Welcome to Steve Thew Online

Refer to Steves Music page to hear latest songs and other gig dates.
https://www.facebook.com/stevethewmusicaustralia/

Welcome to my SoundCloud page! 

I am glad you came to visit. I am just a songwriter, acoustic guitarist and banjo player
... enjoying the music creation process, ... learning as I go, ... and hoping that every once in a while someone enjoys my music too ;-) 

Please Note: 
There is so much great music by so many folks on SoundCloud I have yet to find a good way of listening to everyone's music with the little time I have to do it in. So, I REALLY appreciate it when anyone listens to any of mine! … I am sure your life is busy too. Thanks again! 

Steve Thew is a musician, Vocalist, Guitarist and Banjo player from Geelong, Victoria 

with a mix of music including blues, soul, celtic and contemporary genres covering all aspects of life,both in Australia and abroad. 

Steve's new song about Molly Meldrum "Hey hey Molly Meldrum" has been on The ABC regional Stations and in the Heraldsun. 

It is aslo being played on Youtube, and Folkalley in America.

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Music and Lyrics for original songs by Steve Thew, Vic. Australia Copyright 2013. All Rights Reserved. 
You may not alter, transform, sell or build upon this work without permission.

Kroll. es un proyecto de Carlos Plasencia y Andrés Rodríguez

 Bill Farrish has performed and or recorded as a leader in various groups ranging in size from solo to quintet and also released six CD’s for MCR Records. His music has been featured on several radio broadcasts in Europe the Far East and South America. As a sideman Bill has performed with Bernard Purdie, David Garibaldi, Arthur Prysock, Ray Alexander, Jimmy Halperin, Cecil Bridgewater,Kiku Collins, Wes Belcamp, Steve Kenyon, and Off-Broadway productions of The Man of LaMancha, Lil’ Shop of Horrors, Hair and Tapestry.session work for gold and platinum recording engineer Remo Leomporra Jr, the bands StrangeColud, QCC, Kim Novak and many others.Television credits include: Bea Moss Productions and The Carl Bruno Show– TCI Cable, TV., featured artist in the independently released!production “An Evening with Bill Farrish” by Raven Productions, QPTV. composer of the theme and incidental music for The Park, Eun Kyung Show– Radio Seoul, Flushing NY. Born to a military family in St. Albans, NY, Farrish grew up on Long Island, where he began playing the guitar at age 12. Like many teenagers at the time, he started out imitating Chuck Berry and B.B King licks. But it was the music of Miles Davis, John Coltrane and Herbie Hancock that attracted him to jazz. Farrish enrolled at Five Towns College of Music where he teamed up with other students to play local clubs and bars. Bill graduated Five Towns College with degrees in Jazz Performance with honors. As a student he was the recipient of the Tiny Grimes Memorial Scholarship for jazz guitar and received two consecutive Awards for Excellence in Jazz Performance. After graduating from Five Towns with a BM in Jazz Performance , Farrish headed to Manhattan where he quickly began to establish himself on the local jazz scene. It wasn’t long before Bill was signed to MCR Records, a small label out of Minneapolis, Mn, which lead to the release of 6 CD’s. Bill also appeared as a regular headliner at Manhattan’s Mikell’s, The Angry Squire and other Manhattan venues. Farrish also held a weekly gig at the Village Lantern on Bleecker St. for 4 straight years.

As a sideman Farrish has performed in both concert and club settings with:

Wes Belcamp, Robin Radus, Paula Berardinelli, Neil Waltzer, Bernard Purdie, David Garibaldi, David Gomez, Tito Puente Jr., Mike Portnoy, Jimmy Halperin, Steve Kenyon, Vince Scuderi, Dennis Bram,Kiku Collins, Cecil Bridgewater, Mike Fijal, Greg Bobulinski, George Berardinelli, Eric Goletz, Dennis Wilson, Kim Novack, Arthur Prysock, Dave Ambrosio, Terry Newman, John Ray, Bobby Brennen, Tony Romano, Joe Carbone, Peter Rogine, Dave Kain and many others. 

 

Reviews and Comments:

“Bill is one of the most musically creative guitarists I’ve ever heard…..the ideas ﬂow from him effortlessly.” —Carl Bruno/host of the Carl Bruno Show,TCI Cable, Brookhaven, New York

“If you want to hear some excellent and intensely reﬂective playing in a small- combo format, check out this and the rest of the songs on “Dialogue” –Jazz Fusion Central ( Dialogue)  

”Improv tracks, original and barely produced. It’s Zen recording time, kids and this talented duo pulls it off. ….Farrish and Radus are able to ﬂy on their axes and the musical axis and the result is pleasing, moody, smooth and great with a cup of ultra-strong java”. –Frank Cotolo, – Pure Reviews (Dialogue)
“it is some of the best that is out there. Get out of overdrive…. …listenin to Bill…you will hear guitar playing with “the feel” only one in 6 billion has….and you’ll like it.” –Neal Bond – CentralAudio.com (Sketches of a Summer Day)

”Bill has the increasingly rare gift of old school knowledge and ethics, coupled with a modernist’s sensibility of melody, harmony, and rhythm.” Tony Romano(recording artist & adjunct faculty at Five Towns College, Long Island University, and a Teaching Artist for the Kupferberg Center at Queens College.)
”An Amazing Guitartist!” - Dennis Wilson, Trombonist and Grammy winning Arranger.  
 

