III)

[AREAZV004] Plaster + Rivet - Stand To Death

https://www.instagram.com/p/COtxyxBpBls/?utm_medium=copy_link

Dark Happiness/VHSXDEATH

Poison Spider-Monster mx  at Haunted House

10th Dimension at Carson, Ca

Wall of Bats

Magic Toy come’s of age at Carson,Ca.

#PK7
Available at iTunes: http://hyperurl.co/PK7
Listen on Spotify: http://bit.ly/PK7SpotifyPL
Mothertrucker Video:  http://bit.ly/MothertruckerVideoPK7
Cloud Rider: Video: http://bit.ly/CloudRiderVideoPK7 

Paul Kalkbrenner - Gebrunn Gebrunn (Original Mix)

Rotweinfleck, in  two days out on Diynamic, Four To The Floor:
https://www.beatport.com/track/rotweinfleck-original-mix/13134182

Rotweinfleck

Eyes Wide Shut (Intro) [VapourTrail Records] (Lossless)

German techno master Helena Hauff steps up for Tresor's Kern series, delivering the fifth instalment in the esteemed catalogue. Hear the haunting rave energy of Umwelt's 'Starless Night', one of Hauff's selections for Kern Vol. 5, now

More info: https://djmag.com/music/premiere-umwelt-starless-night

Kern Vol. 5 mixed by Helena Hauff - Kern Vol. 5 aE" Exclusives + Rariti

Premiere: Umwelt 'Starless Night'

Our Split 04 arrived signing the 16th release on our record label. We continue with a proper compilation full of the new Teqwave style tunes, this time adding a particular classic Techno touch. We want to share and make the new sound of the brand transcend, going back to the club roots with minimal overtones, but without forgetting our Indie roots.
We have got new additions to the team and the current situation under quarantine and covid make us want to show this incredible release with all local artists, helping and fighting the crisis in the musical industry. We have collaborations of top artists joining our usual residents in constant growth and promotion.
We hope that you enjoy this compilation that will mark the identity of the label for a long time.

[TQW016] V.A. - Split 04

Martin Kinrus - Transformer (Original Mix)

The Face Of Vengeance

Artist: @laughingears
Catalogue Number: IM086
Album: Blood
Release Date: February 26th, 2021
Format: Digital

Laughing Ears is poised to release her second LP this January via club music vanguards, Infinite Machine. Her lengthiest offering to date, Blood consists of 10 tracks that highlight Laughing Ears’s knack for building otherworldly atmospherics within club-ready, dance music structures. Taking the tale of Fenrir as it’s starting point, (a giant wolf in Norse mythology who spent much of his life bound and chained to a rock in captivity), the album conceptually deals with family ties and the melancholic beauty that can be found in the darkness of loss.

Blood opens with the airy, gliding synths and heavy drumwork of Flickering Shadows. The track has a unique sense of space due its wide stereo-imaging as well as Laughing Ears’ haunting melodies and driving rhythms. A 100bpm creeper fit for exploring uncharted virtual lands. On the following track, Loki, things are stripped back to their functional essentials. Tabla hits, bass pluses and strange whistles brush up against each other in a head-spinning assemblage before surging towards a climactic resolution.

The serene Untouched Places showcases Laughing Ears’ unique approach to melody and harmony. With a background in singing herself, her synths lines here seem to tonally intertwine, like vocal DNA, veering from harmonious and dissonant phases. Compared to the tranquility of Untouched Places, LP title-track, Blood, moves the record in a more intense direction. A brick wall of compressed percussion and humanoid-sung samples seem to battle it out for the listener’s attention in an enthralling sonic confrontation.

On Blood’s mid-point, Night Whisps, the producer’s love for the thrilling soundtracks of Satoshi Kon’s anime movies definitely comes through clearly. Bass drones claustrophobically reverberate around the mix - acting as a musical backbone that a wide array of staccato samples are stitched onto. Next up, Murderous Means, as its blood-thirsty title suggests, is a brutal and hard-hitting club track that’ll keep listeners guessing as the composition twists and turns. The song’s furious, ever-evolving drum patterns create mesmerizing rhythms you can’t help but bob your head to.

The polyrhythms continue on the following piece, Buona Fortuna. Like footwork, a genre she looks to for inspiration, on Buona Fortuna, the main groove is built out of a disparate family of drum samples which work in tandem - much like how individual dots of an Impressionist painting cooperate to form a single, concrete image. Laughing Ears then slows things down slightly with Glimmer, which sees the producer mix the low end stylings of UK Funky with strung out horns and gong hits.

On Potcheen, the longest of the record, Laughing Ears ambitiously constructs a track that starts from curious, ambient beginnings before morphing into a ferocious footwork-infused banger. Rounding off the release, Warm as A Lizard is a groove-laided drum freakout, crammed full of dense textures which build into a tonal fever pitch.

Artwork by Nic Symbios
Mastered by Fausto Mercier

Blood

Laughing Ears - Loki (IM086)

Studied Recording Arts @ Harbor 



https://music.youtube.com/channel/UCJrp12o8nXgCop9j0k_eP5A?si=1hDvPWTW-iewFE44

Push It

Charm Cracker