My main Soundcloud activity is here: www.soundcloud.com/Jay_Francisco = please follow me there.
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A long time ago, in a far away land (well, a little white island in the balearics actually), the seed of house music embedded itself in a young lad. That seed grew and grew (pretty much right away) giving him a vision of being a DJ and an overwhelming urge to spend all his money on 2 x Technics 1210's, a mixer and a shed load of vinyl. 

Since then came a lot of blood sweat and tears (mostly from carrying twice his body weight in vinyl to clubs and ringing ears by the end of the night), but mostly very very happy times rocking dancefloors far and wide in some of the most famous clubs in the world including Pacha, Ministry of Sound, Matter, Egg, Turnmills, The End, The Cross in London (where he even played on the day it closed!) and Space and Es Paradis in Ibiza. 

Chrissy's music style is deep house, tech and bassline house....with some weird and wonderful breaks & electro influences, not bound by genres only quality underground house! He's smashed it alongside dance floor legends such as Nic Fancuilli, Eric Pyrdz, Sebastien Leger, Martijn Ten Velden, Laidback Luke, Pete Tong and far too many more to mention!  Chrissy’s energy and love for his sound have always been felt by the crowd and he’s made sure they are literally jumpin around when he’s up on the decks! With residencies for club brands such as Kinky Malinki and Immaculate Touch he’s had some very impressive and up for it crowds to play to!

In 2008 Chrissy started a DJ Duo called the Twisted Twins and through hard work and clever marketing got his moniker a lot of attention. As the Twisted Twins, he went on to play at most of London’s major clubs with a damned fine reception. 

Look out for Chrissy's promotion Electric Parade, brought together by DJs with a major passion for quality deep house, tech and techno with some sick basslines thrown into the mix old skool garage style! Born out of a desire to hear their chosen music in clubs, the Electric Parade collective will be carefully choosing venues around London to suit the vibe, bringing a crowd of like minded people together to throw some pretty special parties. 

Aka Jay Francisco - make sure you follow the right pages! www.soundcloud.com/Jay_Francisco

W.A.R.D.E 
Working Artist Real Determined Entertainment  
I go by Dj, Yoda or just Yoda
I am #CEO of WARDE Production & Promotion's 
I've worked with a lot of local artists in #Selma #Smithfield & #Zebulon and plan on working with many more 
I am also the producer, the promoter, the song writer and engineer for sound I have #beats

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Rick Sea is following