Club and Concert Performances:

In NYC: Mikell’s, The Angry Squire, The Trocadero, Cleopatra’s Needle, The Village Lantern, Cookin’ with Jazz, The Colden Center, Tavern on the Green, Pocket’s Billards
Long Island: Carol’s Place, Chez Antoine, Ray’s Rhythm Room, Oceanside Alive, Dix Hills Performing Arts Center, Sonny’s Place, Crescent City Cafe, The Carltun on the Park
Upstate NY: The Concord Hotel, The General Clinton Pub, The B-Side, My Father’s Place, SUNY Oneonta

Radio:

Dialogue and Sketches of a Summer Day have been on radio in over 40 countries including the Ukrane, New Zealand, Japan, South Korea and Brazil.
“The Park, Eun Kyung Show”– Radio Seoul, Flushing NY (Theme and incidental music)

In the pit: (off-broadway)

The Man of LaMancha
Lil’ Shop of Horrors
Hair
Jesus Christ Superstar
Godspell
Tapestry

Recording:

Dialogue - Bill Farrish / Robin Radus- FMC-NY/MCR Records (released 1999, re-released 2002)
Space Jam – Mike Fijal Independent Release Canada 2000
Oz - Bill Farrish -FMC-NY 2000
Sketches of a Summer Day - Bill Farrish -FMC-NY/MCR Records 2001
The Bill Farrish Collection – Bill Farrish -FMC-NY/MCR Records 2001
Close to the Edge- Bill Farrish -FMC-NY/MCR Records 2001
Indie Journal Compilations Vol. 1 Guest Artist Indie Journal – MCR Records 2001
A Rock Odyssey – Remo – MCR Records 2001
Made to Order Guitarist – Remo – MCR Records 2002
Psychedelic Orange - Strangecloud -MCR Records 200
House Guitarist for MCR Records, Minneapolis, Mn. 1999-2003

Professional Endorsements:
Steve Clayton Picks USA


From fresh interpretations of jazz standards, to lyrically evocative originals, New York City based guitarist Rick Stone is an artist with a clear musical vision. His fluid, full-bodied sound pays homage to the great jazz guitar masters of the past while maintaining a personal style with a contemporary edge. 

“This is no-nonsense jazz with a classic dark tone and killer chops."
-Dave Walker, davewalkermusic.com

Rick Stone has been called “one of the finest straight-ahead guitarists on the current NYC jazz scene” (Robert Silverstein, MWE3.com). From fresh interpretations of jazz standards, to lyrically evocative originals, Rick’s fluid, full-bodied sound pays homage to the great jazz masters of the past while maintaining a personal style with a contemporary edge.  

Rick’s latest CD Fractals with bassist Marco Panascia and drummer Tom Pollard reached #5 on the JazzWeek charts and made the Top-100 for the year 2011. His trio can be heard regularly at the Garage, the Bar Next Door and other NYC venues. For the last few summers he has toured Italy extensively as a guest artist and clinician. 

Rick began playing guitar at age nine in his hometown of Cleveland. His passion for jazz was sparked by a live performance of saxophonist Sonny Stitt. This marked the beginning a musical quest that led him to Berklee College of Music and then to New York where he found a fertile and stimulating environment in Barry Harris’ Jazz Cultural Theatre. While studying with the legendary pianist, Rick honed his craft sitting in with veteran players like Tommy Flanagan, Lionel Hampton, Clarence “C” Sharpe, and Junior Cook. Then, under the tutelage of jazz masters Jimmy Heath, Ted Dunbar, Donald Byrd and Hal Galper, he earned his M.A. in Jazz Performance at Queens College.  

Soon Rick was developing a reputation in his own right. With performances at the Blue Note and Carnegie Hall’s Weill Recital Hall, he began leading all-star groups with musicians like Kenny Barron, Eric Alexander, Vernel Fournier, Richard Wyands, Ralph Lalama, Dennis Irwin and Billy Hart. He presented a series of NEA funded concerts entitled “A Tribute To The Masters Of Modern Jazz Guitar” and led a guitar series at the Swing Street Café where his duo mates included Peter Bernstein, Mark Elf, Roni Ben-Hur, Peter Leitch, Michael Howell and Freddie Bryant. He toured South America and played regularly at Sette MoMA with his trio, followed by a stint with swing clarinetist Sol Yaged.  A sought-after sideman, Rick has worked with Irene Reid, Ronny Whyte, Vince Giordano and Eric Person, and many others. He has released five recordings as a leader and is a featured sideman on recordings by Carol Sudhalter, Mary Ann Hurst, Carol Leven and Al Ashley with Dave Leibman.  

A respected educator, Rick teaches at Hofstra University, Jazzmobile and the Brooklyn Conservatory of Music, and has presented clinics at IAJE, MENC and numerous colleges and universities. He writes for Just Jazz Guitar, Jazz Guitar Life, and Mel Bay Publications and has received IAJE Awards for Outstanding Service to Jazz Education and NEA performance fellowships. Rick recently launched the educational website JazzGuitarLessons.com where students can learn through video lessons, and printable study materials, as well as one-on-one instruction via Skype.

A solid, big-voiced jazz baritone (à la Johnny Hartman / Billy Eckstine / Arthur Prysock) who landed in NYC's jazz scene in the early '90s with a distinctive style once described as "biker Gershwin." Critic Scott Yanow notes E. J. Decker "has a strong voice touched by that of Billy Eckstine, although he has his own sound."

Rick Stone is following